SERENITY

SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS SPOILERS

Let's end the suspense right away...

I LOVED THIS MOVIE! I THOUGHT IT WAS GREAT.

But it made me sad, and not just for the obvious reasons that two great characters died... although their deaths are certainly major contributors to the overall cause of my sadness.

But I'm sad because in order to make this film an event -- a motion picture -- in its own right and not just a glorified episode of the series... Joss had to blow a big chunk of the Firefly wad. Yes, the tale was great, but wouldn't it have been even greater spread out across anywhere from 7 to 29 more episodes of the series?

Joss, who's next project is the WONDER WOMAN feature, seems to have graduated to movies. And my overall response is... keeping in mind I'm a huge worshipful fan... what a WASTE!!! This is a guy BORN for series television. For taking characters and building them through nuance and familiarity and suprise. For taking universes and creating them, populating them with myth and incident and humanity. For taking stories and weaving them into intricate, surprising and satisfying tapestries.

In movies -- at least in good ones -- you can get a taste of this. But just a taste. In series television, all this stuff is JOB ONE.

So where's my next FIREFLY/SERENITY fix to come from?

And please don't try to tell me there weren't more stories to tell with Book or Wash. And how will those stories come to light now?

It was a great movie. But... I am left with overwhelming sadness over what an even GREATER series it was and would have been.

Quibbles:

The rescue of River doesn't seem to match up with the version we had been told before. I thought others freed River and deposited her with Simon. I didn't think he was a one-man rescue squad.

I found Simon's deactivation word to be a bit hard to buy. If he knew that word, why wouldn't he have used it in "Objects in Space" when she was waving that gun around? It's not like he knew he'd have to save it for a real massacre.

Some of the extra production values in the film got on my nerves a bit. I'd have rather had MORE old west and less extra goop. But that's just me being a curmdudgeon, I suppose.

If you're the Operative, and you know Serenity's "havens" do you really scorch the Earth... leaving them with no place to go that you're aware of? Or do you use that manpower to stake out these locations... and THEN attack? At this point, he had to know that taking this action would only piss Mal off more.

And what was the point of the Operative killing off River's "doctor" at the beginning. Sure, the dude slipped up. But he posed no threat. And one has to assume that his mind -- pride aside -- presented a valuable resource. So what exactly are we punishing him for? Frankly, the real reason to kill him is to (a) establish the Operative and his own sin of pride and (b) to set up Mal's non-death at the end.

The movie was called Serenity, but she felt like way less of a character in this then in nearly ANY episode of the series. (Although I never liked the title FIREFLY for the series. Too obscure.)

I had hoped to see a bit more of the wonderful population of the series. At the VERY least the guys with the blue gloves. But I guess they all had to make way for what was there.

When Book died, I was totally bummed. I kept thinking, why didn't he go with them to Inara. Then he could have returned to Haven to find the massacre and survived it. I felt like there was so much more to get from his character. I hated to see him go.

When Wash died, I was stunned. I hadn't necessarily expected either of these characters to die. I had done a fairly good job at NOT spoiling things for myself. But the death of Book seemed to qualify as the sacrificial lamb. Like the death of the Magus in "Avalon". So I was really caught off guard by Wash's death.

Now don't get me wrong. They were both good deaths for the characters. Heroic and with strength. Not cheap in any way. And structurally right and sound.

But ... well... see above...

So how exactly did those blast doors open? The Reavers were not supposed to be able to open them from their side. I'm perfectly willing to buy the idea that River is smart enough to over-ride whatever Kaylee had done and open them herself. But when they open, she's standing there in her super-hero bleeding-axe pose - not even standing next to the control panel. So who opened those doors?

Was there always a co-pilot's seat? I don't remember ever seeing that before the moment we see River sitting there.

So do we think that Zoe is pregnant?

Also saw Wallace & Grommit this weekend. Did anyone else notice the bit of song from Wathership Down?

Hamilton Camp, R.I.P.

I read today that Hamilton Camp passed away.

I first met Mr. Camp, when I story edited the last five episodes of DuckTales. Hamilton was the voice of GizmoDuck.

We worked together again on Starship Troopers, where he played the "Old Ranger".

More recently, I'd seen him live on stage in a number of productions with Glendale's "A NOISE WITHIN" Theater company. He played Sir Andrew Aguecheek in Shakespeare's Twelfth Night, and he was hilarious.

And it doesn't seem that long ago, that I ran into him in Larchmont Village and introduced him to my two kids. We didn't know each other well, but he was always gracious, professional... and FUNNY as hell.

Godspeed, Hamilton.

BUFFYVERSE STATS

BUFFYVERSE STATS

TOP 40 CHARACTER LIST:

Once AGAIN, I'm wasting my semi-valuable time (and hopefully yours) to bring you the latest update in my attempt to catalogue the most significant characters in the BUFFYVERSE. The first three previous CUMULATIVE updates covered the first, second and third seasons of Buffy the Vampire Slayer. After that, the task became more complicated as Buffy's fourth season aired simultaneously (day for day, literally) with the first season of Angel. Since a normal season of Buffy (the first excepted) consists of 22 episodes, the fourth of Buffy added to the first of Angel totaled 44 episodes, and that seemed too long to wait for an update. So the fourth update took 11 eps from each series. Now, this - our fifth update - completes the tally for Buffy S4 & Angel S1. (I think from now on, I'm only going to do an update at the end of each season, so this one'll have to hold you all over for awhile. And you won't see that mid-season update reflected in the rankings below. Just made life too complicated.)

As you may recall, I've tried to inform this subjective task with an objective formula. I tried, as much as possible, not to allow my knowledge of future events to influence the current standings. Still, I won't deny that subjectives have played a role. It's hard not to take extra notice of a character you know is going to be important later. And ties were broken based entirely on subjective criteria - i.e. my personal preference.

The idea behind a cumulative tally is to mimic the original experience of following the Buffyverse. It's a horse race. Some of the winners and losers are decidedly predictable. Others are a bit surprising - in fact in one specific instance, surprising enough that it's become absolutely clear that my system must be flawed. I've since dreamt up a new system, but it's too late to implement it. Someday, LONG after I've finished this first survey (but ONLY if I prove truly insane), I might just start over and see what the results are with OBJECTIVE SYSTEM 2.0. But for now - assuming you haven't nodded off - you're stuck with system one.

I have a list of ALL the characters that have appeared in both series up to this point. It's so long (including everything from leads to ridiculously minor characters) that I haven't even bothered to count how many there are. But my list of MOST significant currently tops out at 112 characters.

But I think listing the top 40 is both pleasantly traditional… and plenty. Or largely. I just want to note a few characters introduced (or revisited) in this set of episodes, who haven't yet or never will make the top 40, but whom I believe are memorable enough to merit honorable mention.

Starting with…

#111 & 112 - Ilsa & Inga. The Swedish twins that Jonathan is bedding in "Superstar". Sex objects? Sure. But it's a great visual joke.

#110 - Vanessa Brewer Weeks. The Blind Assasin from Angel. She was pretty cool. A Daredevil rip-off, but a cool twist on it.

#106 - Scientist #1. Just giving credit for continuity, in that they used the same actor to play a generic Initiative scientist in multiple episodes.

#105 - Roy. Same deal. You need a college student, why not use Roy, who we've met before?

#103 - Mr. Ward. The Washington Bigwig who shuts down the Initiative.

#102 - Mason. You need a college student, why not use Mason, whom we've met before?

#101 - Colonel George Haviland. The first guy to take charge of the Initiative after Maggie Walsh dies. He's mysteriously replaced in a later episode with a new actor playing a new Colonel serving the exact same function… but I can't resist including him here because he was played by John Saint Ryan, who voiced King Arthur in GARGOYLES.

#97 - Miss Kitty Fantastico. Willow & Tara's kitten. Whatever happened to her?

#91 - Angel's Dad. Seminal, even in death.

#86 - Alanna Gunn. Seminal for Gunn.

#83 - Adam's Follower. A vampire who basically got forgotten.

#82 - Reporter. Again, just some points for consistently using the same person.

#81 - Weatherby. Part of the Watcher Hit Squad that was chasing Faith and crossed over from Buffy to Angel.

#80 - Smith. Ditto.

#78 - Ryan. Little kid with no soul, who was more dangerous than the demon who possessed him. A chilling idea.

#76 - Jeera. Other-dimensional freedom fighter and potential love interest for Angel. I remember thinking she'd reappear some day. But nope.

#71 - Detective Clark - Recurring Buffy Police Detective (second in a series) who made a bit of an impression. Again, I thought we'd see more of this guy, but the idea of the cops of Sunnydale beginning to catch on just never, well, caught on… perhaps because that WAS a semi-important part of the Angel series.

#61 - Holland. Not one of the Senior Partners at Wolfram & Heart, but as close as we get. He'll become more important next season.

#54 - Collins. Head of the Watcher Hit Squad chasing Faith.

#53- David Navitt. Nerdy billionaire on Angel.

#52 - Angleman. The #2 Initiative scientist who gets zombified by Adam.

#49 - Colonel McNamara. The Initiative Colonel who stuck… until he bought the farm.

And before we start, a fond Top 40 farewell to Scott Hope, Deputy Mayor Finch, Whistler, Kendra and Devon.

AND NOW THE TOP 40
Abbreviations for previous rankings…
Y1 - Buffy Season 1.
Y2 - Buffy Season 2.
Y3 - Buffy Season 3.
NR - Not Ranked that year.

#40 - Principal Flutie. Y3: 24. Y2: 16. Y1: 9. The original Principal of Sunnydale High is still just hanging on.

#39 - Larry. Y3: 25. Y2: 35. Y1: NR. A former bully, he became one of the White Hats and was killed by the Mayor. Still dead, so he basically peaked last year (while we was still alive), falling 14 slots to 39.

#38 - Ethan Rayne. Y3: 29. Y2: 22. Y1: NR. Giles former friend still looms larger in my memory than his ranking suggests. But he's fallen nine to 38.

#37 - Charles Gunn. Y3: NR. Y2: NR. Y1: NR. Gunn is #37 with a bullet. Making a big, fast impression in just a few key episodes at the end of the last season of Angel. I'm assuming that they knew they wanted to make him a regular in Season Two, but him getting all the way into the top 40 this quickly came as a surprise.

#36 - Percy. Y3: 26. Y2: NR. Y1: NR. Percy, an obnoxious basketball player from Sunnydale High, drops 10 rankings in a year, but is still hanging on to the top 40 thanks to the fact that he humiliated Willow at a Sunnydale U Frat Party. He's still not even vaguely interesting as a character. But he keeps showing up.

#35 - Parker Abrams. Y3: NR. Y2: NR. Y1: NR. The second guy that Buffy ever slept with. A real jerk. But he was pretty important this one season.

#34 - The Annointed One. Y3: 19. Y2: 14. Y1: 10. The Master's mini-me drops 15 rankings this season. Odds are after next one, he'll be a mini-memory.

#33 - Mr. Trick. Y3: 18. Y2: NR. Y1: NR. The Mayor's #2 man also drops 15 rankings. Not a good season for early season second bananas.

#32 - Amy. Y3: 27. Y2: 23. Y1: 17. Her continuing appearances as a Rat - including one brief but hilarious transformation back to human, are keeping her in the top 40, but she still falls 15 rankings.

#31 - Lilah Morgan. Y3: NR. Y2: NR. Y1: NR. #31 with a bullet for this Wolfram & Hart attorney. She's a comer.

#30 - Willy the Snitch. Y3: 21. Y2: 24. Y1: NR. I thought that maybe Willy was gone for good, but he made one more appearance in a nice Buffy/Riley/Willy scene. He still falls, but only nine rankings. Less precipitous than some.

#29 - Lindsey McDonald. Y3: NR. Y2: NR. Y1: NR. #29 with a bullet for this Wolfram & Hart attorney. Another comer. Is it a coincidence that both Lindsey and Lilah have the initials LM?

#28 - Darla. Y3: 23. Y2: 23. Y1: 11. Hard not to slip a bit (5 rankings) when you're a vampire who's been staked. But Darla's poised for a bit of a comeback, as flashbacks and the last Season 1 episode of Angel indicated.

#27 - The Master. Y3: 16. Y2: 13. Y1: 8. Buffy's first Big Bad appeared in a shortened first season, so has fallen (11 rankings) out of the top twenty.

#26 - Adam. Y3: NR. Y2: NR. Y1: NR. Buffy's latest Big Bad zips past the Master, but not (thankfully) past the Mayor.

#25 - Harmony. Y3: 20. Y2: 26. Y1: 18. Harmony keeps bouncing back and forth. She's dropped five rankings, but she's still up there.

#24 - Jonathan. Y3: 17. Y2: 19. Y1: NR. Jonathan drops seven rankings, but his single appearance this season in "Superstar" was darn memorable.

#23 - Kate Lockley. Y3: NR. Y2: NR. Y1: NR. Angel's cop friend started out as a potential love interest, but has become something closer to an enemy.

#22 - Graham. Y3: NR. Y2: NR. Y1: NR. Riley Finn's second best friend climbed this ladder on the basis of screen time, I guess.

#21 - Forrest. Y3: NR. Y2: NR. Y1: NR. Riley's best buddy at the Initiative and the Fraternity at least has the virtue of being cyber-demonized into a Second Banana.

#20 - Tara. Y3: NR. Y2: NR. Y1: NR. Tara appropriately climbs halfway up the top 40 in her first season.

#19 - The Mayor. Y3: 14. Y2: 40. Y1: NR. The Mayor loses 5 rankings. Probably the best of the big bads - unless you count Angelus. But it's inevitable with two series to see even major players like him start to fade when they're not appearing over multiple seasons.

#18 - Maggie Walsh. Y3: NR. Y2: NR. Y1: NR. But this is just wrong. One of the things that points up a flaw in the system. It's one thing for her to be ahead of Adam. He didn't even show up until WAY into the season. But how does she jump ahead of the Mayor. You figure Maggie & Adam together might equal the Mayor. But no…

#17 - Jenny Calendar. Y3: 13. Y2: 11. Y1: 15. Still maintaining a good number. Made a deep impression.

#16 - Drusilla. Y3: 11. Y2: 8. Dru has fallen five ranks, but she's still way up there.

#15 - Doyle. Y3: NR. Y2: NR. Y1: NR. With his midseason death, Doyle's got nowhere to go but down. But I loved this character. He was a blast. And his death really did catch me off guard. His ranking was really helped by Angel having such a small regular cast initially. It gave him a lot of screen time and story points.

#14 - Anya. Y3: 22. Y2: NR. Y1: NR. Anya's admirably fills the Cordelia role, but even by the end of Season 3, she's still not a regular. But she's moved up eight rankings over last season.

#13 - Faith. Y3: 10. Y2: NR. Y1: NR. Faith loses three rankings due to coma.

#12 - Principal Snyder. Y3: 9. Y2: 10. Y1: 12. Snyder falls three ranks, to equal his season one score. Pretty good for a dead guy, but he was helped by a dream appearance right out of Apocalypse Now.

#11 - Riley Finn. Y3: NR. Y2: NR. Y1: NR. Riley just misses entering the top ten. A new regular (hopscotching over Anya).

#10 - Wesley. Y3: 15. Y2: NR. Y1: NR. Wesley's midseason reappearance, joining Angel's small cast allows him to rise 5 rankings.

#9 - Joyce. Y3: 8. Y2: 7. Y1: 7. Joyce has barely appeared this season, but she was so high up that she only lost one rank.

#8 - Spike. Y3: 12. Y2: 9. Y1: NR. Spike jumps 4 ranks, as he becomes a regular.

#7 - Oz. Y3: 7. Y2: 12. Y1: NR. Well, Oz is done, but he's high enough to maintain his ranking. It's all downhill from here. Still, I'm sure he'll remain in the top 40 forever.

#6 - Willow. Y3: 4. Y2: 4. Y1: 4. Maggie was a small hint, but Willow's #6 ranking absolutely DEMONSTRATES that the system is flawed. Of course, we expect Angel, now the lead of his own show, to pass Willow. And I get how Cordelia's position as Angel's Gal Friday on Angel gave her a ton of screen and story time. And Cordy was close enough to Willow, to allow her to pass our young Wicca. But how did Willow fall so far behind in the first place? How is it that she's so far behind Giles and Xander that she's vulnerable to fall two ranks?

#5 - Angel. Y3: 6. Y2: 6. Y1: 6. I'm mildly surprised that even as the Lead of his own show, Angel's still behind Cordelia, his second banana.

#4 - Cordelia. Y3: 5. Y2: 5. Y1: 5. See above. She's #2 in a tiny regular cast.

#3 - Giles. Y3: 2. Y2: 2. Y1: 2. Giles falls one rank. Still the number 3 guy, which is tops, but his Season Four fears that he has no roll in Buffy's life may have a basis in reality.

#2 - Xander. Y3: 3. Y2: 3. Y1: 3. Xander moves past Giles into the #2 spot. This doesn't surprise me… except again as it relates to Willow. How did he pass Giles and Willow doesn't? It's just counter-intuitive.

#1 - Buffy. Y3: 1. Y2: 1. Y1: 1. Duh.

Greg Guler Responds...

Hey gang...

The other day, I got the following question here...

Audra writes...

Hi Greg,
I was just wondering, how tall is Elisa? I am an 18 year old female and I am pretty tall myself. I am 5'7. And Elisa seems like a tall woman to me. I was wondering if she is as tall as me or taller. Thank you Greg!

I responded...

I don't know. It would be a good question for my CreatureComics.com partner, art director, Greg Guler. I'll ask him.

Here's Greg Guler's response:

Hey guys. Although it's never been figured out in feet
and inches, I figure she has to be at least that tall
in order for her be as tall as she is with Goliath,
and make decent eye contact.
Greg G.

So there you go. You asked Greg, and a Greg answered. All part of the service here and at CreatureComics.com.

Troubies

In my praise of the Troubador Theater Company, I forgot to include their website address:

www.troubie.com

The website itself may not be that impressive, but bookmark it for future reference. Heck, a bunch of you are coming to Gathering 2006 in Los Angeles. Maybe we can all plan to attend a Troubie show together.

"Tonight we're gonna party like it's 1599..."

Yesterday, I took my kids to see "Hamlet, The Artist Formerly Known As Prince Of Denmark". It's a fairly faithful adaption of Shakespeare's Hamlet, set to the music of Prince with a ton of clown shtick thrown in for good measure. For folks of a certain age, like me, who remember the 1984 joy of total emersion in Purple Rain, it was a blast. And my kids really liked it too. Plus, hey, Shakespeare to boot!

And all of it, the brilliant work of the Troubador Theater Company. Matt Walker, who directed the show and leads the company and plays Hamlet, is an f-ing genius.

(Oh, and that guy on stilts... Whoah!)

I think this is my favorite Troubie show since "A Midsummer Saturday Night's Fever Dream".

The talented Troubies are celebrating their tenth anniversary. Other shows of theirs include:

"Fleetwood Macbeth"
"The Comedy of Aerosmith"
"It's a Stevie Wonderful Life"
"Alls Kool that Ends Cool"
"A Christmas Carol King"
"Funky Punks with Junk in their Trunks"
"Santa Claus is Coming to Motown"
"Twelfth Dog Night"

Coming in November... "Little Drummer Bowie"

If you're in L.A., you really don't want to miss it.

G2005 - Tuesday, August 2

G2005 - Tuesday, August 2

8:30am. We hit the road back for Los Angeles. Reading Harry Potter most of the way. (Although we didn't actually finish the book until just last night.) We stopped for lunch at Tommy's (chilicheeseburger, chilidog, fries, coke)... and we were home again by 2pm. That's five and a half hours, including the hour-long lunch break. Half the time it took Thom and I to fly to Vegas. Oh, well.

After that, it was Unpack, Nap, Dinner. Beth made a great home-cooked meal of Meat, Corn, Mushrooms and Strawberries.

More Harry Potter. Did some actual work on W.I.T.C.H.

Then finally bed.

So ends my journal.

Please, everyone post your G2005 CONJOURNALS to ASK GREG by the end of August. I've asked Gorebash to shut down the ASK GREG Submit function at about midnight on August 31st. So before memories get even hazier, please take a few minutes to write up your experiences and cut and paste them here.

Thanks.

G2005 - Monday, August 1

G2005 - Monday, August 1

11:30am. I went down to the art room to collect the kids' art that hadn't sold. (Some of it had!) Spent the entire day saying good-byes to various people as they took off.

12:00pm. Time for my final panel: Creating Original Properties. Talked about DOC SHAKESPEARE. Also showed the animatic "sizzle tapes" for MECHA-SAPIENS (which I developed with Vic Cook and Greg Guler) and KIDD/HERO (which I developed with DAG Entertainment and Vic Cook). Thom came in during the panel to say his goodbyes. Hopefully, he had an easier flight back to L.A. than the one that brought us here.

1:30pm. The auction began with a piece called "Bonanza" by Spike -- which depicted Hudson, Brooklyn, Lexington & Broadway as (respectively) Ben, Adam, Joe and Hoss Cartwright. Now the day before in the silent auction, my daughter had put in a bid on Liz's "Leo" piece and gotten it. And my son had bid $5 on Bonanza. All this was done with Beth's permission. We were willing to buy them each a five-dollar piece of art. But Benny noticed that someone had bid $10 after him on Bonanza. Without asking us, he bid $15. That someone then bid $20. And Benny bid $30!!!!! Thus sending the thing to the live auction on Monday. We were stunned. But he offered to pay in the money he made on his art, so I told him that if the bid didn't go beyond $30 in the live auction, I would get it for him.

So anyway, Bonanza came up for bid. I bid $30. And then... I made faces. Yeah, Spike, I'm truly sorry. No one was forbidden from bidding higher. (And the person who had bid against Benny had already left the con.) But I'm not sure anyone was willing to bid against me or my mock-scowl, so $30 is all you get.

The kids love all the artwork they got from Liz and from Spike and from Jade. Beth has framed or is framing it all. It all goes up on their now very crowded walls. Karine also drew me a picture that I am very fond of -- though I don't see us putting it up on the wall.

I did some signing during the auction. But I also wandered around a bit. Fusion Demon had lost her Doc Shakespeare script, and I found it and returned it. But I also found Thom's script -- which I guess he had given to her -- and didn't realize it wasn't up for grabs. So it got auctioned off for $150. Thom's pants went for big money too, I think.

3:00pm. Closing Ceremonies. Brief and to the point.

4:00pm. A group of us went to Quark's for dinner. Patrick, Tony, Andrea, Trishanna, Cindy, Kyt, Julie, Karine, Jen, Seth, Seth, Jade, Scott, Marina, Liz. I finally got that messy burger that I've been wanting since San Diego. Plus onion rings AND fries.

7:15pm. Then I took a taxi back to the hotel. Packed up.

8:15pm. Checked out of the hotel and waited outside. Saw that guy in the big Top Hat. I'm sorry, I'm blanking on your name, but we had a nice talk.

8:30pm. Beth, Erin and Benny picked me up and we drove to my in-laws, where we read chapter ten of Harry Potter and the Half-Blood Prince. And I had a blueberry muffin, minestrone soup and juice. I was still pretty wired, even after the family went to bed.

3:00am. Went to bed myself.

I'll wrap up this ConJournal tomorrow...

G2005 - Sunday, July 31

G2005 - Sunday, July 31

10:00am. Erin, Benny & Beth arrived at the hotel. They had actually arrived in Vegas the day before, but they were staying at my in-laws house, so I hadn't seen them since Thursday morning. We got them checked in, badged up and showed them the art show. Hung up a couple more of Benny's pictures.

10:30am. Second Day of Auditions with Thom & Jen. Erin auditioned, and did great. We had a number of good people the second day too.

11:45am. Jen & Thom & I went back to Guadelajara's again for our casting lunch. I had a Roast Beef Dip, Fries and a Pepsi. We had some really tough casting choices to make. A lot of good people for only 16 roles and two understudies.

1:00pm. Jen & I posted cast lists at five different locations. I wasn't going to take any chances.

1:30pm. Had a panel next on W.I.T.C.H., the series that I'm working on now. The location got tossed around a bit, but we finally wound up in the ConSuite. I showed the animatic "Pilot" created by the series' first set of producers, who were pushed sideways a bit by Disney, who replaced them with a second set of producers, who were the showrunners for the first season. All four of those producers were then let go, and I did Season Four. I tell this story to show that it can happen to anyone in this business. God knows, it's happened to me. Anyway, it was a fun panel, but I felt very restricted as to what I could talk about. I don't think the entire first season has aired yet, and I didn't want to spoil anything for their stuff, let alone MY second season stuff, which won't begin airing until December at the earliest. But next year's WITCH panel at G2006, should really kick some ass. We'll have a bunch of writers and actors there. Anyway, I recommend checking out the show. We have some really fun stuff planned. It's one of the most fun shows I've EVER worked on.

3:00pm. We had our Radio Play Rehearsal. Everyone showed up, which meant our understudies didn't have much to do, but I hope they enjoyed the process at least. I had fun. It was a great group.

4:30pm. The Radio Play. Again, everyone showed up. This year we were doing an original live-action pilot called "DOC SHAKESPEARE", written by myself & Samuel Bernstein. *UNSOLD*.

Here's the cast list:

Susanna Shakespeare - Laurean Broadbent
Judith Shakespeare - Jen Anderson
Mike Santos - Erik Mambu
Jeff Wylie - Seth Jackson
Anita Santos - Kaylle
Luís Santos - Eric Tribou
Tess Derbyville - Sarah McEvoy
Hamnet Shakespeare - Erin Weisman
Aaron Moore - Adam Leigh
Lewis Santos - Echo Eberle
Arthur Soames - Revel
Ralph - Thom Adcox
Jonas Kent - Alex Garg
Doris - Lanny Fields
Mort - Bruce Lane
Nathan - Vani Shaw
Understudies - Tracy Prelog, Anthony Zucconi
Narrator - Greg Weisman

Everyone really did a great job. I was very pleased with the response.

5:30pm. The family and I went back to my hotel room, to hang out for a while.

6:00pm. Banquet. The four of us were told where to sit, but we were sitting alone and there was some confusion as to how or whether anyone else was supposed to be chosen to join us. Eventually, the Leonard Family (Susan, Robert, Chloe & Carly) joined us and so did GXB, though I think we were too dull for Greg, as he bailed on us at some point. It became a very family oriented discussion there. Erin won the big Gargoyle centerpiece, and Susan was very nice and gave Benny the Garg Puzzle Cube thing. Appreciated, but very unnnecessary. The food was great, I thought. Salad, veggies, rice, eggplant, meat, onions.

No Q&A -- which surprised me. I guess there's just not much left to ask me and Thom. Though I'd think everyone would have wanted a shot at Dave.

After dinner, we went upstairs again and the kids changed into their costumes. GREAT COSTUMES -- created of course by Eden. Last Halloween, Cindy made Benny a Goliath costume (which he reprised for the con) and Erin a Marilyn Monroe costume (which Cindy then added wings to, to transform it into a HOLLY costume, i.e. the mascot of G2001 & G2006).

After they were dressed, we went down to Lanny's room, where Benny got painted purple and Erin got a few make-up highlights. We hung out there awhile with Cindy, Abram, Jen, Karine, Lanny, etc.

9:00pm. Dave, Thom and myself judged the costume contest (after dessert - apple pie, Banana Cream Pie, Swan Puff, Pepsi). Some great costumes...

Junior Division
Erin's Holly won best non-canon character
Benny's Goliath won best canon character
Fusion Demon won best cosplay

Senior Division
Noel's Werefox (with an honorable mention to Jade's La Belle Elisa) won best cosplay.
Eden's sexy Banshee won 1st in canon.
Revel's great Jackal won 2nd in canon.
Onyx won in non-canon.

Tony & Thom won cutest couple.
Andrea won the Thom Adcox Memorial Award.

Shara as Future Tense Brooklyn won both the Gorelisa Award and Best in Show.

Beth, Erin & Benny left at that point to head back to my in-laws and call it a night.

We gave out the art awards too, but I didn't write all those down. I know that Liz's amazing Zodiac series won Best in Show, among others.

After that, I just hung out talking... which is of course one of my favorite things...

Who was there? Thom, Seth, Tony, Andrea, Carol, Dave, Marina, Flanker, Ahkento, Liz, Trishanna, Jen, etc. (I know I'm missing a ton of people. Sorry.)

Finally, we called it a night....

More soon...

GARGOYLES DVD - SEASON TWO, VOLUME ONE

GANG - IT'S OFFICIAL!!!

Buena Vista Home Entertainment has authorized me to reveal the following:

The Gargoyles Season 2 (Volume 1) DVD was announced to the BVHE sales force this past Friday.

Here are the details:
--First 26 episodes of Season 2.
--3-disc DVD set.
--Available on DVD December 6, 2005.
--$39.99 SRP US.

Bonus Features:
--Episode Introductions by Greg Weisman.
--Audio Commentaries on "City of Stone" Four-Parter.
--The Gathering of the Cast and Crew (featurette).

More info as I get it...

GARGOYLES DVD - SEASON TWO, VOLUME ONE

GANG - IT'S OFFICIAL!!!

Buena Vista Home Entertainment has authorized me to reveal the following:

The Gargoyles Season 2 (Volume 1) DVD was announced to the BVHE sales force this past Friday.

Here are the details:
--First 26 episodes of Season 2.
--3-disc DVD set.
--Available on DVD December 6, 2005.
--$39.99 SRP US.

Bonus Features:
--Episode Introductions by Greg Weisman.
--Audio Commentaries on "City of Stone" Four-Parter.
--The Gathering of the Cast and Crew (featurette).

More info as I get it...

G2005 - Saturday, July 30

G2005 - Saturday, July 30

10:30am. Aborted Mug. I showed up. So did Carol. But no one else... :(

Oh, well. Gave me a chance to have breakfast with Carol and Dave Schwartz -- again at Guadelajara's. (Tomato juice, scrambled eggs, sausage, hash browns, pancakes.) I'm afraid I didn't really have the opportunity to sample many of the Palace's restaurant options. Didn't even make it to the Buffet. But I always love breakfast food.

12:00pm. Next up, Dave and I (Thom was a no-show) took on the Development and Production Panel, discussing the entire process of creating and producing an animated series from start to finish. That was fun. Just hanging with Dave is fun. He's a great guy. I hope a bunch of you got a chance to get to know him.

1:30pm. Voice Acting Panel with Thom. I think this went very well. I'm using the same materials I've been using for years, and I should probably get some new ones... but (a) it's hard to find the time and (b) these materials really do a great job at illustrating the basic (very basic) points that Thom and I want to emphasize in the panel. But people must be getting sick of them. Well, we'll see about next year. Anyway, we had some good readers. It was fun, and a nice preamble to...

3:00pm. Auditions. The first set. As is traditional, Thom and Jen and I handled auditions while Cat (Kat?) and ... and... ARGH... I'm blanking out on another name... worked the door. We got some very good people. We were to have more auditions the next day, but Day One gave me confidence that we'd be able to cast the show.

4:30pm. Next up was the SLAVE LABOR GRAPHICS, CREATURE COMICS.COM panel with myself, Dan Vado and Marty Lund. Dan showed his slide show, which included glimpses of all his upcoming Disney Licensced Books: TRON, HAUNTED MANSION, WONDERLAND and, of course, GARGOYLES. For that all we have to show is one gorgeous NEW piece of pro-art depicting Goliath and Elisa. Illustrated by CCC Art Director Greg Guler and colored by the folks at SLG, the piece really kicks some ass! We talked about the upcoming GARGOYLES comic. A lot is still up in the air, but we're all now fully committed to getting this book out in the first half of 2006 -- i.e. sometime between January and June. I know that's a pretty big window, but we'll keep you posted as we begin to nail things down.

Dan was very favorably impressed by the Garg fandom and plans to make SLG a BIG presence at next year's Gathering 2006 in Los Angeles.

6:00pm. We all wanted to grab some dinner, but the wait at Macaroni Grill was like FOREVER. And I had a poker tournament to play in at 7:30pm, and many of the girls were planning to take off to throw Laurean her bachelorette party. So we (me, Adam, Lexy, Tony, Andrea, Patrick, Anna, Si, Marty, Jen, Karine and Kyt) wound up eating at McDonalds (#2 meal and a peach pie).

Si, Lexy, Jen, Cindy, Kyt, Andrea, Trishana and Karine took off for the aforementioned party. And the MEN headed for the Poker Tourney.

7:30pm. Charity Poker Tournament. Competing were myself, Marty, Tony, Eric, Adam, Chris and Thom. All for great charities. (Mine was Daphneyland, a Basset Hound Rescue Organization in Acton, California -- where we got our two new dogs, Abraham and Sami.)

I had NEVER played Texas Hold'em before, but Kathy bought me a book: "The Complete Idiot's Guide to Poker". It was somewhat helpful... though it did make me feel like: "If this is the Idiot's Guide, I need the Moron's Guide." But I did pretty well. We had a pro dealer named Matt. Heavy chips. Good times.

I busted Tony out first. That shocked him, I think. Marty then got killed by Thom, who went out next. I think I slammed him when he thought he had won with two aces in the hole, but I had something like three of a kind or two pair or a full house or something.

Adam then bit the dust, and it was down to myself, Gore and Chris. Chris had been playing slow and easy, letting us all take each other out. But by the time we were down to three, Gore was nearly busted, and I had a decent pot, but Chris had almost all the play money. It finally came down to one hand where both Gore and Chris went all in. I knew I could fold and stay in the game for longer, but I felt it would just be a game of attrition at that point. If Chris took Gore out, I wouldn't have the resources to fight him. So I gambled on a weak hand... and lost. (Though I did beat Gore, to come in second.)

Anyway, I did pretty well and had a great time. It was fun to play with other people's money. I'd do that again anytime!!

9:30pm. I led a HUGE crowd to the Station's Ice Cream Store. Don't remember all who were there, but I know it included myself, Thom, Tony, Lanny, Marina, Ryan, Patrick, Norcumi, Carol and Dave. I had a Banana Royale.

Then we stopped by the Arcade, but that doesn't really jazz me. I asked what else we could do. (I usually run out of ideas after food.) Someone suggested swimming... so we made our way to the pool.

10:00pm. Took a quick couple of dips in the main pool, but we mostly hung out in the jacuzzi: me, Lanny, Adam, Scott, Carter, Thom, Seth, Eric, Tony, Marty and Marina -- the one brave girl willing to hang with ten dopey guys. Marina, whom I remember as a KID from G1997 is a real sweetie. *But man does she make me feel old!*

12:00am. Called it a night, when the guard kicked us out of the pool.

2:30am. Turned out the lights and went to sleep.

More coming soon...

G2005 - Friday, July 29

G2005 - Friday, July 29

ConJournal continues...

The Guadelajara Restaurant in the Palace Station bookends my day.

Started there in the morning, eating alone: eggs, toast, sausage, hash browns.

Then I checked in at the front desk, I believe, before heading upstairs for my first Mug-A-Guest at...

12:00pm. Fan was there, and Daniel and Doug, I think. And others. But I can't remember now. (Please forgive me, as always, if I left you out.) We had a nice fairly open chat, I think. Friendly and intimate, which is the whole point of Mugs.

1:15pm. Then I think I helped Carol carry a bunch of the Gargoyles Production art that she had brought down to the art room. (And a shout out to Johanne Beaudoin at Disney for helping arrange this for us.) I also set up the art panel for my kids stuff. I also spent some time admiring all the great fan art.

3:00pm. Next up, the Writing for Animation Panel. I'm afraid I had nothing prepared for this one, so I talked a little about the writing process, and then opened it up to Q&A. Somehow, we managed to fill the time. I hope it was somewhat interesting and/or informative.

4:15pm. By this time, I was hungry again. So it was time for a late lunch across the street at the Macaroni Grill with Jen, Si and Patrick. Still, I didn't want this to be my dinner, so I just ordered a Fried Calimari appetizer.

6:00pm. Opening Ceremonies. Chris spoke. And Jen intro'd the 2006 convention in Los Angeles. Eventually, it was my turn... and I had a lot to cover:
--Talking about the DVDs (First Season out, Volume One of Season Two coming this winter (probably December)).
--the Comics (due out in the first half of 2006).
--A BIG YEAR FOR GARG FANS!!!
--I thanked the current staff: Chris, Lanny, Carol, Kathy, Lynati, Winterwold, Dreamie, Aaron, Hudson & Seth.
--Nearly forgot to thank Thom.

Then I had stuff to play.
--We had pre-recorded Audio Greetings from Kath Soucie and Keith David. That Keith greeting went over very well.
--Then we had pre-recorded Video Greetings from myself, Thom, Michael Reaves, Frank Paur, Jeff Bennett, Bill Faggerbakke, Brigitte Bako and Ed Asner. Those also seemed appreciated.
--I showed a teaser from the Second Season DVD extras. People seemed to like that too.
--I skipped showing the Gargoyles Pitch that I show most years, as it now appears on the first season DVD. Instead, I had dug up a tape that I had forgotten existed: it's an earlier version of the pitch, with older art, read by Jim Cummings. Next year, I may show both.
--Showed the Garg Promo and Garg Presentation videos, as always.
--Showed the New Olympian & Dark Ages pitches, as always.
--Showed Bad Guys, as always.
--Instead of playing the Audio to "The Last", we had a special treat. Vashkoda did an amazing job of editing, coloring and adding music and effects to The Last, based on the audio tape, script and storyboard. It looked just great. The work only really covered ACT ONE of the episode, but I'm really hoping that some of you artistic types will contact her. If every artist in the fandom just boarded one scene, then by next year, we might have a "new" episode totally completed.

After the Ceremonies, a bunch of us went looking for a place that could handle a large dinner party. We (myself, Carol, Kathy, Thom, seth, Marina, Eric and Scott) wound up at Pasta Palace, where I had bread, minestrone, Veal Picatta and mashed potatos.

Also finished in time, so that I didn't need to run to the Blue Mug... though somehow Thom managed to be late.

10:00pm. Blue Mug. A few Blue moments and a stunning near-psychic moment from Andrea Zucconi. ;) But mostly it was just fun talking until late into the night.

Then, as noted above, it was back to bookend the night at the Guadelajara for Banana Cream Pie and "milk". (In quotes, because it was undrinkable.) I think that was me, Kathy, Lynati, Norcumi, Aaron, Emambu, GXB, Tony & Andrea. And... and... i can totally picture him, but I am just blanking out on the name. (SORRY!!!)

Then I called it a night.

More tomorrow...

G2005 - Thursday, July 28

G2005 - Thursday, July 28

And so begins my annual ConJournal. As I've stated before, it would be very much appreciated if all of you who attended would post your conjournals, diaries, etc. here at ASK GREG. I know there are other places to post them, including the new Gathering Archives, but please ALSO cut and paste the things and put them here too. This is a location Disney is already aware of. In the past, it's helped them to see the fandom taking such a passionate interest.

Okay, the usual caveats... I may misremember some stuff, may leave out some people, reorder events, etc. For that -- in advance -- I apologize.

I do not apologize that most of my conjournal is dedicated to the discussion of what I ate. That's just who I am. Live with it.

Also, some thank yous off the top to Chris Rogers and this year's AMAZING CONSTAFF. GREAT JOB! As always, I had a BLAST at the convention! And you guys did it all!

Okay, here goes...

For the first time in ages, I was taking a non-working vacation. Wasn't even bringing a script to read on the plane. So Thursday morning I woke up and didn't go into the office.

10:30am. Instead, I went to my kids' summer camp to see the neat furniture that my son had built in his furniture building class: a chair (which he named "bacon & eggs") and a table (which he called "hot dogs and mustard"). It was pretty amazing stuff. I said my good-byes to Beth, Erin and Benny. I wouldn't be seeing them again until Sunday at the con.

11:00am. I went home to pack. Had a bit of time to kill, so I had a snack of apple, cheese and salami, while watching a bit of ALL MY CHILDREN, a soap I've watched on and off since the 70s.

12:15pm. Note the time. This is when I departed my house. The car that Carol Wagner arranged picked me up and got me to Bob Hope Airport in no time at all. There, I met up with Thom Adcox. I checked in while he waited to retrieve his cellphone from the driver of his car. Then we went to the gate. We grabbed some lunch (Turkey Sandwich, Chips, Three Musketeers bar, Water, Perrier, Licorice Wheels) and sat and talked.

2:55pm. The flight does NOT leave as scheduled. It's late arriving from Oakland.

4:00pm. We board the plane. Thom gives me some Tootsie Rolls. We wait. Eventually, we depart. I doze off. I wake up, having just missed a P.A. announcement. Seems we're very close to L.V., but we're being redirected. There are thunderstorms in L.V. and unfortunately, since we left Burbank in a hurry -- trying to make our "landing window" -- we didn't take the time to refuel. So now we don't have enough fuel to circle Las Vegas indefinitely. Instead, they send us back to Ontario, California. That's almost all the way back to Burbank.

We land and stay on the plane while they refuel. They give us peanuts. Then they tell us we won't be departing for another hour and a half, so they let us deplane. Thom and I go to Carl's Jr. and order food. Then suddenly a Southwest person comes running through the terminal, telling us all to get back to the plane immediately... we're about to take off. So we grab up our food and reboard... and sit... and wait... and sit... and wait...

One thing I will say is that everyone on that plane maintained a VERY good attitude. Good spirits. You'd expect some nastiness given all the delays ... but it never happened.

I ate my Carls -- Sourdough Bacon Cheesburger, Fried Zucchini and a coke -- and wished I hadn't. Just NOT very good, but with plenty of grease to spare.

Finally, we take off.

8:15pm. We land in Vegas. But there's no gate open for us, so we wait on the tarmac.

9:15pm. We pull into a gate and deplane. Now originally, Chris was supposed to pick us up and take us to the hotel to check in. Then we were all supposed to go to a pre-con staff dinner at the Excalibur. But by the time we arrived, the dinner was already underway. So instead of dragging Chris out, we went to catch a cab. Man -- that's a LONG line for cabs. I spotted Ellen behind us in the line and invited her to share our cab. It was hot. But I was with good people, and like I said, everyone stayed calm.

We finally got a cab. Got to the Palace Station and checked in with no problem.

10:15pm. I finally got up to my room. TEN FULL HOURS exactly after I left my house. Thom and I could have DRIVEN to Vegas and back in that amount of time. Oh, well...

Thom decided to call it a night, so I went down to the consuite and hung around for awhile, chatting with Carol, Hudson, GXB, Lynati, Winterwolf, Dreamie, Aaron, Allayne, Kat (Cat?) and Revel. Kathy came in searching for her cellphone. (The second cellphone search I witnessed just in that day. And people wonder why I don't want one.)

Then, finally, I headed back up to my room and called it a night...

MORE TOMORROW...

G2005 or BUST!

Hey gang,

Well, I'm taking off tomorrow for Vegas. I'll be back here in August to post my Gathering Journal. Don't forget to post yours too!

GATHERING JOURNALS

Hey gang...

Gorebash is going to be opening the ASK GREG posting function in the next day or so. Specifically, that's because I'm hoping that a whole bunch of you will post your Gathering Journals, Diaries, Notebooks, etc. right here.

It helps to have a central place for industry types to read this stuff. Plus I like to read it all.

I'm told we have 170 people pre-registered for the Gathering. So my goal is to get 100 Gathering Journals up on this site in the next couple weeks.

During this period, we'll also be open for questions, but I urge you not to post a question lightly. I'm still backlogged nearly two years worth.

Thanks in advance,

Greg

San Diego ComicCon 2005

Hey guys,

I'm heading down to San Diego tomorrow for a brief sojourn at ComicCon. Specifically, I'll be participating (at least I'll be sitting there) at a Slave Labor Graphics Panel at 4pm on Saturday, 7-16-05. Stop by and say hello.

Regarding Oberon

The other day, I was asked a question about sources for Oberon. I didn't know the answer, but I received this e-mail from site moderator, Todd Jensen:

Dear Greg,

In "Ask Greg" today, curousity asked you if there were any other sources besides Shakespeare for Oberon as "king of the faries [sic]". You replied, "Not off the top of my head." I hope that I'm not presuming here in e-mailing you, but I have found at least three works beside "A Midsummer Night's Dream" that portray Oberon in that role, both of which are early enough that they count as "primary sources".

One is a late medieval French work about one of Charlemagne's knights, entitled Huon of Bordeaux (written in the 15th century, and translated into English by a certain Lord Berners in 1548 - early enough, in other words, that Shakespeare could have used it as a source for Oberon). In it, Huon befriends Oberon in his adventures, and the latter becomes Huon's guardian, almost a "fairy godfather". (Oberon is portrayed in it as around three feet tall due to a curse placed upon him in his infancy, and as the son of Julius Caesar and Morgan le Fay!) At the end of the story, Oberon even brings Huon to Avalon and formally abdicates in favor of Huon, declaring him ruler over the "faerie-folk"; a bit of trouble develops, however, when King Arthur arrives at the gathering and protests, saying that if any human should be ruling over Avalon, it should be he himself rather than a relative newcomer like Huon. Oberon angrily tells Arthur that he has chosen Huon for his successor, is not going to change his mind, and even threatens to curse Arthur by transforming him into a werewolf if he doesn't accept it. Huon at this point steps in as a peacemaker, to say that he doesn't think that he could rule Avalon on his own and suggests that he and Arthur act as co-rulers. Oberon and Arthur both agree to this, after which Oberon peacefully dies and Arthur and Huon are crowned in his stead.

Another non-Shakespeare "primary source" involving Oberon is Michael Drayton's Nimphidia, which has Oberon ruling over the "fairies" as well - and wedded here to Queen Mab! (According to the research that I've done on fairy mythology, Titania appears to have been Shakespeare's invention as opposed to a pre-existing legendary figure, though Oberon and Puck both predated him.)

A third is Edmund Spenser's The Faerie Queene, which presents Oberon as the former ruler over "Fairyland", now deceased, with his daughter Gloriana - the Faerie Queene of the title - ruling in his stead. (Gloriana is actually an idealized Elizabeth I, meaning that the Oberon of Spenser would be an idealized Henry VIII.) The poem also includes, incidentally, King Arthur, Merlin, and Talos as on-stage characters.

THANKS, TODD!!!!

IKKI TOUSEN

For those of you who have worn out your GARGOYLES first season DVD playing the words "Nice Mask" over and over and over again...

For those of you who have waited and watched for that Panda-La episode of Talespin, just so that you can hear: "Father, the rockets aren't working!"...

For those of you who just can't get enough of the homeless guy in 3x3 Eyes humming the Gargoyles' theme...

I'd recommend you rush out and purchase the four volume DVD set of IKKI TOUSEN (Strength of a Thousand).

Heck, I'd recommend it anyway. I've watched the first three volumes and plan to watch the fourth volume tonight. They're all a lot of fun. The interview with the director is worth the price of admission alone. Loads of action and sexy stuff. (NOT FOR KIDS, BTW! ADULTS ONLY!)

Ikki Tousen.

Creature Comics.com

Creature Comics.com.

It doesn't quite exist yet. But, yes. It's coming. Or at least I'm starting to feel confident that it's coming. (Traditionally, this kinda confidence has a history of blowing up in my face, but what the heck, right?)

Want the backstory?

At the Gathering 2003 in New York City, I sat down for a while with Martin Lund. Some of you know him as Kai, I believe. At the time, I have to admit, I mostly knew him as Lexy's other half. (Sorry, Marty, can't quite bring myself to say "better half".) Anyway, Marty and I talked. About a lot of stuff, but mostly about how much we'd both like to see a new GARGOYLES comic book telling original stories for the fans.

Marty felt we could make it happen. And Marty got me to believe it was possible.

We soon partnered up with Greg Guler. Many of you have met Greg G. at various Gatherings. Greg was one of the main development artists who helped create GARGOYLES. (He did the key inspirational designs on a few minor characters that you might remember: Goliath, Elisa, Demona.) He was also the Lead Character Designer for the entire Second Season of the Series. Like me, Greg G. also has a comic book background. We both worked at DC Comics in the late eighties/early nineties -- though we never actually worked together back then. He did a bunch of stuff, but the thing I always rememered was his monthly work on HAWK & DOVE.

(When Greg & I first met in person, he was doing prop design at Disney. I kinda credit myself for giving him a push into character design. He's been one of WDTVA's chief character designers for years now. His credits there are almost endless.)

Anyway, Marty & Greg & I formed a partnership, which we soon called CREATURE COMICS. Our initial goal was to license and launch a new GARGOYLES comic book. Marty would handle the business end. Greg G. would handle the art end. Yours truly would handle the writing (and to a lesser extent be the big mouth mouthpiece for the group -- hence this ramble).

Of course, this was nearly TWO YEARS ago. But Marty does NOT give up. Money was our first problem, i.e. we had none, and *surprise, surprise* Disney wasn't keen on the idea of licensing the GARGOYLES property for free. In fact, because we were a start-up (up-start?) company with no track record, they actually wanted a LARGER license fee as, in essence, insurance, in case we screwed up. The good news was that they did LIKE the idea of having two of the original creators being in charge of the creative. (This would fortunately be of importance down the road.) They just weren't wild about a bunch of "amateurs" being put in charge of their property.

But as I said, Marty does NOT give up. Still, for the time being, we put a pin in the GARGOYLES idea. If that was too expensive, we'd start with an ORIGINAL property -- one that CREATURE COMICS could own. We'd prove ourselves on that. Then after we were huge successes, we'd be able to go to Disney again with that track record they felt they needed.

Turns out we had a problem here too. No money. (Funny how that keeps coming up.) So CREATURE COMICS morphed into CREATURE COMICS.COM. We'd launch the comic on the web. This seemed like a plan. But life/reality/actual paying work kept getting in the way. (We -- meaning Greg G. -- did manage to create a logo though, which should be revealed soon.)

Meanwhile, as I mentioned, Marty was busy NOT giving up. He maintained contact with Disney. They were still interested in having the GARGOYLES creators on a GARGOYLES comic book. (And I figure the relative success of the DVD didn't hurt our situation either.) It was just that pesky start-up status that they couldn't deal with. But believe it or not, DISNEY suggested a solution. They were (are) currently in the process of making a licensing deal with SLAVE LABOR GRAPHICS... i.e. a comic book company with an actual track record!

Now, as of this writing, to my knowledge, the deal between SLG and DISNEY is not yet fully, totally realized. As I understand it, they're VERY close. But it's not signed. So normally, I would TOTALLY not be discussing ANY OF THIS (this whole ramble would not exist). But Dan Vado, who runs SLG, spilled some beans last weekend. So we talked with him, and he was okay with us talking to you, with us being cautiously optimistic.

SLG is on the verge of licensing four properties from Disney: HAUNTED MANSION, ALICE IN WONDERLAND, TRON and... GARGOYLES.

GARGOYLES was NOT part of SLG's original pitch to Disney. But Disney hooked Marty, Greg & myself up with Dan. Everyone (Disney, Dan, Marty, Greg, Greg) really liked the idea of CCC packaging the creative on a new GARGOYLES comic for SLG. So THAT is the plan.

But I have to add the caveat, that at the moment, it's STILL only a plan. Because SLG hasn't signed on the dotted line with Disney, they have -- for obvious reasons -- not yet made any deal with us at CCC. As I said, I'm cautiously optimistic. But s--t happens, you know? So cross your fingers for us, but... well, it may still be a touch premature to ACTUALLY hold your breath.

Anyway... I'll be the writer. THE ONLY WRITER. So those of you looking to trade me in for Joss Whedon or Neil Gaiman are SOL. Greg Guler will be the Art Director. He may not pencil every issue, but he'll be making sure that every issue looks damn good. Marty, as usual, will handle the business end of things in his capacity as Executive Vice President of Not-Giving-Up.

Our direction is pretty straight forward. The book we'll be styled to look like the series, and my plan is to pick up pretty much where "Hunter's Moon" left off and do the "third season" that I wanted to do (as opposed to the GOLIATH CHRONICLE version). (The year is 1996. Although I'm probably not going to go out of my way to put a date in the content of the comic that'll scare away a new audience. There's always ASK GREG to fill people in on timeline details. And eventually, I'm hoping to catch up to the present.) I'm also eventually hoping that this thing is such a massive success that it'll lead to all the spin-offs we've been talking about for years. Not to mention those ORIGINAL PROPERTIES that CCC would own and that we still hope to do someday. But to some extent that won't be up to us. It'll be up to all of you.

Marty & Greg & I are all VERY excited! I'd say SPREAD THE WORD!!! But frankly, it's all a bit premature. We hope to begin finalizing things in the next month or so. (Dan's "leak" has certainly lit a bit of a fire. Hmmmm.... wonder if that wa his plan all along? Why, that little scamp!) Greg G. and I are both planning to be on hand for a bit with Disney & SLG at the San Diego ComicCon, so look for us there.

And of course, I'm hoping to be able to tell you a LOT more at the GATHERING 2005 in Las Vegas. Marty'll be there too. You can all hoist him on your shoulders, cuz honestly, he's the real hero in all of this. I get the juice, but he squeezed it.

So that's the scoopage, folks.

CREATURE COMICS.COM. It doesn't exist yet. But... damn... don't give up!

Frank Gorshin, RIP

I just read that Frank Gorshin passed away. I'm kinda bummed about it.

I didn't know him well, but I did meet him a couple of times. He played Professor Hugo Strange in "The Batman" episodes that I wrote. He was terrific.

I've seen him do George Burns (briefly) live, and he was amazing.

And of course, as a kid, I just loved him as the Riddler. And there was that strange-o Star Trek episode too.

Like I said, didn't know him all that well, but he was a very talented guy. He'll be missed.

Since Chad spilled the beans...

WHAT WE KNOW
I've been authorized by Buena Vista Home Entertainment to confirm that there will indeed be another release of episodes from Gargoyles on DVD.

Obviously, those episodes will come from the second season... and I have been assured that in any case the episodes will be released in the correct order.

They are planning on involving me again.

WHAT WE DON'T KNOW
We don't know how may releases there are going to be to cover the second season.
We don't know how many discs. We don't know how many episodes per disc.
We don't know what the extras are going to be.
We don't know any release dates.

As I learn more, I'll keep you posted.

WHAT I'M HOPING FOR
My preference would be that they break up the 2nd Season into three separate releases.

The first release would include 23 episodes, running from "Leader of the Pack" through "Avalon, Part Three".

The second release would include 26 episodes, running from "Shadows of the Past" through "The Reckoning".

The third release would include 3 episodes, running from "Hunter's Moon, Part One" through "Hunter's Moon, Part Three".

I am not even vaguely implying that this is there plan. I don't know what they are planning. I'm simply expressing my personal preference, as many of you have done in the Station 8 Comment Room.

I will, of course, take whatever I can get.

Correction...

I just received this very helpful missive from Greg Bishansky:

Hey Greg,

I just saw the latest question in Ask Greg about the stone Xanatos model
sheet, sounds to me like she may have been refering to the stone model of
Xanatos that Puck creates in "The Gathering Part Two" when we finally learn
his backstory.

Greg

MYSTERY SOLVED! Thanks, Greg!!

Chapter LVI: "Future Tense"

Time to ramble...

Chapter LVI: "Future Tense"
Story Editor: Michael Reaves
Writers: Marty Isenberg & Bob Skir
Director: Bob Kline

CAVEAT
This episode is/was so jam-packed with stuff that I literally couldn't take notes fast enough. I'm bound to have missed a ton of stuff that I might have wished to comment on. So this ramble is going to be far from comprehensive.

I think the title was Michael's, by the way.

GOLIATH ON THE SKIFF
Take this opening scene for example. In less than a couple minutes, Goliath mentions the Gathering (setting up Puck's eventual motivation), wishes to be back home, longs to "see the Trio and Hudson" again and says he would "give much" to return home (all of which invites and allows Puck to interfere in mortal affairs)... and THEN gets hit by lightning.

I wonder how many of you remembered that odd lightning hit. Our hope was that with all that was going on in the ep, you'd forget about it.

PLANET OF THE APES & THE X-MEN
Hard to show the Statue of Liberty in ruins without summoning up that classic moment from the Heston film... a definite influence. Another influence, clearly, was the Claremont/Byrne run on X-Men in the eighties. That first time they sent the Kitty Pride from the future to the present and showed us some horrifying scenes in that alternate future stuck in my memory. Later, of course, I thought all that stuff got WAY out of control in X-Men. It wasn't one story. It became a source of endless regurgitated characters and over-grim (but no longer shocking) situations. It was tiresome to me. But the visceral shock of that first story was a clear inspiration for Future Tense.

Of course, Gargoyles has MUCH stricter time-travel rules than X-Men has.

Again, I wonder what you guys were thinking as shock after shock SMACKS Goliath and the audience. Starting with the explosion of the skiff. When the "face" of the skiff sinks away, I thought it was a chilling start to the festivities.

THE NEW STEEL CLAN
Putting the face of Xanatos on this new Steel Clan was Frank's idea, I believe. It seemed both odd and appropriate to the "new" Xanatos we were presenting.

FORTY YEARS
Did you buy it? Even for a moment? We tried to ramp up the shocks gradually, to suck you in. Claw without wings. An old Matt. The Talan Commandos. Chavez'sdaughter. (I love the baby crying symbolically as she looks at the picture of her mom Maria.) Xanatopia. ("They have better things to be afraid of.) The destruction of the Clock Tower. The late Hudson memorialized in bronze (so it was clear that it was just a statue of him and not him frozen in stone, as in "The Price".) Xanatos having achieved immortality. A Grown-up and Hostile Brooklyn. A grown-up and blind Broadway. The reported deaths of Maggie, Talan and Coldstone. Sevarius and the Ultra-Pack. The last free humans turned into mutates?

All this revealed in a matter of minutes. The idea of course is to try to keep both Goliath and you guys off balance for as long as possible. How many of you just went along for the ride? How many spent the half hour balking?

THE PHOENYX GATE
Step by careful step. When Brooklyn brings up the gate the first time, our hope was that it wouldn't come across as -- 'Hey, this is what this whole episode is really about?', but simply as a logical question that needed to be refuted by Goliath's great line: "Solutions lie not in the past, but in the present."

CLONE WARS
We wanted to play fair, but we still wanted to fool you.

Demona is introduced -- as Brooklyn's mate, no less. And for the first time it is Puck who is caught off guard, unaware that Demona and Thailog have hooked up. His Brooklyn is forced to vamp that Thailog was killed in the "Clone Wars". (I like to think that it was Puck who spur of the moment stole that reference from George Lucas as opposed to us.) And to justify it, he later shows the Thailog Shock Troops.

(Note that both the Talan Commandoes and the Thailog Shock Troops are cybernetically disfigured -- with a full hemisphere of their brains replaced.)

AND THE SHOCKS KEEP COMING...
A cybernetic Lexington, clearly influenced by Hyena & Jackal. (And as it turned out, more influenced than we knew.)

Fox not being Fox. But being F&X's son, Alexander, a.k.a. Fox 2.0. I love that VERY anime battle scene between them. Isn't that kick-ass animation. And Xanatos killing his own son because he no longer "required an heir"... woo.

Goliath: "...but to destroy his own son..."

This was ALSO us playing fair... on two levels. The Xanatos we all knew would NEVER murder his own son. So this must NOT be the real Xanatos. And it isn't. Not within Puck's vision (where this Xanatos is just a computer program with delusions of grandeur and the LACK of self-awareness necessary to be blind to the fact that Lex was actually calling the shocks) and not really AT ALL (as the whole thing was just an illusion of Puck's).

When Brooklyn says: "We better get out of here before Xanatos nukes the place," we were hoping that by this point the audience wouldn't be sure whether or not to take Brooklyn's statement/fear literally.

DEATH & CONSEQUENCES
I love Broadway's Sonar collar.

I love Demona's appeal to Goliath to save their daughter by sending her back in time with the Gate. If not to change history, at least to live out her natural life in a better era in safety.

The shocks AND hints proceed to escalate rapidly. Next up is the deaths of Claw, Matt and Bronx.

The death of Bronx, I feel is in some ways the biggest shock/clue of all. With all the other deaths up to that point, both those announced (Hudson, Maggie, etc.), implied (Chavez) and depicted (Claw, Matt), we may still see them as part of a future that we somehow hope to avoid. But Bronx is a rider on the skiff. If he dies, isn't he REALLY dead?

Then comes the abduction of Lex. Again, we were hoping that SO MUCH would follow this (especially the immediate death of Broadway) that you'd all forget about Lex until we were ready to reveal him as the big villain (of Puck's vision).

Then the death of Broadway. As I've said many times, we had a WONDERFUL S&P person with Adrienne Bello. But we still had a fight here. Showing these deaths -- or even talking about them -- would DEFINITELY be out in today's environment. The fact that eventually it was all revealed as an illusion would not stop today's S&P from K.O.ing the ENTIRE NOTION.

But even Adrienne balked at the death scene. She thought it would be too painful for our audience. My point, and I was adamant about it, was that we had to make it painful. That a violent death is painful and that the audience had to feel, really feel, the consequences -- the horrible consequences -- of that death. So Broadway and Bill Faggerbakke get that wonderful death scene. The most potent moment perhaps in the entire series (at least IN the moment, if not in hindsight -- given that it was all part of the illusion). The music there is just heart-breaking too. And the sun that never comes...

CYBER-DEATH & CONSEQUENCES
Tron is another influence of course. Digitized into the cyber-world, our last trio of heroes is immediately trapped. We learn that Xanatos is in fact DEAD.

I love Goliath's line: "You're not immortal. You're not even Xanatos."

Angela dies. Brooklyn dies. Demona is transformed to human. (Another clue: Puck can't resist praising his own handiwork.) Then she dies.

And then Goliath awakens while STILL in stone form. And Xanatos goes to work on him in a way that would make Jackal envious. I love the juxtaposition of Shakespeare and Monty Python...

"Alas Poor Goliath, I knew him well." and "What are you going to do? Bite my kneecaps off?"

And then I love how Goliath's floating stone debris SWALLOWS the Xanatos program whole.

The cyber-world dissolves and all Goliath can do is save Elisa. His last tie to this world. He is nearly back to the state he was in after the Wyvern massacre. Alone in a world that contains only horror and tragedy.

LEXINGTON
I think he was fairly effective and chilling as the ultimate villain here. Goliath KILLS him personally, which I thought was also quite chilling... The Eyrie "Pyramid" explodes and again, all Goliath can do is protect Elisa.

PUCK
But now Goliath lies, broken on the ground. Elisa again asks for the Phoenix gate. And he cannot even muster the strength to deny it to her. But Puck has overplayed his hand. Goliath is so weak, he cannot hand it to her. And the more Elisa begs, the more suspicious Goliath gets. And the more suspicious he gets, the more Puck's hold weakens. And the more Puck's hold weakens, the stronger Goliath gets. I know it sounds complicated, but I think it plays.

I love how not just Elisa, but the entire world (or BG anyway) is sucked together and transformed into Puck.

I love how Puck created this entire horrible torture device just to get Goliath to "fork over" the Gate, and that the only reason for that was so that Puck could have something to bribe Oberon with, so that he could skip out on the Gathering.

I love how Puck still torments Goliath with the "dream or prophesy" line. And I love how that line has similarly tormented the fans. Much has and still will come true from that "prophesy" and yet much already has not.

FINALLY
I remember we stuck in that line about Goliath falling into the water. I remember that we had a play-fair reason for putting that line in. But for the life of me, I cannot remember what that reason was.

I like how Goliath dispatches the Phoenix Gate and how it seems to rain a bit of magic on them all. (This was also the set up/inspiration for the TimeDancer spin-off.) The idea that the Gate would be "forever lost in time".

And finally, Goliath explains: "I had a nightmare, Elisa. And now we must make sure it does not come true."

Did you guys sense that the World Tour was FINALLY coming to an end?

And overall, what did you think? We wanted the episode to really effect you. We wanted to play fair. We didn't want you to walk away feeling cheated because the whole thing was a trick of Puck's (and ours).

Anyway, that's my ramble. Where's yours...?

Future Tense outline notes...

I don't know when I'll get around to rambling on Future Tense, but as it's up next, I'm posting my outline notes on that episode to Story Editor Michael Reaves.

The thing you need to know is that there was much discussion back then of doing the episode (or at least sections of it) in 3-D. Now I do NOT mean CGI. I mean the 3-D glasses kind of 3-D. So many of the notes below reflect that.

WEISMAN 4-23-95

Notes on "Future Tense" Outline...

Michael, I know this is exactly the kind of document that drives my story editors nuts. I apologize, but in the interests of time I believe this is the best solution.

I also want you to know that I considered your suggestion that we replace one of Cary or Gary's episodes with a from-scratch 3-D affair. But after reviewing the schedule it just wasn't practical. Aside from the fact (and budgetary concern) that those guys are already underway on those stories, we just don't have time to come up with a new story from scratch and get Gary Krisel's approval on it and still make all relevant deadlines.

I believe that what I've beated out below preserves all the essential stuff from Marty and Bob's outline, but gives us more opportunity for 3-D action in cyber-space. As usual, none of it is etched in stone. If this approach works for you, you can go right to script. If there's anything you, Marty or Bob want to discuss, that's cool too.

GENERAL NOTE ON 3-D ACTION IN CYBERSPACE
Please remember the nature of this particular 3-D process: some elements push backward or forward depending on their assigned color. You guys don't have to worry about assigning the colors. Leave that to the art director. Nor do you have to sweat the foregrounding and backgrounding. We'll leave that to the board artists, art director, line producer and Frank. What you do need to be aware of though is that this particular 3-D process only really works with characters and objects. They should not be interacting with the environment or backgrounds. That's not to say that Cyber-Xanatos or whoever can't form any specific object out of the "ether" or something. But we don't want scenes of Goliath tearing up Cyber-walls or Brooklyn being swallowed up by the cyber-ground or whatever. Energy beams might work, but "energy fields" could be problematic. If this is unclear, we can set up a meeting with our technical expert, Rob Hummell.

BEAT SHEET
ACT ONE
I. Streamline and combine your beats 1, 2, 3 & 4.
Open on the skiff and the mist with some specific line from Goliath, where he's saying that the odyssey they've been on has been rewarding, but that he really is starting to miss the clan and Manhattan, his adopted home. He feels woozy for a second. Then he sees the Statue of Liberty. (The wooziness is being done in the interest of fair play. Don't make too much of it. The audience will forget about it until the end of the episode, at which point, they'll think: "Of course.")

Combine the blowing up of the skiff with the capture of Elisa and Angela by the Steel Clan robots, (we don't need uniformed human sentries). Goliath and Bronx are rescued by Matt. As they make their way to rebel headquarters we can get Xanatos's brief big brother (3-D) message. We can see the statue of Hudson and find out he's dead. Meet the hostile Brooklyn.

II. Combines your beat 5 & part of beat 6.
Meet the Blind Broadway. And bring up the Phoenix Gate. Make sure Goliath states definitively that "HISTORY CANNOT BE CHANGED". The line about 'time as a river' is a good one, but don't count on that to be clear enough by itself. Intro Good Demona and establish that she is mated (as opposed to married) to Brooklyn. Don't forget to plant another "fairness clue" with our audience. When Goliath says that he thought Demona was in love with Thailog, it takes her a flustered minute to explain that Thailog also died fighting Xanatos. Or something like that. Also I think we can let the more sophisticated members of our audience see the irony that Demona is finally good again only to be lost to Goliath forever. We don't have to state that in dialogue. It raises a lot of complicated issues.

Suddenly Cyborg-Lexington enters and announces that Talon, their inside man, is transmitting all-important data even as they speak. He turns on a monitor and we see Talon getting his butt kicked by Xanatos (in 3-D). While they are watching this, Goliath should ask where this battle between Xanatos and Talon is taking place. All Lexington knows is that it was coming from somewhere inside the Eyrie Pyramid. Xanatos gloats about his plan to do to the entire planet what he has done to Manhattan, then he destroys Talon and the transmission is cut off.

ACT TWO
III. Combines just a bit of your beat 6 and both of your two beat 7s. (Don't feel bad. This late in the season, I'm having trouble counting too.)
We don't need the attack by the Thailog Stormtroopers. Brooklyn states that it's now or never. We have to launch a pre-emptive strike on Xanatos' lair. They'll divide into ground and air forces. Brooklyn, Demona, Cyborg-Lex, Blind Broadway and Goliath will wait for Matt and Bronx and the rebels to create a diversion downstairs. Then they will go in above.

As the five gargoyles wait atop a nearby building for their cue, Demona and Brooklyn again try to prevail on Goliath to use the Gate.

IV. Combines your beats 8 & 9.
Matt and Bronx's diversion begins. The gargoyles fly in, but Lex reports with his cyborg-sight that both Matt and Bronx have been killed. Brooklyn is determined that they won't have died in vain.

They get in, but Lex is quickly taken prisoner and Broadway dies. Goliath, Brooklyn and Demona make their way to Computer Mainframe/Banquet Hall. They aren't looking for any Chief Administrator. They're still looking for Xanatos, not realizing that he no longer exists on the physical plane.

V. Basically your beat 10.
Except instead of a VR helmet, have Goliath, Brooklyn and Demona digitized into (3-D) Cyber-Space ala TRON. No physical bodies left outside. If you die in there. You dead. Obliterated.

ACT THREE
VI. Your beat 11, greatly expanded to fill most of the act.
Xanatos has been holding Elisa and Angela prisoner inside cyber-space, anticipating Goliath's arrival. We get our explanation. Our fight. And the destruction of Brooklyn, Demona and Angela. Goliath finally manages to take out Xanatos, which causes the whole cyber-world to dissolve.

VII. Combines and abbreviates both of your beat 12s.
Goliath and Elisa are re-digitized in the real world. Only to discover that Lex used the opportunity to activate Xanatos' plan. Now he'll rule what's left of the world. Goliath lashes out at Lex, which knocks him back into the main frame and the whole thing starts to blow. Castle is destroyed taking out Lex. (No redemption possible.) Goliath barely manages to save Elisa, but he's broken by it. And Elisa tries to get the gate from him. She fails and melts into Puck. In fact the entire world seems to melt into her to become Puck.

VIII. Your beat 13.
Puck reveals what it has all been about. (Make sure to specifically mention that Oberon has begun "The Gathering".)

IX. Your beat 14.
Make it clear that Goliath passed out right after he said his line about missing his adopted home. So the audience in retrospect can place the exact moment when Puck's little adventure began.

And that's it. Feel free to call with questions or concerns.