Snorlax writes...

Hi Greg,

I was wondering your thoughts on how the art of writing superhero comics has changed from when you started with Captain Atom back in the day, to now working on the Spectacular Spider-Men. For example things like writing arcs for the trade paperback, working in an office vs working from home, metrics of success, approaches to continuity and crossover events, the death of thought bubbles, multimedia synergy, frequent new #1s, etc. I'd be interested to know if you had challenges or some sort of learning curve to adapt to any of these industry changes. Does the process feel substantially different, or is it all the same once you get in front of the keyboard?

Thank you