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Hafiz writes...

Does Dick Grayson work and if so what does he do for a living?


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Chanith writes...

Bring back spectacular spiderman it was as good as young justice, you got young justice revived try to get spectcalur spiderman we deserve the 65 episodes


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Todd Jensen writes...

New thoughts on "Re-Awakening", after my rewatch.

I don't know whether this was intentional or not, but when Goliath and Elisa were having their conversation about the shopkeeper and why he doesn't leave the neighborhood, I found myself thinking of "Othello"'s suggestion, in the flashback, of abandoning the castle and letting the Vikings have it, and Hudson's response. I don't know if you intended those moments to be thematically connected, but they did feel that way to me this time.

It still strikes me that the fact that the gargoyles' resolution to protect the city and its inhabitants comes at the end of the first season says a lot about how different "Gargoyles" was from most super-hero series; the gargoyles are able to have plenty of adventures and experiences - thirteen episodes' worth of them - before making that vow. The series was rooted in their being gargoyles - ancient "mythical" beings with their own culture and world-view - re-awakened in the modern world, trying to make sense of it - and often making mistakes in the course of their attempts - rather than just crime-fighters.


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Todd Jensen writes...

Rewatched both "Her Brother's Keeper" and "Re-Awakening" today, as part of my "Gargoyles" 25th anniversary review. New thoughts on "Her Brother's Keeper" (ones that came to mind when I rewatched it).

Broadway's concerned remarks about Elisa near the beginning (including "If cops were meant to fly, they'd have wings") indicates that Elisa had shared with them how she was following Xanatos by helicopter before embarking on it.

Derek's remark to Diane that working for Xanatos "could be the start of a whole new career for me" feels all the truer in hindsight - though he obviously wasn't thinking in terms of running an underground sanctuary for Mutates and homeless people when he said it.

I spotted the clock's hands moving at one point in the episode; apparently Lexington had indeed gotten it working again.


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Akeem M. writes...

Hi Greg,

I know you are not the biggest fan of hypothetical questions, but I have a question regarding Spectacular Spider-Man that can be considered one. We all know about the untimely demise of the show, and the fact that you and the team had an outline of where you wanted the series to go. If Sony were to do animated movies in Spectacular's universe (as that seems to be the only feasible outcome at this time), would you continue with your plans as they were back when the show was running? Or do you feel that you would include some ideas from comics in the past decade while the show was off the air?


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Exel writes...

hello i couldnt find this question and im not sure if you even log onto this site anymore but oh well

when making Gargoyles I've heard you had some regrets with broadways relationship with angela is that true?


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Jake N writes...

In the episode "The Cage" it's implied that the final scene where Sevarius is confronted by Talon and the Mutates to force a cure out of him, takes place at a Cyberbiotics lab. However, as the scene unfolds and different camera angles are shown, the electric eel tank with broken glass is shown, as well as the ceiling that the Gargoyles broke and escaped through with Maggie in "Metamorphosis". This leads me to believe that this final scene was a return to the original scene of the crime in the Gen-U-Tech building. Growing up watching this episode, I always thought of this scene taking place in the original Gen-U-Tech lab from "Metamorphosis." Are the holes in the ceiling and the eel tank just coinicidences, or was this final scene of "The Cage" intended to be at Gen-U-Tech rather than Cyberbiotics?


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Todd Jensen writes...

I rewatched "Lnng Way Till Morning" today.

I'm not sure if I noticed it (or commented on it) before, but I spotted two parallel elements in the flashbacks (beside the obvious "Goliath and Hudson pitted against someone who made a poison dart attack upon a human friend"). The scene where Demona wounds Goliath parallels the Archmage's attack on Prince Malcolm; on both occasions, Hudson tries to block the attack, but to no avail. And in both the past and present parts of the story, Demona comments on the gargoyles going underground where their wings will be no use (though in different moods).

Continuing the study of how often "beast" imagery gets applied to the gargoyles: the Archmage calls Goliath a "beast".


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kingpin of gold writes...

why dose gar have a girlfriend i mean that great and but why


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Todd Jensen writes...

I rewatched "The Edge" today - appropriately, since today (October 30) is, according to some sources, Dostoyevsky's birthday, and Goliath was reading his work in the episode.

I spotted more "hunted like animals" remarks (I'm keeping close watch for those in the 25th anniversary review) from Xanatos during his conversation with Goliath at the castle. (I don't recall any of that imagery in "Deadly Force". I think that Macbeth addressed Goliath as "beastie" in "Enter Macbeth", but I'm not certain - if he did, I must have temporarily forgotten my resolve to keep track of that element.)

I also couldn't help thinking, this time around, how convenient for the series it was that Elisa only got a partner *after* the gargoyles moved out of the castle and into the clock tower.



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