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Whoâs is older â" Jade Nyugen (Cheshire) or Will Harper (formerly Red Arrow)? And what is their age difference?
Pretty much the entire main cast of Gargoyles have popped up in some way or another on "Young Justice." But there are just a couple who have not quite shown up as of yet. Will there ever be a potential role for Salli Richardson, Frank Welker or Jonathan Frakes?
Oy, Iâm stupid.
Hey, thanks for hours of entertainment through your shows. I just recently finished watching the canon run of Gargoyles on DVD through the library (Me and a friend greatly enjoyed the journey, and had a lot of fun watching it!) after growing up on your other shows, like Young Justice and Spectacular Spider-Man. So, thank you, and as Iâm new here, Iâd figure Iâd try and put a question that isnât quite so... obvious.
Did Elizaâs palate change much after the Avalon World Tour?
Sigh. Hi Greg. I was the one who complained about the poster who was making hundreds of posts about Beast Boy on Ask Greg. I realized almost immediately that I had crossed a line and I regretted it. I tried to have the moderator delete the post, but no dice. It is not my place to decide who posts what on YOUR web-site. All I can say by way of an explanation is that I was in a bad mood and that poster really bugs me. So, sorry.
Hey Greg I'm a newbie who just started watching your show on disney+ and first off wow! How did miss this? Now that gargoyles is on a exclusive streaming service is there any new possibilities for it to come back? -also while typing this would you be open to a kingdom Hearts crossover or a gargoyles video in general?
Hey Greg, got two questions for you
1. How did you meet Brandon Vietti?
2. I ask because I'm a big of the DCAU, how did Rich Fogel get involved with the series?
Hello Greg, In YJ, what is the thought process behind each season's time jump, how do you and the creative team decide the length of each jump and how do you believe they add to the characters and the overall narrative?
Hey Greg, how do you plot seasons and specific episodes, do you set end goals to achieve in the story or do you begin to plot and see where the story flows naturally?
Hey Greg, I've noticed in the credits for Outsiders, all of the Milestone characters are credited as "Created by Milestone Media." Are there any specific reasons why Dwayne McDuffie and the other Milestone creators aren't individually mentioned?
Thanks for a great season.
I'm not certain if this has been asked.
What are the "cursing" equivalents from Macbeth and King Arthur's times compared to modern day "cursing"(sh*t, F**k, B*tch, etc.)?
I imagine the "olden times" curse words/expletives and similar expressions would be considered quite "tame" and even silly compared to modern stuff. Though I suppose they could potentially be taken up as "alternative curses" by modern day generations.
It's something that's made me wonder.
I decided to reread "Clan-Building" as well, after rewatching the first two seasons of "Gargoyles" on DVD, starting with Chapters One and Two ("The Journey)).
The "hunting" analogy continues even past "Hunter's Moon" with Vinnie stating that he hunted a gargoyle down, and Castaway mentioning it (both specifically use the word "hunted").
In my "review comments" on "Hunter's Moon", I noted how it ended, in its final scene at the castle, on what went well for the gargoyles (they're back in the castle, they've made peace with Xanatos, etc.), with their being revealed to the public not mentioned. "The Journey" opens with it being made clear that their problems aren't that over after all, with the public's alarm, the foundation of the Quarrymen, and even Brooklyn raising the question of whether Xanatos really has changed that much. I think his sardonic "Welcome home" establishes the "It's not so happily ever after, after all" tone - in contrast to the way Elisa said "Welcome home" at the very end of "Hunter's Moon".
Rewatched "Hunter's Moon" yesterday (Sunday) on DVD - all three parts.
I've mentioned before spotting a lot of mentions of hunting, usually applied to humans going after gargoyles with hostile intent, and it struck me that this made it appropriate that the Hunters would be the gargoyles' adversaries in the finale. (Well, the Disney Afternoon finale/Season Two finale.)
And it struck me that the Hunters were the most dangerous opponents that the gargoyles faced in modern times, judging by results. They blew up the clock tower, destroying the gargoyles' home, and then exposed them to the public. The former was partly undone by the gargoyles getting their old home (the castle) back by the end of the episode, but not the latter - now the gargoyles are facing an alarmed public (even though they're safe at the end - for the moment). None of the gargoyles' other adversaries in modern times have been able to inflict that much damage on them. To top it, you'd have to go back to 994 and the Wyvern Massacre.
A few things that struck me this time around:
Goliath and Elisa are actually openly speaking to each other and even sharing a brief embrace on board the passenger train, just after foiling the robbery; fortunately, the passengers apparently didn't notice that.
Hudson greets the returning gargoyles as "lads" - then quickly adding in "And lassie, of course", for Angela. It reminded me of his use of just "lads" for the younger gargoyles in "Possession" that I mentioned in my post on it - apparently he's getting more adjusted now to Angela's presence in the clan.
The trio's clash with Demona in Part One seems the last "trio action" in the series; they're increasingly split up (or else acting with the rest of the clan present) after this.
Lexington and Brooklyn's shared uneasy glances when they return to the clock tower with Goliath near the end of Part Two seemed all the stronger when I realized "the audience knows that Robyn and Jon survived Goliath's fight with them, but Lex and Brooklyn don't - from their perspective, Goliath had apparently killed those two."
Jon Canmore's cry about the gargoyles when he's facing Jason at the end, "They killed dad!", struck me as a sign of how (even before shooting Jason) he was losing it; it was Demona who killed Charles Canmore, none of the Manhattan clan were even present at the event, and Jon was there so he knows it.
Broadway shows how much his attitude towards reading has changed since the start of "A Lighthouse in the Sea of Time" when he's talking to Angela about how great the castle library is (and we'll see them there together in "The Journey").
This story really does seem like a good conclusion for the series in so many ways - the gargoyles are back in the castle again, their war with Xanatos is (seemingly) over, they'd defeated Demona's big scheme to wipe out humanity, Elisa finally admitted her feelings for Goliath and even kissed him. Except there's a big loose end with the gargoyles' existence being made public, and most of the New Yorkers aren't too happy about it. (Brooklyn's "And so it begins" remark does also support the feeling that the story could continue past this spot.) But it certainly makes a good season finale.
Oh, and I counted the number of "claw-mark transitions" in the entire two seasons during this review - 28 in all.
I meant spectacular Spider-Man
Will there be a series revival on Disney+
in nevermore why did the light wanted garfield dead
New thoughts and observations on "Possession", which I also rewatched on DVD today.
Coldfire and Coldsteel's bodies are initially covered by cloths; while it serves the function of keeping their nature secret from the audience at first, it also does a good job of echoing the "Frankenstein" tone of Coldstone's introduction in "Re-Awakening".
When Goliath and Hudson return to the clock tower from patrol, Hudson initially says "lads" - and just that, with no mention that there should be a "lass" among them as well. We get an echo of this, I recall, in "Hunter's Moon Part One" when he addresses the clan as "lads", then remembers Angela and adds "lass" in; this moment brought that scene to mind.
Coldstone's line near the end about how "we truly lived again" echoed Goliath's "we live again" words in the opening narration, though I don't know if it was intentional.
I watched "Turf" on DVD yesterday as well, but don't have anything new to say about it, so my new thoughts on "The Reckoning", which I watched with "Possession" on DVD today.
In Act I, Hudson warns Angela that her mother "is capable of anything". Angela later uses those exact words when confronting Demona in Act III.
Elisa gets bitten by a mosquito while in the Labyrinth; I wonder if that was the moment when Sevarius and Thailog acquired her DNA for Delilah; it'd certainly be a "playing fair with the audience" moment.
While Demona professes outrage over Angela's claim to be her daughter, her eyes aren't glowing red - and later we learn that she'd known Angela to be her daughter all along. The "eyes not glowing red" part makes a good hint to the audience that she was feigning anger and disbelief.
Rewatched "Vendettas" today - this time around, I spotted what looked like a small village in the opening shot (near the former site of Castle Wyvern). A minor detail, I know, but I liked the discovery of a village or small town in the area.
You like Ghost Rider, right? since they have the ability to amplify and boost anything they ride on, what kinda things would you ever want to see one ride? I kinda like the idea of Johnny or another Rider Riding, and therefore Boosting, either The Hulk, or the Helicarrior...
Rewatched "The Gathering" (both episodes) on DVD today. A few new things I noticed about it.
A minor detail, but which I find touching: when Renard learns about Anastasia's remarriage,, he sadly clasps her hand.
The letter X is prominent among the Xanatoses: Xanatos, FoX, and AleXander. And then I thought of LeXington, who isn't one of the family, but who's close to Alex, and who became Xanatos's secret successor in "Future Tense". (And there's that bit, also, in your "Gargoyles 2198" piece, about the Lexington-Xanatos Corporation.)
Goliath's homecoming makes a lovely contrast with "Future Tense", as he warmly embraces the overjoyed Brooklyn and Lexington (the two members of the clan who'd been bitter towards his late return in "Future Tense") and Hudson says "I knew you hadn't abandoned us." (While Broadway hugs Elisa, tying in with his being the closest to her among the trio, ever since "Deadly Force".)
One feature of Goliath's pondering the possibility that Avalon sent him to Manhattan to stop Oberon from taking Alex away; if his speculation was correct, that means that Avalon was, in a way, going against its lord and master. Though that made sense when I thought about it; without going too deeply into hypotheticals, I suspect that things would have not gone well for Avalon if Oberon *had* spirited Alex away (no way would his parents have accepted that), and Avalon would be sparing itself and its lord and master a lot of potential trouble in thwarting him.
You mentioned once that you wanted to have Puck break the fourth wall, but the rest of the production team objected to it. I noticed that he does come close, though, when he turns towards the camera while saying "I'm on a roll". (And when somebody *did* break the fourth wall, it was Brooklyn instead.)
At the very end, Broadway turns to stone shortly before the rest of the clan does.
Rewatched "Future Tense" on DVD today. Things I noticed this time on it.
Bronx looks sad when Hudson's death is revealed; given the bond the two had showed throughout the series, I thought if both fitting and touching (even if it's not really Bronx).
Goliath tells Brooklyn "we thought our odyssey was fated". I thought "odyssey" an appropriate term, since Odysseus spent twenty years away from Ithaca, and Goliath supposedly spent forty years away from Manhattan - and since gargoyles age at half the speed of humans, twenty years for humans would translate to forty years for gargoyles. (I'll admit I'm reaching here - and it feels odd to be linking Goliath to Odysseus when I'd normally think of comparing a different "Gargoyles" character to Odysseus - a fellow Greek trickster....)
The Xanatos Program's intention of using the "World Wide Net" to download itself on every computer marks one of the extremely few occasions I can think of where the Internet was alluded to on "Gargoyles"; the only other example that comes to mind was Sevarius receiving his instructions for "kidnapping" Thailog via "electronic mail". (It also got mentioned in one of the Goliath Chronicles episodes, but that doesn't count.) The near-absence of the Internet from the series certainly makes it appear
technologically dated" from today's perspective.
Rewatched "Ill Met By Moonlight" today.
I spotted more hunting allusions in it (though this time, the gargoyles' "hunter" isn't a human); Titania's incantation to temporarily restrict Oberon's abilities includes the line "Till hunt be done", and Oberon says, after defeating Goliath, "And so ends the hunt". (He also evokes hunting imagery when he says "the rabbits would face the fox" - though I couldn't help thinking when he said it, "Technically, they're facing the fox's stepfather, though the audience isn't supposed to know that for another two episodes.")
Rewatched "Cloud Fathers" on DVD yesterday.
This time while watching it, I wondered how Bronx left Beth's apartment. Goliath and Angela glided off without him, and I didn't see him going out the door with the Mazas (which wouldn't have been an option in any case, for obvious reasons).
We get another bit of hunting "verbal imagery", though one of the rare occasions where it's not directed at gargoyles, when Xanatos refers to Coyote the Trickster as his "true quarry".
Coyote the Trickster disappearing when he got the Mazas to look away for a moment reminds me of the tradition about how, if you look away from the faerie-folk for even a moment, they can vanish.
Hi, great to talk to you.
1)Do you think the Queen of England was aware of the existence of Gargoyles or at least the London Clan prior to the season 2 finale? I keep thinking they can't be living in Knight's Spur without human help. Of course, now I've got the funny image of one of them on hold trying to pay the cable bill.
2)It's likely that Goliath and Elisa are the only gargoyle/human pair in the present, but I find it hard to believe that was always the case. Would TimeDancer and Gargoyles 2198 have answered that question?
3)Somewhere, somewhen in the history of the Gargoyles universe, will there ever be a true human/gargoyle hybrid?
Thank you for your time.
My other question is Tim smarter than Dick in Young justice, since he is the smartest and the best detective out of all the robins.
Hey Greg, big fan of your work, and i have 2 questions i want to ask you about Young Justice (Don t worry they're not spoiler related), what are your favorite couples from the show
Rewatched "Bushido" today (I rewatched "Sentinel" yesterday, but had no new thoughts on it).
What most struck me this time around was the parallel to "Awakening", with Taro as like a less-serious version of Xanatos. The two specifics I noticed were the gargoyles' awakening in the theme park, which reminded me of the clan's first awakening in Manhattan, and their wondering if someone had moved the temple, which evoked Xanatos moving the castle to New York.
Rewatched "The Green" today.
I might be reading too much into this, but I noted that the ones responsible for the theft of the Mayan Sun Amulet and the deaths of most of the Mayan clan were called "poachers" - a term for illegal hunters. Given the recurrent theme about gargoyles being hunted and facing danger from hunters that I've been paying close attention to in the 25th anniversary reviewing, I thought that an apt word choice.
This episode featured five "clawmark" transitions, the most I've noted to date in any individual episode of "Gargoyles". (I've been keeping track of those during the silver anniversary reviewing, and counted fifteen up to this point, of which five were in this episode - one-third, in other words.)
Would you support the idea of a fan continuation of The Spectacular Spider-Man? With that are there any suggestions you would mind giving for those who would attempt such a project? (Or information of what could have been.)
Rewatched "The New Olympians" on DVD today.
Continuing the "hunting" theme in "Gargoyles" that I've paid closer attention to this time around, I noticed that Ekidne described the New Olympians' ancestors as "hunted". (I also spotted a New Olympian extra who looked a lot like traditional depictions of Artemis/Diana, the goddess of the hunt - though I think I'm reading too much into that.)
Goliath's words to Angela about how they cannot wage war on an entire city remind me of his words to Demona in "Awakening Part Five" of how he cannot wage war upon an entire world.
Rewatched "Eye of the Storm" on DVD today.
I noticed, this time around, that after Goliath rescues Elisa from Odin, Odin cries "This isn't over!" - the same words that Hakon used after his initial attack on the castle was turned back at the start of the series. It struck me as appropriate, since they were both "Old Norse". (I don't know if that was intentional, though, or just a fortunate coincidence.)
Rewatched "Pendragon" on DVD yesterday. A few observations from this time around.
Hudson recognizes the wind that heralds the arrival of King Arthur and Griff; I suspected that there's an interesting story behind that and how he came to know it. Most likely something that would be told in "Dark Ages".
Griff refers to Westminster Abbey as "my abbey" when initially confronting King Arthur - for me, it evoked Goliath speaking of "my castle" when confronting Elisa back in "Awakening Part Three". Evidently part of the gargoyles' territorial nature manifesting itself.
Macbeth immediately recognizes Griff as a gargoyle, though all his on-stage encounters with gargoyles up till then were with the Scottish variety. (Of course, most of the things that went on during those nine hundred years of wandering in his life, we don't know about - only his fighting at Bannockburn on the Scottish side, and taking part in the 1950 removal of the Stone of Destiny from Westminster Abbey.)
I really like the term "rookery poem" as a gargoyle counterpart to "nursery rhyme".
Well I thought it's been a decade since I last asked this, I am however taking a way different approach to this. Yes it's probably the single most asked question "What did Titania whisper to Fox. This however isn't my direct question. (Well not for this decade, as it seems that you won't give the answer as it could and most likely would be anticlimactic.)
My question is, what Titania whispered to Fox, did that come to fruition or hinted at, in a later story or plot point in the series? If so would you be willing to tell which episode or comic issue? And to cover my basis What episode or comic issue would it be?
Rewatched "Mark of the Panther" on DVD today.
I've mentioned before how I've noticed a strong "hunting" motif running through "Gargoyles" during my reviewing it; this episode included more of that theme, though, for a change, it didn't involve humans going after gargoyles. Instead, it was the Panther Queen and, later, Fara Maku, hunting for Anansi, and then Tea and the poachers hunting panthers.
Elisa lists the body parts of panthers that poachers are after as skin, teeth, and claws. When Diane Maza tells the story of the Panther Queen shortly afterwards, her description of the Panther Queen stresses those same three attributes (well, fur rather than skin, but it's close enough), but now focusing on their beauty, rather than the monetary worth that motivated the poachers. (And when Anansi turns the Panther Queen into a human, the story stresses the Queen's loss of those same attributes.)
Goliath's explanation to Diane, when they're trapped in the pit, that he can only glide, not fly, echoed (for me) his explanation to Elisa on the ledge back in "Awakening Part Three". Like mother, like daughter....
Rewatched "The Hound of Ulster" yesterday, but I didn't have any new thoughts on it, so I skipped it over - and "Walkabout" today.
Things that struck me about "Walkabout" this time around:
I'd noticed this before, but Bronx growls at a kangaroo near the beginning. I wonder what he dislikes about them. (I also spotted a koala up in a tree - that I *hadn't* seen in past viewings.)
I was amused by Elisa's description of Dingo as "not one of the good guys" - since that could so easily be tweaked to "one of the bad guys". I don't know if you'd come up with the name for that spin-off at the time, of course.
Goliath at one point says "Aye, for now" - probably the one occasion where he says "Aye" - he usually leaves those Scottish-toned words to Hudson.
During the battle with the Matrix in the Dreamtime-world, Goliath imprisons it briefly within a dome that looks a lot like the domes it was producing in the waking world, and conjures up a shield with a sun-design upon it - a strange emblem for a gargoyle to bear.
Why wasn't Gargoyles included in Kingdom Hearts 3? The more I binge Gargoyles from Disney+ the more I think of how it would have been just the perfect world for a DLC add on. It's just a shame it's not included and I really want to know why.
Being an ENORMOUS Dracula fan, I always thought the vampire would be interesting to see in Gargoyles and am delighted to see that he is in line to enter the storyline. Some questions:
1. Do you have someone in mind to play Dracula?
2. Is this Dracula in fact Vlad Tepes (the Impaler) as popular lore has it?
I am really curious why Gotham appears to be Bridgeport, Connecticut, in an episode of Young Justice.
I have a simple question, who were the artists that did the concept art for the show? I have searched extensively but couldn't find much in detail, even after searching the archives.
I found Dennis Woodyard, Kazuo Terada and Hiroshi Ohno but not much in terms of concept art. Maybe it's because there wasn't social media platforms to share them to back then when the show aired.
How old is Troia during season 3 of Young Justice? Also are Troia and Diana sisters?
Rewatched "Grief" on DVD today.
The only new observation I have is that, this time, I noticed how Keith David did the "aged-up" Goliath; his voice sounded, while recognizably Goliath's, much older. I thought it another "mark of honor" for the "Gargoyles" voice cast.
Rewatched "M.I.A." today. One detail stood out to me this time; the human Londoners grouped in the background at the very end are the same ones we saw in Act I staring at the gargoyles in shock and alarm, when Leo and Una are confronting Goliath outside their shop. It made a pleasant touch, I thought, to see that those people have now recognized (judging from the way they were shown at the conclusion) that they didn't need to be scared of the gargoyles.
Rewatched "Sanctuary" on DVD today. New observations.
Elisa writes Macbeth's name as "MacBeth". Not quite as serious as the infamous "Servarius" error in "The Cage", but still a bit unfortunate.
I was amused to note that Demona barely even registers Elisa's presence in the middle of her fight with Macbeth, even though Elisa's calling out to both of them - until just before Elisa shoots her. She does finally spot the detective and aim at her, but Elisa takes her down before she can do more than that. Apparently her feud with Macbeth tops even her hatred for Elisa.
I felt a sense of near-horror, though, as I noticed how Demona and Macbeth's fight was damaging the library, with several books apparently getting damaged or destroyed.
And the silhouette of a gargoyle against the moon in the newspaper photograph bears an uncanny similarity (obviously coincidental) to the Bat-Signal.
In the young justice outsiders episode Leverage why as beast boy not cold standing in his human form WHEN HES WAS STANDING alone side tigress when the Russians had thier weapons had their pointed the team ?
I rewatched "Golem" on DVD.
Not many new observations or insights, but I was impressed by the late Robert Culp's performance, the way he switches the tone of Renard's voice when he's in the Golem's body. It still sounds like Renard, but tougher, more vigorous.
I don't know if I've mentioned this before, but I found the scene where Janus was petting Bronx on the head charming. (And all the more impressive, given that he's just encountered his first gargoyle beast only minutes before. He clearly picked up on Bronx's nature quickly.)
Hello. Is it possible to buy signed copies of your work; whether it be comics or possible artwork? Hope youâre having a great week
Rewatched "Monsters" on DVD today. (Appropriate timing, I thought, since November 30 is St. Andrew's Day, dedicated to the patron saint of Scotland - and on that day, I was watching Scottish gargoyles encountering Scotland's most famous monster.) A few fresh thoughts on it.
When Elisa describes herself to the man at the souvenir stall as "not really the adventuring type", I found myself thinking of her statement in "High Noon", "I'm no hero; I just do my job". Certainly, whatever her incliations, she's had plenty of adventures.
I wondered whether Elisa's remark about theme parks doing "robot Nessie-type" stunts five times a day was Disney poking a bit of fun at itself - we'd see something similar in "Bushido".
And when Elisa says at the end how some legends need to stay that way, she looks in Goliath's direction as she speaks, making me wonder if it was just the Loch Ness Monster she was talking about. Certainly Elisa's been zealous about preserving the gargoyles' secrecy - maybe too zealous, in light of "Revelations" and "Mark of the Panther".
I'm fascinated by how anything public domain appears to exist in the Gargoyles Universe, including characters adapted by Disney elsewhere. So I have to know, where does the Little Mermaid fall between the Three Races? Are they a hybrid like the New Olympians, or just Avalon kind?
Looking forward to bingewatching the show again when Disney Plus arrives in the UK - here's hoping the spin-offs live again soon!
What's the largest Gargoyle clan in the world by the early 21st century (present day)?
I've now rewatched "Heritage" and "Kingdom" on DVD. No new thoughts on "Heritage", but I still really enjoy the gargoyles bringing Cagney to the clock tower to look after him in Elisa's absence. I thought it appropriate that it was Broadway who found the kitty (he's the one of the four left behind gargs who's closest to Elisa). And I liked Hudson's rapport with Cagney, while missing Bronx. Including Cagney rubbing affectionately against Hudson - he's got no problems with gargoyles (though Maggie's another story).
I found myself wondering how that containment unit was still functioning after Fang ripped the cables apart to transport it. (To make up for it, I noticed this time around - and really liked - the way they did Talon's voice while he was stuck in there.)
As you pointed out in your ramble, Xanatos's security system does far more damage to the castle than to the gargoyles - I cringe as I see it blowing pieces of the castle apart (small wonder that, by the time of the Double Date story, Owen was getting fed up with all those repairs!) - but Xanatos's lines made up for it.
I'm enjoying watching Gargoyles on Disney Plus, but I have a few questions about the future of the universe.
1. The child that Elisa and Goliath will adopt at some point - what age will they be when they're adopted? I hope that doesn't stray too far into spoiler territory.
2. Following the commitment ceremony that Elisa and Goliath have, will she move in with the Manhattan Clan or will she live at her own home and simply make it work with Goliath some other way?
3. Since it's likely you won't answer this until some time into the year, how big will the Manhattan Clan be by 2020?
4. Do you have a general appearance in mind for the Space Spawn? If so, can we have some details about what they look like?
5. Since the Gathering is still going on by 2198 and Oberon's Children are by and large mostly confined to Avalon, will there be a decline in magical belief? Or at least in the belief of certain folk stories that Oberon's Children inspired?
6. Finally, are there any details you could share about the Lost Race?
Thanks for the time, I hope the Disney Plus location helps get Gargoyles to a wider audience. I've already seen an uptick in discussion myself. Hope all's well with you.
sorry i ment to say Maine ps If the inhabitens of Brooklen maine are Genomorphs i for one like the idea of the news girl Leagion being some espechaly Gaby after all the recording she did and posiive reactions to the Outsiers she helped i for one woold love to meet a friendly Genomorph hiding under her cap and hair !
I have a young justice question for You in dc comics the news boy legion where cloned by Cadmus who created the Genomorphs so is it possible that Brooklyn Main in earth 16 is also a Genomorph city as well and the Mayor, Sheriff. and the Newsgirl Legion are all Genomorphs too like evryone in Geranium city (apart from Dr spence)?
Hey Greg, Iâm not asking for a spoiler for next season of young justice, I would just like to know a possible release date or even a possible date for a trailer for season 4. I love the series so far and canât wait for next season.
If Gargoyles ever comes back, whether by Petition or by sheer will of the fans with making the hashtag visible, would you ever consider bringing in ideas or a new character from a fan?
A postscript thought I had on "Shadows of the Past". Both it and "Future Tense" - the first and last episodes in the Avalon World Tour respectively - have Goliath being beset by terrifying magical illusions, but at last realizing that they're not real and confronting the person or people behind the illusion. I don't know if this was intentional or not, but I think it gives a great element of symmetry to the World Tour.
Rewatched "Shadows of the Past" today.
Bronx was definitely not enjoying the wild boat ride through the stormy seas - his response put me in mind of the "series Pitch"'s description of him as angst-ridden and not fond of adventures.
I really enjoyed the little animation details in this episode - Elisa cautiously climbing up the path from the shore, grabbing hold of the stone wall at one point to steady herself, or Bronx slipping a bit when he starts climbing up the cliff.
The entrance to the rookery looked different than it did in "Awakening Part One" - apparently those doors and the gargoyle-like face over them were removed by Xanatos to New York, along with the rest of the castle. The depiction of the now castle-less cliff - with a huge gap - brought home just how much of it Mr. X had removed.
I really like the illusory Demona's words to Goliath "Join me in the dark" - it's an illusion of her, of course, but those words capture so well in metaphor what she's been trying to get him to do (when not simply trying to kill him).
This time around, looking at the giant skull-like shape left over from the Archmage's battle with the gargoyles in "Long Way Till Morning", I tried to work out (but wasn't certain) whether it was a real skull (if so, it belonged to something really huge) or just part of the cave sculpted into the likeness of a skull. I'll have to pay closer attention to it, the next time I watch "Long Way Till Morning".
Rewatched the "Avalon" triptych on DVD today. A few new observations.
The Magus's lyre in the "flashback on Avalon" scene looks a lot like Merlin's lyre in "A Lighthouse in the Sea of Time". Obviously not the same one, but evidently both wizards share a common taste in musical instruments.
Princess Katharine and the Magus's telling Elisa "Little is known of the Sleeping King" struck me as all the more appropriate since in 995, nearly all the major works on King Arthur had yet to be written (Geoffrey of Monmouth's "History of the Kings of Britain", the oldest extant start-to-finish account of Arthur's life, wouldn't be written for over a hundred years). There were one or two, like Nennius's "Historia Brittonum", but that was about it.
A detail that I hadn't spotted before: a couple of gargoyle-like sculptures were "guarding" the bridge leading to Arthur's resting-place within the Hollow Hill.
King Arthur and Goliath have both used a mace while fighting Macbeth (Goliath did so in "Enter Macbeth") - one of a few points in common they share (others are awakening in the modern world from a long enchanted sleep, and having scheming illegitimate sons).
The Archmage's boast that he could destroy Goliath with "just a word" struck me as apt, since all the "enhanced Archmage"'s spells were one-word ones ("Vessel", "Revert", "Ice", etc.).
It's difficult not to smile at Elisa's "Souvenirs" question after Season One of "Young Justice". Fortunately, she was asking it in a lighthearted tone.
It is with great pleasure that I see Gargoyles is now available to binge on Disney+. With that in mind, I wanted to ask a question concerning the Goliath Chronicles. I know that, with the exception of Episode 1, the Chronicles season is not canon. I'm also aware that, in your comics, you made a nod to one of the Chronicles episodes, where Jeffrey Robbins discovers that Hudson is a gargoyle. At the time you said that you echoed this interaction from the series an a nod to the creators for "getting it right."
My question is this: Apart from "The Journey" and "The Dying Light," (featuring Hudson and Jeffrey Robbins,) are there any Goliath Chronicles episodes that you recommend watching? Do you have any particular opinions on the Chronicles season, as it is displayed on Disney+ alongside the first two canon seasons of Gargoyles? And, in supporting Gargoyles as a whole, should fans watch the Goliath Chronicles as well as the other two seasons?
It is a real joy to see the excitement that has resurged around the series. I hope that it does finally get the renewal it so fiercely deserves!
Thank you for reading my question.
Wishing you all the best,
Rewatched "The Price" on DVD yesterday.
This time around, I noted the Macbeth-robot's "trophies" line, and how that continued the "hunting" imagery I'd been paying close attention to in the series during my 25th anniversary viewing. Because trophies are one of the reasons why someone would be hunting. (As far as I can tell, it's the only time that was given as a motive for hunting gargoyles - and, of course, it doesn't count, since it was all part of the misdirection tactic.)
This is less a question than a comment, since I know you won't give out spoilers. :)
I've noticed that a lot of writers, especially in TV shows, either can't or don't want to write established relationships - either the courtship is dragged out until the final episode, or the couple gets together mid-series only to fall into an endless cycle of break ups and make ups. And while Gargoyles is one of the few TV series that I think had legitimately good reasons both for the long courtship and for the breakup in the comics, which both made sense with the characters and were compatible with them having a long-term healthy relationship... I also really hope that this won't become a recurring phenomenon, and that their relationship will continue to progress, however slowly. While I know that no relationship lasts forever, if nothing else because no one lives forever, I really really hope that Elisa and Goliath will have many long years ahead of them to function as a healthy couple, and that we the audience will get to see at least some of it. *crosses fingers for Gargoyles coming back in some form*
1) What sort of hobbies does Elisa have outside of work?
2) Did she have any human friends prior to meeting the gargoyles?
Hi Greg, I was wondering if you could explain how the Glamour Charm works, since Season 2 is over(I am guessing Glamour Charm-related questions weren't answered due to spoilers)?
in Upgrade Hudson called Wolf a Forest Demon, was that just an insult or did Hudson actually battle a Forest Demon in the pasts.
Followup Question: are demons real in the Gargverse?
Rewatched "The Cage" on DVD today (and "Protection" yesterday, but I had no new thoughts or observations on it).
I noted, this time around, Elisa's joke about webbed feet during the family dinner scene at the start, followed by Peter Maza's "and a great duck impersonation" line followed by a quacking sound, and wondered if that might have been intended as a tribute to the Disney Afternoon's "duck shows" - both "Duck Tales" and "Darkwing Duck".
Why are Goliath and his took brothers so much bigger than the next generation of gargoyles
The shows that you do, are they in different languages? Like French, Spanish, Russian, even Chinese? I ask because I like to use cartoons as a language learning help (also because I love cartoons in general)
Like Gargoyles, there's a French theme some, are there also French episodes?
Rewatched "Upgrade" today.
Continuing the "animals/beasts/hunting" terms used for gargoyles - I noticed Dingo's remark to Wolf "I hope you're not planning to eat your catch" and Hyena's I wonder if gargoyles taste like chicken." This is the first time anyone was actually suggesting eating the gargoyles - they'd hunted them for other reasons - control, sport, revenge (I found myself suddenly comparing Gillecomgain's vengeful pursuit of Demona with Captain Ahab's pursuit of Moby-Dick - in both cases, to get back at the quarry for a lasting physical injury, whether facial scars or a missing leg), but this is the first time anyone seemed to consider eating the gargoyles. And, naturally, it'd be the Pack who'd be the ones to consider that.
Hyena also addresses Lexington as "flying rat".
When Broadway foils the most crimes, saying "You just gotta know where to look", I thought again of his detective interests in "The Silver Falcon" - and which resurfaces again in "Protection", the very next episode.
I rewatched "Double Jeopardy" today - a few new thoughts.
Elisa's again driving along a lonely road by the coast, far from Manhattan, just as she'd done in the immediately preceding episode ("Revelations") - but this time, we know why she's out there (a warning about a power plant emergency - actually a hoax, courtesy of Thailog).
Broadway tells Elisa, as he and Lexington head off to Gen-U-Tech, "We're on the case". His way of phrasing it invokes again his interest in detective work (cf. "The Silver Falcon").
All the dates on Sevarius' video documentary about Thailog are written in the "British format" - i.e., "15 NOV", with the day first, then the month. Something you don't often see on American television.
In the fourth volume of the Young Justice tie-in comics, we follow Artemis as she attends Dick's birthday party. Notably, we didn't see Wally, although it would be expected for Dick's best friend to be attending his birthday party. Assuming he wasn't there but not shown, Why is this?
Here's a dumb question: Do Martians find dragons and other such fire-breathing mythological creatures of Earth terrifying?
Also, side note, what happens to a Martian if they are hit with fire? Do they burn faster than humans?
Hello MR Greg, I wanted to ask you a big question about Mars: What is the biology of Mars? As in, the animals, plants, people, and etc. I would love to know more about Mars's biosphere, especially since we see so little of it in the show and comics.
I was wondering if I could ask some questions about the biology of the Bioship, if these questions aren't too spoiley:
1) What exactly IS the Bioship? A plant? An animal? A bacterial colony???
2) Does it have a symbiotic relationship with the Martians? How did that relationship form?
3) How do Martians get their Bioships?
4) How can Bioships do all the things it can do, such as camouflage, fly at incredible speeds, adapt to most environments(including hot ones that would incapacitate a Martian), and etc.?
5) Are Bioships sentient? Or are they more like a companion?
How would Magic change in 2198 and would it be more widespread in the future?
Rewatched "Revelations" on DVD.
The "creatures/beast" theme: Mace Malone describes Goliath as "a majestic beast". (The evidence, though, indicates that he recognizes Goliath as a sentient being rather than a mere "beast".)
This time around, when I saw Mace Malone's fate, I found myself thinking of the depiction of his ex-partner Dominic Dracon in the "Religion 101" radio play, searching everywhere for those diamonds in a way that indicated that he'd suffered a severe mental shock at the end of "The Silver Falcon". Though I recognize that the radio play isn't canon, I'd felt that it did seem like a probable consequence for DD, after discovering that those diamonds had never been in the Silver Falcon - and Mace Malone's own fate, frantically trying every door, convinced each time that this was the one which would get him out of the Hotel Cabal and to freedom, felt like a parallel to it.
My thoughts on rewatching "Outfoxed".
Not much new to say about it, but I spotted two things. First, just after Goliath heads off in pursuit of Fortress-Two, we get a shot of it flying towards the Twin Towers. From a hindsight perspective, an unsettling moment.
I noticed, also (continuing my examination of the "monster/beast/creature" terminology used by humans towards gargoyles during this rewatch) that both Renard and Vogel call Goliath "creature". Renard, of course, soon recognizes that Goliath's a sentient being, capable of understanding him when he speaks about the importance of taking responsibility for your actions. I'm not so sure whether Vogel came to the same realization, though.
I rewatched "High Noon" over the weekend. ("Outfoxed", as well, but I'm giving it a separate entry.)
What struck me most about this episode this time around was that it was almost a "Shakespeare villain team-up" - Macbeth (and Demona, whom you could describe as a "Lady Macbeth" analogue) team up with Iago (more accurately, a gargoyle analogue for Iago, who's only called that in the voice actor credits). I doubt that Shakespeare should have objected to that, since he'd written at least one crossover himself ("A Midsummer Night's Dream", which blends Greek mythology with English fairy-lore).
I still like the touch of Hudson and Broadway learning to read from the newspaper - poor Broadway's still finding the word "right" a challenge (cf. "The Silver Falcon"). Again, I'm going to have to look through some books on the history of the English language to find out how so many words which sound like "-ite" came to end, in written form, with "-ight". It's probably one of the biggest challenges to someone learning written English.
Broadway's excited cry, as he and Hudson enter Macbeth's library, "Look at all these books!" struck me all the more, when I thought that, to someone who'd been born (well, hatched) and grown up in the 10th century, a library that size would indeed seem miraculous. What a difference the printing press has made!
"Iago"'s cry as "Othello" and "Desdemona" recover control of Coldstone, "I am besieged!", grabbed me this time around - such a dramatic way of describing the struggle within.
And this time, I also noted Coldstone's statement that, as long as "Iago"'s trying to recover control, "no *living* gargoyle" (emphasis mine) is safe from him. It brings home, I think, his awareness that he's now an "undead gargoyle".
Has Barbara Gordon retained her B-16 designation since taking on the identity of Oracle, or did she switch to a new designation as soon as she adopted this alias?
Iâve been watching Gargoyles on Disney plus, (third run through) and I saw that the Eyrie building isnât too far off from the Chrysler building. The placement seems to change depending on the scene. From what I can tell itâs by the 70s or 80s, east side, where would the real life location be?
Unlike the majority of fans whom I've seen talking about it, I'm assuming that the more controversial parts of "War of the Spark: Forsaken", such as erasing Chandra and Nissa's romantic relationship and putting Vraska back where she started as a character, were decision made by Wizards of the Coast and not by you. Given familiarity with your past work, it would be out of character, and fans often forget how you're beholden to the directives of the company that hires you to write the book. Any official confirmation of this would be welcome.
Hopefully this isn't regarded as too rude, but in light of your blatant biphobia in the WotS:F novel I have one question;
Why do you hate bisexuals?
How long have Dick Grayson and Barbara Gordon been together on Earth-16?
Hello again Mr. Weisman, here are 2 separate questions for Gargoyles I have for you if you don't mind!
1. I'm guessing Xanatos had the PACK's Show Produced before the Gargoyles Woke up, but do you know How Long Exactly Xanatos had been putting the PACK Together as Both TV Stars AND as his Mercenaries? a Year? 2 Years? Or More or Less?
2. Is there a Particular reason why there was Never a Real Christmas Episode of Gargoyles, Or was it simply because you just didn't come up with one?
As a live action film producer/director, Iâve often thought some ideas might be created as an animated series. What guidance would you give to someone looking to branch into animation? Assume I have no existing relationships.
Rewatched "City of Stone" today (all four episodes). A few things that stood out to me this time.
Continuing the "gargoyles being called beasts" thread: the granary guards in Part One call Demona's clan "filthy beasts". Gillecomgain doesn't use the term "beast" for Demona, but does call her a creature and a monster.
(By contrast, the "breastplate gargoyle" comments about their old home, after Demona and her clan have to abandon it following Duncan's attack, "The hunting there was good" - probably one of the few occasions where gargoyles are talking about being the hunters rather than the hunted.)
Demona's clan uses nets twice in this multi-parter - once against the granary guards in Part One, once against Canmore's army in Part Four. The nets being in Parts One and Four gave a nice sense of "bookends".
A detail that I can't believe I missed before: Demona was bearing the Hunter's mask at her belt, as if a trophy, after the battle with Duncan. (The young Canmore grabs it from her during his attack upon her.)
Demona calls Bronx "my pet"; I looked up your remarks on gargoyle beasts in the archives and found that gargoyles don't see gargoyle beasts as pets, but as equals. Maybe another sign that Demona thinks far more like a human than she'd admit (or than it would be safe to tell her)?
I like the touch of the various new kings (like Macbeth and Lulach) being hailed as "High King of Scotland" - the "high king" part conveys all the more a sense of Scotland as a collection of recently-united chiefdoms (which it would have been at the time in actual history).
I finished reading "War of the Spark: Forsaken" today.
While "Magic: the Gathering" is still a "foreign country" to me, I rather liked this book. I got a few big surprises out of it (such as the revelation about Mistress Blaise near the end), and was also amused to note the "lettered plans" gag (evocative of "Eye of the Beholder") and another use of the "Reason not the need" line from "King Lear". Plus a battle with gargoyles in a room filled with clockwork (even if it probably wasn't a clock tower). But the part that most stood out to me was the book opening with an Epilogue and ending with a Prologue. It felt almost as if it was living backwards, like T. H. White's Merlyn.
I became particularly fond of "Rat", whom I understand was your creation instead of a pre-existing figure.
Rewatched "Vows" today. A few new things that came to me.
I was hesitant about mentioning this, in case it comes across as an idea, but - from the way Goliath addressed Demona as "my angel of the night" at Prince Malcolm's wedding, I wondered if this was the first time he'd called her that.
When Xanatos referred to his getting the old coin that was the foundation of his fortune as "ancient history", I thought, "well, medieval history, to be precise".
I wonder how Prince Malcolm and his court must have perceived the Norman Ambassador's departure - he rides off just before the wedding, not staying to see Princess Elena, whom he'd escorted to the castle, wedded (even though he'd presumably be the closest thing to a representative of her father there). At least it doesn't appear to have caused a diplomatic incident between Scotland and Normandy.
The Archmage addresses Demona as "you stupid beast", continuing the pattern of unfriendly humans using such terms for gargoyles, that I've been paying close attention to this time around.
Brooklyn is the one most vocal about going to Goliath's rescue at the end; I wonder if Demona's involvement and his feelings about her had a lot to do about that.
I still think it's a pity that the original ending got onto the DVD; I hope that the Disney + version uses the corrected ending. (That's the main thing I miss from my old "Gargoyles" tapes.)
Where did Demona get her Tiara from? Did someone give it to her or did she steal it?
Less of a question, more of a request. Don't write novels without an editor.
I don't know if this site covers my question, but I have no other way to maybe get in touch with you, so ...
I just read War of the Spark: Forsaken, I don't know what to say. Many aspects pleased me, others made me think "what ?!"
I think overall I can say I liked it. Well, my question is: will you write more books from Magic: The Gathering?
The ending of this last one was very open, there is still a lot to happen and I think you should bring this ending.
Besides, you have all my support to make Liliana and Jace happen.
Hey man really liked how you oppressed a marginalize group so efficiently! its really a big inspiration!
Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.
Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".
Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".
Hey greg â" Adam Barnhardt here. Iâm a reporter with ComicBook.com and a massive fan of Gargoyles. Iâve been covering the show for the site and thereâs certainly a platform for more content â" especially if we talk about the #KeepBingingGargoyles movement.
Any chance youâd have a chance to speak with me on the phone or via e-mail in the coming days about all things Gargoyle? Would help provide some serious media coverage for the movement.
You can reach me at email@example.com â" look forward to hearing from you.
New observations from rewatching "The Silver Falcon" today.
One line of Broadway's dates the episode: he mentions that Lexington and Brooklyn "have dibs on the VCR". I wonder how many of us remember VCRS, and how many of us have forgotten them thanks to DVDs and Blu-Rays.
Elisa's line about Broadway "living out a movie fantasy" brought "Deadly Force" to my mind this time (of course, it helps that Dracon's back in this episode). Fortunately, Broadway's wish to do that has less disastrous results this time.
I also spotted, this time around, the parallels between Matt's entering the remains of the Silver Falcon night club and Broadway and Elisa's later arrival - and how both Broadway and Elisa say "I've had better nights".
And this episode continues "A Lighthouse in the Sea of Time" , showing us that Broadway's begun to learn how to read, and has progressed enough to be able to read Mace Malone's note (and correctly figure out its meaning). In "Lighthouse" he'd initially been drawn to reading because of its ability to take you to other places and times; now he finds that it can be used to convey useful information. (And the poor guy has the word "right" in that note, though he manages to figure it out. It got me wondering - and I'll have to look it up - how so many English words which rhyme with "ite" are written "-ight" - bright, fright, fight, flight, night, sight, knight, tight, etc.
Is the Green Lantern Corp and other Lantern Corps (All colors e.g. Red, Blue, Orange, Sapphire) is ever showing up in Young Justice? You did mention that this is a DC Universe show so it safe to assume it also includes the various lantern corps as well?
English is not my mother tongue, so I wanted to ask you 2 questions
1. in Earth 16 Superboy is the best friend of the third robin Tim Drake and Kid Flash / Bart Allen as is the case of the new Earth and Young Justice Rebirth?
2. the fourth season in which month of 2020 will it leave?
Rewatched "The Mirror" today. A few new thoughts and observations.
I saw Demona's snarl at the "Dracula's daughter" in a new light this time. Dracula was a human before he became a vampire - and, naturally, Demona's going to regard any suggestion that she's related to a human - even a human who's become another "mythical creature of the night" - as the ultimate insult.
Not on the scale of Coldstone or the "Hunter's Moon" scheme, but Puck engages in a bit of "blending science with magic" when he uses the satellite dish and the television antenna atop the Twin Towers to help him turn all the humans in Manhattan into gargoyles and back again.
Bronx gets turned into an Irish wolfhound (or close to that kind of dog) - appropriate, in light of "The Hound of Ulster".
Rewatched "A Lighthouse in the Sea of Time" - a few fresh thoughts.
I remember your mentioning that you'd intended to have Goliath list a few specific books about Merlin, with Mary Stewart's "The Crystal Cave" as one of them, but weren't able to clear the rights for that. It recently struck me as particularly unfortunate you couldn't mention "The Crystal Cave", since it was published in 1970 and "Lighthouse" first aired in 1995. Goliath could have given it a 25th anniversary tribute.
Continuing the "'beast and monster' terms used for gargoyles" thread that I've been paying particularly close attention to for "Gargoyles"' own silver anniversary viewing, I noted that Macbeth addressed Broadway as "beastie" (evocative of Robert Burns, though Broadway's definitely not "wee, sleekit, cow'rin', timorous" and there didn't seem to be any panic in his breastie) and Goliath as "monster".
I spotted a drawing of a Celtic cross at the top of one of Merlin's Scrolls, when it was unrolled and the writing was visible.
GargWiki.net has answers for all your Gargoyles questions.
Includes episode commentaries by co-creator Greg Weisman, interviews with the cast, and a documentary on the fan convention.