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The following is in response to a question you answered for me.
Greg wrote:
Claw was mute. Renard was confined to a wheelchair. I'm not tooting my own horn here, I just think that maybe you're overlooking characters because they fit so naturally into the series that you forgot they were disabled.
Shan responds:
I'm beyond exhausted at the moment, so other than Garrett from the show I worked on I can't think of anyone else who has have appeared in every other show (except Brutto if ROUGHNECKS continued). I think you may be right about characters at the supporting level -- the Robbins and Renards of the animated universe -- but most do seem to be one shots, sometimes even in storylines where their disability is "repaired" by the end of the episode (such as an injury-created blindness that surgery or something else corrects), which usually seems a cop-out. IMNSHO.
And while I do like Renard, particularly as Fox's father, he is older than most of the characters we're talking about and from what Puck shows with his images in "Gathering Part Two," wasn't always in a chair, was he? (Again, beyond exhaustion, I might be wrong) It's a combination of age and illness, or at least that's the impression I've had. But then again, Robbins was blinded in Viet Nam and he's even younger. Showing ability with disability at all ages and stages of life -- and that it isn't always congenital -- is a good thing.
I have no clue why this is such a personal springboard for me, but I'm not embarrassed about it. I can tell you it predates my seizure disorder (circa 1992). On that note, I know that seizures are usually used to comic effect in film and TV and living it isn't funny to me. I close my eyes and let it be though. I'm not going to tell people what they can and can't do. I just don't have to like it.
(Now jumping off soapbox...)
Greg also wrote:
I also would love to do a hearing impaired animated character with Marlee Matlin doing the voice. She used to come into Rockets and I once had such a big crush on her that I swore that if she came in one more time, I'd ask her to marry me. (She must have sensed that cause she never came back.)
Shan replies:
:) If you did the character as a lip-reader, it would probably work in limited animation. Sign language is a whole different ball of wax, though I do know I saw it done once as a kid (I want to say on DEFENDERS OF THE EARTH, but I am so tired right now). Christy Marx and I talked about this waaaay back when I first met her, though it's become public knowledge on the TRULY OUTRAGEOUS! JEM Mailing List over the years. Hasbro had Christy developing a JEM feature that never really went past treatment since the TRANSFORMERS and GI JOE movies did so poorly. They were going to have a deaf girl in that movie, which was integral to the plot. Later on, Christy had dinner with a woman who taught her there are many variants of sign language; ASA (American Sign Language) is just one of several so it might not be understood well in some markets that aren't familiar with ASA and thereby not translate internationally. Also the complexity of the hand gestures just might not come out right in limited animation. So she told me at that time she wasn't sure if it ultimately would have worked out it.
Just FYI...
Solving those problems would be tremendously complex -- but worthwhile for a worthwhile character.
Ian>Um... thank you, I think, for complementing my questions. (I was passing through to see what other questions had been posted as long as I was online and saw your comment).
Greg>I hope my questions better exemplify your preferences, but you and I both know I can be error prone on occasion. I can think of instances both where I was your student and not proofing myself well enough as an interviewer (the latter being the greater embarrassment) where that was the case.
(And I just had to go look up embarrassment. I always have to stop and think about the "r"s and "s"s...)
The fact that you are looking things up is good in and of itself.
By the way, it was nice to see you and Jen and Alan and Zach and Ana and Ambrosia at Keith David's performance. I hope you all had a great time. (And I'm sorry I didn't warn you about the expense. I didn't know and was caught off guard by the cost myself.)
While browsing on the Internet I found this page (annotated sandman and to be more specific the soft places issue) that says the real unlatinized name of the historical Xanadu is Shantu so is this true?
Yes, it's true: you were browsing.
Who is presently the president of the USA in the Gargoyles universe? Is he a member of the Illuminati?
Presently, to my knowledge, George W. Bush is president.
You've mentioned collaborating on a (I presume spec) feature script with your brother Jon. Without intruding on your brother's privacy too much, is he within enough distance of you that it's practical to work together in person on semi-regular occasions?
My sister and I are back collaborating again on some projects, but only because technology has caught up to us. We worked together for years when we lived at home, but when she got married and moved to Seattle and I moved to Los Angeles (which happened within a 6 month timespan), the level of development on Internet for the masses wasn't quite on our side then. Now we both have our own Internet accounts (versus subaccounts on Dad's AOL), email, and Final Draft 5. It feels like we're getting a lot done, and I'm glad to have the interaction back, but it's not quite the same thing.
The question I'm leading to is this: If you had to (or actually do) all your work by Internet with Jon, do you think (or do you feel) you could still create the same quality and level of product? Or in your mind is there just no replacement for the in-person collaboration experience?
If this turns out to be a hypothetical, I apologize since I know you don't prefer those.
My brother and I both live in Los Angeles. We have very different lives, so getting together isn't particularly easy, but we manage.
When writing the outline, we worked the story out in person. Then took turns writing and rewriting each other.
When writing the screenplay, we did the reverse. Took turns writing and rewriting each other, by sending the material back and forth over the net. When we were done, we got together to polish the first draft.
Then we sent it out for notes. When we got those notes, we got together again to work out a plan for what and how we were going to change. Then September 11th. We haven't worked on it since, but he's coming over to my office this Friday to work on the second draft.
In essence, a lot can be done these days over the internet. But I tend to think that something is lost when people don't get to gether in person.
Could a regular human wizard with no magical augmentation cast a lightning spell or fireball spell without a conduit?
Potentially. Especially if that's the ONE spell they've REALLY, REALLY studied. But it would be more difficult and also limit their ability to do anything else.
Did you have any plans for the mercenary team we saw in Double Jeopardy?
Nope.
In Hunter's Moon why did Demona need the Praying Gargoyle to protect gargoyles from the virus?
With the healing ability of stone sleep wouldn't they be immune anyway? If they contracted the disease at night, during the day they'd heal and the next night they would be cured.
You're assuming that (a) it works slowly and (b) it goes away.
Dear Greg
You said that if Gargoyles continued there would be more mutates can you give a hint what these future mutates would look like?
No.
And did I say that?
Care to give the names of the twelve (thirteen if you count Queen Florence clan) clan leaders who were captured by the Space-Spawn?
Were the Queen Florence Clan and the Gargoyle leaders captured by the space-spawn in the original 2158/Future Tense Spin-off?
1. Nope.
2. Yep.
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