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Artemis writes...

Hi Greg! First time poster here. I want to thank you on writing such a great show!! I only started to watch it a little over a year ago. I've only seen about 70% of the episodes, because of it's late airtime and the fact that I have older siblings who what dibs on the tv. What I really want to ask you is how did you come up with this whole series? It's really incredible how it all ties in, considering its complicated plot. My teachers have always told me that I have a gift for story telling, but most of its all been fan fiction. I love to write, but the only reason I do fan fiction is because I can't seem to make up my own characters. So how did you come up with all these complex characters? Did you have to sit down for hours to think of characters, or did they just suddenly come to you one day? Anything you're willing to tell me will be greatly appreciated. I don't care if writers don't really make it on their first story, I know that (I'm only 17, after all). I just want to write share with some people something that I can truly call my own. Thank you! (Next time around, I actually will ask questions regarding the show)
=^..^= <---Meow!

Greg responds...

Well, let's start by acknowledging that I wasn't working in a vaccuum. From day one I had a staff of people working with and for me on the show.

Special credit needs to go to Michael Reaves, Brynne Chandler, Gary Sperling, Cary Bates and Lydia Marano who were all huge participants in the process.

Lots of time was spent talking, batting ideas around. But honestly some things just came so easy and naturally that I still believe that the Gargoyles Universe is out there broadcasting history to me.

Response recorded on September 06, 2001

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Jimmy writes...

Were you planning on having any climactic battle in teh garg universe to cull some extra characters, because if not, all the stuff going into your "master plan" would seem to make the garg universe a little cluttered don't you think?

Greg responds...

It's a big universe. There's plenty of space to spread out. We were only getting started and NO, I ABSOLUTELY HAD NO INTENTION TO "CULL".

Response recorded on September 06, 2001

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Vashkoda writes...

As I'm now looking through the notes I took during the "Research for Writers" panel at the con, I remember Reaves and the others mentioning a large board where you guys would pin up index cards with different story ideas, and then ask who wanted to write the episode for each card. They mentioned that you had cards for another Central/South America story, another Africa story, and one about the Wendigo monster.

1) Would you kindly divulge anything about these poor stories that never got made into episodes?

2) Do you still have these idea cards?

Greg responds...

2. I have all the idea cards. But some of them were nothing more than that. A notion. A thought. A word. So...

1. There aren't any STORIES extant with the exception of the Himalayas story, as I wrote that for the Marvel Gargoyles Comic Book, which got cancelled before the story could be published. The others are in varying degrees of existence in my head depending on how much brain time I've devoted to them. There's a bit more on the Korea story, as I've given thought to the Pukhan clan. But not much. Etc.

Response recorded on September 01, 2001

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Phil writes...

Another little ramble.

The last page of the Gargoyles 2198 proposal is more about the business side of the show. You wrote that WB has DC and Marvel is piecing out its characters; Disney has nothing to compete, "but Gargoyles was designed to be that competition."

I've been thinking about that statement and it does seem odd to me that Gargoyles is one of the few properties that Disney isn't taking full advantage of. Their animated features have be released and re-released on video and it seems that every new release is followed relatively quickly by a direct-to-video sequel and/or an animated series. They're even giving the sequel treatment to classics like Lady and the Tramp and Cinderella.

I wonder what it is about Gargoyles that prevents Disney from giving it similar treatment.

Greg responds...

Well, you don't see Darkwing getting that treatment either.

There generally hasn't been as much support for believing in their tv properties.

Also, I think they still, STILL, don't quite no what to make of or do with Gargoyles.

Do I believe they are missing a bet? Absolutely. But the climate to change their minds hasn't surfaced yet.

Response recorded on August 30, 2001

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Phil writes...

So here's a G2198 question relating to my prize:

The cover page says "CGI Series Proposal - 9/21/00". I assume you actually submitted it to the powers that be. What kind of response did you get? (Yes, No, Maybe, Needs more work, Not right now?)

Greg responds...

I never submitted it.

I was working with some guys to put a CGI presentation together by G2001. That never happened. And during the time we were working on it, it became clear to me that the time wasn't right at Disney.

In any event, the version you received would have gone through at least one more revision before being pitched. I would have cut stuff out of the proposal to simplify things for the execs. It wouldn't have changed the end product at all, but I've learned that less is more in a pitch. For starters, I'd have cut all the info on clans. That was written to clarify things for me. But it's extraneous information at this early stage.

Response recorded on August 30, 2001

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Kelly L Creighton/Kya White Sapphire writes...

1. there is a big difference in the styles of gargs the animation and gargs the comic. notice that the animated gargs have solid hands and feet, with hardened toes and fingers, and in the comics they actually have CLAWS. i can attribute this to the fact that the comic version would be much harder to animate. so, ignoring the out-of-universe explination, which do you prefer, the animated style or the comic style?

my personal opinion- i prefer the animated style. maybe because it came first. maybe because it separates gargs from humans more. maybe because its easier to draw. *shrug*

2. we havent seen them, again because of the obvious irritation in trying to animate them, but do you imagien that theyre are striped and spotted gargoyles? (okay, before I corrected the typos that was stripped and spitted. lol)

Greg responds...

1. Prefer animated versions for obvious reasons. Nevertheless, it was little old me that encouraged the comic company (among other licensees) to do their own interpretations of the characters. What works in animation visually, doesn't necessarily make for the best, well, whatever. Plus you want to give artists a measure of freedom.

2. Not ruling it out.

Response recorded on August 23, 2001

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Anonymous writes...

What legends inspired you to put a clan there?

Greg responds...

Korean legends related to me by Frank Paur.

Response recorded on August 15, 2001

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The Souldier writes...

Was there a one-liner you wanted to have in Gargoyles, but it just wouldn't find it's way in? Something like getting Owen to say Jalapena.

Greg responds...

Not that I can think of off-hand.

Response recorded on August 15, 2001

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Shan writes...

The "Lighthouse in the Sea of Time" episode just finished and I realized there might be an error in how Jeffrey Robbins' dog is portrayed. I did temp work for a while at the Braille Institute here in Los Angeles (about six weeks in three departments) and I seem to recall that you're not supposed to get friendly with/pet the dogs, and likewise guide dogs are trained not to do so with humans (at least outside of their owner). It distracts them from doing their duty. While Jeffrey's dog might have reacted favorably upon seeing Hudson the second time, the dog actually licking Hudson I believe is not correct. Do you know if any research was done into this aspect of the episode that could prove me wrong? It's been several years since I worked at the Braille Institute, though of course it's been a few years since the show too...

Greg responds...

There may have been research done. I can't recall. Or I may not have been aware in the first place. But by the time a script goes through board artists and animators etc, whatever research is done may not still be reflected in the visuals.

Having said that, I'm not trying to blame the artists or the writers. I'm not even sure IF we made a mistake. But if we did -- whoever made it, I'll take responsibility for it.

Response recorded on August 10, 2001

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Kathy Lowe writes...

I really enjoyed the Gathering this year. Many thanks to you and the staff for getting all the guest panelists.

My husband is a rather shy type; he thought the following question during the production seminar, but didn't even tell me until several days after the Gathering.

What is the silliest idea you ever had, and what is the silliest idea you ever pitched?

Greg responds...

Pitched? I don't think I ever pitched anything that I didn't legitimately believe would make a good show.

Including a shot of Michael Eisner getting his rug yanked off by one of the "Quarks" in the pitch for that show, might have been the single STUPIDEST thing I ever pitched. (You'll notice we never did make "Quarks".)

As for silly ideas, I get a lot of those. There's this notion about a guy named Vinnie, who....

Response recorded on August 08, 2001


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