Todd Jensen writes...

A few more questions I forgot to ask last time.

1. Some months ago, I saw a television documentary on gargoyles (the real-world architectural kind) and it said that there were more gargoyles per square foot in New York City than anywhere else in the United States (or something along those lines). Was this a factor in choosing New York as the main setting for the series, or just a coincidence? (I do know that I sat up and took notice at that particular comment when I heard it!)

2. Most of the mythological beings in "Gargoyles" were portrayed as being "Oberon's Children", i.e., members of the Third Race. However, the beings from Greek mythology were portrayed as being from a separate race, if of partly faerie origins: the New Olympians? Just out of curiosity, why did the production team take a different angle for the Greek mythology beings than the ones from Norse, Egyptian, Native American, etc. myth and legend?

3. I read somewhere that Eric Lewald was on the production team for the "X-Men" series on FOX before he worked on "The Goliath Chronicles". Do you think that this could have been a factor in why The Goliath Chronicles took a different angle on gargoyle-human relations (as in, it being taken for granted that the humans would know that the gargoyles were sentient beings); that is, that Eric was seeing "Gargoyles" in an "X-Men"-related light?

4. You've told us a bit about gargoyle religious beliefs; do the Third Race have any form of religion?

Todd Jensen writes...

One thing that I forgot when I was posting my questions before, but thanks for persuading the people in charge of The Goliath Chronicles to not do that ending that they had originally wanted to do for it with the gargoyles and Elisa all running away from Manhattan. That would have been a dreadful way to end the series! Truth to tell, I'm amazed that the new production team even seriously considered it; I wouldn't need to be familiar with the series to realize that it would be an alarmingly downbeat means of concluding the series with the gargs just giving up and running away. At any rate, thanks for urging them to not have that happen.

JEB writes...

Great to have Ask Greg back. :)

I've just got one little question for now: Have you ever gotten any ideas for stories from dreams?

That is all, and thanks for your time. :)

Airwalker writes...

Glad to see AskGreg is back up.

1. Does Demona know about the Illuminati Society?
2. Does the Illuminati Society know about Demona?
3. Why exactly did you decide that Jackal and Hyena would become Cyborgs and that Wolf would become a Mutate? Why specifically that combination instead visa versa?
4. How long has Nokkar's intergalactic war been going on?
5. What happened to the helicopter Lexington fixed in HER BROTHERS KEEPER?
6. You said that New Olympians generally live for 13-250 years. So would any of the New Olympians we know be alive and around in 2158?
7. How does the Avalon Clan feel about Demona and Macbeth? (They must know those two weren't acting under their own will during the fight with the Archmage but to someone who they injured that little bit of information might not exactly displace anger at being injured.)
8. After all these years, does Macbeth know that Demona was listioning outside his window when Bodhe suggested betraying her clan to the English?
9. What are the Mutates feelings towards Alex Xanatos?
10. Why didn't Xanatos try to make Coldfire and Clodsteel look more "alive"; meaning why not slap some fake flesh on them like he did for Cyoti 1.0?
11. In POSSESSION, why wasn't Angela shocked at seeing Coldstone? After all when Goliath first saw him, he called him an abomination.
12. What was Goliath thinking in SANCTUARY and MARK OF THE PANTHER when he kept tellin Angela that she has many mothers and fathers? Who was he thinking of? There's only him, Hudson, Coldstone, Demona, and the Trio at that point. Did he seriously expect the Trio to think of Anglea as their daughter?
13. In 2158, how do you picture the world political status? Are there still seperate countries for example?
14. What is the legal status of Gargoyles in 2158?
15. What is Renard's opinion of Petros Xanatos?

Todd Jensen writes...

Phew! Nice to have this thing back! Now for some questions that I've been waiting a long time to ask.

1. In "The Journey", during his recruitment speech, Castaway, while playing upon the fears of the citizens in his audience, lists two specific ones: that the gargoyles might attack them while they sleep and that they might kidnap their children. Recently, I found myself realizing something about these fears. Gargoyles obviously fear humans attacking them while they are in their stone sleep, and Demona believed in "The Reckoning" that Princess Katharine and the Magus had kidnapped the eggs. So, were you deliberately going for a notion of "humans and gargoyles fear each other for parallel reasons" when you wrote this scene, or am I just reading too much into it?

2. My new guesses for the 7 Arthurian survivors:

a. King Arthur
b. Merlin
c. The Lady of the Lake (so far, the obvious ones :)
d. Sir Percival
e. The Grail Damsel (since she's got a different name in practically every version of the Arthurian/Grail legends, I figured I'd better just put down her position to make it clearer whom I meant)
f. Morgan le Fay
g. Nimue

3. One of the most intriguing aspects of the gargoyles in the series, to me, was their initial lack of personal names, something that worked particularly well with me since it made them seem even more "their own unique culture" (I particularly liked the scene where Hudson was asking why humans have to name everything in "Awakening Part Three"). What inspired you and the other members of the production team to come up with this idea?

Entity writes...

Glad you're back, Mr. Weisman! Here are a few questions I've pondered over:

1) If the series had ever shown Merlin, how do you envision his physical appearence? Would he have been along the lines of the white-bearded Disney version from "Sword in the Stone", or the younger, clean-shaven version from "Excalibur" or "Merlin" (the mini-series)?

2) I heard somewhere that you'd written an early screenplay for the GARGOYLES theatrical movie, which was basically "Awakenings" cleaned up around the edges, but that it was rejected on account of being "too cartoonish". Would you be able (and willing) to share with us that screenplay?

3) You mentioned that "Hunter's Moon" was originally going to be a video release (which would explain why so much of Part 1 seemed like a reintroduction to the series). If it had been released on video as planned, would it have been longer than only one hour (3 twenty-minute episodes)? I ask because that seems kind of short for a video, and because out of all the other chapters of the series, "Hunter's Moon" is the only one for which you've revealed full-fledged scenes that didn't make it into the final cut.