A Station Eight Fan Web Site
Displaying 1 record.
Phew! Nice to have this thing back! Now for some questions that I've been waiting a long time to ask.
1. In "The Journey", during his recruitment speech, Castaway, while playing upon the fears of the citizens in his audience, lists two specific ones: that the gargoyles might attack them while they sleep and that they might kidnap their children. Recently, I found myself realizing something about these fears. Gargoyles obviously fear humans attacking them while they are in their stone sleep, and Demona believed in "The Reckoning" that Princess Katharine and the Magus had kidnapped the eggs. So, were you deliberately going for a notion of "humans and gargoyles fear each other for parallel reasons" when you wrote this scene, or am I just reading too much into it?
2. My new guesses for the 7 Arthurian survivors:
a. King Arthur
c. The Lady of the Lake (so far, the obvious ones :)
d. Sir Percival
e. The Grail Damsel (since she's got a different name in practically every version of the Arthurian/Grail legends, I figured I'd better just put down her position to make it clearer whom I meant)
f. Morgan le Fay
3. One of the most intriguing aspects of the gargoyles in the series, to me, was their initial lack of personal names, something that worked particularly well with me since it made them seem even more "their own unique culture" (I particularly liked the scene where Hudson was asking why humans have to name everything in "Awakening Part Three"). What inspired you and the other members of the production team to come up with this idea?
1. I don't think you're reading too much in, but you need to keep in mind that I was breathing gargoyles at the time. It filled my thoughts. Whether I was conscious of those specifics parallels, doesn't answer whether they were intentional or not. Does that help?
2. We're up to eight now. Plus guesses need to be on their own post. Note: it's best to be as specific as possible. Bet hedging is no way to win a silly contest.
3. Originally, desperation. We had a hell of a time getting names approved. Coming up with a rationale for waiting until the twentieth century to name most of our characters was an inspiration I was grateful my boss went for. Fortunately, he saw that it solved all our problems. Gave us young characters with names that had a more contemporary, yet fun feel. Allowed Goliath to stand out from the crowd more. Made Demona's name less silly and more chilling. Etc. Making Gargoyles a unique culture was the solution to a difficult problem. One of the many things, that just made the show feel "right".