Greg responds...

Actually, I was the 2nd Commando.

But I'm not in the Union. So theoretically I never said "Nice mask!" Never. Understand.

Greg responds...

Thanks.

Some of it was dumb luck. Serendipity. We started out with a pilot that had Vikings attacking a Scotish castle in the year 994 and then after the fact discovered that such an event was historically accurate.

After that we made an effort. We did research into both history and mythology (of multiple cultures). I already had an extensive background in Shakespeare (and a number of other random disciplines).

And we planned ahead. A whole bunch or us. Myself, Frank Paur, Michael Reaves, Brynne Chandler Reaves, Cary Bates, Gary Sperling, Lydia Marano... etc.

Personally, I had some long term plans. I was just careful about laying groundwork. I spent years working in comics which was good training for the kind of episodically serialized tapestry that we were creating. (I've also been watching ALL MY CHILDREN on and off for nearly thirty years, which didn't hurt.) HILL STREET BLUES was a big influence too.

And mostly, the stuff just wrote itself. I don't want to make it sound easy. But I had a definite sense that the Gargoyles Universe existed somewhere and that my job was to tap into it and discover what happened. Sometimes things just seemed right. Of course, Owen was Puck. Of course, Fox and Xanatos were in love. I didn't know these things when I started. But the answers became self-evident.

Nothing in my professional life, before or since, has ever given me as much pleasure.

Greg responds...

a. It was inspired by multiple Celtic Cauldron legends. You'd have to ask Michael Reaves whether he had a specific one in mind.

b. It would have worked. It would have turned the whole body to stone.

Greg responds...

I wouldn't say I had a detailed written description. But I had some ideas, many conversations and co-final approval (with Frank).

I was more specific about Leo, Griff, Una, Gabriel, Angela and Zafiro then about some of the others.

Greg responds...

Tom auditioned for one or more of the Trio. He wasn't right, but I really liked him, and I suggested him to Jamie Thomason when we created Matt.

I am now a HUGE Tom Wilson fan. I created the role of Pete Costas in MAX STEEL with Tom in mind. (Originally it was a bigger role, but the WB cut it back. He's still great in it though.) And I think the work he's doing on NBC's FREAKS & GEEKS is brilliant. He does so much with so little. Taking a cliche that we've seen a hundred times before (remember Robert Picardo in THE WONDER YEARS) and investing it with so much humanity. I can't tell you how great I think he is. Someone should really give this guy his own live action show.

As for Sheena, she was my original choice for Princess Katharine. She wasn't available and Kath Soucie who I had never worked with before was terrific. But Sheena was always in my head to give something to. Finella seemed a great opportunity. So we brought her in. She was great. So we brought her back. She was astounding as Molly/Banshee, so we brought her back again. I was prepared to build the entire BAD GUYS series around her and Jim Cummings (with some help from Jeff Bennett, Jim Belushi and William Devane) but I couldn't sell it. I tried to cast her in as Molly McGrath in Max Steel, but again she wasn't available.

But I'd work with either Tom or Sheena again, anyday.

Greg responds...

Don't know. If so, I doubt it was conscious. But you'd have to ask all the artists (starting with Bob Kline and Dave Schwartz and continuing on to Kazuyoshi Takeuchi and Frank Paur). Mr. Takeuchi, by the way, is often the unsung hero of our final designs.

Greg responds...

Thanks for the support. But the question is harder to answer, because it was gradual. Keep in mind the whole concept of the Third Race (introduced with Puck in THE MIRROR) was a late addition to the concept. I think we came up with it halfway through the writing of the first season.

Including the other gods came during the writing of the second season. I definitely knew I was headed that way. But I do remember Frank and Dennis being surprised when the script for "The Gathering, Part One" included Odin, Anubis and Coyote at Avalon. By then, I was certain that was the correct way to go. But I guess I had forgotten to tell anyone.

Greg responds...

1. I'm not really qualified to answer this question, but Marvel was going through some tough times then and they had a mini-implosion, with the first casualty being there licensed comics, of which GARGOYLES was one. That much is certainly true. But whether or not the sales of the comic were any good is something I just don't know.

2. I don't remember, that title doesn't ring a bell. I was scheduled to take over the writing chores within a couple of issues. (I had already written one story.)

3. All this stuff I give out here at ASK GREG, might have shown up in the comic. I wasn't going to discriminate between it and the tv series.

4. I have no idea. Wasn't writing or editing the book then.

Sorry....

Greg responds...

I am not familiar with any comic called "The Gargoyles". I know Marvel Comics had a trio of unrelated characters called Gargoyle, The Gargoyle and the Gray Gargoyle. But they weren't an influence.

As for the movie, I assume you're referring to the Cornell Wilde TV Movie. I had seen that, but it also wasn't an influence.

I've answered this question thoroughly in the old archives, so you might check there for more info.

But briefly, I've had a personal fascination with Gargoyles dating back at least to the semester I spent in Oxford during my Senior year of college. Gummi Bears, Captain Atom and Hill Street Blues were all much bigger influences then any of the projects you cite above.

Greg responds...

1. 878 A.D.
2. Which time?
3. One.
4. I'm sure she does.
5. Los Angeles... (And I don't have a clue what you're hinting about.)

Also, I should have blown off questions 3-5, cause they're on different topics. But they were short, so you got lucky.

Greg responds...

As usual, I prefer not to comment on The Goliath Chronicles (besides "The Journey").

Greg responds...

1. Two species all along. Or at any rate, once we switched from the comedy to the dramatic development direction. It was in the first draft of the bible.

Unfortunately, your other questions are on different topics. Please resubmit them as separate posts.

Greg responds...

No. Not Maggie anyway. It has nothing to do with Gargoyles being for kids, by the way. (Compare what we did in "Deadly Force" for example.)

If I wanted to do a drug or alcohol story, I'd do one. I'd try to be very responsible about it. But in those days, I could do so-called controversial material. But I don't do it for the sake of doing it, I have to have a great story in mind.

Maggie wasn't about that. I don't know what might have happened to her down the road if she had stayed on the streets without Sevarius' not-so-benevolent intervention... but she probably would have eventually admitted defeat and called her parents to wire her busfare back to Ohio.

Her problem wasn't drugs or booze. It was naivete. In my mind, as I think I've mentioned before, she was a would-be actress who came to NYC with her life savings. Maybe a couple grand, which she went through ridiculously fast, thinking that any minute she'd be discovered and become a Broadway star!

At least, that's how I figured her.

Greg responds...

I know of no reason, why they'd start messing up.

I also don't have any immediate thoughts as to how to correct them. I did it once, when I still knew people who worked at Disney Channel. Those folk are gone now...

Let me ponder...

Greg responds...

I have and will continue to resist addressing these questions at this time.

Understand, GOLIATH CHRONICLES was very, very PAINFUL for me. Besides "The Journey" I watched each episode exactly once -- a bitter experience each time. (And note: This is not the fault of the people who produced those episodes.)

I have no desire to put myself through additional needless pain.

Now if the show were to come back, the pain wouldn't be needless. It would be worthwhile, and I would gladly watch, even study, each episode again, looking for loopholes, for what I could ignore, etc. etc. etc.

It may sound arrogant, but I have no doubt I could salvage my continuity in its entirety.

But for now...

The only Chronicle that exists for me is "The Journey."

Hope you understand.

Greg responds...

Multiverses are so much fun, but like unrestricted time-travel they are subject to massive abuse.

The short answer is, I haven't decided definitively, but I'm leaning toward a "NO".

I'd never want to, for example, cheapen the Magus' death by introducing the Magus from another dimension. And isn't our Demona quite enough fun, so that we have no need to meet the so-called Good Demona from a parallel world.

Of course, I suppose it could help explain GOLIATH CHRONICLES. Hmmmm....

Greg responds...

No. It was the pure evolution of the characters of the Trio. I saw very clearly that they were going their separate ways. Writing "The Journey" cemented the idea in my head. I believe that Brooklyn, Lex and Broadway would never find better brothers, better friends than each other, but I also saw that the days when they acted as one were gone.

I wanted to visualize this. The initial Phoenix Gate story (the one that somehow melted into "Runaways" in TGC) came first. The idea of him coming back older, mated and with kids and a beast, was a great shocking ending. But I felt it would really demonstrate what I had in my head.

The spin-off idea was of course obvious after that. I mean he was gone for forty years. What was he doing all that time? But, as you noted, by the time I came up with that, it was too late. Disney had already made me feel unwelcome.

Hybris, on my part, played a big role as well.

Hindsight, whatchagonna do?

Greg responds...

You're just way ahead of me. I had the robot plotted through 6.0. I hadn't plotted him out farther, though I probably would have brought him back in some form in G2158. I hadn't thought about what I would name him at that point. Maybe COYOTE-2158?

By the way, though I wish I had used the Bible's spelling, the fact is I didn't, so it's COYOTE, not CY.O.T.I.

Greg responds...

Arrgghh...

Now, I'm nervous....

I answered this last time I visited ASK GREG. Man, I hope we don't have another technical problem. Hopefully, human error was involved...

Anyway, Phoenix, after we finished the writing on the second season of Gargoyles, Gary Sperling and I began working on some potential spin-off shows for the series.

One of these was set in the future, the year 2158 to be specific. Originally, we called it "GARGOYLES: FUTURE TENSE". But I later changed the name to "GARGOYLES 2158".

The series featured Goliath's grandson SAMSON, a largely-reformed DEMONA and a Time-Dancing BROOKLYN, among others.

CBS was interested in airing it, but before we could put a pitch together, the whole CBS Saturday Morning dept. was fired. And shortly thereafter Disney bought ABC, rendering any deal with CBS all but impossible. At about the same time there was a major regime change at Disney TV Animation as well. The new regime wasn't too interested in Gargoyles at all, at least not in making it a priority. ABC asked for a new version of the show. But no one wanted 2158.

Oh, well.

Greg responds...

Uh, it depends what you mean.

I came up with the original concept for the Pack. At least I think I did. At any rate, I led the development team that did. I definitely had Fox pegged as female. Her birth name came later. "Renard" was used in "Outfoxed" as both a clue to the clever viewer that Halcyon and Fox were related and a clue to the clever viewer as to where Fox got her name. I know it sounds like I'm always taking credit, but I think that was my idea as well. (But it might have been Cary Bates. I just vaguely remember that Cary named the character Something Halcyon. And I made Halcyon the first name and made the last name Renard. Frank Paur came up with the character of Halcyon Renard in the first place, though I think Cary and I figured out that he was Fox's dad.)