A Station Eight Fan Web Site
What happened to Max Steel? My sons miss him terribly.
I don't have an answer for you. I only worked on the first season (the first 13 episodes). They did two more seasons after I left. I thought it was still airing in reruns on cable somewhere, but I'm not sure.
How can I petition Disney studios?
sorry for the typos...it's 3:06 pm and i have been up since yesterday trying to draw that stuff on note book papper don't worry i make sure you get all the credit for the people that belong to you.as long as i can use them.
See my previous response. It's good to give me (and the other creators of GARGOYLES) credit for our work. Not just good, but essential.
But I still am not clear as to your intentions. Fan-fiction is fine. For profit work is NOT.
hey greg..if i where to use your Charchters in a comic/ or anime some time in the future maybe would it be alright? i am asking you because you drew it and at frist i wanted you to sue me but...i was told you didn't do a copy right on it so disney owns it,thats ok disney can sue me :) they wont get nothing though, the reason i am asking you is cuz you drew them so in my eyes you are the orginal owner of the whole thing. thanks if your reading this (cuz i probly will just use them anyway lol) and sorry for takeing your time
First off, I don't draw anything.
Second off, I never owned Gargoyles. Disney always did.
Third off, if you're talking about not-for-profit fanwork, than be my guest. Enjoy yourself.
Fourth off, if you're talking about for-profit (or even attempts at for-profit) work, than that's called plaigarism, and I'm against that, and you do not have my permission to use ideas, characters, etc. that were created by me and my staff and are owned by Disney.
greg..if daemona hates humens so much why does she use their machines?
She's an ends justifies the means kind of gal, I guess.
What's the story on Max Steel? What are you up to lately? Want to have lunch? Call me sometime. email@example.com
About two years ago you posted the above message on ASK GREG.
Unfortunately, I'm so far behind answering ASK GREG questions, I only just saw the message. Two years out, I don't know if this hotmail address will still work. I know that the old e-address I have for you is dead. As are all the phone numbers. I haven't been able to reach you in forever.
On the other hand, I've had the same damn contact info since leaving DreamWorks in 1998.
So I don't feel too guilty.
Anyway, I'm still freelancing. I did a season of Max Steel.
What have you been up to?
FYI: John is a talented producer, that I partnered up with at DreamWorks. We also worked together on ROUGHNECKS at Sony. Haven't talked to him in a long while.
It is true that Gargoyles was a very innovative and popular animated series. However, I would like to know why you chose for it to be as such. It seems to me that the concept and storyline of Gargoyles was severely restrained by the childishness and politically correctness of the Disney Co. If you really wanted it to be an animated series, why didn't you opt for a network such as HBO? This would have allowed for some more authentic character emotion and less g-rated cuteness due to the allowance of violence, blood, nudity, and swearing (All of which are real believable occurances. At the very least, Gargoyles could have made an epic collection of Novels which would have elaborated on the development of the characters and and would have made for some great dark gothic mental imagery.
Gargoyles would not exist without Disney. Period.
You speak as if Gargoyles existed in a vacuum -- perhaps in the vacuum of my mind?
In fact, Gargoyles was created by me and by my development team while I was a development executive (Director of Series Development) at Walt Disney Television Animation. Aside from the fact that Disney owns the show, it also was the catalyst for the series' very existence.
After the fact, you could say: "Gee, how much more freedom might you have had on HBO." But that assumes so much. (1) That HBO would have wanted it. (2) That HBO would have actually given me more freedom than Disney did. (3) That I wanted more freedom. I doubt the first two would have been true. I know the last one is not.
With very, VERY few exceptions, I got to do what I wanted on the first 65 episodes of the show. I think we made an epic collection of episodes.
I'd love to write GARGOYLES Novels if I could find an interested publisher. I haven't been able to.
all this Demona/Macbeth talk (we've been reviewing City of Stone and High Noon lately, we are probably somewhere around The Gathering by the time you read this, both the episode and the event) and i thought of a question:
we know that the pain shared by Demona and Macbeth has a distance factor to it, if they are far away from each other when one gets hurt, the other probably won't feel it, but i was wondering if death is like this as well? if Demona was to get shot or whatever and died, would Macbeth miles and miles away also momentarily die?
Distance mitigates the effect, but doesn't shut it off. Pain, death, whatever.
This comes a tad too late perhaps, but I was wondering if I'm ok to tie my questions together under a topic like memories or love or religion, even though they are questions about different characters. I haven't abused the rules at all, have I? I'll wait for your answer before I ask anything about character religion.
It's basically okay if it's a truly cohesive topic AND if you're NOT asking for a laundry list, along the lines of "Please list all the objects of affection for each of the following 92 characters."
1. In the episode "Grief", was that Egyptian city and everyone in it just simply destroyed by the Jackal Avatar? As in: dead, and never ever coming back?
2. If #1 is correct, why couldn't the Emir Avatar return life to the city's population (not to mention those crocodiles and trees) since they were brought to death as untimely as the Emir's son returning to life would have been? Why weren't those lives considered "stolen energies" as well?
3. If #1 is correct, don't you agree that it was quite an unusual move for the show to have so many people die, and then not worry about the repercussions that it usually spends a whole lot of focus on with smaller incidents (something that made the show really great)? Did you have these concerns when working on the episode?
4. If #1 is correct, did S&P have any problems with it?
5. Was that a real city? Does/Did it have a name?
6. Dose Jackal, in his normal state, still harbor ambitions of bringing the gift of death to the world, or dose he keep his feelings under some control until he becomes super natural or dons the Eye of Odin?
7. How does Hyena feel about her bro's ambitions, would she be just as malicious if given the chance.
8. I was wondering if the Sphinx actually has that ritual chamber and mastaba as shown in the show? And was that door with the secret hieroglyphics just something Xanatos Enterprises cooked up that looks cool and also keeps out intruders, or was that meant to be ancient Egyptian tech?
9. This question is a bit differn't, but I'll ask none the less. How do you think Anubis felt about Iago, Desdemona and all Othello being brought back from the dead? Did it cause a big disruption to him, the spirit world and the space-time continuum?
1. That's my thinking.
2. What's dead and gone cannot be recovered. Or something like that. (He has a great quote in the episode on this very subject.)
3. A bit. But we also wanted to hint at the devastation -- and still get away with it on an S&P basis. Had we explored the repercussions, it would have drawn too much attention to what we had done and we would not have been allowed to do it. We felt it was more important to do it and not explore as opposed to not being able to do it at all. I still have hopes to explore those repercussions somewhere, someday.
4. Not with the way we did it. See above.
5. It's more of a town than a city, but no it didn't have a name.
6. Jackal is a sociopath, i.e. he knows how to control his impulses to function in society. But given the right opportunity, he's clearly capable of anything.
7. Hyena is a psychopath, who needs her brother to control her impulses. You can decide for yourself which one is more dangerous.
8. Meant to be ancient Egyptian tech. But I've never been to Egypt, so next time you go, you can check out for yourself whether or not it's really there.
9. Anubis strikes me as a guy who has intentionally divorced himself from passion. Ghosts exist. That's not what the Emir was asking for. The ColdTrio are ghosts in various shells.