A Station Eight Fan Web Site
if you had a choice what superhero show would you like to do
Honestly, I'm not too picky. But my preference would be to return to a series I did before, whether Gargoyles, W.I.T.C.H., The Spectacular Spider-Man or Young Justice.
So the #Gargoyles20 U.S. Tour continues. Stop #3 is CONvergence in Minneapolis, Minnesota. (Well, actually in Bloomington, Minnesota, but close enough.) http://www.convergence-con.org
This is a big one for us. It includes a number of events that we used to do at the old Gathering of the Gargoyles Conventions, which ran from 1997-2009. And I know a bunch of Gargoyles fans will be attending, so it'll also be a reunion of sorts.
My schedule for the long weekend is quite packed - which is just how I like it!
THURSDAY, JULY 3, 2014
2:00pm - 3:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
3:30pm - 4:30pm BUFFYVERSE TEN YEAR ANNIVERSARY
Okay, so Gargoyles ISN'T the only show celebrating an anniversary. The Buffy/Angel universe has been off the air for ten years. Let's reminisce and talk about the impact these shows have had on TV fantasy since their cancellation. Panelists: Myself, Tim Lieder, Cetius d'Raven, Madeleine Rowe, Mark Goldberg. EDINA.
7:00pm - 8:00pm OPENING CEREMONY
If it's not exactly a magical invocation, it is nonetheless our official kick-off for the convention! Join CONvergence mascot Connie as we welcome our Guests of Honor, give out some awards (including the Mark Time and Ogle winners), and get this party started. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Frank Paur, Matthew Ebel, Dawn Krosnowski, Greg Guler, Rob Callahan, Windy Bowlsby, Michael Lee. MAIN STAGE.
9:00pm - 10:00pm GREG WEISMAN'S FANCY BASTARD PIE COMPETITION
Geek Partnership Society is excited to host the Greg Weisman Fancy Bastard Pie Competition at CONvergence 2014! It is open to all CONvergence members who wish to participate. The goal is to make a pie that Greg Weisman, herein to be known as "Fancy Bastard", likes best. The winner will be told super-secret Young Justice spoilers. Find out [some of] what would have happened in Season 3! (But winner must swear to secrecy to claim prize.) See below for some helpful hints.* CABANA 110.
FRIDAY, JULY 4th, 2014
11:00am - 12:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Last chance to audition! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
12:30pm - 1:30pm FROM TV TO COMICS
We'll discuss the TV shows that expanded into the comicverse, such as Buffy, Smallville, Young Justice and Gargoyles. Did they succeed? Were any of the comics improvements on the shows? How did canon change during the transition? Panelists: Myself (Gargoyles, Young Justice), Shawn van Briesen, Jonathan Palmer, Greg Guler (Gargoyles), Karine Charlebois (Gargoyles, Bad Guys), Christopher Jones (Batman Strikes, Young Justice, Bad Guys). PLAZA 2.
2:00pm - 3:00pm SIGNING
Myself, Christopher Jones (Young Justice, The Batman Strikes, Parallel Man) and Greg Guler (Gargoyles, Phineas and Ferb) will be holding a signing session. Both Chris and Greg always have an array of stuff (books, prints, etc.) to sell and sign. But this time I'm pretty darn prepared as well. First off, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;) CONVERGENCE CENTRAL.
3:30pm - 4:30pm CREATING GARGOYLES
This is what we used to call (at the Gathering) the Rocky Horror Gargoyles Show. The creators of Gargoyles show clips and tell stories of how the show came to be. Lots of visual aids. Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Frank Paur ( (Supervising Producer/Director), Greg Guler (Lead Character Designer). ATRIUM 6.
7:00pm - 8:00pm TIME TRAVEL THEORY
Let's assume for a moment that Time Travel is possible. This panel will explore the theories behind such technology. We'll explore quantum realities, temporal anomalies and all other challenges our theoretical time travelers will be face! [Now, I suggested this panel, but then they went and put some actual scientists on the damn thing. So I may quickly be embarrassed into silence.] ;) Panelists: Myself, Nicole Gugliucci, Jim Kakalios, G. David Nordley, Amy Berg. ATRIUM 4.
8:30pm - 9:30pm GARGOYLES Q&A
Join the cast and creators of the "Gargoyles" series and SLG companion comic books to ask and talk about the property. And, as always, Cosplayers are welcome! Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Christopher Jones (Bad Guys guest artist), Marina Sirtis (voice of Demona and Margot Yale), Frank Paur (Supervising Producer/Director), Karine Charlebois (Gargoyles Guest Artist, Bad Guys Artist), Greg Guler (Lead Character Designer, Gargoyles Guest Artist). MAIN STAGE.
SATURDAY, JULY 5th, 2014
9:30am - 10:30am GARGOYLES SIGNING
Myself, Marina Sirtis (voice of Demona and Margot Yale) and Frank Paur (Supervising Producer/Director) will be holding a signing session. Again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., The Batman, Batman: The Brave and the Bold, Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
11:00am - 12:25pm GARGOYLES RADIO PLAY REHEARSAL
This is a closed session - for those who were cast in the Radio Play - led by Myself, Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice) & Marina Sirtis (voice of Demona, Margot Yale and Queen Bee). ATRIUM 6.
12:30pm - 1:30pm GARGOYLES RADIO PLAY PERFORMANCE
Fans and professionals - including Myself (voice of Donald Menken and Lucas "Snapper" Carr), Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice), and of course, Marina Sirtis (Deanna Troi from Star Trek TNG and the voice of Demona, Margot Yale and Queen Bee) - perform a LIVE, ORIGINAL Gargoyles radio play! ATRIUM 6.
2:00pm - 3:00pm GARGOYLES BIOLOGY AND CULTURE
A "what if" panel about the biology and culture of the Gargoyles universe. Creators and performers speculate about anything and everything going on outside the frames of the TV series. Panelists: Craig A. Finseth moderates Myself (Creator, Producer) and Greg Guler (Lead Character Designer). ATRIUM 7.
3:30pm - 4:30pm RAIN OF THE GHOSTS
I'll be reading from and talking about the world and characters of my novel "Rain of the Ghosts" and its sequel, "Spirits of Ash and Foam," which comes out July 8th, 2014, one week after the convention! ATRIUM 3.
7:00pm - 8:00pm ONE ON ONE WITH GREG WEISMAN
Hal Bichel will moderate a one-on-one panel with Myself. PLAZA 2.
8:30pm - 9:30pm SIGNING
Once again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Batman, Batman: The Brave and the Bold, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
10:00pm - 11:00pm BLUE MUG
Ever wonder about the sexual habits of Gargoyles? Ever wonder who was sleeping with whom among the Young Justice Team or the cast of Spectacular Spider-Man? Join us for for a late night peek at your favorite animated series. This panel will get blue! (So attendees will be carded!) Panelists: Myself, Christopher Jones, Mara Cordova (Last Tengu in Paris Artist). It is also rumored that Edmund Tsabard (an unfancy bastard and Last Tengu in Paris Writer) may make an appearance. EDINA.
SUNDAY, JULY 6th, 2014
11:00am - 12:00pm PROTOFEMINISTS IN SHAKESPEARE
Shakespeare portrayed several intelligent, independent, and self-aware women--Juliet, Lady Macbeth, Katharine, Beatrice, Viola, Rosalind. We'll discuss the problematic and the remarkably (for the era) fleshed-out aspects of their representation. Panelists: Myself, Elizabeth Bear, Ashley F. Miller, Joseph Erickson, Alexandra Howes. EDINA.
12:30pm - 1:30pm GARGOYLES FAN PANEL
It's the 20th Anniversary of Gargoyles. Come share your favorite moments from the show. As always, Cosplayers are welcome! Panelists: Daniel Mohr moderates Myself, Ryan Alexander, Robert Wagner, Maggie Schultz, Jennifer Anderson, Karine Charlebois. ATRIUM 6.
2:00pm - 3:00pm SIGNING
Myself and Greg Guler (Gargoyles, Phineas and Ferb) will be holding one last signing session. Greg G. always has an array of stuff (books, prints, etc.) to sell and sign. And I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, The Batman, Batman: The Brave and the Bold, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. CONVERGENCE CENTRAL.
3:30pm - 4:30pm YOUNG JUSTICE
Creative minds behind the Young Justice TV and comic book series will talk about this fan favorite. We're planning some special surprises as well. And, as always, Cosplayers are welcome! Panelists: Myself, Marina Sirtis (voice of Queen Bee), Christopher Jones (Artist YJ Comic). MAIN STAGE.
5:00pm - 6:00pm CLOSING CEREMONY
It's not over 'til the gynoid sings - or something like that. Join CONvergence mascot Connie and our Guests of Honor as we say farewell to another convention. Shenanigans may ensue. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Matthew Ebel, Frank Paur, Dawn Krosnowski, Greg Guler, Windy Bowlsby, Rob Callahan, Michael Lee. MAIN STAGE
SEE?!! I told you there was a lot. And that's only the stuff that I'm doing. CONvergence is jam-packed with all sorts of pop culture nutritional goodness. So stop by and say hello!!
*In the interest of Full Disclosure, Fancy Bastard would like all to know that he especially likes the following pies:
BERRY (pretty much any kind of berry or a mix of same)
BANANA CREAM (herein to be known as the funniest pie)
Combinations of some of the fruit pies can be great. Contestants are welcome to try other pies at their own risk.
Fancy Bastard does NOT especially like the following pies:
Anything with Chocolate or Lemon or Meringue
Raisins in Apple Pie
Almost never Cherry, though he has tasted the rare exception...
Just a quick question this time. The other time I asked you something about gargoyles and you said that you wouldn't write it for free... wich came as a bit of a shock to me as you have said before that it is your baby proyect.
It's understandable as this is your job and main source of income... But I have to wonder if you would ever have or if you have a personal proyect wich you would do for free.
You deserve every cent you get paid but.. Many (amateur/fanfic) writters write stories for fun and I wonder if this is the case with you. thank you!
I don't write for fun anymore. To be honest, it's too much like work.
I don't write for free, though I do (occasionally) write "on spec". That is, I'll write something that has the chance of paying off later, even if no one is paying me for it immediately. For example, my first novel, RAIN OF THE GHOSTS, was written on spec. (And took over a decade to pay off - minimally.) The second book in the series, SPIRITS OF ASH AND FOAM, was not written on spec. My publisher, St. Martin's Press, ordered it. The third, MASQUE OF BONES, which I've barely begun researching, will also be written on spec, unless St. Martin's Press decides to pick it up.
But the big difference with those books, over something like GARGOYLES, for example, is that I OWN the RAIN property. I don't own GARGOYLES or YOUNG JUSTICE or WITCH or THE SPECTACULAR SPIDER-MAN. It would, frankly, just be foolish for me to invest my time (which is money to me) in something that isn't mine.
GARGOYLES is without a doubt my baby. I feel that strongly. But it doesn't change the hard, cruel fact that I hold no ownership in it at all.
Hello Greg it's me still annoying you :p
I would like to share my thoughts on WITCH if you don't mind.
I read the original comics a bit and one my issues is that in the original story the villains were superbland. I think you did a great job with "Nerissa". But villains like "phobos" came to me as one dimensional evil for the sake of being evil boringness (in the comic). I know you can't acknowledge this but I think your writing made the story much better than the original.
Another thing I didn't like from the original is that they basically gave everything easily to the main characters. (Superboy and superman didn't begin to bond until the season finale for instance...) WOuld you have done things differently?
thank you for your time!
I'm not sure I understand your question, but on WITCH Season Two, I did exactly as I wanted. So, no, I wouldn't have done anything differently - other than obviously, I would have loved to have done more seasons...
Hello Greg! I have a question related now to witch tv series.
I know that you were basically hired to write a "magical girl series" that you had zero input on it's creation with this in mind...
Would you pitch a "magical girl" show idea of your own or would you rather pursue other projects?
Was it ever odd or hard to write for a girl power fantasy show? I don't know if you had experience but I think a show like "WITCH" could be hard to relate as a man when it is so obviously directed at girls as a main audience.
(I am sure many boys liked it but... I am sure most would enjoy more playing being like iron man than being a guardian)
what do you think was the main appeal of "WITCH"?
Do you think boys could relate to "magical girls" like the witch ?
1. I was NOT hired to write a "magical girl series". Quite the reverse. WITCH was originally developed to be that in Season One, but I was specifically brought in with marching orders to make it more of an action-adventure show (with humor) that appealed to boys and girls.
2. I've pitched many series with female leads (and magic), including RAIN OF THE GHOSTS, which I sold. It didn't go, so I turned it into a novel.
3. Not for me. I'll leave it to others to judge whether or not I was successful, but I like - maybe even prefer - to write for female characters.
4. Story and characters. Same as any series I've worked on.
5. Yes. Though they might not readily admit it.
My question is about W.I.T.C.H. more specifically about Will. I was wondering what inspired you to give her the specific power of Quintessence? Because in the comics I don't think that's been mentioned, its always been Energy. However I think it's such an awesome power and your work on W.I.T.C.H. was exceptional! I thank you
Quintessence (literally the "fifth essence") has traditionally been the fifth element, after earth, air, fire and water.
Diversity in pop culture has always been an issue that concerns me greatly. I've tried to do my share to increase diversity on series like Gargoyles, W.I.T.C.H., The Spectacular Spider-Man and Young Justice.
Now, that I've entered the world of publishing, my sister Robyn brought this article to my attention:
The article asks valid questions, and - yes, to toot my own horn - I'm going to provide at least a piece of the answer with my new books, Rain of the Ghosts and Spirits of Ash and Foam. Both feature protagonists of color. Rain Cacique is Native American, as is her grandfather Sebastian Bohique. Her best friends are Charlie Dauphin, who's African American and Miranda Guerrero, who is Hispanic-American. Many - if not most - of the other characters are also of color. This reflects the Caribbean setting of the novels, i.e. the fictional Ghost Keys and the actual mythology of that region.
The books are available here:
I urge you to check them out, and to suggest them at schools and libraries.
Hi greg! First off , Young justice and W.I.T.C.H are some of my favorite tv shows ever. While watching young justice i couldn't help but notice that Rocket had the same voice as taranee! my questions are:
1. Was Asami's concept at all inspired by Hay Lin?
2. Was the Tye/Asami pairing inspired by Eric/hay lin?
3. How old is Rumaan Harjavti?
4. How old is Sumaan Harjavti?
And I wanted to say thanks for having this forum where fans can ask questions, Happy holidays!
3. At the end of Team Year Zero, Rumaan Harjavti is 52.
4. At the end of Team Year Zero, Sumaan Harjavti is 50.
Now that I've posted all my episode thoughts...(in theory I still plan on doing the same on the comics, but...) I want to say thank you for the series in general. (I'd go into details, but it seems redundant after posting all those responses.) I've thoroughly enjoyed it in all its parts. Well, by the time you read this the video game will be out. [Yep!] I probably will have to sit it out. Pathetic as it is, I have to admit to some motion sickness from a lot of video games. I'm assuming I'll be able to get some pretty detailed descriptions from the good folks here. I hope that there will be other continuations as well. (Also good luck on your new Star Wars series.)
I have to admit to more than a little annoyance that another show I enjoy is canceled, but also some confusion. If I understand correctly one of the major factors, if not the major factor in the cancellation is that the merchandise didn't sell as well as they companies had hoped. Good viewership numbers are almost inconsequential. If this is true, (big if, I admit), I don't understand the business model. Why continue making cartoons targeting the older demographic at all? I know the show aimed for a broad audience, but it aimed for each part directly. A lot of cartoons aim themselves at kids directly, and place bonus references and jokes for the older viewers. I've loved many shows like that. But the complexity of characters and plots in shows like Young Justice is not a bonus for older viewers, it is integral. (IMHO) A relationship like, for example, Guardian and Bumblebee is more relateable to a college or adult viewer than a kid. (I would have gone to Babs and Dick, but that was mainly expanded upon in the comics.) A kid would gravitate to the first season romances, or the M'gan/L'gan/Conner triangle. All the relationships were interesting and important to the show, and none were simple, it's just different parts resonant (from experience or at least plot type familiarity) better to different age sets. (Or for out of YJ examples- In Green Lantern- the complexity of Razor and Ia's relationship- given his past lost love, her resemblance, his survivor guilt and rage issues and her ultimate sacrifice is not something that targets the younger viewers of the show. They'll just accept the two are a couple and enjoy the fight scenes. It was perhaps more integral to the show than any Hal based plot. In Tron the entire looks of the show was aimed older, high teens and 20s would be my guess, and not particularly conducive to action figures to my eye.)
Older fans are less likely to buy toys, (or have toys bought for them), but they also have control over their own finances to buy what is actually advertised during broadcast. Between the 24 hour cable tv cycle and dvrs, grown ups will be watching when kids can't, allowing for targeted ads of the none happy meal/stompies/pillow pet variety. (For the record, my 4.5 year old adores her stompies. ~she's 5 now~) I get that a franchise like DC or Marvel or Star Wars can expect some cross product sales, and even a show not squarely aimed at a small kid can have a cool iconic action figure that sells well. But no one expects Smallville or Arrow to survive on toy and apparel sales, they stays on air based on the number and demographics of viewers, just like Birds of Prey did not last for the same reason. Have cartoons, or at least the beautifully animated ones, become loss leaders for merchandise like comics have become loss leaders for movies? And is that a reasonable burden to place on a show that does not squarely target the audience that will buy those toys? Is a high level video game an attempt to tap into an action figure equivalent of older viewers?
I don't want to turn this into a rant about how annoyed I am that YJ was canceled....er, not renewed. I will admit to being mightily confused why DC Nation isn't aiming to expand into more than an hour of programming. I just assumed it was planned to become a 2 or 3 hour block like the old Disney Afternoon, with perhaps a rotating stable of shows. But I am interested on your more insider insight on what the none creative aims are when a new cartoon is unleashed upon the world nowadays and whether they are reasonable. Thanks,
I think one thing to keep in mind is ratings these days are NOT what they used to be.
Ducktales was a ratings smash. It made it's money by itself. Any merchandising was gravy.
Our numbers on Gargoyles, back in the day, puts the ratings of many of today's quote-unquote top-rated animated series to shame. (And Gargoyles was a hit, but never a home run, ratings-wise. Just a single or double.)
So with lower numbers overall, that means less income is coming in from advertising. Meanwhile, the costs of production have either held steady or gone up. That's pretty simple math, isn't it?
So to pay for the production of these shows, you're counting on other streams of revenue to balance the books - and for an action show that mostly means TOYS.
So if the toys don't sell - for whatever reason - how do you pay for the series?
Whether that's reasonable or not is somewhat immaterial. It's just the cold, hard truth of the situation.
So EVERY show I've ever been asked to produce has a core target that it's trying to reach, and usually that's BOYS 6-11, because the belief is (whether you agree or not) that Boys 6-11 drive toy sales for action figures. Doesn't mean the networks object to other demographics (girls or younger kids or older kids, tweens, teens and adults) ALSO watching. But you still have to hit the target.
Picture it like a bullseye. Concentric circles. You MUST hit the center. But hopefully in hitting that sweet spot, you are also reaching the other demos. Back on Gargoyles, I was farely successful at hitting that target audience AND reaching other demos too. And that has always been my goal on these shows. We didn't quite manage it on W.I.T.C.H. We did on Spectacular Spider-Man. And our success was mixed on Young Justice. Ratings were decent overall (by today's standards though not by any absolute standard at all), but our ratings in our target demo were inconsistent at best. (We could go on forever about why, but it doesn't change the FACT of the numbers.)
Throw in Mattel's decision to abandon their YJ line (again, without going into the reasons behind it), and frankly it's no surprise we weren't renewed.
Because how could Warner Bros afford to make it?
After experimenting for two seasons and 46 episodes of YJ, why wouldn't they take the chance on something new that might bring in more money? Or at least pay its own way?
Frankly, we need a new business model. But the studios haven't landed on one that works yet. So they still chase hits.
In your W.I.T.C.H. canon, was Taranee adopted, as she was revealed to be in the comics, or was she the biological child of Mr. and Mrs. Cook? (Assuming, of course, that you thought about this)
I don't recall Taranee being adopted in the comics I read way back then. Did that revelation come after we were done making the series?
In any case, I had no thought of making her adopted at the time.