EXALT writes...

Hello, Greg! I have some W.I.T.C.H. questions.
1)In the series finale, when the C.H.Y.K.N escaped from the jewel, why did Nerissa remain young, while the reverted back to their original forms?
2)Why Cassidy stayed alive, instead of becoming a ghost again?
3)Does Nerissa know that her fantasies (when she remains trapped in the jewel) are just fantasies, at least deep down, or she really believes they're real?

Zach Baker writes...

Hey Greg!

I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):

"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."

I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).

Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.

Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?

Fluttershy writes...

Hey greg what's up I would love to ask you a questions regarding your story telling techniques

You have said in the past that you could go be telling stories forever if you wanted and in fact sometimes not even the tv show is enough for them hence the comics.

But have you ever considered in giving your characters and stories a Grand finale?.

I think something that has made me a bit sad is that in your past shows you have been cut short due to executive decitions out of your control and we have been unable to get anything resembling an ending that actually gives closure (w.i.t.c.h,Spectacular spiderman, gargoyles etc)

However it is always nice when a tv show character directly says goodbye to te audience(like batman the brave and the bold) or when every major plot point is solved at the end.

A big trait of western media in it's majority like tv shows and specially comics is that the characters "are frozen in time".

Spiderman for instance will always be a young man that fights crime and the story won't go beyond that,same for superman and batman. When the story gets after a certain point we as fans tend to get reboots reapeaing the smae story.

I would like to ask you if given the chance will you give us a finale to your works like gargoyles.

Will we ever see the closure of them?
Do you believe in "grand finales"?

Or do you want simply to never give them a real ending o your shows and simply give the idea that the story will be around forever?

Lavariel writes...

Dear Mr. Weisman,

Thank you for all the wonderful work you've done from Gargoyles, to Spiderman, to Young Justice. Been a fan for years.

1) From your experience, what was more enjoyable to work with? Working on a show that was completely yours to control - Gargoyles - from character development, plot, and storyline? Or Spiderman and Young Justice where the basics has already laid out?

2) Was there more pressure to succeed working on Gargoyles because it was original and the creativity was your to control? Or was there more pressure to work on an adaption on Spiderman and Young Justice because the bar has already been set?

Julia writes...

This is...going to be an odd post.

Six years ago, I was a lonely and bored kid surfing the Internet for pretty pictures of one of my favorite shows, WITCH. I stumbled upon my first fanfiction. I was eleven and hooked. I've managed to bond with many people because of that discovery and self-published some of my writing.

Fast forward to December 2010. I heard of this fantastic new show, Young Justice, and unfortunately missed the premiere due to my DVR not working. I decided to surf the Web and stumbled upon an anonymous writing meme for Young Justice. It's still the most interactive, fun place I've been online, and it got me out of a slump I'd fallen into with my writing. In fact, the Young Justice fandom is the most active and interactive fandom I've ever been in.

I have Asperger's Syndrome- I find it difficult to connect with people at all. So...thank you. Thank you for making such great shows that people love so much that we can all connect to. It's really made my life so much better.

Harlan Phoenix writes...

Only two episodes of your run on WITCH, namely the first and last, have your writing credit (if my research is correct). Was there anything about WITCH's production that prevented you from contributing more scripts personally or was it a creative choice?

Sophie writes...

I love how badass Aqualad and all the other Atlantians are on YJ! Usually, Aquaman is considered kind of a joke by a lot of people, but you made them so cool and powerful on the show, which is great. I was wondering, was some of the water controlling powers Aqualad use inspired by Avatar: The Last Airbender?

Charlie writes...

Hey Greg
I heard that you wrote the lyrics for the will to love and even though the full song was never released, the lyrics for the full version were released. recently i have been learning the song by ear and have been making a tab for it. the one problem is that even though i can learn almost all of the song from 'S is for Self' the bridge is quite a problem for me. i would be quite happy to create my own chords and melody for it but i would much rather write it with the correct chords and melody. i was wondering if you would know any of the chords from the bridge or know anybody who might know them? just the chords will do because i will be able to create my own melody ontop. Please don't just look over this question as this project means quite alot to me as it is my first one.
Thanks!
Charlie

Harlan Phoenix writes...

Though I know your mind isn't the kind to play favorites, but given how you acknowledge The Mirror as your favorite/the best episode of Gargoyles, I think this might be able to fly.

Do you have any particular episodes of WITCH or The Spectacular Spider-Man that, if it wasn't your favorite necessarily, you felt was the best of those shows? And for what reasons, if so?

Matthew writes...

This is about pretty much all the series you've worked on. I've noticed that most of your series has a large cast of recurring characters (and that despite this characters tend to be very well delineated.) Now for Young Justice, WITCH, and Spectacular Spiderman that may be just because they were pre-existing properties and already have large casts. However, Gargoyles also had a large cast.

Was this a because of conscious choice?

Do you perfer working with a large cast of characters?

Greg Bishansky writes...

I know I wrote to you about a year ago with some thoughts on “W.I.T.C.H.,” but I just went through the series for a second time, and rather than just watch it, I was able to study it, catch all the clues and pieces of foreshadowing and other things that I missed.

Last year, it took me two weeks to make it through the first season, and twenty-four hours to make it through the second season. This time, well, I wanted to let the second season breathe a little more, which is why it took twenty-seven hours to make it through this time.

What can I say, it’s addictive.

I think I’ll start with the large cast, which seems to be a feature in every series you produce. I don’t feel like anybody got the short end of the stick. Will, being the lead, of course got the most time. Everyone else was well balanced also. Casts this big can be pretty hard to juggle. Five main characters, and so many supporting characters, recurring characters, villains, etc.

Irma was probably my favorite of the Guardians. She just had so much spunk. A huge sense of humor. I enjoyed how she often seemed like she would be the most fun to hang out with, but at the same time, probably the meanest when she was in a bad mood. Cornelia at her worst has nothing on a pissed off Irma. Very scary. God help you if you push her to anger. I’ve known people like that in real life, but I find that TV seldom ever does it well. So I have to commend a series that can take someone so likeable and make them nasty without losing their likeability.

The theme of the season seemed to be growing up. Hay-Lin and Taranee change and grow the most this season. Cornelia does well too, learning to be a better sister to Lillian. Will growing in her powers, as a leader, in her relationship with her parents, and their new love interests, and in her own relationship with Matt.
Ironically, Irma seems to change the least over the course of the season, but that’s okay, because she still got a lot of characterization.

Surprising nobody, my favorite character in the series was Nerissa. She always kept me guessing. Going through the series for the second time, I could really see her master plan and all the pipe-laying for her. I probably shouldn’t mention season one, but I paid much more attention to Trill this time, as well as the Mage. Nerissa just seemed to be everywhere, pulling everybody’s strings. I liked the twist that she wasn’t really out for vengeance, which is a twist that made sense. Watching it the first time, I asked myself why would she want to avenge Phobos, she wasn’t there. Well, she was, but you know what I mean. The Knights were all a distraction, and the second time, that seemed much more obvious. But I enjoyed how cold and intelligent she was. She was always scheming; always Machiavellian; and two steps ahead of everyone; all the while carrying around a mountain of repressed guilt. I once described her to a friend with the following words: “imagine if Xanatos and Demona had a baby together, that child would be Nerissa.” I thought Kath Soucie did a magnificent job.

I must also say that the twist that Nerissa was Caleb’s mother was brilliant. As I understand it, this was not the case I the original comic book. But I enjoyed it; I thought it worked quite well. It also made things even more chilling in that, when you think about it, she essentially raped Julian. Rape by deception is still rape, and that’s not something you see often in a cartoon. It almost reminds me of Merlin helping Uther deceive Igraine in order to create King Arthur.

And then there was Prince Phobos. It’s impossible to discuss what was done with him in the second season without talking about the first. I thought he was pretty one note throughout the first season, but season two did something far different with him, and you really felt how this guy could have held the entire world of Meridian under his control for so long.

I felt the same way about Lord Cedric, he got old really fast in the first season, and when he finally gets out of his cell in season two, he’s not doing much that he didn’t do in the first season until what had to be the shock moment of the entire season. I won’t say anymore, but it was nice to see a character I thought so poorly of get that moment. What inspired that twist, I wonder.

The Shagon mini-arc was very well done too. It seems to be a theme in Weisman produced shows to have a character change into something else, all under the control of a villain. David Xanatos turned Derek Maza into Talon; the Green Goblin turned Mark Allan into Molten Man; and Nerissa turns Matt into Shagon. What I also enjoy is just how different each of these scenarios really are. Shagon was a nice personal antagonist towards Will. As I understand it, this is another case where the TV series deviated from the comics for the better. Turning Matt into Shagon just gives that character a lot more chemistry with our heroes than he otherwise would have had.

Would I have liked to see a third season? Sure. But aside from the mystery of who this new teacher was, I thought it was all wrapped up very well, and didn’t leave me “needing” to see more the same way “Gargoyles” and “Spectacular Spider-Man” did. It was great television, and I’m sorry I didn’t get to see it when it was originally airing.

Harlan Phoenix writes...

When working on WITCH, did you ever meet or otherwise communicate with the creator of the original comic?

Laura 'ad astra' Sack writes...

Silly little question- Do you ever feel the urge, (or give into the urge), to slip something into a script purely because you know something about the actor? Like writing a song into a scene because you know the actor sings, (but maybe not telling them that they're going to be doing Sondheim or Gilbert & Sullivan till after they agree to sing 'some ditty'), or make them speak a foreign language because someone is fluent (but perhaps has a horrid accent)? Someone has a great cackle? Find a reason to have it come up. Someone is afraid of canaries? Put on on the character's shoulder for the whole episode. etc The only example I can think of now would be to have M'gan spout a long series of made up equations to see if Danica McKellar's head explodes in the face of nonsensical math. (Or replace of a series of made up equations with her own theorem at the last moment and wait for her to notice.)

Or does "Jalapeno!" qualify as such evil?

Jamie writes...

Hey greg,first of all, you're awesome, i remember when i was only 5 and i would re enact your gargoyles haha good times.

If you were to compare Young Justice and your other works, would young justice be in the top 5?

How many views are you having on Young justice ?

Edward writes...

Is the Green Arrow short in continuity with Young Justice since you were/are involved with both?

tomi writes...

I really enjoyed these first preview episodes of Young Justice. And perhaps even moreso than that i enjoyed to hear Crispin Freeman to return back to your services: i think he made fantastic work as both Speedy and Guardian, and eventhough you can still hear a bit that it is the same actor, he made it possible for those two characters to be divided and personified from one and another.

He was excellent as Electro, and i was fan of him before that(i came hooked sometimes around i first saw first few episodes of Wolf,s Rain).

From what i,ve been able to gather, he seems to be not only true professional, but also smart, intelligent guy with great thoughts, coupled with sharp and delightful sense of humor. I have seem him to appear in many of Gatherings(often paired with good old Thom Lexington Adcox), and i,ve heard that he was fan long before your paths crossed, often discussing with his fans about serie,s themes.

If it isnt too much trouble, could you give little bit of greenlight how you two met, and how your cooperation began?

Hopes for better to your work from fan from far-off-land Finland: maybe there arent too many Finnish Gargfans, but i am one of them.

Pidä lippu korkealla!/Keep your spirits high!

John Derrick writes...

I hate to say it, but I was extremely disappointed in the Young Justice premiere. Don't get me wrong--the animation was gorgeous, the dialogue entertaining, the story intriguing. But the gender imbalance was a huge turn-off for me.

Why was it that the women of the Justice League were only shown in the last five minutes of a two-part pilot? Why did the male sidekicks get to go on a rebellious adventure and force the League to accept them as a team of their own, while the first girl is only added to "Young Justice" at the very end, introduced by her uncle and guardian like some sort of token?

I expect that the women will have a lot more to do in the episodes to come, but I still find it profoundly problematic to introduce the characters in such an unequal manner. I believe there are too many men in the world as it is who see women as mere supporting players in their stories. Why reinforce this stereotype for a whole new generation of superhero cartoon fans?

Anonymous writes...

Who would you rather be trapped in an eight hour car ride with; Demona; Nerissa; or Green Goblin?

Andrea writes...

Hi Greg, i've heard about some unaired 15-minute pilot episode of W.I.T.C.H. with a different story on halloween and i know they wore made for some test or something like this. I've heard on a topic on a forum that they are on a tape and it was just one copy of that. Now i was wondering if you can tell me were can i find those 15 minutes, because i didn't find anything on internet or maybe you know were it is or you can find that copy and share it with me. I really want to see those 15 minutes.

Algernon writes...

Hey Greg,
Long time fan, first time asker. I’ve actually been posting over on in the Comment Room on and off for the past couple of years. I would have posted something here on Ask Greg sooner but frankly I could never think of anything particularly interesting say other then various permutations of “YOU ROCK!”

Anyway I’ve been a huge “Gargoyles” fan since I first saw “Awakenings Part One” waaay back in ‘94, and I loved “The Spectacular Spider-Man” throughout it’s glorious yet tragically brief run. Needless to say, I’m eagerly looking forward to “Young Justice”.

Yet up until recently, I’d been grossly negligent of the forgotten middle child of your career. A few weeks ago I got the chance to watch season two of “W.I.T.C.H.” and I thoroughly enjoyed it. Even going back to watch season one and then re-watching season two all the way through again, just so I had all the back story.

Season two was a wonderfully crafted epic that managed to be true to the established continuity of season one yet at the same time managed to elevate and expand it into something truly astounding. I was especially impressed with the characterisation of Nerissa, she seemed to combined some of the most dangerous qualities of Demona and Xanatos, obsessive and vengeful yet at the same time very cool and calculating.

It really is a tragedy that this show isn’t better remembered, I’ve actually spoken to hardcore “Gargoyles” and “Spectacular Spider-Man” fans who’ve never seen it. Personally, I’d heartily recommend it to anyone who’s a fan of your better known toons.

Laura 'ad astra' Sack writes...

I’ve heard you mention several times that you have had very good luck with S&P over several series, praising people who really understood the series and were more interested in showing consequence than keeping any violence off screen. When they put their foot down it was generally to avoid what a child can copy, even willing to have a different violent action in place they couldn’t. Did you ever have bad experiences? (Either on a series you were running, or one you freelanced on.)

sanya writes...

Hi Greg,
i am wondering do you know which singers sang the song The will to love and The demon in me.
both of the songs have been sang in Witch episode s is for self part.

Jessica Walker writes...

Greetings Greg!
First off I wanted to say what a huge fan I am of your series. Gargoyles was by far one of the greatest cartoons back in the day. Now that I'm done fangirling, on to my question. I've read up on various sources saying that the comics may no longer be published due to Disney's iron grip on the Gargoyles franchise. I understand that there will no longer be any comics returning any time soon. My real question to you is WITCH related. Is there going to be a season 3 or any continuation of the series? I'm a huge fan of the original comic's and it seems like shame Disney would cancel it.

maritza writes...

hi, mr. weisman if many people sign on sds.org to save witch will it have a chance to go back on tv or witch will be gone forever.

philip writes...

hi greg,did you wrote lyrics "will to love"? ...when i searched the lyrics i found
the the full version...wich is a lot more than it was sang on tv...why? heres the rest of the song:I figured I’d stay on the shelf.
Truth be told, didn’t trust myself:
Always fade, don’t make the grade, too afraid
Of rejection. Oh…

I didn’t think I had the strength
To find a girl on my wavelength.
Just a runt, always punt. No will to hunt
For perfection.

Then everything changes.
She’s there. Life rearranges.
Winged angel from above…
Helped me find the Will… the Will to love…
The Will to love… The Will to love…

Game’s full of surprises.
Live our share of compromises.
Still when push comes to shove…
She’s just the Will to love.
She’s just the Will to love.
I found the Will to love.

And everything changes.
She’s here. Life rearranges.
Winged angel from above…
She is just the Will… the Will to love.
The Will to love… The Will to love… Oh…
The Wïll to love…