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Jim R. writes...

A few questions on "Legend" mainly some technical quarks, I noticed:

1. Who had the idea for designing the animation for the inside circuitry of Coldstone? I know its just a cartoon, but those gates that were opening and closing with electricity when Coldstone was repairing himself, I guess were supposed to be transistors, but looked nothing like them.
2. Who also, had the idea for the computer virus? Not exactly the way I'd see a virus, maybe in a biological sense. Nevertheless I guess it's how it's perceived by the person in contact with it, mainly Goliath, Coldstone, etc.
3. What caused Coldstone to go after the government-related data? It seemed as if the programming were controlling his actions, not one of the three souls trapped within him. He looked as if he were moving on impulse giving me the impression that someone else (maybe Xanatos) was controlling him remotely.
4. Even if one of the three souls (probably the hated one) was controlling him, what purpose would it want with government-related data on weapons systems? (That being if Coldstone was not being controlled remotely by someone else.)
5. How do the police boats coming after Matt B.'s VR device not notice the gargoyles? Surely someone would have noticed something seeing how they were in the middle of the bay, and the only means of escape for the gargs would be to liftoff.
6. At the end, Xanatos is sitting in front of his computer looking at what I guess is the virus running on it. If the virus were the most potentially-dangerous computer virus created thus far, why did it not destroy any of the files on his computer? Or did it?

Greg responds...

I assume you're talking about "Legion". We didn't have an episode called "Legend". At least not in the first 66.

1. Don't remember.

2. That would have been, me and/or the story editors and/or the writers.

3. Xanatos' programming. Some of which was broadcasted.

4. See above.

5. Uh, fog?

6. Safeguards? Maybe it was running on an isolated system.

Response recorded on June 09, 2001

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warrioress writes...

How fast can Coldstone fly? Presumably with that built-in rocket he can fly faster than a "live" Gargoyle....

For that matter, how fast can an average Gargoyle glide?

Greg responds...

I'm not good with numbers, but yes, Coldstone can fly faster than an average garg.

Response recorded on May 08, 2001

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matt writes...

since "Reawakening", "Legion", "High Noon", and "Possesions" all ended with Coldstone getting screwed in one way or another, would the unmade World Tour Coldstone/Himalayas episode have ended as sadly for poor Coldstone?

Greg responds...

Bittersweet. As our Frankenstein stand-in he was a bit of a bittersweet character in design. But eventually he would have rejoined the Manhattan Clan with Coldfire and gotten a measure of peace.

Response recorded on May 08, 2001

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matt writes...

just watched "Possesions", one of my favirote eps by the way, anyway, i thought of a few questions...

1. ok, is it me, or does Lex hate Coldstone? the whole clan doesn't like Iago, but Lexington seems to hate Coldstone in general... in "Legion" he trys to convince Goliath not to invite Coldstone into the clan, or back to the clocktower and that was before they knew about the other souls in Coldstone, in "High Noon" he warns Goliath about freeing Coldstone, this time his concern was justified, but in "Possesions" Lex really seems to hate Coldstone, when Coldstone first arrives Lex screams his astonishment at Coldstone being brought to the clocktower by "Goliath" and "Hudson", then he seems to be the most skeptical about "Goliath's" plan, and then he is the only one not to volunteer for the soul transference. so, am i right? does Lex have a major problem with Coldstone? is it jealousy, i mean, does Lex wish he was as integrated with technology as Coldstone is? "Future Tense" comes to mind...

2. why does Puck keep trying to make Xanatos look evil to the gargs? in "Future Tense" his illusion of Xanatos is pretty nasty, and in "Possesions" Puck goes on about how Xanatos is about to unleash new robots and he is not sincere about oweing Goliath for helping to save his son, obviously Puck doesn't believe these things, but why try to make the gargs believe it?

3. any reason that Iago/Coldsteel didn't have a tail (either in cyberspace or as a robot) in "Possesions", but did have one in "Legion" and "High Noon"?

sorry for the lengthy questions...

Greg responds...

1. No. I don't think so. I just think he's very aware of Coldstone's potential danger to the clan.

2. He's simply playing to Goliath's weaknesses.

3. I never noticed that. Are you sure?

Response recorded on May 04, 2001

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matt writes...

in "Reawakening" we suddenly see Coldstone in Times Square. did Xanatos and Demona send him there to get Goliath's attention? or did Coldstone end up there himself? or what?

Greg responds...

They sent him out.

Response recorded on May 02, 2001

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durax writes...

<i>You said that the yeti would be seen in Gargoyles for sure. Is it an animal elated to the gargoyles or a gargoyle.
--------------------------------------Greg answered---------------
That story is actually written. It was written for Marvel's Gargoyle comic book before it was cancelled.</i>

Would Coldstone have been involved with this story?

Greg responds...

Yes.

Response recorded on April 17, 2001

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matt writes...

Coldstone is reanimated gargoyle in stone form, right? thats why he is gray and not blue as Othello is. if this is so, why is Coldstone's hair white and not gray stone?

Greg responds...

Good question. Artistic license. Or it's a VERY LIGHT GRAY. Or the science blasted it white Or...

Well, you get the idea. Take your pick.

Response recorded on April 08, 2001

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Shavri writes...

Ohp, here I go again... Why does Iago/Coldsteel hate Goliath so much. Jealousy, and or something else?

Greg responds...

He doesn't actually. I mean, he doesn't like particularly, but most of his ire is reserved for Othello/Coldstone. Goliath was never anything more than a convenient pawn.

Response recorded on April 08, 2001

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matt writes...

you've said before that unless their bodies are destroyed that the Coldtrio will live forever, so will any or all of them be around in 2198?

Greg responds...

Not saying.

Response recorded on March 13, 2001

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matt writes...

i just want you to confirm that Gabriel is definetly Othello and Desdemona's biological child, cuz lately there has been talk of Iago having a child on Avalon and Gabriel has some features, the large brow ridges and the small horns on his chin, that we've only see in one other gargoyle, Iago. so, if Iago has a biological child on Avalon, its not Gabriel, right?

Greg responds...

Gabriel is Othello and Desdemona's biological child.

You heard it here first.

About four years ago.

Response recorded on March 13, 2001

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Aris Katsaris writes...

Timeline questions:

1.What year did Iago decieve Othello about Desdemona and Goliath?
2.When were Luach, Canmore and Gillecomgain born?
3.For that matter have you decided what's the exact date of Elisa's birth?

Greg responds...

All dates are tentative, at least until I finish my current reworking of the Timeline. But this is as up-to-date as I have it. (You caught me in the right office today.)

2. Gillecomgain was born in 982.
1. Iago deceived Othello in 993.
2. Canmore was born in 1031.
2. Luach was born in 1033.
3. Elisa was born in 1968. I haven't given her a specific birthdate at this time.

By the way, if anyone sees a reason why these dates (or any others I might post) don't make sense, don't hesitate to let me know.

Not that you would.

Response recorded on March 07, 2001

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Aris Katsaris writes...

I asked
"3. For that matter would Iago be considered a rookery father to the eggs simply because of his generation, even though he was mateless and hadn't contributed an egg himself? Or not?"

You replied (among other things: "3. First off, did I ever say Iago was mateless?"

The answer is yes - Todd had asked you a number of months back:
"Did Iago ever have a mate in the 10th century?"
and you had replied:
"No. Or at any rate, not that I know of right now."

Greg responds...

Ah, but that's very different from a flat-out "no", isn't it?

Response recorded on March 07, 2001

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matt writes...

does Iago have a biological child on Avalon?
if so, who was his mate and what did she think of Desdemona and that whole situation?

Greg responds...

I'm not commenting at this time.

Response recorded on March 07, 2001

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Duncan Devlin writes...

Was the name Demona derived more from it's relationship to the word demon or or from the name Desdemona in Shakespeare's Othello (or was it a mix). Basically, which came first to the idea board. (I think I'm open for a smart-ass response as well as a real one.)

Greg responds...

I don't have a smart ass response to this. Demona came from Demon. Desdemona (and the obvious aural connection to Demona) was a pleasant "surprise" that came later when we were working on Coldstone. Now if you're asking whether or not, somewhere in the back of my head, the Desdemona name was floating around and had an influence... well, I can't be sure.

Response recorded on March 02, 2001

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One writes...

Is there any particular reason Desdemona divided herself into three versions of herself (one with black hair, blond, and white) in "High Noon"... I just thought there might be relation between this and the fact the weird sisters were in the episode manipulatining MacBeth and Demona.

Greg responds...

Des didn't do it. She opened herself up to possession and the Weird Sisters did it.

Response recorded on February 22, 2001

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Chapter XXVI: "High Noon"

Following fast on the heels of City of Stone, here's my ramble on High Noon...

The recap is interesting here. It's all Coldstone oriented. Demona, Macbeth and the Weird Sisters aren't mentioned. Nothing from City of Stone, despite this being a direct sequel to those events. The reason is that the recaps got early criticism on a Disney Afternoon mailing list for giving too much away. We'd show a villain who didn't appear until the end of Act One, thus cueing our audience to expect that villain all along. A valid criticism. So we tried to adjust here. Coldstone's participation wasn't a secret. The episode opens in his "internal cyber-world" and he's shown dormant in the Clock Tower in the very next scene. But when Demona and Macbeth first walk past Elisa and Morgan, we're not supposed to know who they are. So I intentionally kept them out of the recap to preserve that reveal.

The heather Othello gathers has no scent. Why not? Everything in that world, except for the souls of the three gargs was simply a mental construct. Sight, sound, touch. So why not smell? No chemical senses, you might argue. But why no chemical senses? Why touch and not taste? I think that the lack of smell was an unconscious or subconscious boundary that Desdemona did not want to cross. Something to remind her that this world is not real. For all we know, Othello and Iago could smell whatever they imagined they could smell.

I like seeing Hudson and Broadway learning to read. We cheated a bit. I'm not sure they could have progressed as fast as they did in the short time since "Lighthouse". But we took that liberty to show that they had been working assiduously at it.

I have mixed feelings about Hudson's "Why would she want to 'hit a sack'?" line. On the one hand, I'm not sure we ever did enough of this. Playing with the contrasts in language and expression between their world and ours. On the other hand, it just seemed a bit late in the game for Hudson not to have heard this one already. (And for that matter, I have no idea when that particular phrase originated. For all I know they've been hitting the sack since the Middle Ages.)

Elisa makes a point of saying that she's "no hero". Just a gal doing a job. But of course, we know that's not true. It's simply how she'd prefer to view herself -- particularly when she's so tired. I tried to use this episode to emphasize that Elisa works the night shift. That she gets off work just before sunrise. Starts work just after sunset. (I actually imagine that she works a four day ten hour shift, plus mucho overtime.) Sometimes it seemed like the fans had forgotten that. I got a lot of questions back then like: "She works during the day and hangs with the gargoyles at night. When does she sleep?"

Morgan has a real nice role in this one. Keith is great as Morgan. So distinctive from Goliath in a part that was a mere throwaway in Awakening, Part One. Morgan and Elisa's easy rapor in this episode and Avalon One is what gave me the idea that he might someday ask her out (on that 2nd Halloween episode I've mentioned a few times). And the notion of a Keith-Salli-Keith triangle tickled me a bit.

Enter Macbeth as a perp with a human Demona dressed as a cop. (Always nice to show our characters in different costumes on occasion.) I'm curious how many people IMMEDIATELY recognized Demona as herself? After all, you'd only gotten a BRIEF glimpse of her human form in "The Mirror". And we hadn't shown it at all in "Vows" or "City of Stone". In fact, City of Stone began what we then called our Third Tier of stories. (Tier One was the first season. Tier Two was the first eight episodes of the second season: Leader, Legion, Metamorphosis, Lighthouse, Silver Falcon, Mirror, Eye of the Beholder, Vows.) And of course, City of Stone was transitional, so one could argue that Tier Three was beginning here with High Noon. Anyway, Demona's in atypical dress and species. Who knew it was her?

And once you did know, what were you thinking? The gargoyles have the same questions, I'd imagine. Last they (and you) saw, Mac and Demona hated each other, and had been taken away by the seemingly benevolent Weird Sisters. What was going through your heads about all this? Did you wonder at the seeming inconsistencies, like their knowledge of the Clock Tower? Their ability to get Coldstone out of the tower in daylight, unseen?

When my son Ben saw Demona, he thought it was one of the "triplets", which is what he calls the Weird Sisters. (They've fast become his favorite characters.) When I pointed out that she had red hair and not white, yellow or black, he was resistent to giving up on the idea that they weren't going to appear. (I was glad they eventually did. And now I wonder what he's going to think about the next seven episodes in which they do NOT appear.)

Throughout this, we cheat a bit on Elisa's exhaustion. We knock her out, but keep her tired. The subtle differences between various means of being unconscious and their effects on how tired one is confuse me.

I love Mac and D's exchange...
Mac: "You're still thinking like a gargoyle."
D: "I am a gargoyle." And don't you forget it.

Again, back in those days I just thought the audience would get revved up merely because we were teaming up THREE of our major villains. Macbeth, Demona and the villainous side of Coldstone. In Batman or Superman that would be a BIG EVENT. A huge threat to the hero. Did it have that effect on you guys? I feel vaguely that in a strange way, it did not. That our villains were so complex, that for once they backfired on us. That it wasn't viewed as, "Wow, our heroes have barely survived an encounter with one of those guys, how will they handle three?" Rather, the conflict was less interesting than the machinations and personalities. Am I being clear? Your thoughts?

This episode had some truly gorgeous animation in it. And the transformation scenes are both very cool. The Pain Link plays well here, though occasionally seems more geared to comedy than drama for some reason. The theme of gifts coming with a price... particularly the gifts of tricksters is emphasized in this scene.

Meanwhile Othello is desperately trying to remain an ostrich with his head in the sand. A position that on at least one level, Elisa 'believes' she'd like to take as well. With Othello, I think it's a real possibility that he will never act. With Elisa, I don't think we believe it for a moment. That's part of the reason they're both in there. To make sure that the theme of "Standing Up" is emphasized. Which brings us to the title, "HIGH NOON". That was one of mine, I believe. And I stole it right from the Gary Cooper movie. Sure we'd have a battle at High Noon. Because this was Elisa's story, not the gargoyles. Because the gargoyles would be asleep and vulnerable. But also because it was that kind of archetypal the-hero-stands-alone western battle.

You may notice that Xander Berkeley (the voice of Iago) does not appear in this episode. Because Iago has no lines when he's not in control of the Coldstone body. Again, I'm always so impressed with what a great job Michael Dorn does contrasting the Othello and Iago personalities without actually changing his voice.

I like Elisa's line when Brooklyn asks her if she recognized the woman with Macbeth. "She seemed familiar." Think about this for a second. If this was real life and not a cartoon, do you think you'd recognize Demona in Dominique? And yet I completely buy that Elisa recognized something in there. There's a strange nega-intimacy between Elisa and Demona. (Which is one of the sick reasons why I created Delilah, later.)

Goliath and Elisa engage in a little dueling patronizing here. Elisa has to go back on shift, so can't accompany the 'goyles to Mac's place. Goliath is pretty smug when he says the six of them can handle it. (The smugness, I hope, is undercut when he follows it up by saying, "You have a whole city to protect." Which is how he views it.) Then Elisa talks to them like they're little kids. She wants a full report when they get back. (Who says these two weren't made for each other?)

Lex, who has been and will continue to be very adept at breaking alarm systems, etc., for once admits that it's all too easy.

I like the moment when Goliath taps the camera with his wing. A nice little touch. And very well animated.

Lex is always the voice of warning in regards to Coldstone. This is important. Goliath listens to Lex this time. And Lex is fooled when Coldstone reveals Demona's involvement, seemingly before they know Demona is involved. I thought that was very clever on the villains' part.

Bronx smells Demona behind the closet, just as he did behind the tapestry.

I like how the marble bust flies and crashes. Another nice touch in the boarding and animation. Nice weight to the whole Brooklyn-Demona-Bronx fight scene.

I liked staging the Macbeth, Husdon, Broadway fight in a library. Felt like a thematic rematch from "Lighthouse".

The pain link here is a BIT of a cheat. Usually with them in different rooms on different floors, it wouldn't be quite this intense. Maybe the library is directly above whatever room Demona was in.

Lex is sure Coldstone's wrong about Demona. Brooklyn's "Uh, guess again." line is fun.

The entire battle at Macbeth's place is part of a technique I enjoy using on occasion called "Suspended Structure". This is really an Elisa and Othello Story. But we let the gargs carry the action for a period of time, while the true protagonists can't or won't take action. This keeps the story moving, without compromising the inaction of our "leads".

Demona confronts Elisa at the clock tower. The animators get a little carried away here with some of Demona's body language. God knows, it's fun to watch. But would she really do all those sexpot poses? Is that in character?

It is fun to see her hail a taxi though.

Morgan's back. Elisa now looks VERY tired. Again, great work from the animators. It's all in the eyes. Morgan helps Elisa though he thinks she's just talking about normal copwork. It only proves there's really no such thing as a "Normal Life". Morgan certainly doesn't think he has one.

Meanwhile Desdemona's gettin antsy. It's the "in" that the Weird Sisters need. They take over. Unfortunately, here, the animators screwed up. The three Desdemona's were supposed to have silver, gold and raven hair. Instead, in most shots, they just look like three Dessies. Then when they finally do get the hair right, it's just before they merge back into one Desdemona. At which point, the hair color should have been Des'. Instead, I think it's Luna's -- briefly. Oh, well. Anyway, I could have just done this with Desdemona herself. But I wanted to give the audience a hint that the Weird Sisters were still involved. Ben was thrown by the hair. He almost didn't believe these were the triplets.

I like the line: "Even shadows must be true to their shade."

High Noon at Belvedere Castle. Coldstone wonders that he can see the sun. Again, that's me making sure people are clear that Coldstone is RE-ANIMATED STONE, not flesh. I don't think it's visually clear. (Part of the problem being that Othello's coloring is too similar.)

Then Elisa arrives -- counting on Macbeth's honor to keep Demona from shooting her. For that reason, she intentionally doesn't bring her service revolver to the party. Quite the gambit. Elisa also counts on Demona's temper -- and on the fact that Demona is unaccustomed to fighting with reduced human strength. She goads Demona: "I'm here to save him." and "You fight like a rookie." I love, positively LOVE, the former of those two lines. Elisa is a hero in her own right. Though Goliath has rescued her on occasion, I felt we did a pretty good job of always evening the score. She's no damsel in distress.

Mac & Coldstone: "This is diverting." "You have no idea." (Quotations approximate.) I like that. A tip of the hat to my being a guy, if you will.

We cheat a bit here on the pain link too. One could argue that Mac IS feeling the pain. But he's ready for it and covering. He does seem to be grimacing a bit when he says, "You have no idea." But still, I think we cheated.

I love the animation on the Othello, Desdemona, Iago fight.

Battle over, Coldstone leaves. Sends himself into exile. This is the gargoyle way.

And hey, our jogger is back. Again wondering where all these statues are coming from. That's just fun continuity for me. And Elisa: "Don't ask me. I'm just taking a nap."

And then the whole final scene between Mac and D and the sisters is so much fun. I love the sense of the fog lifting from their eyes. "What Primary Objective?" "Why are we working together?"

And I'm also proud of the trick. A very Xanatosian tag here. Steal Coldstone to distract the gargs from noticing the thefts of the gate, book and eye.

And how about that reference to "The coming battle..." that the Sisters end the episode on? What did you all think of that at the time?

I'll try to post the High Noon writer's memo tomorrow. (Meant to do it yesterday, but I forgot.) Anyway, Done rambling. You're turn. (Again, I'm interested in both your original and current responses to the episode.)


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matt writes...

1. i assume that Coldstone went to the Himalayas after "High Noon" because of the isolation, correct?
2. how did he know there were no gargoyles in the area, or did he just have to look around for an isolated spot?
3. did he meet any other garg clans on his way to the Himalayas?
4. what was he hoping to accomplish in this isolation?
5. how did he get from New York to Tibet?
6. how did Xanatos find him in "Possesions"?
7. Iago doesn't have a kid on Avalon, right?
8. in "Possesions" i guess there wasn't really time to explore the Coldtrio's opinions on the eggs surviving so what do they think?
9. would Gabriel's parentage ever be revealed to him as was Angela's? would he care? what would Coldstone and Coldfire think if they found out?

Greg responds...

1. Largely.
2. It seemed isolated, and largely proved isolated.
3. No.
4. To win an internal battle.
5. He flew.
6. Coldstone gives off a signal which X can track.
7. I never said that.
8. I'm not entirely sure they're aware of it.
9. It's something to explore. But the mere fact that Coldstone and Coldfire exist and the mere fact that the "eggs" survived -- is much more significant than biological parentage.

Response recorded on February 07, 2001

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matt writes...

is the technology that allows the Iago and Desdemona robots to heal have anything to do with the Matrix?

Greg responds...

Yes, in a down-graded fashion.

Response recorded on February 01, 2001

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matt writes...

did Xanatos know that one of the souls in Coldstone was evil? i figure he did know, but then why did he build a robot for it and not let it just fade out of existence? and even if the soul had to go somewhere why put it in robot with great strength and cool weapons? if he was really trying to help out Coldstone why create a bigger headache for him? poor Coldstone gets screwed at the end of every episode he's in...

Greg responds...

Yeah. Poor Coldstone.

Anyway, Xanatos is not a wasteful man. Think about it.

Response recorded on January 31, 2001

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(The Guppi) writes...

[1] The first time I watched _Possession_ I pretty much took it for granted how much Coldfire and Coldsteel resembled 'Desdemona' and 'Iago'. It makes sense when you're used to half-baked comic book logic (not to disrespect your own fine work in the field), but Gargoyles takes great pains to create a more, erm, well-done and realistic (or at least snarkily pseudo-scientific :P) universe. On later viewings, I was compelled to contemplate further. The techniques used in creating the Steel Clan wouldn't apply here, I think. The techies at Scarab Corp. (or wherever) probably had lots of old security tapes of Goliath to pore over as much as they liked, but it's hard to imagine how that'd work with the Legionnaires. Was the likeness of design only in animation, then?
[2] Likewise, with the the WWII statue in London, which off-the-bat was recognizable as being of Goliath and Griff. Was its sculptor working solely off of Sir Douglas' accounts? (Pilots are generally more observant than the average bear, and from the impression he made on you as a kid, he musta made one heckuva eyewitness. It still is kind of a stretch, though...)

Greg responds...

1. You're forgetting Puck. And various memory chips inside Coldstone.

2. I always thought that that statue was funded by Leo and Una. Ostensibly as a memorial to the Battle of Britain, but really as a memorial to Griff and Goliath.

Response recorded on January 26, 2001

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DCB writes...

Silly hypothetical question.

What do you suppose Broadway and Angela were thinking when Othello suggested that he and Desdemona keep possession of their (Broadways and Angela's) bodies? Assuming they could hear them the way Brooklyn could Iago.

Greg responds...

They were probably SCREAMING!!

What would you think?

Response recorded on January 26, 2001

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LSZ writes...

You've said before that Coldstone and Coldfire would treat the entire clan as their children..how would Gabriel react to this?

Greg responds...

You mean the entire Avalon clan, right?

At any rate, that depends a great deal on how Gabriel would react to Coldstone and Coldfire in the first place. I mean neither are your typical gargoyles.

Response recorded on January 17, 2001

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matt writes...

would Coldstone suffer seven years bad luck for shattering the mirror in "reawakening"?

Greg responds...

At least.

Response recorded on December 22, 2000

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matt writes...

if pieces of both iago and desdemona were used in the awakening of coldstone why didn't xanatos use samples from those pieces to clone new bodies instead of build robots? was xanatos still a little shoken up about the thailog thing? how do you put a soul into a robot? goliath made it clear in "outfoxed" that machines are no match for flesh and blood!

Greg responds...

There were no living cells in Coldstone to clone. Coldstone himself is not a clone. Rather he is a reanimated corpse.

Response recorded on November 21, 2000

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warrioress writes...

In reply to a question I posted eons ago you said that Desdemona is "more forgiving" than most. Obviously she's forgiven Othello for his lack of faith in her, but did/will she ever forgive Iago?

Greg responds...

Maybe once, a thousand years ago. But now it's just gotten creepy.

Response recorded on November 21, 2000

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Faieq writes...

Hoping you have your timeline with you, what year did Iago convince Othello that Desdemona was involved with Goliath, in the Dark Ages?

Greg responds...

Sorry, I don't have it with me. I'm in my (once a week) Disney office. The Timeline is back at my own B.H. office.

Response recorded on November 15, 2000

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Faieq writes...

A little add on to the last question I submitted:
What year did Iago decieve Othello about Desdemona and Goliath. In 'Legion' Desdemona said something like "He's trying to decieve you like he did a thousand years ago." Was it exactly a thousand years ago? Legion first aired in 1995 and exactly a thousand years before Iago, Desdemona and Othello were gone and dust. So it had to be before 995. What year did it occur?

Greg responds...

Not exactly, no.

I know this, but I don't have my timeline with me. Ask me again later.

Response recorded on November 09, 2000

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Faieq writes...

When Iago made Othello believe that Goliath was trying to steal Desdemona away from Othello during the Dark Ages, what was Demona's role in all this?

Greg responds...

Minimal.

Response recorded on November 09, 2000

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Anonymous writes...

Question about "Legion", during the scene in the Golden Cup building, after he had been shot by the Recap probe, Coldstone yelled "Why did you bring me here only to attack me?!" Why did he say this, and who was he talking to?

I loved that bit where the recap shoots a gas grenade and it bounces off Coldstone's chest(and he glances down like, "Huh?") ;-)

Greg responds...

He was just crying out to all those guards who were shooting at him. He said it because he had no memory of coming there himself. From his (Othello's) P.O.V. he'd awakened there to find these humans (and robots) attacking him. It was very upsetting.

Response recorded on November 09, 2000

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Corrinne Blaquen writes...

Was Iago only after Desdemona? Did he just want a female, or Desdemona in particular? I ask because he didn't seem terribly interested in say, Demona.

Greg responds...

He was obsessed with Desdemona.

Response recorded on November 09, 2000

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LSZ writes...

Were there any plans to incorporate Frankenstein into the Gargoyles universe?

Greg responds...

Yes. He's called Coldstone.

Response recorded on November 09, 2000

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Warrioress writes...

Legion:

Why was Iago so bent on getting Desdemona as his mate? Is he just the type who won't take "no" for an answer or what?

And why was Desdemona crying in the first few scenes in "Legion"(where Goliath tries to comfort her?)

Greg responds...

Obsession.

Othello's jealous streak.

Response recorded on November 01, 2000

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Kayless writes...

P.S.

This is going to sound amazingly retarded but are Coldstone and Broadway related? I ask this because the two have similar skin tones, the unique 'fanned' ears, and Coldstone's hair is white like Broadway's father, Hudson (assuming Hudson's hair has always been white). Hudson supposedly has a child from Goliath's generation, so that fits with Coldstone. Spurious evidence perhaps, but nothing ventured nothing gained. Feel free to hand me the dunce's cap. <:(

God, I need sleep.

Greg responds...

They may be related -- they're from the same clan after all, but they aren't biological brothers if that's what you are asking.

Response recorded on October 19, 2000

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deb writes...

Because this question hasn't been answered yet, I'd like to re-submit Jeff Lenihan's question:

"2)In "Grief," Anubis states that that which is dead and gone cannot be brought back. Why, then, was Demona able to bring the spirit of Coldstone (and those of Coldfire and Coldsteel) back from the dead? Was Anubis trying to say that he is under some sort of magical restriction similar to Oberon's law of non-interferece that prevents him from bringing back the dead, or something else entirely?"

Greg responds...

Anubis refused. And he had good reasons, as the Emir realized after he became the Avatar. I never said that ghosts don't exist. Coldstone is still dead.

Response recorded on September 25, 2000

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Entity writes...

Hi Greg,

So, a pit-stop in Tibet for purposes unknown, combined with a run-in with Coldstone in the Himalayas.

1) Are these two unrealized stories indeed one in the same?
2) In the original conception of the idea, did Coldstone undergo any kind of change as a result of the story? In every other encounter with Coldstone, he was left changed in some manner.
3) Could the story be magically inserted into the canon series right now with no messed up continuity in regards to "Possessions"?

Greg responds...

1. Yes.
2. Not gonna say. But the story came in between his appearances in High Noon and Possessions.
3. Yes. It was designed that way.

Response recorded on September 21, 2000

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Kalafarski writes...

Finding myself lost in that massive "Old Ask Greg Archive," I stumbled across a mention of a missing World Tour episode featuring Coldstone in the Himalayas. What would've happened there?

Greg responds...

An entire story.

Response recorded on September 16, 2000

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Sixshot writes...

1.Is Coldsteel ability to heal limited to his tentacles or can he heal his entire body?

2.What about Coldfire? Can she heal was well?

Greg responds...

1. I think the word we're looking for is "repair". The answer is yes, assuming no major system is damaged.

2. Yep.

Response recorded on September 06, 2000

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Aaron writes...

Hi Greg. First Post-G2K question, trying to catch up on your latest answers. (Hope you and the family had fun at MGM)

"Didn't we answer this at the con?"

Yes, but the question is left over from before the con. And you passed the question off to Thom, Greg G., and Vic, if that's what you mean by we.

"[And by the way, I'm no more a carpenter than a biologist.]"

Sorry, but now I have this vision of you shouting "Damn it Jim, I'm a storyteller, not a..."

Re: Gladiator and The Phantom Menace. If I remember right, the historical Commodius (sp) actually did go out and fight gladiators for fun, so it's not totally off the mark. (Of course, they'd played so fast and loose with historical accuracy by then anyway...) As for TPM, you didn't miss much.

Puck breaking the fourth wall. Coulda worked. Maybe a moment where he's sort of looking at the camera and talking to us by talking to himself.

And, so this'll have at least one question:

How much, if any, did Xanatos know about Iago's personality when he built Coldsteel? More on that in the next post.

Greg responds...

Sorry, but now I have this vision of you shouting "Damn it Jim, I'm a storyteller, not a..."

That was the point.

As for Commodius, I knew that, and that would have been great, if the movie had depicted him that way in any way ever. But it never did.

More than you'd think. Coldstone broadcasts.

Response recorded on September 02, 2000

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Aaron writes...

If Xanatos did know what Iago was like, was he

A. Being kinda irresponsible to give a psycho like that access to a state of the art killing machine without building in some kind of failsafe.

B. Hoping to use Coldsteel for his own ends later, *finally* getting a gargoyle who'd work for him. After all, Iago's Dark Ages alliance with the Archmage makes this a bit of a possibility.

Greg responds...

Yes.

Yes.

Xanatos was never one not to throw caution to the wind. But keep in mind he always has a back-up plan and he did build the robot.

Response recorded on September 02, 2000

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Lawrence Stone writes...

Would Coldsteel still try to get Coldfire to be his mate?

Greg responds...

Yep. He's kinda a sicko.

Response recorded on August 19, 2000

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Tana writes...

Dear Greg,

Just read your Legion ramble...and I have to say this:

At the time when I first saw that Episode, I knew that Iago was trying to indicate that Goliath was betraying Othello with Desdemona, but I didn't understand why the credits listed the characters with such names. Boy was I naive.

A couple years later I was taking a Shakespeare class and read Othello. Can you imagine, about Act 2 somewhere we're reading it outloud and all of a sudden I say outloud: OH I GET IT. My friends thought I was insane. I had to give a quick explination for my outburst, which didn't help much to prove my sanity (none of them had watched Gargoyles).

Since reading the play Othello has become my favorite of the Shakespearian Tragedies (though I admit I have to read several more) And the Love "Pentagram" has become a delightful flavoring to the show.

I say Pentagram because I do believe that Demona would have been caught up in the whole mess. Especially given that Iago likens so well to the Shakespearian version. If he's going to ruin Goliath (and Othello as well) Then "In for a penny, in for a pound" Demona would have to go too. And probably the whole clan (including Hudson) probably would have been at Odds with Goliath thanks to Iago's whispering.

Which leads me to my first question:

1. Did the incident between Othello, Desdemona, Iago and Goliath occur before or after Goliath became leader to the clan? I ask because it strikes me that if after, Iago would not only try to win Desdemona, but Leadership as well.

2. Since Demona collected pieces of the shattered Iago to create Coldstone, we know he was banish from the clan. So what punishment was set upon Iago for causing such a clash between rookery brothers.

3. For that matter, would anyone have truely realized what Iago was doing, that he was responsible for it?

4. In City of Stone's flashback, we see Demona almost warning Othello and Desdemona about the upcoming attack. In one way, these two were used so that it wouldn't be just random gargs...But given the idea that Demona would have gotten tied up in the whole love scandal, it would seem Demona wouldn't exactly like Desdemona (even if the whole thing proved false; she's got trouble forgiving people) So why, in a character sense would Demona have gone to these two?

Well, I'm sure I had more questions along this topic, but I can't think of them after all that typing, so I'll let you get on with the other questions.

"So will I turn her virtue into pitch; and out of her own goodness make a net that shall emesh them all." -Iago (my fav quote from the play)

Greg responds...

1. After.
2. He was banished for a time.
3. Eventually.
4. Well, first off because they were there. Also, back then, Desdemona was the closest thing Demona had to a sister. Once everything was resolved there was less hostility there then you are imagining... however, perhaps all that history DID play some >small< role in why she DIDN'T warn them.

Good quote.

Response recorded on August 19, 2000

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Warrioress writes...

Two more questions about the Cold Trio:

Was Desdemona aware of the Weird Sister's possession of her, shall we say, soul?(when she split in three's)

And what was this "cause" they were talking about(i.e. Desdemona: "My love? Do we take up the cause?")? The Gargoyle Way?

Thanks!

Greg responds...

Sorta.

Sorta. But more immediately, it was the threat that Iago was clearly presenting right then.

Response recorded on August 18, 2000

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Vashkoda writes...

One last question. Is the relationship that the three original "Coldstone spirits" have with their new robotic bodies similar to the relationship (or magical ties, or whatever you want to call it) that Hakon had with the axe? Are they similarly bound to the living world only through their bodies? And does this connection now rely more on the magic that summoned them into Coldstone's body (which was done with human magic) or on the spell that transfered them to their new bodies (which was done with Alex's fairy magic). Where I'm going with this, as you might guess, has to do with the Coldtrio's access to Avalon, where human magic is forbidden. I must stop here before I say too much, but if you can, please discuss this possible complication.

Greg responds...

The answer to your first question is yes.

The answer to the last is subject to interpretation. Which means anything is possible -- as long as the loophole exists.

Response recorded on August 02, 2000

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Vashkoda writes...

You mentioned that Xanatos had collected the remains of the three gargoyles that eventually formed Coldstone. A few questions came to mind. 1a) Did Xanatos or Demona realize at the time that they were combining pieces from three different gargoyles? 1b) If the answer to 'a' is yes, was Demona aware of exactly which three they were putting together? 1c) Was she or Xanatos aware that three different souls would inhabit the body? 2) This may be a little gruesome, but you mentioned before that most of Coldstone's body was "Othello's", with only a hip or something from "Desdemona" and a similar piece from "Iago". Were those the only pieces of those gargoyles that could be recovered? 3a) Were these the only gargoyle "remains" that Xanatos found? 3b) If the answer to 'a' is no, what did Xanatos do with the other remains? 4) Considering Coldstone's behavior and tone of voice in "Reawakening", it's assumed that "Othello" is in control in that episode. Why didn't the other two personalities emerge? 5) Unlike the sleeping Manhattan gang, the "remains" around the castle clearly belonged to dead gargoyles. Why didn't Demona perform the Wind Ceremony for them?

Greg responds...

1. Maybe.
1b. She knew she was getting "Othello", I'm not sure if she could identify the other two.
1c. No.

2. Yes, after all those years.

3a. Well....

3b. Who said there are any other remains?

4. Correct. He was dominant. The virus began breaking down that dominance, thus releasing the other two.

5. Demona couldn't face the Massacre. I don't think she EVER went back.

Response recorded on August 02, 2000

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Faieq Ali writes...

I asked this before but seems to have gotten lost, so I decided to repost it:
1) What would the relationship between Iago and Demona have been like in the Dark Ages? After all Demona was the Archmages' apprentice, but Iago was allied with him, so would he look down on her? In HIGH NOON, he calls her 'sister', but thats because he doesn't know that it is her fault he is dead and that she is now an enemy of Goliath.
Also would he hate her, in Dark Ages, because she was in love with Goliath and was friends with Desdemona and Othello?
2) Did Goliath etc, learn of Demona's apprenticeship with The Archmage?
3) If the answer to (2) is yes, then how would Goliath react?

Greg responds...

1. Edgy.
2. No.
3. N.A.

Response recorded on July 30, 2000

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Ambrosia writes...

I'm curious about how Coldstone moves his cyborg parts:
Is there some kind of advanced circutry that attaches his brain to his arm/ anything that's not his flesh (or in this case, stone). Or is that a part of the sorcery?

Greg responds...

Both.

Response recorded on July 26, 2000

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Nate writes...

I was wondering if Broadway was the best warrior/fighter of the trio from purely a skills POV? I say this because Iago was "disapointed in Brooklyn's fighting skills" in Possesion. Its also not hard to tell that Broadway is the strongest of the trio, which suggests that he would make the best fighter (whether or not its because of an unfair advantage he was born with). Was he possible spending more time training back in the pre-massecre (sp) days while Brook or Lex were off learning to read? Learning to read doesnt happen overnight. He must have been doing somthing during all that time, and I'm sure he didnt spend all of it eating. ;)

Greg responds...

I wouldn't take Coldsteel's words too seriously. He was operating Brooklyn's body at the time. I think he was just making excuses.

Brooklyn, Broadway and Lex each have different fighting styles. They're all accomplished warriors. Broadway does have the advantage of bulk and strength, but I doubt he trained more than wanna-be-leader Brooklyn.

Response recorded on July 26, 2000

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Basilisk writes...

I'd like to ask your opinion on a ramble that I've written.

One of my all-time favorite episodes is POSSESSION. In POSSESSION, Broadway, Angela, and Brooklyn were vessels for the spirits of Coldstone, Coldfire, and Coldsteel. I have always believed that there were reasons for this.

As I see it, Broadway and Angela were possessed by the lovers, Coldstone and Coldfire for a reason. I always thought that it was a subtle way to hint that it would be they that became a couple themselves. Brooklyn was used by Coldsteel because he subconsciously possessed jealousy toward Broadway for his success with Angela that Coldsteel harbored for Coldstone about Coldfire. I was lead to believe that especially where Brooklyn/Coldsteel was going to carry the unconscious Angela/Coldfire away because of his jealous lust for her.

Those are merely my assumptions. Please correct me if I'm wrong.

Greg responds...

It's a chicken and the egg thing.

Did the Coldtrio's unbound spirits sense something or cause something?

At any rate, behind the scenes, we certainly used it as a stepping stone to an eventual Broadway/Angela relationship.

Response recorded on July 24, 2000

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Blaise writes...

REAWAKENING

I really do like this one--maybe just because I have an affinity for cyborgs. At any rate, I was quite glad that we got intro'd to a gargoyle who DID die in the massacre. Yeah, sure he was brought back, but mentally putting that scene in the multi-parter adds another dimension of tragedy to the massacre.
I can more than understand the problem with seeing Xanatos and Demona looking at a monitor one moment, then appearing in Times Square about 3 seconds later. At times like these, I do the only thing I can do: rationalize. I make-believe X and D were in some odd, high-tech, bus-like vehicle (mobile control unit, anyone). It's silly, but it works for me.
Another animation note--in addition to Hudson's sword--when Brooklyn tackles Demona they are below the top cables of the bridge, and before they hit the ground they fall onto and bounce off...the top cables of the bridge. Oh well, the confrontation is still too great for that little bit to ruin.
Oddly enough, I don't mind Elisa's little crack about the size of her car. I actually find it an amusing, sarcastic beat. And yeah, the scarf and gloves are nice.
And of course, there is an abundance of funny lines. In addition to the bit with "Bambi" and Xanatos' fulfillment of a life-long dream ("It's alive! ALIVE!!"), I just love Morgan's little response to Elisa's "There must be something we can do."
Morgan: "I don't think so. Unless you're packing a nuclear weapon." I can see why you keep bringing this guy back--he's a wonderful character.

Coldstone> I was glad Micheal Dorn did a voice on the show. I mean, just listen to the guy! Coldstone himself made for some memorable moments. I noticed that you guys didn't put the "underwater respirator" on him as the memo stipulated. What changed you guys' minds?

The look into Gargoyle culture here was also quite welcome. A nice touch that the gargoyles did not "officially" become crime-fighters until the end of the first season. Kind of more organic and unique than most series that just intro a group of non-human heroes and have them be crime-fighters more or less from day one. And the differences in opinion of the gargoylean proverb between the characters was a nice use of the ep's theme. Goliath's quandry here is quite compelling.

Finally, just one question dealing with the memo. You made mention of a Madame Serena. Who was she?

Greg responds...

Re: Underwater respirator. We realized that Coldstone wasn't technically alive. He didn't need an underwater respirator, because he was living stone (or living organic substance that resembles stone) brought back to life. He requires a power source. Oxygen is only necessary for speech, and maybe not even that.

Re: Madame Serena. I'm not sure I remember. She was a character that appeared in the first draft of the outline Michael gave us. She was some kinda psychic or gypsey or witch (or all of the above). But she didn't, in my opinion, fit into this story. And I guess we all quickly forgot about her. The thing is I can't check. I have my notes on Michael's outline, but I didn't keep his outline, so I can't go back to see what exact role Michael had in mind for her. Guess, you'll have to ask him.

Response recorded on July 11, 2000

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fae Rae writes...

Are Coldstone and Coldfire Gabriel's parents? Gabe looks like Coldstone and I think he has Coldfire's weird wings. Was that intended?

Greg responds...

Coldstone and Coldfire ARE Gabriels biological parents. They are also two of his rookery parents. Two of only five that survive into this century.

And yes, that's all intentional.

Response recorded on July 11, 2000


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