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When gargoyles scale a battlement, they like to just throw their talons into the rock like there is no tomorrow, chipping away at the solidity every time. They do this night after night, and my question is, how were Wyvern's walls, battlements and towers still standing after years of this abuse? This may seem like a question meant to stump you on an aspect of the show we were invited to turn our cheeks to, but I have got to say, almost 10 years later I'm eating perogies and I start jabbing my plastic fork into the Styrofoam container and wonder... this just isn't going to go away! I need to know!
Sigh. If you need to know that badly, suggest an answer that works for you, and I'll see if it makes sense to me too.
Cuz the honest truth is... not something I dedicated any mental time to.
Sorry.
Yesterday, I took my kids to see "Hamlet, The Artist Formerly Known As Prince Of Denmark". It's a fairly faithful adaption of Shakespeare's Hamlet, set to the music of Prince with a ton of clown shtick thrown in for good measure. For folks of a certain age, like me, who remember the 1984 joy of total emersion in Purple Rain, it was a blast. And my kids really liked it too. Plus, hey, Shakespeare to boot!
And all of it, the brilliant work of the Troubador Theater Company. Matt Walker, who directed the show and leads the company and plays Hamlet, is an f-ing genius.
(Oh, and that guy on stilts... Whoah!)
I think this is my favorite Troubie show since "A Midsummer Saturday Night's Fever Dream".
The talented Troubies are celebrating their tenth anniversary. Other shows of theirs include:
"Fleetwood Macbeth"
"The Comedy of Aerosmith"
"It's a Stevie Wonderful Life"
"Alls Kool that Ends Cool"
"A Christmas Carol King"
"Funky Punks with Junk in their Trunks"
"Santa Claus is Coming to Motown"
"Twelfth Dog Night"
Coming in November... "Little Drummer Bowie"
If you're in L.A., you really don't want to miss it.
Greg, i am making some "comics" cause my dream is becoming a professional japanese comic maker (mangaka) ,here is my only question:How can you become a good drawer and how can you make things that people really like?
here is it, please answer me,ops! and im a fan of yours n.n !!!!
n_- bye !!!!
I wish I knew how to "become" a good artist. I'd love to be able to draw. But I don't have that talent, so I'm not the greatest person to answer that question.
As to how to "make things that people really like"? I usually start by trying to make something that I really like. If I'm not passionate about it, how can I expect anyone else to be?
are there any real gargoyles
Sure. Look up.
Hey Greg. Concerning all the different series you've worked for and all the jobs you've held in them (creator/producer/voice director/writer/etc.), which do you think actually "sells" your talent to companies to make them want to hire you? Do you feel any particular works of yours outshine the rest and really impress the execs? How well is "Gargoyles" regarded by these company execs, for instance? Or do you think it is instead the fact that you've worked for big name companies in the past, like Disney and WB, that impresses the execs, rather than any particular works you've done? Or when you apply as a freelance writer, for example, do you just submit several sample scripts of your ideas, and they decide from that whether to buy the story or not, regardless of your actual background? I'm just curious how it all works. Thanks!
Uh.... all of the above, really.
There was a time when clearly Gargoyles was actually a liability for me on my resume. Thankfully, that time has passed, at least for now, and it is once again my biggest selling point and calling card. In part, this is because a new mini-generation of execs has surfaced. The group that I was part of respected my work on the show. But then a slightly younger group came in that didn't know the show and didn't care about it. Now we've got a group that remember it fondly from their youth.
Yes, I'm just that old.
But frankly, my "Resume" is GIGANTIC, and I think the mass of it is impressive to people who value experience and good credits. To people who are intimidated by those who might know more than they do, I think it's a roadblock.
Obviously, everything depends on the job at hand. The folks at Disney (but not SIP) were nervous about hiring me for WITCH because they were convinced I wasn't funny enough. It occured to me that they might not have read my comedy scripts, and so I sent a couple of them over. Having read the stuff, I was funny again -- and hired for the job. So the work itself can help. When asked to submit script samples, I have a ton to choose from. So it becomes a guessing game. I try to get a sense of the project or kind of project they're interested in me working on and then choose scripts that seem to fit ... in tone at least. But you never know if you're sending the right material or not. And sometimes they don't bother to ask for it.
It also truly helps to be able to talk a good game. I give good meeting. I have off days, but I generally do pretty well in a room. That helps. It's ironic, because I'm shy and lousy at small talk. But ask me about creative stuff, and you pretty much can't shut me up -- as anyone who's attended a GATHERING can attest to, including, I'm sure, you, Vash . I am also a pretty consumate bullshitter... and yet not afraid to admit that I haven't figured EVERYTHING out yet.
I think that covers the basics.
G2005 - Tuesday, August 2
8:30am. We hit the road back for Los Angeles. Reading Harry Potter most of the way. (Although we didn't actually finish the book until just last night.) We stopped for lunch at Tommy's (chilicheeseburger, chilidog, fries, coke)... and we were home again by 2pm. That's five and a half hours, including the hour-long lunch break. Half the time it took Thom and I to fly to Vegas. Oh, well.
After that, it was Unpack, Nap, Dinner. Beth made a great home-cooked meal of Meat, Corn, Mushrooms and Strawberries.
More Harry Potter. Did some actual work on W.I.T.C.H.
Then finally bed.
So ends my journal.
Please, everyone post your G2005 CONJOURNALS to ASK GREG by the end of August. I've asked Gorebash to shut down the ASK GREG Submit function at about midnight on August 31st. So before memories get even hazier, please take a few minutes to write up your experiences and cut and paste them here.
Thanks.
G2005 - Monday, August 1
11:30am. I went down to the art room to collect the kids' art that hadn't sold. (Some of it had!) Spent the entire day saying good-byes to various people as they took off.
12:00pm. Time for my final panel: Creating Original Properties. Talked about DOC SHAKESPEARE. Also showed the animatic "sizzle tapes" for MECHA-SAPIENS (which I developed with Vic Cook and Greg Guler) and KIDD/HERO (which I developed with DAG Entertainment and Vic Cook). Thom came in during the panel to say his goodbyes. Hopefully, he had an easier flight back to L.A. than the one that brought us here.
1:30pm. The auction began with a piece called "Bonanza" by Spike -- which depicted Hudson, Brooklyn, Lexington & Broadway as (respectively) Ben, Adam, Joe and Hoss Cartwright. Now the day before in the silent auction, my daughter had put in a bid on Liz's "Leo" piece and gotten it. And my son had bid $5 on Bonanza. All this was done with Beth's permission. We were willing to buy them each a five-dollar piece of art. But Benny noticed that someone had bid $10 after him on Bonanza. Without asking us, he bid $15. That someone then bid $20. And Benny bid $30!!!!! Thus sending the thing to the live auction on Monday. We were stunned. But he offered to pay in the money he made on his art, so I told him that if the bid didn't go beyond $30 in the live auction, I would get it for him.
So anyway, Bonanza came up for bid. I bid $30. And then... I made faces. Yeah, Spike, I'm truly sorry. No one was forbidden from bidding higher. (And the person who had bid against Benny had already left the con.) But I'm not sure anyone was willing to bid against me or my mock-scowl, so $30 is all you get.
The kids love all the artwork they got from Liz and from Spike and from Jade. Beth has framed or is framing it all. It all goes up on their now very crowded walls. Karine also drew me a picture that I am very fond of -- though I don't see us putting it up on the wall.
I did some signing during the auction. But I also wandered around a bit. Fusion Demon had lost her Doc Shakespeare script, and I found it and returned it. But I also found Thom's script -- which I guess he had given to her -- and didn't realize it wasn't up for grabs. So it got auctioned off for $150. Thom's pants went for big money too, I think.
3:00pm. Closing Ceremonies. Brief and to the point.
4:00pm. A group of us went to Quark's for dinner. Patrick, Tony, Andrea, Trishanna, Cindy, Kyt, Julie, Karine, Jen, Seth, Seth, Jade, Scott, Marina, Liz. I finally got that messy burger that I've been wanting since San Diego. Plus onion rings AND fries.
7:15pm. Then I took a taxi back to the hotel. Packed up.
8:15pm. Checked out of the hotel and waited outside. Saw that guy in the big Top Hat. I'm sorry, I'm blanking on your name, but we had a nice talk.
8:30pm. Beth, Erin and Benny picked me up and we drove to my in-laws, where we read chapter ten of Harry Potter and the Half-Blood Prince. And I had a blueberry muffin, minestrone soup and juice. I was still pretty wired, even after the family went to bed.
3:00am. Went to bed myself.
I'll wrap up this ConJournal tomorrow...
G2005 - Sunday, July 31
10:00am. Erin, Benny & Beth arrived at the hotel. They had actually arrived in Vegas the day before, but they were staying at my in-laws house, so I hadn't seen them since Thursday morning. We got them checked in, badged up and showed them the art show. Hung up a couple more of Benny's pictures.
10:30am. Second Day of Auditions with Thom & Jen. Erin auditioned, and did great. We had a number of good people the second day too.
11:45am. Jen & Thom & I went back to Guadelajara's again for our casting lunch. I had a Roast Beef Dip, Fries and a Pepsi. We had some really tough casting choices to make. A lot of good people for only 16 roles and two understudies.
1:00pm. Jen & I posted cast lists at five different locations. I wasn't going to take any chances.
1:30pm. Had a panel next on W.I.T.C.H., the series that I'm working on now. The location got tossed around a bit, but we finally wound up in the ConSuite. I showed the animatic "Pilot" created by the series' first set of producers, who were pushed sideways a bit by Disney, who replaced them with a second set of producers, who were the showrunners for the first season. All four of those producers were then let go, and I did Season Four. I tell this story to show that it can happen to anyone in this business. God knows, it's happened to me. Anyway, it was a fun panel, but I felt very restricted as to what I could talk about. I don't think the entire first season has aired yet, and I didn't want to spoil anything for their stuff, let alone MY second season stuff, which won't begin airing until December at the earliest. But next year's WITCH panel at G2006, should really kick some ass. We'll have a bunch of writers and actors there. Anyway, I recommend checking out the show. We have some really fun stuff planned. It's one of the most fun shows I've EVER worked on.
3:00pm. We had our Radio Play Rehearsal. Everyone showed up, which meant our understudies didn't have much to do, but I hope they enjoyed the process at least. I had fun. It was a great group.
4:30pm. The Radio Play. Again, everyone showed up. This year we were doing an original live-action pilot called "DOC SHAKESPEARE", written by myself & Samuel Bernstein. *UNSOLD*.
Here's the cast list:
Susanna Shakespeare - Laurean Broadbent
Judith Shakespeare - Jen Anderson
Mike Santos - Erik Mambu
Jeff Wylie - Seth Jackson
Anita Santos - Kaylle
Luís Santos - Eric Tribou
Tess Derbyville - Sarah McEvoy
Hamnet Shakespeare - Erin Weisman
Aaron Moore - Adam Leigh
Lewis Santos - Echo Eberle
Arthur Soames - Revel
Ralph - Thom Adcox
Jonas Kent - Alex Garg
Doris - Lanny Fields
Mort - Bruce Lane
Nathan - Vani Shaw
Understudies - Tracy Prelog, Anthony Zucconi
Narrator - Greg Weisman
Everyone really did a great job. I was very pleased with the response.
5:30pm. The family and I went back to my hotel room, to hang out for a while.
6:00pm. Banquet. The four of us were told where to sit, but we were sitting alone and there was some confusion as to how or whether anyone else was supposed to be chosen to join us. Eventually, the Leonard Family (Susan, Robert, Chloe & Carly) joined us and so did GXB, though I think we were too dull for Greg, as he bailed on us at some point. It became a very family oriented discussion there. Erin won the big Gargoyle centerpiece, and Susan was very nice and gave Benny the Garg Puzzle Cube thing. Appreciated, but very unnnecessary. The food was great, I thought. Salad, veggies, rice, eggplant, meat, onions.
No Q&A -- which surprised me. I guess there's just not much left to ask me and Thom. Though I'd think everyone would have wanted a shot at Dave.
After dinner, we went upstairs again and the kids changed into their costumes. GREAT COSTUMES -- created of course by Eden. Last Halloween, Cindy made Benny a Goliath costume (which he reprised for the con) and Erin a Marilyn Monroe costume (which Cindy then added wings to, to transform it into a HOLLY costume, i.e. the mascot of G2001 & G2006).
After they were dressed, we went down to Lanny's room, where Benny got painted purple and Erin got a few make-up highlights. We hung out there awhile with Cindy, Abram, Jen, Karine, Lanny, etc.
9:00pm. Dave, Thom and myself judged the costume contest (after dessert - apple pie, Banana Cream Pie, Swan Puff, Pepsi). Some great costumes...
Junior Division
Erin's Holly won best non-canon character
Benny's Goliath won best canon character
Fusion Demon won best cosplay
Senior Division
Noel's Werefox (with an honorable mention to Jade's La Belle Elisa) won best cosplay.
Eden's sexy Banshee won 1st in canon.
Revel's great Jackal won 2nd in canon.
Onyx won in non-canon.
Tony & Thom won cutest couple.
Andrea won the Thom Adcox Memorial Award.
Shara as Future Tense Brooklyn won both the Gorelisa Award and Best in Show.
Beth, Erin & Benny left at that point to head back to my in-laws and call it a night.
We gave out the art awards too, but I didn't write all those down. I know that Liz's amazing Zodiac series won Best in Show, among others.
After that, I just hung out talking... which is of course one of my favorite things...
Who was there? Thom, Seth, Tony, Andrea, Carol, Dave, Marina, Flanker, Ahkento, Liz, Trishanna, Jen, etc. (I know I'm missing a ton of people. Sorry.)
Finally, we called it a night....
More soon...
GANG - IT'S OFFICIAL!!!
Buena Vista Home Entertainment has authorized me to reveal the following:
The Gargoyles Season 2 (Volume 1) DVD was announced to the BVHE sales force this past Friday.
Here are the details:
--First 26 episodes of Season 2.
--3-disc DVD set.
--Available on DVD December 6, 2005.
--$39.99 SRP US.
Bonus Features:
--Episode Introductions by Greg Weisman.
--Audio Commentaries on "City of Stone" Four-Parter.
--The Gathering of the Cast and Crew (featurette).
More info as I get it...
GANG - IT'S OFFICIAL!!!
Buena Vista Home Entertainment has authorized me to reveal the following:
The Gargoyles Season 2 (Volume 1) DVD was announced to the BVHE sales force this past Friday.
Here are the details:
--First 26 episodes of Season 2.
--3-disc DVD set.
--Available on DVD December 6, 2005.
--$39.99 SRP US.
Bonus Features:
--Episode Introductions by Greg Weisman.
--Audio Commentaries on "City of Stone" Four-Parter.
--The Gathering of the Cast and Crew (featurette).
More info as I get it...
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