A Station Eight Fan Web Site
Sorry for two different questions, but as I was browsing through the unanswered questions at the time, I noticed that one mentioned that they supported your move to make Lexington homosexual.
1) Is this true
1b.) If so, why?
2.) Is this referenced in the series? It probably isn't, but I've only started rewatching the show so I may have missed something about it.
As a fan of the show who is homosexual, this strikes me as strange, since this is technically a children's show. If you did do this, I commend you. If you didn't, you still rock.
1. Is it true they support it? I don't know.
1b. Not sure.
2. It's not. Although I don't think we're inconsistent with the interpretation.
I'm not exactly trying to be commendable. The characters often tell us their truths. But I'm not unhappy that you like the idea.
I searched the archives, but I may have missed the answer...
Given his suicidal tendencies, why does Macbeth bother to put up such a fight against Demona at the end? As he opens his secret stash of weapons before the final battle, he says something like "Demona, it ends tonight." He's had 900 years to think about his situation, so it struck me as odd that he temporarily seems to forget that he can effectively kill Demona by letting her kill *him*. Why does he bother to jump out of the way of her shots? And why does he have such a quick change of heart after Elisa "kills" Demona?
P.S. Thanks so much for continuing to answer questions. Gargoyles was an amazing creation. I hope you feel some pride in the accomplishment. (I'm 31, and every time I watch an episode, I'm amazed at how well the whole story ties together. Truly great work. Thanks!)
I think Macbeth has seen in the past that Demona is not as consciously suicidal as he sometimes (and I emphasize "sometimes") is. He couldn't count on her being willing to kill him, since she knows that would result in her own death. In fact the best way to get Demona to gun for him is for him to gun for her and raise her anger to overcome her reason.
Plus, let's be honest, the guy is pissed off and humiliated and he'd like a bit of payback on his way out the door. His preference: he kills her, kiling them both. Just more satisfying then standing there like a target.
As for jumping out of the way... see above and also instinct. The fight or flight instinct is hard to overcome no matter how suicidal you may be. And Macbeth has always been a bit ambivalent on the subject at best.
Finally, why does he calm down? Well, a lot of the white hot anger has passed. Also, once again, he has briefly experienced death, and perhaps THAT'S not all it's cracked up to be. And Goliath's words eventually help too, I would think.
But frankly, I'll leave that for each of you to interpret.
Oh, and thanks for the kind words.
Time to ramble...
Chapter LVI : "The Gathering, Part One"
Story Editor: Brynne Chandler Reaves
Writers: Lydia Marano
Director: Bob Kline
This episode is/was so jam-packed with stuff that I literally couldn't take notes fast enough. I'm bound to have missed a ton of stuff that I might have wished to comment on. So this ramble is going to be far from comprehensive. Also, all quotes are approximate.
My original title for the episode was "Reunions". Finally, I think we all agreed that it should become "The Gathering". Originally, believe it or not, this was going to be a one-parter, with "The Reckoning" (then called "Endgame") as a two-parter. We realized that the Gathering was too jam-packed to fit in one part, and made the switch.
WATCHING WITH MY FAMILY
I think generally you'll see fewer comments from my family in the next few rambles. Having become too aware that I was writing down their responses, they started to play to THAT. And thus their responses have become, I think, less authentic and more designed to make good copy. Ah, well...
I will say that wife and kids have taken to calling out "And we live again!" along with Keith over the opening titles. They find it very amusing. :P
Sometimes you do just wish there were more hours in the day. Time to figure out who besides the usual suspects (Grandmother, Raven, Anansi, Coyote, Odin, Anubis, etc.) should have been there. Instead, we get some random designs. (Perhaps even some reuse from New Olympians where I had a similar problem?) Still it did give us Nought. So I guess I shouldn't complain too much.
I hate seeing Anubis laughing.
Note that Titania's mirror was broken in "The Mirror" but that Oberon clearly has his own mirror. A matching set. A wedding gift perhaps?
Love the Weird Sisters as Oberon's storm troopers.
Wish we had done more with Puck's flute. Oh, well. Someday.
Love Oberon's treatment of Banshee. "Anything to say?" he asks when she's frozen. And he won't take the magic-gag off until he can hear her be humble. Guy is tough to please.
MEET THE NEW KID
Alexander is born and intro'd to all his eclectic genre-spanning grandfolk. Here's where I thought we were perhaps being too obvious about Owen's secret. But I do love Vogel's reaction to being "accused" of being related to Owen. And I like Owen's reaction to the news of Anastasia's remarriage.
"Alexander Fox Xanatos". A little bit of mom. A little bit of dad. A little bit of world conqueror. A chilling reminder in middle name and hair color of the events of "Future Tense". We expect great things from this kid...
The Jogger does our now standard bit where he blames something recently ingested to explain the "hallucinations".
Oberon obviously saw Star Wars. Maybe he thought "Obi Wan" was some kind of tribute to "Oberon".
Like seeing the Eyrie Nightwatchman again. Haven't seen him since "Awakening", I think.
I love the exchange between Oberon and Titania. Mortal jealousy over something as "mild" as an "illegitimate child" is beyond these two. Oberon is amused that Fox is Titania's daughter. (Of course, for S&P reasons, we had to make it very clear that Oberon and Titania were divorced and that Fox was born when Anastasia was married to Renard.) Some good lines here too:
O: "What is exactly is going on?"
T: "I'm gathering even now."
O: "Titania, what have you been up to?"
I like Anastasia's de-glamouring into Titania. It's as if Oberon's magic gives her a physical/sexual thrill. This plays into her relative descriptions of her two husbands. Halcyon proved to rigid for her tastes. Only Oberon can hold her interest. For an immortal, the one thing that she absolutely needs is variety. Only Oberon possesses that kind of infinite variety. He may not be perfect, but for Titania no one else compares.
Oberon's rationale for leaving Fox alone (as she's turned out human), but taking Alex away (as he has the potential to be one of the Children) makes perfect sense to me. Especially when you consider that he's interpreting his own laws.
I also love Oberon's version of not being heartless. "Hey, kids, come on. I'll give you one whole hour with your new born son before taking him away forever, 'kay?" (I told you all quotes were approximate.)
I dig Travis Marshall, who never resists an opportunity to point out who Xanatos and Fox really are.
Note BWay's response to seeing Elisa again. Note also the Trio's response to Angela. Broadway calls her "Angie" here. And the stuff with the chocolates is classic, I think.
I also love Hudson's line: "We're not the last. We're not alone." That, more than anything else was the main point of the World Tour. It isn't hopeless for the Gargoyles species.
PREPPING FOR WAR
Owen's abandonment is fascinating to me. There was still a piece of me here that felt like we had given his identity away earlier. But if not, this scene is so amazingly confounding. For the first time, Owen seems more in control of the situation than Xanatos. But also for the first time, Owen actually seems frightened. Then he abandons his post in David's greatest time of need. I am curious how many of you figured out either here or earlier that Owen was Puck. And if not, what did you think of this scene.
ELISA & GOLIATH
Elisa: "There's no place like home." And there's no place I won't stick a Wizard of Oz reference when given the chance.
G's basically making (or ready to make) his declaration of love right here on Elisa's terrace. But she stops him. She still views their love as impossible (the species thing). Watching it now, I'm reminded of "Tears in the Rain" that beautiful BLADE RUNNER moment. But I can't remember if we were consciously inspired by that or not.
Given all that gets revealed in this ep, this may seem minor, but it was very important to me. Avalon did not RELEASE the foursome from their quest. Avalon brought them where they needed to be, i.e. Manhattan because of this Alex conflict. After that, in essence, you have to assume that Goliath, et al, abandoned Avalon's quest. Not the other way around.
Some fun stuff with Morgan here. But I love the notion of Oberon putting the city to sleep. Summons back a bit of CITY OF STONE of course. But how can you do Oberon and not at some point give everyone a midsummer night's dream? Especially Brendan & Margot. (Who are making a comeback soon, trust me.)
Elisa and Travis are fun to see too.
And finally, KING KONG OBERON. Hey, Peter Jackson's not the only one who found early inspiration with the big ape.
Anyway, that's my ramble. Where's yours?
Happy New Year!
Gorebash, Todd and I are briefly opening the submit function here at ASK GREG. I plan on posting some ramblings soon on "The Gathering, Part One" and "The Gathering, Part Two" and "Vendettas". And I'd love to get your rambles on those episodes as well.
More than that, I'd like to get your response to the new DVD that came out last month.
I also don't mind getting a few legit new questions, but PLEASE... be reasonable. As of now, I'm still nearly two years behind in answering questions. Gore is planning a major retrofit of the site, but until then, it doesn't help to flood ASK GREG with questions that have already been answered or that could be answered much more rapidly in the comment room.
We'll be closing the submit function down at the end of January, 2006. (I don't want to get too much further behind.)
Thanks and looking forward to hearing from you about that DVD,