ColdFusion writes...

Reading the archives it's apparent you believe Sevarius' theory that gargoyles absorb sunlight during the day while in stone form, reducing their need to eat like the huge beasts they are. I've wanted to point something out for years, but now you have to be really quick about asking questions before Ask Greg closes again.

The thing is.. unless I'm mistaken, Sevarius came into that theory because:
A. he had mutates to make, and gave them bat wings they needed to flap
B. he realized he couldn't keep 6-foot furries in the air on bat wings without them eating him out of house and home, and
C. he figured the answer was in how the real gargoyles did it.

When I heard him explain how he thought gargoyles got the energy to fly, I didn't believe it for a second. obviously he didn't do his homework, because gargoyles DON'T FLY, they don't -flap- at all, they glide effortlessly (more or less) on air currents, and that doesn't require flapping of wing muscles. So.. the sun-absorbing-stone thing isn't necessary (at least for the reason Sevarius presented. Of course now I've read that the reason you had gargoyles glide was so they'd require flying vehicles for kenner to build).

I realize that episode was kind of frought with bad science (electric eels produce electricity, so their genes mean you don't need as much food energy? ... and then whatever extra energy that presents they discharge as lightning bolts anyway?), and that it doesn't matter because it's just an animated drama and you wanted to give the mutates a cool weapon, but.. I dunno, I've been hearing you base your (mostly wonderful) theories on the assumption that sevarius was right, when he got such a major detail wrong in developing it.. it kind of bothers me.. I mean, if gargoyle babies need to absorb sunlight too, their parents should probably stop putting them in caves and buildings... maybe I'm just naturally distrustful of scientists. I mean, when sevarius said "unfortunately nothing like this exists in the animal kingdom so I can't go to the gene store and get some" my first thought was "that's because you pulled that answer out of your ass, gargoyles are more well-thought-out than that". I generally wonder when scientists put out an unprovable theory like that, how plausible they think it is that a person could come up with the correct answer to a mystery like that with limited evidence. No matter what they come up with, it's surely not very likely to be correct!

Wow, when did this comment turn into a ramble? Sorry, heh. Anyway, I trust what you say more than what Anton Sevarius says, and in my opinion you don't have to agree with him just because he's a scientist and you're not. the theories you come up with to explain gargoyle science don't seem to mesh very well with Sevarius, so... perhaps we ought to keep in mind that the gargoyles aren't aware of any of them anyway. Keep up the good work!

JJ Gregarius writes...

Another thought about Bonkers...

At one point here, you said

By the way, the Miranda/ Bonkers relationship was a clear precedent for Elisa/Goliath. (Doesn't that seem strange?)

Yes, that seems extremely strange, given some of the more salient aspects of the Elisa/Goliath relationship. Could you elaborate on what you meant? Are you just talking about pairing up a human female lead with a non-human male lead in crime-fighting stories?

Perhaps one day I'll have a bona-fide Gargoyles question to ask here.

Until then, JJ signing off.

P.S. Here's hoping the Gargoyles comics are thriving by the time you read this.

JJ Gregarius writes...

When you rambled about "The Gathering, Part I", you mentioned a scene that reminded you of the famous "Tears" scene from Blade Runner.

This reminded me of Bonkers, of all things. In particular, I thought of an episode entitled "Do Toons Dream of Animated Sheep?" or something to that effect, obviously a play on Do Androids Dream of Electric Sheep?, the novel Blade Runner was loosely based upon,

My question is: Was someone thinking of Blade Runner during the creation and/or production of Bonkers? I realize that any link between Bonkers and Blade Runner would be tenuous at best.

However, if I recall correctly, many humans in Bonkers felt uncomfortable actually being around 'toons. Maybe the tenuous link I mentioned is the notion that humans would be afraid of powerful non-humans; in Bonkers' case, toons that can survive terrible explosions and the like. Also, from some of the Piquel episodes, it seems that humans created toons (remembr Piquel's daughter and the magic pencil?). Then, could there also be a "Frankenstein" angle in here, which could add meat to the aforementioned tenuous link?

Still, no-one was "retiring" toons, unless you count Who Framed Roger Rabbit? as part of the Bonkers universe, and think about Judge Doom....

Agoaj writes...

I thought the DVD was coming out next year! What a pleasure to have found it in the DVD aisle. I loved the extras, get more in the next volume if you can.

Now the question came from something I noticed on the DVD. During the episode Vows, around when Goliath and the two Demonas are using, Demona kicks Goliath and blood comes out of his mouth as he reels back from the hit. I was quite shocked when I saw this, having read about the three moments in the series where you used blood.
Was this blood in there on purpose? Was it put in by the animation staff and S&P just missed it?

Jurgan writes...

I've never asked a question here before, probably because I didn't have the patience to wait, but I just wrote this analysis of Demona and Macbeth's link for the GFW website, and I wanted to see what you thought of it. Am I on the right track?

Curses and Prophecies, Fate and Freewill

(Warning: This essay contains minor spoilers for Harry Potter books five and six. It's mostly about Gargoyles, so if you don't read HP you'll still understand this, but if you plan to read them soon, you may wish to stop reading now.)

Like most people reading this, Gargoyles had a major impact on my life. For me, the best it ever got was City of Stone. In fact, I would say that CoS was one of the highlights of my childhood. I still distinctly remember, when I was twelve years old, reaching the end of Part Three, seeing Demona advancing on stone Elisa with a mace, and then the words "To be Concluded." "You're telling me I have to wait a whole day to see what happens? I'm supposed to go to school? Screw that, I want to know how Elisa survives!" I've thought long and hard about CoS, and the key to it is the relationship between Demona and Macbeth. In fact, I think the Weird Sisters' spellcasting is, from a classical sense, the climax of the entire story. On the surface, the spell seems simple enough: Demona and Macbeth are linked so they feel each others' pain, and they will live forever. If someone were to kill one of them, (s)he would die and then quickly come back to life. If one of them were to kill the other, though, then they would both die. As I say, it seems simple. After reading Greg Weisman's numerous responses on the subject, I began to think about whether there was more to it than meets the eye, and it slowly dawned on me that it was much more subtle, deep, and brilliant than I'd ever considered.

For years, Greg has received questions like "What would happen if Macbeth got his head cut off? Would it reattach itself? Would it grow back immediately?" He has always answered something like, "Well, that hasn't happened, has it?" At first glance, that seems like just a weak cop out, with Greg trying to avoid a question he has no good answer to. In fact, he seemed to get pretty flustered at the way people kept projecting Highlander concepts onto Macbeth, which was probably inevitable given that they're both immortal Scottish nobles. Unlike Highlander, though, there are no explicitly stated rules as to how immortality works; all we have to go on are the Weird Sisters' words, and they clearly are not the most trustworthy or forthcoming of people. Remember that Luna is supposedly a representative of fate, and then think about the fact that the spell doesn't really talk about "what if this or that happened," but rather "what will happen." The final words of Luna to Macbeth in the past were that "you both shall live, eternally linked, sharing each other's pain and anguish, with no release until one destroys the other. Only then shall both finally perish together." From that, it's clear that the Sisters are not interested in playing hypotheticals about all the different ways things could happen: they simply pronounced what will happen. Rather than the spell being simply a safeguard against their dying, it could instead be thought of as a prophecy declaring quite simply what will happen to them in the future.

It turns out that at no point in the entire series do we see anything happen to either Demona or Macbeth that would be sure to kill them. In fact, there are only two times it really seems likely that one of them could die. The first is when Macbeth was stabbed in the back by Canmore- painful, to be sure, but not necessarily lethal. Certainly there are those who have survived a poorly aimed stab. The second is when Elisa shot Demona with Macbeth's electric gun. That one seems even less likely, as about three gargoyles get shot with one of those things in any given Macbeth episode. One might make a case that the roller coaster collapse in The Reckoning was potentially lethal, but that falls under the old comicbook rule of "if you don't see the body, the guy's not dead," and the fact that we know Thailog survived as well makes it clear that magic was not necessary to live through that incident. So, we have established that we have never seen anything unquestionably fatal befall Demona or Macbeth. Furthermore, Greg has told us that no such thing has ever happened. Knowing that, it follows that it is meaningless to ask what if such a thing were to happen- it hasn't! Such speculation is what is known logically as a vacuous proof: If A occurs, then B occurs, given that A is an impossible event. Consider the statement "All pink elephants can fly," or, more precisely, "If A is a pink elephant, then A can fly." This statement is absolutely true, since every pink elephant in the world can fly- there are none, so anything you can say about them is true. A simpler way of thinking about it, though less rigorous, is that the statement "all pink elephants can fly" could never be disproved, since to do so one would have to find a pink elephant that could not fly, which can never be done. It is equally true that every pink elephant cannot fly. What this means, then, is there's no point asking "what if Demona or Macbeth were beheaded" if it cannot happen- it's true that if Macbeth were beheaded, he'd die, and it's true that if he were beheaded, he would be revived, and it's true that if he were beheaded, they'd both die, etc. All of those statements are true, because they are all based on an impossible hypothetical.

So let us then accept that neither of them has ever been beheaded. That still doesn't prove that neither of them could ever be beheaded, in which case it would still be relevant to ask what would happen. To answer that, it's worth thinking of the Weird Sisters' pronouncement as a prophecy rather than a spell. Suppose we think of the Macbeth/Demona connection in these terms: The spell allows them long life and they share each others' pain. Since they share pain, if one of them were killed, then the other would die too. Then we see that what Luna meant by saying that they would live on until one destroys the other is not that they are somehow magically protected from injury, but simply that she was predicting what would happen, as an avatar of fate. Such a prophecy brings Harry Potter to mind. When Harry was an infant, a prophecy was made which roughly stated that either he would kill Voldemort or Voldemort would kill him. That prophecy was overheard and found its way back to Voldemort, who immediately acted on it by attempting to kill Harry and fulfill it in a way favorable to him. In so doing, he nearly destroyed himself and gave Harry powers that would enable him to finish Voldemort once and for all. Moreover, he gave Harry a desire to end Voldemort. Harry lost his parents and knew first hand the sort of pain Voldemort inflicted on others, and so he would not rest until Voldemort was finished. On the other hand, Voldemort believed in the prophecy, and thus saw Harry as the greatest danger to him, so he would not rest until Harry was dead. So the result was that the two enemies were both determined to kill each other. As such, it was inevitable that one of them would eventually succeed, and the prophecy would be proven true. However, it was not true because of some incomprehensible hand of fate hovering over them, but rather it was based on simple extrapolations from the subjects' characters, and the fact that they knew about the prophecy (fittingly enough, Rowling has acknowledged Shakespeare's Macbeth as an inspiration for the prophecy).

The same can apply to Demona and Macbeth. At the time of the spell's casting, they were already great warriors, and with unlimited time to practice, they would become even greater. So it is highly unlikely that anyone else would kill them. Yet based on the events of their falling out, an intense hatred blossomed between them, one that would keep them hunting each other and make it inevitable that one would eventually kill the other. And since Macbeth heard the Weird Sisters' pronouncement, he believed that he could not die without killing Demona. It never would have even occurred to him to jump off a tall building and see what happened, because he believed that it would fail. Thus, the prophecy has the added bonus of controlling any possible suicidal tendencies Demona or Macbeth might develop by telling them it's impossible to kill themselves, since while Luna's side of their personality may simply be prophesying, Selene's needs them to survive for their future plans. Plus, even if Macbeth thought it would work, he probably would still feel the need to settle the score with Demona first. With all of that in mind, it is not hard for the avatar of fate to predict that one of them will end up killing the other, and the fact that she makes the prediction helps it to occur.

The question then is this: Is there a difference between saying something cannot happen and saying it will not happen? Suppose a man plans to stay home one day. Can we then say that it is impossible that he will get in his car and drive to another state that day? Let's say it's early in the morning, so he's got plenty of time. He's got a full tank of gas. He's not in Alaska or Hawaii, so there are connecting states he could go to. However, he has no desire at all to do so. Without that desire, it simply will not happen. We can then say that it is impossible. Now the obvious objection is that one never knows for sure what might happen, and if an emergency came up, he might have to leave the state that very day. For that reason, we distinguish between what can happen and what will happen- something can happen if it would happen provided the will to do it existed. If we knew for sure that the man would choose not to leave that day, it would then be fair to say that it was impossible for him to leave. Likewise, if we know with certainty that Demona and Macbeth will not die until one destroys the other, then we can say that it is impossible for anything else to happen.

This theory may seems very complicated at first, but if you take the time to think about it, it makes more sense than most other explanations out there. Rather than rely on vague magic powers and convoluted rules of "what if Demona were smashed in the day?" this theory eliminates all of the guesswork and gives an answer without the ambiguity; one that ultimately is simple and inevitable, yet firmly in the hands of the players. By thinking of Weird Sisters' spell as a prophecy, we can help resolve the fate vs. free will argument. Luna is an embodiment of fate, and so she is able to make predictions in the future, yet they are based simply on reading the characters of the subjects. While the prophecy that Demona and Macbeth will eventually die when one kills the other is a pronouncement of fate, it is only made true because of Demona's lack of trust and irresponsibility and Macbeth's lust for vengeance. The same could be said of the prophecy that Macbeth, Lulach, and Canmore would all become king- it wasn't hard to see that Duncan's paranoia would lead to him moving against Macbeth, a confrontation which would ultimately lead to Macbeth's ascension.

Battle Beast writes...

Greg;

We all know that Golaith isn't stupid. But he is a bit naive (Sp?). So, after he awoke in 1994, we know he frequented the library to read. Now, I know he read stories, but did he study? We saw him reading up on wearwolves (Eye of the beholder), but did he read up on the middle ages? Did he study American (and even world) history?

When Goliath an Co. navigated the globe, Goliath seemed to not know much about each place they visitied, and Elisa knew more (or so it seemed to me, at least).

My question is really this: How much did Goliath study up on the world? Did he read history books, and the like?

Was he like Brooklyn and the trio who wanted to learn as much as they could, or did he take the new world in slowly?

Thanks.

P.S. Love your episode mini rambles on the DVD.

WOLFBANE writes...

ok have u written any fanfics?(cause im a bit confused in the matter) and if so what are the titles of them and were can i find them?(i have never really found a fanfic i hear people talk about) r u planing to use any fanfics u wrote 4 episodes in future gargoyles seasons(if that ever happens. hopefuly it will) or will u consiter ever useing fanfics from other fans (if u think it will work well in the series that is)?
heart WOLFBANE^_^

Psycho girl writes...

(Cough, Cough HACK!!!)

(Sniff) Oh, my head.....I know that I said I was going to do a HUGE ramble on my favorite episodes, but (cough) gosh darn it, I got pneumonia and have been in and out of the ER lately. :( I sad.

So, since this is the last day in Jan. and your closing down the asking part of the site, I decided to post one...last.....post for now. (Cough)

Greg: "OH, THANK GOD!!!"

Have you ever been to the Utah Shakespearean Festival Greg? Its very good, heck it's a Tony Award-Winning program! They do tones of great shows, some of them even out doors on their....well out door stage. This year, they are doing:

The Merry Wives of Windsor
Antony and Cleopatra
Hamlet

From June 22 to September 22 this year! (Plus more but Im not typing it...im tired.)

For more info on the Festival: please go to www.bard.com for tons of info and stuff!!! Its COOL!!! I go almost every year. (its a little easier for me because I live in Utah, and I LOVE da mountains!! Born and raised here baby!!)

I have a website that you might like, its www.lost-civilizations.net. Its got info on the Easter Island heads, Atlantis and much more! Since you like that sort of stuff, Im sure you'll like it.

Well, good by America and all the ships at sea. (Mwah-ha-ha.....COUGH, COUGH, COUGH!!!)

Kassey writes...

Oh my god! Thank you very much for answering my questions for Max steel I was 12 years old when I wrote that I went on your site again after a long while and now I'm 15 years old I'm still a fan no matter what. I do honestly miss the show.
Thanks you made my day.
One last question: Is there any dvd or something that cuntains every Max steel episode?
Kassey still our biggest fan Chapleau, Ontario Canada.

Jessica writes...

what's the name of the gargbeast from the avalon clan? think i confused her name with a another character and i'm wanting to be sure. can you tell me, please?-thanks!

WOLFBANE^_^ writes...

r u hopeing 2 do audio commentary on season 2 vol. 2 when it comes out? (i love the commentary bye the way!)
Heart WOLFBANE^_^

Blaise writes...

TURF

I knew that at some point the Trio would fight over Angela, and I was kind of worried about how much dignity they would lose in so doing.
I suppose I was more disappointed with Brooklyn's behavior than with Broadway or Lexington's. After all, he is my favorite character, and I think anyone would find it aggravating to see his or her favorite character behaving like a goofball.
Not to mention the fact that he's Second-in-Command, and therefore should behave responsibly and competently in his office. The first time he splits them up so that he and Angela can be alone...well, if he really tried, I think he could have waffled a decent rationale for that decision. The second time however was just plain silly of him. ONE gargoyle at the Clocktower to wait for Goliath might have been wise, but not two of them.
However, more than all of that, when I first saw this episode, I had seen neither THE CAGE nor KINGDOM, and thus had no idea what had happened with Brooklyn's crush on Maggie. The resulting lack of closure actually made Brooklyn's behavior here seem even more annoying to me (crush or not, I couldn't believe Brooklyn would be as shallow as those "Well, hello...and good-bye!" guys from Saturday Night Live). Seeing the episodes in their proper airing order fixes this, of course--Brooklyn has effectively closed the book on the Maggie possibility, and now here is a REAL female gargoyle to court. HOT DAMN!
All things considered (1,000 years without a date) I suppose it's not unrealistic that each of the Trio would go overboard in trying to impress Angela and outdoing the other two. If only they realized how foolish they were looking instead (though I still love the brief bit of posturing they do in the Clocktower--Broadway actually sucks in his gut!).
The bit with them flying into the water tower (or whatever) was worth a chuckle as well. And "muttonheads?" You just don't hear enough people called that anymore. ;-)

In all of this I haven't said word one about the Brod-Dracon turf war. It is what it is, I suppose, the gangster side of GARGOYLES never particularly interested me.
I was surprised to see Brod reappear. Danforth, too, for that matter. I had figured both of them to be one-shot characters (yes, even at this late date in the series, I expected one-shot characters).

I have to wonder what the Witness Protection Program's reaction(s) will be when they learn what ol' Danforth has been up to. Seeing as how Jack is willing to give up a fairly safe and stable life as "a retired banker who likes to spend his afternoons in a health club" to help Brod beat Tony, he really must HATE the Dracons. I wonder why....
I would have liked to see a conversation or something between Jack and Matt--just a reference back to REVELATIONS or something. I just think it would have been nice.

As for Brod, yes, he is audacious. Not just for breaking into prison, but for trying to restart his criminal empire in New York City of all places. No starting small for this guy--go right for the big time!

I had no clue Salli was Elisa until she took off the wig. At the end of Act 1, I thought Salli was a separate character and saw this episode going off in a whole different direction (I'm not saying what direction exactly since it might break the submission rules).
It's interesting to see how she tries to balance her duty with her act--her attempt to reason Brod out of attacking Dracon is a nice example of this (and it's fun how her arguments are so quickly dismissed).

RANDOM THOUGHTS:
-Dracon and Glasses have a frank discussion about the turf war (with Dracon yelling at one point) and there's a trio of guards nearby. I always wonder just what they might have overheard (of course, the guards look like they're having their own conversation, so probably not much).
-Brod eats with his mouth full. Well, I guess manners aren't the most important part of being a gangster, anyway.
-The guy who goes crazy in the police station was the mugger Broadway attacked back in DEADLY FORCE. He also appeared in GOLEM as part of Brod's gang, and he even appeared earlier this episode on Brod's hovercraft. That guy gets around, doesn't he?
-For some reason, I love Elisa's reaction to Angela's, "boy trouble." She actually seems kind of amused by it.
-It wasn't until my viewing before this last one that I noticed Elisa looking at the payphone. I thought it was a nice touch and don't know why I missed it before (maybe my attention was focused on Brod).
-Were Dracon's men firing particle beam rifles? They looked and sounded like actual bullets to me. The guns did have stylized designs, I guess. No comment on the "selective penetration" of the guns (i.e. celing, but not seats).
-I love Pal Joey's taunt to Brod on the train top--just something that struck me.
-I'm similarly struck by the calm way Glasses is able to face what could be his own death. He has a lot more composure than Dracon does later on (of course, Glasses has an "out" while Brod stops to think).
-Poor Lexington--Brooklyn and Broadway are both busy helping Angela, so the little guy has to stand up all by himself.
-Interesting thing: Brooklyn says that he's the one who rescued Angela. I paused my tape at the actual rescue (yes, I am that lame) and I clearly see Broadway as the one who grabs Angela. Was this another case of communication breaking down between the writers and animators, or just Brooklyn himself attempting to ret con the last few minutes?
-"STOP CALLING ME ANGIE!" A funny moment, but I must admit I never realized, until you mentioned it, that Broadway did not call her "Angie" at all this episode. He was also the only one that attempted to reassure her when she was worried about Goliath. I guess some of the seeds were already there (just subtle as hell).
-Elisa/Salli: "We can't just break into a maximum security prison."
Brod: "Why not?" He asks this while gesturing to the sizable armory at the rear of his hovercraft. I find it funny. :-)
-"Sergeant, we've got a problem." I love the Tower Guard's reaction to the hover ship. I wonder if that guy got hurt jumping out of his tower like that.
-Brod seals the only entrance to the cellblock. Now, how did he plan on making his getaway? Have his hover ship blast a hole in the roof?
-I may not be a big fan of "Rocky and Bullwinkle," but that "Easy as shooting moose and squirrel" line would have been GREAT. I can grudgingly understand the S&P objections to the "Good thing we weren't facing Queens" line, and I prefer Puck not to break the fourth wall, but THIS line should have been in the show!
-Dracon revealing Elisa's identity strikes me as a "If I'm going down, I'm taking you with me," moment.
-I loved the two different distinctions Brod and Dracon give the gargoyles.
-The penitent Trio apologizes to Angela, and she gives them each a kiss (corny, perhaps, but I think there's some unspoken law that heroines in ensemble action shows have to give a peck on the cheek to all the males interested in them). Of course she also mentions all her sisters, and that makes the Trio even happier.
-Dracon and Brod as cellmates would never be allowed officially, but I could see a couple of mischievous guards engineering a temporary co-habitation. My brother (who saw this with me) was of the opinion that, given their differences in builds, Dracon needed to make the first punch.

All in all, it's not a bad episode, but it's always difficult for me to see Brooklyn embarrass himself like this. Oh, well.

And with that I should be caught up with the Rambles. For now, anyway.
I'm already looking forward to the next one!

Blaise writes...

VENDETTAS

When this ep first aired, I wasn't quite sure what to make of it.
We had Wolf going after Goliath and Hudson along with Hakon-in-an-axe, and some other guy along the fringes as just comedy relief (these are my initial impressions, mind you). Nothing much more than fighting goes on, along with the revelation that Wolf is Hakon's descendent (and I may be alone, but I rather like that connection).
Regardless, the end made me laugh out loud (and I loved the in-joke of Vinnie humming the theme song).
Over time, I've come to view this episode as being perhaps the most problematic of the series...but I enjoy watching it.

I agree with you on the inherent problems of the piece, Greg. The animation was disappointing--the fight scenes were serviceable but not really involving for the most part, and some comedy was nearly lost. It took a couple viewings before I noticed that Goliath elbowed Hudson in the face while preparing to hit Wolf--the hits occur too quickly for the joke to really pay off--and the second time Goliath nearly elbows Hudson doesn't read that way to me (it just seems awkward that second time).
Then there are the missed opportunities. The mace, of course, is the biggest. As nice as the "battle-axe night" line sounds, I'd rather have the mace. Actually, there could still be a fun line put in there, I think. Maybe not "mace night," Todd's right that doesn't have the same ring to it, but Wolf doesn't strike me as picky about specific terms for melee weapons. "Tonight is CLUB night" would have a nice double meaning to it, or "Tonight is WARHAMMER night" (probably please fans of that old pen-and-paper RPG of the same name). Sorry, I digress.
And yes, I would have liked more resonance to Hudson's battle with Hakon. You get a *little* of "Hudson taking revenge" when he gives a little chuckle as he leaves Hakon trapped in the crusher, but I would have liked more. Love the "clan-slaughterer" title, though.

These complaints aside, I rather enjoy the episode. Vinnie actually helps. It's nice to see what happened to a supposedly "random" person due to the gargoyles' actions. I raised an eyebrow at ret conning him into the role of "big nose" on Air Fortress 1, but I was willing to shrug my shoulders and go with it. I had not seen THE CAGE when I first saw VENDETTAS so the bit with Sevarius getting kidnapped left me mystified and frustrated (it did not stop me from thinking Talon was the kidnapper when I finally did see CAGE, he and Goliath have *very* similar silhouettes).
At any rate, I did like the idea of a "regular person" taking on the gargs. Losing his motorcycle and TWO jobs as well--heck, I'D demand satisfaction for that, too! And I believed Mr. Carter was a real gun (loved the Acme reference, BTW--didn't get the "Kotter" reference because that was before my time). Of course, neither Vinnie nor his gun is quite "regular." Vinnie explains himself (justifies himself, I guess) to Mr. Carter, earning stares from people passing him on the street. Vinnie doesn't seem to notice, though. Of course, not paying attention is what gives him such a difficult night to begin with. My favorite is where he tells "Mr. C" about the second job he lost and then turns around the corner and is surprised that the gargs are gone (as though the world stops when he reminisces). I guess this is part of your point on vengeance, Greg; Vinnie is so wrapped up in "creaming" Goliath--"the Big One"--that he doesn't notice imminent hurt/humiliation until it happens.
But he does not give up! When all other foes are defeated, Vinnie is still the last man standing! I'll come back to him before the end.

On to Hakon and Wolf. I didn't immediately cotton to Hakon being the axe. I noticed it laughed in the car and sounded similar to Wolf, but only when Hakon appeared as himself at the end of Act 1 did I realize who it was.
And Hakon has a LOT of powers. I guess it's a combination of being around for 1,000 years in a magical cave, being full of hate, and possessing a blood descendent that allows him to do what he does with Wolf's body. Flight telekinesis, disappearing, illusions (Hudson sees Goliath as Wolf), and the ability to become insubstantial…I wouldn't mind being able to do that! Hakon was right; Wolf was a fool to give up that power before the gargs were defeated. Of course, Wolf's always been a bit bull-headed about doing things his way and being in charge.
I had no problems with Wolf being descended from Hakon. Quite the contrary, I saw a wealth of opportunity in this development. Of course, Wolf and Hakon don't specifically tell anyone but the audience about this connection so I don't know how anything would develop. But the seed's there.

One interesting point that's made about vengeance in this episode: sometimes, the feelings of vengeance are not mutual. Hudson views Hakon as the ultimate evil, but Hudson barely matters to Hakon--the old gargoyle is just another obstacle to get to Goliath. To Wolf, Goliath, the "alpha male" gargoyle, is the ultimate target, but I somehow doubt if Goliath views Wolf that way. He views Wolf as a powerful and tenacious enemy, sure, but I don't think Goliath singles Wolf out from the rest of the Pack as a "prime" foe. As for Goliath and Hakon, yes there is resonance there, and in the past Hakon was definitely a focal point of Goliath's vengeance, but I think after SHADOWS OF THE PAST, Goliath's enmity for Hakon is no longer as strong. Hakon on the other hand, has lost no hatred for Goliath.
And none of them have any clue that Vinnie even exists until he walks right up to Goliath and shoots a pie in G's face.

That last part still puts a smile on my face. I had not expected the pie, but in a way it makes perfect sense. Why would Vinnie want to KILL Goliath? The gargoyles have humiliated Vinnie multiple times, cost him property and two jobs, but he's still alive, in good health, and not TOO badly off if he can afford Mr. Carter. Based on that, a pie in the face seems a reasonable retaliation.

One bit of dialogue I rather like in this episode is this one:
Wolf: "Come on, are you afraid to die like a man?"
Goliath: "What would a mutate werewolf know about being a man?"
That, coupled with the scene of Wolf scrounging for food in a dumpster, show just how far this former TV idol has fallen. And all just to get Goliath.

I find Hakon's "death" an interesting contrast to the Captain's back in SHADOWS OF THE PAST. With the Captain it was a feeling of peace and ascendancy. Hakon's seems more violent (I love the little electric bolt at the end). It makes sense to me.

I hadn't realized this epsiode had a different voice director until I saw the credits. Honestly, there was no decline in quality so far as I could tell. So take a bow, Greg. And if you see Clancy Brown, tell him to take one, too--he differentiated between Wolf and Hakon very well.

So VENDETTAS, while obviously problematic, is still fun for me.

Blaise writes...

THE GATHERING, PART TWO

I'm having a difficult time figuring out where I want to start with this episode.
The revelation of "Owen-is-Puck" is, of course, the high point, but I also find myself thinking about the battle with Oberon.

Oberon is, without a doubt, the most powerful adversary the gargoyles have ever had to face--and this time he's at full power! However, I find his more subtle uses of said power to be the most effective. I mean, he became a giant and while that's definitely threatening and awe-inspiring, it didn't help him much in any practical sense. But when he actually calms down ("Anger...clouds my judgment.") he really does become unstoppable. Even drained and withered, he proves more than a match for our heroes. The thing with the cape absolutely rocked, of course, but my favorite trick is when Goliath leaps at Oberon...and goes right through him (a trick that will be repeated in VENDETTAS). Oberon then hurls Goliath with a gesture (and a pretty cool line, "This altercation is OVER."). Even at the end, Fox's magic blast doesn't stop Oberon by overpowering him (in fact, when he comes flying back in he seems about ready to kick everyone's ass and take names--actually, I find his "I...have had...ENOUGH!" kind of funny as well as foreboding). In the end, Oberon isn't really defeated...he just changes his mind (thanks to said magic outburst and some choice words from Goliath).
One thing I really thought about here was that, despite banishing Puck and giving a rather curt/foreboding farewell, Oberon seems willing to let bygones be bygones. Partially due to your thoughts on Oberon, Greg, I've actually started to see the more magnanimous side of Ol' Blue Skin.
Over the years, I've come to think better of Oberon than I did during the initial airings. Now I think he's pretty cool.

This viewing, during the gargoyles's battle with Oberon, I noticed how quickly Lex and Hudson got taken out. Especially Lex, he didn't get off a single attack. At least Hudson got to whack at Oberon's hair with his sword (for all the good that did).

I can see one of those "cartoon" moments you mentioned, with Oberon swatting at the gargoyles like flies. I actually think it works as a "comic relief" moment before Oberon brings the statues to life.

That "stone figures" bit was actually pretty cool. Unfortunately, I liked the guy with the hammer and he destroys himself to take out Broadway (speaking of which, for Broadway that must have hurt!).

Count me as another who loves Xanatos's weak attempt to cover his saving Broadway.

"It's incredible how often that move works." I LOVE inside jokes like that.

The Iron Clan was a nice variation on the Steel Clan. I mean, we (my brother and I) knew they were bulkier than the SC, but only occasionally did I really notice just how much BIGGER they were (during the chase down the side of the Eyrie Building, you see a now human-sized Oberon go by, followed by the Cybots and a gigantic Iron Clan robot). I'm also absurdly pleased by the "launching points" for the Iron Clan...it makes me wonder how much of the buildings surrounding the Eyrie Xanatos owns or rents.

I loved seeing Renard come to the rescue. Renard sounds stronger here, to me, than he has since OUTFOXED. His words aren't as broken apart as they were even in PART ONE. I like this touch. I'm a little sad that the last we see of Renard in this is "I've failed him." It would have been nice if he were a part of the little "victory celebration" at the end. Heck, it would have been nice if Petros could have been a part of it--and his exit wasn't as dignified as Renard's. Petros just got knocked out and forgotten.

I always figured that while the iron harpoon hurt Oberon, the iron bell would basically rip the very fabric of his being apart. After all, at the right pitch, sound can shatter glass.

And finally we come to the big revelation. Any disappointment I felt at my brother being right was curtailed by my delight at this excellent little twist. And Puck's explanation for playing the straight man made perfect sense to me.
When I first saw Vogel, I thought he was just an in-joke, even after he became a character in his own right. Little did I know you guys had strong reasons for his similarity to Owen.
It still surprises me that Puck actually had his creations rough up Oberon. Dang, but the little guy's ballsy.

I just love "Oberon does not compromise...Oberon COMMANDS!" Mostly, I love it for Terrence Mann's reading of it. It's just...wow.

We all kind of figured that Fox would display some magic at the end. It was practically a given. However, Puck's reaction to it (which you've already quoted) is priceless.

I was a bit surprised when Oberon banished Puck. I have to admit, I hadn't expected that. And I actually kind of felt sorry for the little elf afterwards, but...he did kind of ask for it.

I was surprised and pleased when Xanatos thanked the clan like he did. Of course Goliath (ascribing to the "Fool me once..." school of thought) is suspicious. I like the actual sad look on Xanatos's face when Goliath snubs him. But then Goliath smiles as he talks about "the transforming power of a child's love." Xanatos may have been the "main villain" for the first season and most of the second, but already that title doesn't fit him as well as it once did.

Other little things:
-I love Oberon's exasperated "Now what?" when the Air Fortress shows up.
-I also liked seeing Oberon's giant footprints in the street (who's going to explain THAT?).
-You guys had Petros notice Oberon's "shrinkage." Only after we the audience had seen it happen twice. I like that, although the characters notice something quickly, they don't see it the instant it starts to happen.
-Hudson's "You've had quite an influence." I find Ed Asner's reading of that intriguing. I like it. I can't say why...it just struck me.
-After having been a major part of the World Tour, Bronx just sits this one out. He probably missed his soup bone.

I'll admit, I believed Titania when she indicated things had gone according to her plan. I don't know what she whispered to Fox (and have never asked), but I do start to see Fox smiling before the camera cuts away.

And yes, Greg, this is the first, last, and only time that Broadway calls Angela "Angie."

Okay, I think that covers THE GATHERING. Next...

Blaise writes...

THE GATHERING, PART ONE

Hey Greg! Good to see you rambling again. I'm going to have to do a little mini-marathon to catch up, so without further ado....

When this episode first aired I had figured that this would be the ep when the Travelers (finally) got back to home base and the rest of the regular cast. I, for one, was looking forward to this, if for no other reason than to see more of my favorite character (Brooklyn).

Seeing the Gathering on Avalon was a nice little "curtain call" for the many supernatural beings the Travelers had encountered on the World Tour. Other than those we had met, Nought definitely had the most striking design (it also helped that he was pretty well featured for a walk-on).

I agree with you about Anubis--he should not be laughing. That part never seemed quite right to me.

It amuses me how, when the Banshee and Odin are fighting, Oberon at first enjoys the action immensely, but as soon as his mirror is nearly damaged he calls an end.

I may be alone in this, but I don't feel too sorry for the Banshee--she was a bit of a pain.

Selene (sp?) is in full fury mode here (I love her eagerness in offering to hunt down Puck).
I also enjoy Princess Katharine's reaction to Oberon contacting her magically.

I've always wondered what Renard thinks of Petros Xanatos. I'd imagine that they might have got along well enough, despite Renard's enmity towards David.

I hadn't figured out Titania and Anastasia were one and the same until Anastasia started talking. Only here did I recognize them as both having the same voice actress and draw the connection.
Of course I didn't get the Owen/Puck connection (or refused to--I'll explain later).
I, too, loved Vogel's reaction to Petros' question about him being related to Owen (an honest question if you ask me).

The child is born. And (for those of us who read the credits of FUTURE TENSE) we already knew his name (and what he'd probably look like all grown up).

Watching the bit with the jogger pouring out his drink after his "hallucination" this last time, I felt myself thinking that, while it's a nice old gag, I'd kind of like to see it with a new twist. For example, instead of pouring out the offending substance, after seeing the supposed hallucination, the subject instead smiles and starts chugging it.

The hypnotized guard is funny. The late Charles Hallahan did a great job with both that and Travis Marshall's snide "...both of them ex-convicts..." line. Great copy and great performance.

The confrontation in the Xanatos' bedroom was very well done. Oberon's reaction to Fox being Titania's daughter is, of course, a high point, but there are smaller things that stand out to me as well. Seeing a young and healthy Renard is a plus, and I love that Fox visibly reacts to seeing Xanatos' gun behind his back (it's small and if your attention is on Xanatos you wouldn't notice it).
As I was watching this time, I thought about Oberon's lines about how Xanatos should take comfort in having "fought admirably for [his] child against impossible odds," and that they have an hour to say good-bye before he takes Alexander away forever because Oberon is "not without a heart." These lines, looking at the words alone, are essentially making things more painful and frustrating for the Xanatos' (insult to injury, as it were), but Oberon does not intend them that way. He's actually being honest, maybe even paying compliment to them, and (in his own mind) is being nice about the whole thing.
In a way it reminds me of Xanatos' line to Derek in THE CAGE--"He's the scientist, you're just the experiment." Xanatos wasn't trying to hurt or insult Derek with that statement, he was just stating the fact of the matter. Similar to Oberon here, the words used by the speaker seem more hurtful than the speaker's intent.
I suppose all this is just a roundabout way of saying Oberon really is Xanatos' comeuppance. :-)

THE TRAVELERS FINALLY COME HOME!!!
Man, I was so happy to have them back on home territory and ready to get back to stories with the rest of the regular cast in their given setting. The World Tour was a nice way to expand and show more gargoyles, but there really is "no place like home."
When Goliath is telling about all the gargoyles around the world he sounds positively giddy. He's even SMILING! Of course he's been smiling since they got back, but here...it's just that seeing Goliath this happy is a bit uncommon.
The Trio of course has their first introduction to Angela...and I kind of suspected this would be the cause of a few waves with them. Three guys and ONE girl…oh, yeah, trouble. The bit with the chocolates is funny, too. And after tasting just ONE chocolate, Angela says, "I think I'm going to like it here." BEHOLD! The power of CHOCOLATE!!

Seeing Goliath and Elisa on her terrace...the first time I watched this, I had already decided that they were going to kiss or something by the end of the season. When G brought E back home, I thought, "This is going to be it!" Then Elisa had to be a party pooper and stop it (and my, wasn't that rain a convenient way of breaking it off).
This latest viewing, I found myself thinking, "...She left her lights on, the electric bill's going to be bad. Wait...how long have they been gone, exactly? It's a miracle she still even HAS her apartment--all the months she wasn't there to pay rent! What, does she pay several months in advance?!" Being a budding actor I have found myself struggling to cover such bills for the past two years, consequently thoughts like that have a tendency to occur to me.

Anastasia/Titania's revelation of herself to the gargoyles was a bit too quick for me, but there's only so much time in the average episode.

I love that the evacuating workers are actually questioning why they're being evacuated (I heard someone mumbling "fire drill"). It's a little detail I like.

The force field surprised me a bit, both because it's something we hadn't really seen before in the series, and because it was actually effective.

I love how Oberon goes from being amused to being pissed off when his magical bolt doesn't break the force field.
Nice effect where his eyes glow green when the lightning flashes.

Seeing Oberon wreak the one car makes me feel sorry for the car's owner (hope the owner's got good insurance). Then he puts everyone in the city to sleep and I start to wonder how many people might die (killed in a car accident, fell asleep while on a ladder or stairs, etc.) because of this. A lot of people are going to be inconvenienced by something they have absolutely no idea about (kind of like Vinnie!).

Oberon's put the city to sleep and both Petros and David Xanatos are in the "war room" with the former asking, "Has the attack begun?" I find that hilarious.

And then Oberon grows up ("Enuk-cha!"). That last shot of his laughing face through the glass of the atrium is great, especially as a cliffhanger.

Here, at the end of my ramble, it's time to talk about Owen. Now, of course he's acting weird but....
Okay, when this ep first aired I watched it with my brother. Now, I was the GARGOYLE nut in my family. My brother and mother thought it was all right and would watch it from time to time, but I was the one who lived, breathed and slept it. So, my bro and I watch this and my bro turns to me and says, "Owen's got to be Puck." And because it was my brother who said this, I disagreed with him. It wasn't that I didn't think it was possible Owen and Puck were the same (in fact, it seemed to me like a distinct and intriguing possibility), but it galled me that my brother (who would NEVER admit to being wrong) would be right about this. The fact that GARGOYLES was MY thing and not his made me more adamant.

Of course, in the end he was actually right...but I can't recall being disappointed about it in this case. It was just too cool of a twist.

On to part two, now....

Cyberranger12 writes...

Can you put Super Robot Monkey Team Hyperforce Go! on Kids WB?
Cause I don't have cable and if I have one I still can't see the show and I haven't seen that show before if you know what I mean.

Justin writes...

I know this will not reach you for awhile. But I was perusing internet movie database and found an outstanding review of the series I thought and hoped you might enjoy.

This person captures the spirit of the fans in every way, on every level. We have bought the DVS's we WILL buy the comics, and Yes, I believe we will bring this timeless show back.

We cannot do otherwise guys.

I have just one question: How can Disney Television Animation produce such a wonderful show as "Gargoyles" for a couple of seasons and then go back to being Disney Television Animation? I simply cannot understand it, and if anyone has any thoughts, PLEASE share them with me! This show was a breath of fresh air on every level. If this wasn't a groundbreaking show, it certainly raised the bar sky high.

Voices--Many's the time I have thought that they could have chosen a better actor for a part in animation. Not here. The voice cast was so good that to this day I cannot imagine anyone else filling the bill. In the role of Goliath, Keith David demonstrated that he possesses one of the greatest speaking voices of any actor in the business. Jeff Bennett was also great as Brooklyn, my favorite character. (Loved the white hair!)

Music--Carl Johnson's scores were great. They beautifully set the tone and underlined the action and the drama.

Animation--Excellent. Dark, moody and stylish. The shots of the clan as stone statues are downright eerie at times. To this day, I still can't believe Disney did this one.

Plot--Action, drama, technology, mythology, humor and a little Shakespeare on the side. Folks, WHAT MORE COULD YOU POSSIBLY ASK FOR? This series had the most tightly structured story lines ever--there was not a single moment of dead air anytime.

The best thing about the series, however, was the characters. For being a clan of gargoyles (with a couple of humans), these characters were as real as you and I. Things HAPPENED to them! They actually got HURT as a result of violence. They matured, sometimes in ways unexpected. They found out the hard way who their friends and enemies were. And they had to live with the consequences of their actions, which sometimes came back to haunt them in later episodes.

Here's hoping Disney will realize the error of their ways and bring this show back. If you are already a fan, may you continue to enjoy the show. If you haven't seen it, give it a chance. But be advised: Once you have seen television and the world through the glowing eyes of a gargoyle, you will never want to settle for "standard kiddie fare" ever again.

I hope you enjoyed this Mr. Weisman

catrina writes...

Did
the mayan's really deal with gay marriges?

angel writes...

after hunters moon part 3 is there any more reviling eips on goliath's and Elisa's relationship

angel writes...

is hudson really brodways dad and if so why didn't the put it in the seasons

Todd Jensen writes...

Thanks for the "Turf" ramble, Greg! Only 6 to go now (though I doubt that you'll be able to do them all before the end of January - pity).

The trio definitely come across in this episode as the gargoyle equivalent of the Three Stooges, especially when they collide with the chimney, and when Brooklyn's shouting "Knock it off, you muttonheads!" Then again, as Elisa points out, what do you expect when they've been without female gargoyle company for a thousand years?

On a side note, I've noticed that practically every discussion among the fandom over which of the trio Angela ought to wind up with made it "Brooklyn vs. Broadway", with Lexington never seriously included in it. Of course, it makes sense now, in light of what we know about him.

I liked a lot of Brod's lines, such as "Chop shop? What is 'chop shop'?" and "This is why I never go in first" (not to mention what you brought up about "That was my favorite restaurant!") There were a lot of fun lines in here from the other crooks, such as Glasses' "Come on down to Dracon's House of Auto Parts. The prices are hot, and so is the merchandise", and Dracon's "What's going on here? I didn't order a break-out!" And finally, the hilarious ending with Brod and Dracon stuck as cellmates (though I doubt that such a thing would happen in real life).

I didn't recognize Elisa with that blonde wig, so it was a big surprise for me when she took it off and revealed who she was. (And naturally, the trio then go about saying that they knew it was her all along.)

Thanks for your comment about the payphone, by the way; I've been wondering for a long time about the significance of that scene where we look at it against the backdrop of the burning restaurant.

And interesting that Brooklyn should be the one asking about a world tour, in view of what we now know is in store for him (cf. "Timedancer"). One more example of "Be careful what you wish for."

Raci writes...

How does Oberon maintain his rule over his Children? So far we've seen that many of them have abilities that could probably kill Oberon like Anubis's ability to manipulate life and death and Puck's ability to rewrite reality or is Oberon just much more powerful than the combined might of his children?

brian knight writes...

why have my african greys mated for three weeks a couple of times a day in november/ december and they still have no eggs is there a reason?

tomas lund writes...

when did gargoyles originate and where did they originate

Psycho girl writes...

THREE POSTS IN ONE DAY!!!! Im on a role (hopefully a cinnamon 'role' ;) ...haha a play on words!

Why am I posting soooooooo many...well, posts? Well, you said that you would close the question asking thingy for a while (probably a long while) after January and I just want to hurry and talk to you. (I LIKE YOU!!!).......(Not in THAT way....sickos.) When February comes around, you wont have to deal with my farce anymore, at least for a while.......(snickering).......I typed farce...(snickering)

I have some questions about Lexington.

1. Why dose Lexington walk on his heals sometimes? (He has VERY flexible hips to sit the way he sits)

2. Why did you (they) end his wing membranes at his knees instead at his ankles?

3. Who was Lex's favorite Pack member?

I don't know why, but I just thought about Fang and his voice actor......I really like Jim's performance as Fang! Also, I wonder how Fangs old co-workers thought of him?

I wonder why the animators couldn't get his height right, some times he's right other times, he's the size of a 10 year old....oh well, he still looks good.

Farce.......(hearty laugh)

well, thanks!

P.S. my next one will be rambles about episodes so.....it will be BIG....pre-warning you.....but not today!

Psycho girl writes...

Hi.....uhhhh.........hi again.......I have some more questions about Oberon and Titania...but they refer to the show, not the play. So I put up a separate post so it could go under a separate...thingy.

1. When was the changing boy born in your show? (I KNOW....I used changeling last time!!! I SPELL BAD!!!....or wuz I right last time...? ARG!!!)

2. Is the boy a grown-up now in the show?

3. What did Titania think of the play "A Midsummers Nights Dream?"

4. So....I was wondering......what did Titania whisper to
Fox?.................Uhh......Mr. Weisman.......hello?.....hrm, where did he go?

(DING-DONG!!!)

Oh my, the doorbell! I have company! Yay!

(Opens the door to find Greg Weisman standing at the door with a baseball bat)

Oh my goodness! Its Mr. Weisman at my house! Have you come to tell me what Titania said?

Greg: (lightly tapping the bat up and down on his hand) Yeah....something like that...Are you familiar with the story "The lady, or the Tiger" by Frank R. Stockton?

Yeah....

Greg: Well, its sort of like that.

Oh.....ok.

Greg: And for asking me that question in the first place....(raises the bat)

Uh, oh.....erk!..... :)

Im just being stupid right now. Thanks again.

Psycho girl writes...

Hello! (snickering).......Ah, another glorious day to be alive!!! What an honor to live in such a world we live in!! :)

Well Im back, with a vengeance.

I have to tell you something, when I twas a little girl watching "The Mirror" and hearing (learning) about "A Midsummers Nights Dream", I was curios and whipped out my mothers "Completed works of William Shakspere" book and tried to read it. But.....I was to young (or stupid...?) to understand it, so I tried it again when I was 16 and really enjoyed it! Also, when I bought the second season DVD set and watch "The Mirror", it re-kindled my interest and I re-read it. WHY is I telling U this? Well, I have a question about the story that I still (unfortunately) don't get... :(

1. WHY did Oberon want the changeling boy? And......

2. Why wouldn't Titania let him have the boy? (I know that Titania and the boys mother were friends...is that why?)

I hope that I don't sound too stupid...but I just don't understand that part. Well, that's my Shakspere Q. Have a nice, happy, and all-around good day!

Elana writes...

Dear Greg,

When people ask me why I proclaim that Gargoyles stands apart from other shows, I find it difficult to explain. The characters are great, the relationships are great, and overall it's just... great. But that hardly expresses its true charm.

In watching Gargoyles, I find that its appeal must come from its captivating and immersive mythos, the sense one gets of being transported to another, mystical world. Aside from that sense of awe and wonder, there's also that feeling one gets of really being a part of that world, and having an intimate understanding of it. It's like, even if a topic matter hasn't been thoroughly explored within the episodes, or blatantly described, one can derive how every little thing might be prone to work within the world of the Gargoyles.

Anyway (now that I'm done gushing), in light of all this, did you expect Gargoyles to affect and alter the lives of so many people in the way that it did? Objectively, it was only meant as a show for children, but somehow it's managed to capture and touch the lives of all kinds of people. Could you possibly have expected this? For many people, Gargoyles is more than just an interest or a "hobby." How does it make you feel to know that Gargoyles has nearly been a life-changing experience for so many people?

~Elana

fgdsych writes...

in wich direction would you be headed if you were going from the north pole to austrilla

Idril writes...

I have a question about city of stone. Everyone kept saying that you had to see and hear the tv program to turn to stone. If thats true how can all those people outside driving or walking turn to stone? they were no where near a tv?

Idril writes...

hi i have a question about the episode wear elisa goes under cover. At the end when elisa is talking to Goliaith and wearing her normal clothes. why dose she she suddenly wear her under cover cloths again for a few seconds? I haven't made a mistake I paused it right there and Its true. Is that a glich?

Idril writes...

Hi i have a question about galith adn elisa. dose xanatose, puck, foxe, macneth, the mutates including derik, the rest of the gargoyles or any one ealse know about Galiths relationship between elisa?

Idril writes...

hi! I have a question about puck. is he consusly controling owen? like he made himself be owen but deep inside owen is puck actuly thinking puck thoughts but acting like owen. like xanatose has his exosceletin and he wears it, he looks like a robot but he controls it, the exoskeleten dosn't control himself. I mean puck and owen aren't two peaple it's just pucks secret identety sort of. is that right?

P. Gate writes...

(given that you will probably read this in 2-3 years)

wow Greg, I an loving the comic series and the way the story has progressed since Hunter's Moon. My favorite is issue #18, and I cannot wait to see which direction you take the series in next!

Since the comic is going so well, if Disney decided to bring back the cartoon now, what would you do with the comic? where would you start the cartoon from?

thanks Greg and keep up the great work

gargolye gril writes...

you people better not put brooklyn with demona or i'll kick your @$$.

Axem Gold writes...

First of all, I apologize for posting the question about Crisis On Infinite Earths. I missed that one while browsing the archives, anyway I have a few comments:

1. I'll be getting the JLA Showcase. The issue with the Captain Atom/JLE/Gargoyles. For anyone else reading who has a question about the issue, its: JLA Showcase #1 (February 2000) 80 Page.

2. I'm sure this would be on topic since like question 1 it is about comic book heroes. You considered the Original Pack to be a cross between Power Rangers/Professional Wrestling, and Macbeth to be an Anti-Batman. Now could Xanatos be considered an Anti-Iron Man?

Both Xanatos and Tony Stark are both wealthy, as well as having facial hair and wear a suit of tech armor.

What do you think?

Todd Jensen writes...

Thanks for the "Vendettas" ramble, Greg! We're really coming along here beautifully.

The big problem that I had with "Vendettas" when I first saw it was Hakon's return. I thought that it felt anticlimactic after "Shadows of the Past" - particularly since Hakon's second ghostly attack with Goliath consisted of simply teaming up with a big dumb werewolf! But while I had some difficulties with the Hakon part, I really enjoyed the Vinnie part.

I was startled to learn that Wolf was Hakon's descendant, but did find their quarrels and Hakon's disgust at Wolf's stupidity amusing. (It now reminds me a little of the idea in the original comedy development of the evil sorcerer from the Middle Ages and his unworthy descendant Xavier being at odds with each other.)

I agree with you that Hakon and Wolf's weapon would have worked better as a mace - but I also liked (as you did) Wolf's line "Tonight is battle-axe night!", which makes up for that. I don't think that "Tonight is mace night!" would have been as amusing a line. (It certainly doesn't have as good a rhythm to it.)

When I first saw this episode, I thought it more than a little far-fetched that the motorcycle rider from "Awakening Part Three", the guard on board Fortress-1 in "Awakening Part Four", and the security guard at Gen-U-Tech in "The Cage" were all the same guy, but now I can accept it. I got a big kick out of Vinnie's narration and the way that it clashed with what really happened (especially the part where he was talking about doing everything that he could to stop Goliath from kidnapping Sevarius, while we see him with his nose buried in his newspaper). I got a real kick out of him in a hurry, in fact.

And it would be like him to give his pie-throwing gun a name (though, if you can accept swords like Excalibur having names, why not pie-guns as well? I can just see what Hudson would have to say about this, with his "Must you humans name everything?" comment).

Vinnie does remind me a bit of Wile E. Coyote beyond the Acme supplier; like Wile E., his humiliating moments wind up being mostly self-inflicted!

Another scene that I found entertaining (this one about Hakon and Wolf): when Goliath and Hudson go charging at Wolf, Wolf boastfully says that he'll swat them both like gnats, and the next moment, is sent flying through the wall before he even has the opportunity to do anything!

And the bit about the construction worker who, after seeing Goliath and Hudson, is convinced that it must be hallucinations imposed from his cough medicine (although if his cough medicine is that strong, he definitely shouldn't be operating heavy machinery!).

And then there's the bit at the beginning about Hudson wondering why New York's called the Big Apple.

I was definitely surprised when Mr. Carter's ammunition turned out to be a banana cream pie. But it was just the sort of thing that Vinnie would do. One thing about Vinnie: he's the only guy in the series who ever got revenge on Goliath, something that the Archmage, Demona, the Pack, the Hunters, etc. all failed to do - though the fact that his means of revenge were baked goods doubtless had a lot to do with that.

I still wonder where Vinnie heard the "Gargoyles" theme music sometimes. :)

The fact that Goliath, both times that he meets Vinnie (in this episode and "The Journey"), can't even figure out who he is, is all the more appropriate in light of your remark that Vinnie owes much to yourself. I'm reminded of a "Peanuts" strip that came out shortly after Charles Schulz was Grand Marshal of the Tournament of Roses Parade. Lucy was shown watching the parade on television; Linus asked her if the Grand Marshal had shown up yet, Lucy replied, "You just missed him, but he wasn't anybody you ever heard of."

Jen writes...

In the episode Vows, why does Demona bother trying to change what her younger self did to prevent the massacre? You cannot change history, so I don't understand her motivation. You could say she didn't know that rule but I would expect that a soceress that has lived for over a thousand years would know that.

Also she would have remembered everything that happened to her when she was younger (though maybe her memory would be rusty after a 1000 years but she does tell Goliath that she remembers her speech) so what would be the logic and motivation for her to go into the past if she knows she failed and act exactly how she remembered and FAIL like she remembered. Did she only go because she had to go because she remembered it happening? The whole time being fixed says she had to go to remember failing, but that still doesn't explain her motivation for doing something she knew wouldn't work out. Or perhaps her motivation was to see herself as innocent again? To remember why she did what she did at the last wedding she attended with Goliath? Agh...this turns into a big wouldn't one cancel out the other and get all confusing thing...

Also considering that Demona is a thousand years old, what did she do for all that time? The some of it is shown in the episodes, but nothing really after the whole hunter thing and macbeth, and that was a long time ago. Wouldn't a thousand years be enough time for her to travel around the world and find other clans so she would not have ended up so alone?

Also really old characters always bother me. I know you cannot assume that wisdom comes with great age, but I wonder how someone could live that long and not really mature at all? I guess that adds to the insanity, that everything else changes and you don't so that would add to her whole "alone" complex and anger.

Heh sorry for the long question/ramble...

The Masked Retriever writes...

My Puck/Owen Ramble:

I didn't see it coming, okay? Maybe I'm thick or something but I did not have the -slightest- clue that Owen was really the Puck. Did. Not. See it. I was blown away, to put it mildly. I fell out of my chair and frothed for a bit. Having managed to see these episodes in order, I'd seen all of Owen's episodes and Puck's and still didn't see it coming. Later, when I re-watched City of Stone, I fell over again: YOU KNEW ALL ALONG!! HINTS!!! EVERYWHERE!!! AGhthth!

As to the stone fist, I'd read it like this: Owen didn't know -what- the cauldron would do, but figured if it was something really bad, he could always get a new hand, given some time. His faith in Xanatos' technology was quite high, and there was ample evidence that Xanatos was developing loyalty-like emotions of his own. (I say loyalty-like because frankly Xanatos is one scary bugger, even post-Gathering.) As for Xanatos, I (wrongly, it turned out) read him as really feeling something there, some shock, some dismay and even sympathy, BUT knowing that the worst thing he could express was sympathy. It's not the Xanatos way to cry over spilled milk, or even a few gallons of spilled blood. You arch an eyebrow, make a mental note, and go on. To me at least, he did Owen a great service by reacting in the most Xanatos way possible, and in fact anything else would have been an insult to what I thought at the time was a huge (but on some level, justified as it IS freaking immortality) sacrifice.

(That last bit works really well even if you know about Puck, but it's far less dramatically heavy and more of a sublimely funny moment the two friends share. To translate the lines into Dude-where's-my-car-ese: "Hey, check it. Human form, human effects." "Huh huh. Awesome." The pair are actually -both- parodying themselves here, Owen being subserviant to the point of near-insanity, and Xanatos blowing it off. I like to think that here Xanatos is kind of thinking to himself "boy, I'm kind of a jerk, aren't I" but having more fun playing the part than any sort of remorse-like emotions.

If I somehow haven't said it enough, holy crap Gargoyles is the awesomeness, I've bought two copies each of the two DVD sets out, and I am obsessed with Xanatos' scary hotness. I have a LiveJournal icon of him from "The Edge" with the words "OMG XANATOS!" blinking underneath it. A toast to the prettiest, scariest, yummiest villain of all time.

Psycho girl writes...

It's me! (Giggles, chuckles and many guffaws.)

How are you? I have some questions about Thailog and....yah...

1.(WHY WONT THE STUPID TAB BUTTON WORK!!!) Uh....anyway, How dose Thailog view Alexander? Dose he consider him a 'brother'?

2. How dose Thailog view his own creation? I'm asking this because of the Justice Leauge clone Galatea. She thought hse had to prove her 'own existance' to everyone by destroying super girl. Dose Thailog feel the same way about Goliath and Xanatose?

Thanks

Jon writes...

I just caught City of Stone on the fantastic Season 2 DVD set, and a good (or so I hope) question occurred to me. Given Macbeth's on again/off again suicidal tendencies, was he masquerading as the Hunter in the hopes that Demona would take one look at him and nail him with a bazooka? Or was he just trying to go for a more satisfying psychological advantage in a hand-to-hand fight?

Christina Byrd writes...

Hi Greg,
My name is Christina and I love Gargoyles to death, What I wanted to ask is that are going to do a season 4 because I love this show so much and I want to see more and more episodes. So Im so kindly beging to do another season and continue on. Please let me know I would kindly like to. Here's my e-mail address: jbyrd90@webtv.net I thank you so much!!!!!

A.Bifolchi writes...

This isn't a question, but more to a comment to the now season 2, Vol 1 Dvd that has been realised to the public this December. Once again I would like to thank you Mr. Weisman for your continuing efforts to promote Gargoyles along with the comic, which I will be hunting for soon. I dearly hope that Vol 2 of season 2 will come onto dvd, and myself along with my family will be the first to purchase it.

Once more thank you Mr. Weisman for allowing old Gargoyles fans to reconnect with something that we loved.

Maivillain writes...

Dear Greg,
Have you ever considered a Gargoyle Role-Playing Game? I feel like there are many possibilities involved in this concept... or perhaps is there already one in the works? Because if there is, I was wondering who the publisher/ production company might be. With Fondest Memories 9and monetary support through the purchase of your t.v. show's DVD), Maivillain

Phoenician writes...

Hey Greg, I'm back to make my review of the Season II - Volume I DVD!

I've been waiting to do this since I bought it on the day of release - I'm actually a tad surprise it took so long, as opposed from last year . . .

But getting to the point: Season II, Volume I ROCKED! Several of my favorite episodes are in this DVD, including the City of Stone 4-Parter, the Avalon 3-Parter, and probably my favorite in the entire DVD: The Mirror!

My favorite bonus feature was the episode introductions, and I really wish now that Season I had them as well. They offered more behind the scenes info than I think I expected. I really did love the Gathering of the Cast and Crew: I have only seen Keith David, Johnathan Frakes, Mirina Sirtis and Sally Richardson (and you, of course) in my history of Gargoyles, so it was nice to finally attach some faces to the rest of the cast and crew as well. I loved Jeff Bennet's 3-Voice demo. Absolutely amazing and hilarious at the same time!

I loved the commentary on City of Stone. Out of the two multi-parters we got, I'm happy this one at least got the commentary. The back-story of Demona and Macbeth is perhaps the best memory I have of watching Gargoyles when I was six. Never before (and I think you mentioned this on the commentaries) had I seen the bad guys in a point of view that got me feeling sorry for both of them! The music by Carl Johnson in the Part IV (Where we see Demona in the forest fire) is definitely what I reminisce most in the four-parter. Simply legendary.

By the way, after I had watched the City of Stone four-parter commentaries, I was driven to look up the entire "Macbeth" Family Tree. I finally found the historical version, and with the knowledge of what I knew of Princess Katherine and her dad Prince Malcolm, I think I worked it all out all the way to Luach (I know, I know . . . Lulach. But I'm used to it!) and Canmore!

I don't know if it was you or someone in the Gargoyles team that did it, but I love the fact that the cover says "We Live Again." Simple, but powerful for anyone who remembers the series.

I wish Avalon had a commentary as well, but that is why I appreciate the Introductions so much.

I can't wait for the next DVD. I can't wait to have The World Tour (which I had always called the 'Avalon Odyssey' before I started going online) to my collection. So many stories in so many places . . . I love them all!

Thanks for the series, Greg. From the season premire I was lucky to witness up to today, this show STILL remains my favorite show of all time!

On to Volume II!

Todd Jensen writes...

Thanks for the "Gathering Part Two" ramble, Greg! Some of my thoughts on the episode.

One of my favorite touches in the early stages of the battle was Renard's involvement in the fighting (alongside Vogel and the cybots). I think that one way of giving a battle an epic tone is to bring in familiar supporting characters as well as the major characters; Renard's presence in Fortress-2 gave a real feeling of making the confrontation a really big one.

Oberon put up a truly fierce battle with a lot of great touches, I thought - particularly the animated gargoyles, the growing hair, and the limbo space within his cloak. It made him seem formidable indeed, even with the self-imposed limitation that his arts could no longer directly affect the clan.

I share that little delight in Xanatos's line about saving Broadway. How typical of him to cover up his true thoughts like that!

And the suspicion that I'd begun to develop about Owen and Puck being one and the same was confirmed. It still shocked me a little, but I quickly got used to it. My favorite part of it is still the bit where Puck says "He chose Owen", sounding truly impressed as he did so; you could just feel Puck being so intrigued and delighted that Xanatos would value Owen's non-magical efficiency over Puck's magic. (Mind you, after seeing how Puck granted Demona's wishes in "The Mirror", I'd say that Xanatos showed good judgment in choosing a lifetime of service from Owen!)

I remember a particularly fun remark about the scene where Fox at least unleashed her powers on Oberon; the reviewer commented that that scene was something that alert viewers saw coming - but what made it so fun was that she didn't just unleash her powers, but that she did so with such force as to send Oberon - who had seemed almost unstoppable at this point - through the wall!

In "Future Tense", Puck taught Goliath the hard way about being careful what you wish for. Now Puck gets a taste of that lesson himself; he gets what he was hoping for in "Future Tense" - getting to stay in the mortal world a while longer - but not in a way that he finds appealing! (I've recently found myself wondering, incidentally, whether Goliath, when he suggested Puck for the role of training Alex - though Puck was the obvious choice anyway - might not have been trying to get a little of his own back over that recent nightmare.)

That idea of yours about the gargoyles flying inside Oberon's head was funny - but it's probably just as well that we didn't see it.

And it definitely would be like Puck to say "I'm on a roll" to the audience - it would be perfectly in character for him to break the fourth wall.

Naturally, no ramble about "The Gathering Part Two" would be complete without a mention of the infamous Whisper. I don't want to know what Titania whispered, myself - but I've sometimes wondered if you've ever regretted putting that scene in, in light of how often you've been asked about it!

And we have a great ending with the beginnings of peace between Goliath and Xanatos - though even with the war over, there's still plenty of trouble to come in other directions.

Once again, thanks for the ramble, Greg.

Jim Sorenson writes...

Greg,

Thank you for taking the time to interact with us fans, and congratulations on the success of the initial DVD releases. I imagine that by the time you read this we'll have new cannononical stories from the comic book and the rest of season 2 out on DVD. It's truly a great time to be a Gargoyles fan.

I enjoyed the world tour tremendously. One thing that always struck me as particularly interesting is that the world tour didn't end because it was finished, but because Goliath et al abandoned it after Avalon sent them to Manhattan. My questions and requests:

Question 1: In Ill Met By Moonlight, did Avalon bring the crew back to Avalon because of Oberon's plan to remove the Gargoyles, or was that an in-between quest?

Question 2: Were there any negative consequences resulting from Goliath choosing not to get back on the skiff following the events of The Gathering?

Question 2a: Do you have any notions of where Avalon might have sent the skiff had our intrepid heroes continued their quest following The Gathering, or who they might have encountered?

Request 1: If the answer to 2a is yes, please share some of those thoughts with us if you care to at this time.

Question 3: Future tense seems to take place during a brief blackout Goliath experiences. Did it take place between Avalon and Manhattan immediately preceding The Gathering?

Question 3a: If the answer to 3 is no, when/where did Future Tense take place?

Question 4: Were there any destinations on the Avalon Quest that took place but were not shown in Gargoyles? In other words, might Goliath & Elisa have had a world tour adventure 'off camera?'

Request 2: If the answer to 4 is yes, please share one or two places that they were sent off camera, if you'd care to at this time.

Thanks very much for your time, and I hope to see you (have seen you by the time you read this) at The Gathering 2006.

Todd Jensen writes...

Thanks for your ramble on "The Gathering Part One", Greg! It's great to have another episode review from you here, and I hope to see at least a few more here soon, even if you don't make it all the way to "The Journey" this time.

I remember that, the first time I saw this episode, it jarred me a little (as I've mentioned before) to see Odin taking orders from Oberon, but since then, I've come to accept it. It certainly did give a sense of resolution from the World Tour to see so many of the mythical beings that Goliath, Elisa, Angela, and Bronx had met showing up in the palace - and in particular, to have the Banshee being subjected to punishment by Oberon for defying his command to return.

(Incidentally, I assume that you chose Odin as the "Child of Oberon" whom the Banshee got into an altercation with because his voice actor was already present in this episode, playing Petros?)

I also had a bit of fun seeing if I could spot any new Oberati in the crowd; I could glimpse a centaur, a winged horse, a Medusa-like figure, and a couple of Norse mythology-type giants in the great hall, as well as the people entering in through the gates carrying torches (one of whom was on horseback, I remember).

I had missed both "Walkabout" and "Ill Met By Moonlight" when they first premiered, so this was the first time that I was meeting Titania under either of her identities. Consequently, the revelation that Anastasia and Titania were the same person didn't have the same impact on me that it would have had on other viewers who had seen those two episodes first.

After such a long absence from New York, it was nice seeing all those familiar background characters (the Jogger, Travis Marshall, Officer Morgan, Brendan and Margot, Cagney) again.

The reunion of the gargoyles at the clock tower was a very moving moment, including the discovery by Hudson and the trio that they weren't the last of their kind after all. I get a particular smile out of Broadway giving Angela the half-eaten box of chocolates. Another bit that I enjoyed was Hudson's delight at being reunited with Bronx (I like the rapport that the two of them have).

Your remark that Avalon hadn't really released Goliath and Co. from their quest, but sent them back to Manhattan to thwart Oberon's attempt to kidnap Alex (apparently Avalon isn't always in harmony with its lord's intentions) reminds me of one thought that I had the first time that I saw this episode; I was wondering briefly if the fact that Avalon had sent Goliath back to Manhattan for a purpose rather than just to release him meant that they'd have to get back on that skiff for more adventures afterwards. Fortunately, they didn't have to (I didn't mind the World Tour as much as many viewers did, but I understood that it would have to come to an end sometime.)

It was when Owen nervously cleared out of the Eyrie Building after giving his security system specs to Xanatos, explaining that he couldn't risk being involved in the fight with Oberon, that I began suspecting for the first time that he might be Puck in disguise (given that Oberon's initial purpose in coming to New York had been to haul Puck back to Avalon). Oddly enough, I'd missed all the other clues earlier in the series (Demona's "You serve the human" line in "The Mirror" and her "You're the tricky one" line in "City of Stone", the striking physical resemblance of Owen and Vogel, and Owen's immediately recognizing the significance of Anastasia having remarried her first husband). Now, however, I began to wonder if Owen and Puck were really the same person, though I had to wait until Part Two to have it confirmed.

The activating of the security system struck me as an especially great scene, one of my favorite moments in "The Gathering". Another, of course, was Goliath and Elisa's parting at her apartment.

As I said, great to have another episode ramble - I'm looking forward to Part Two.

Technogeek writes...

Glad to have you back answering questions, Greg. Even more glad to have the DVDs available. And the comics that continue the story.

Which brings me to my question, actually. How different is the creative process between writing the stories as a television show, and writing them as a comic book? The differences between the mediums are obvious, granted, but how much do those differences impact what you're trying to do with the characters?

Raye writes...

Hello again,

I was rewatching 'Lighthouses in the Sea of Time' and noticed that down in the dig-site the archaeologists (Lydia and Arthur, right?) passed a harp that seemed to play music and shine at their passing. Later I noticed that on the seal of the Scrolls of Merlin there was a symbol that seemed to be in the shape of this harp. So...

1. Was the harp pictured on the seal, or was it just a fluke?

2. What *was* this harp?

3. Who put the harp down there in the cavern?

4. Did this harp belong to Merlin?

Thanks you for any reply. I'm really enjoying rewatching all these episodes on DVD (episodes aired in New Zealand with several scenes cut to fit them into a smaller time period, so it's been great seeing all the extra snippets!)

erin writes...

WILL THERE BE A SHOW COMING IN THE SUMMER?

Tina Y. writes...

Greg,

I'd been eagerly awaiting Season 2, Vol. 1. Last month I finally got it and have been throughly enjoying it. So many of my favorite episodes were on here and to finally get a chance to view them again, cut and without the commericals has just been like a dream to me. I loved the commentary for City of Stone. It's always a treat to hear your thoughts and comments on these episodes. I laughed so much. I can't wait for the next volume.

I also wanted to thank you for another reason. A few months ago my dad was doing some family history and I noticed one of the names he had in the history. Malcolm Canmore. Needless to say I was greatly surprised. I knew that name, but only from Gargoyles. For a while I did a little research on him and now feel a little closer to my roots. I'm extremely grateful to you and your staff for bringing a bit of history into your show. If it weren't for you, I wouldn't have looked into my history at all. And never would have known more about the interesting people who have been in my family.

I'm also eagerly waiting for your comic series to be released.

There's nothing I really needed to know, but I just wanted a chance to thank you for all you do and the amazing effort you've poured into releasing this series. It meant a lot to me when I was younger and it still draws me in even now. Thank you so much!

Noah writes...

Re: The Season 2, Volume 1 DVD set.

One word: AWESOME! As a long-time Gargoyles fan who never got to see quite a few of the episodes (sigh...stupid Canadian TV) this set was a real treat. I received it as a Christmas gift and finished watching every episode within 3 days.

One of the best things about the DVDs (aside from the episodes themselves) was the episode introductions. This is something I've never seen before, and they were great! It's really interesting to hear, even briefly, about the thought that went into each and every episode. I enjoyed and appreciated them a lot more. Oh, and thanks for the spoiler warnings - I'd forgotten about a few plot twists and it was nice to have them as a surprise again!

For the next DVD release, I would heartily encourage you to do the intros again - make them a bit longer, if possible! The special feature with the cast and crew was also really neat.

Also, from a technical standpoint, I thought the DVDs were very well done - good menus and excellent picture and sound quality.

All in all, a fantastic release! I'm loaning out my Gargoyles DVDs to my friends to get them hooked as well. I'm looking forward to the next set! Thanks Greg for all your effort on the DVDs and here on the website too (which makes an excellent companion for the DVDs - I read your rambles and the memo(s) after each episode). Cheers,

Noah

Raye writes...

Hi, my question concerns Demona and Gruoch, two of my favourite characters (One of my favourite moments in "Gargoyles" is when Demona goes completely against her prejudices and saves Macbeth and Gruoch when they're slipping from the parapet, and Gruoch's nervous little "thank you" to her afterwards). But anyway:

1. During the "Golden Age" of Macbeth's rule, how well did Gruoch and Demona get on? Or to make the question a bit more generalised, what was their relationship?

Obviously they wouldn't have been best friends, but I also can assume that as such close companions to Macbeth they would have spent a reasonable amount of time in each other's company.

2a. Would they have considered each other as a "friend"?

2b. Or was there a little bit of resentment/jealously/competition going on in terms of their separate relationships with Macbeth?

2c. Or did they just stay out of each other's way?

Thank you very much in advance for any reply you give me, I think the time and effort you put into communicating with fans is amazing! My fingers are crossed that the second half of season two will make it to DVD.

Dr.No writes...

Hi Greg, I just bought the season 1 DVD because I had found a new interest in the show after reading some stuff on the internet. I was a fan of the show when I was younger and like some other animated series now on DVD that I have, I appreciate the show more now then I did back in 94. Ramblings aside, My question is if by some miracle you got the chance to do a continuation to the series, would you approve if someone changed the designs of the characters to be more streamlined so the animators overseas could stay on model more consistantly. I hope to hear back and I'll get season 2 soon(Y).

DrNick writes...

Batman

1) Why weren't you allowed to use the Scarecrow in the new animated Batman series?
2) In regards to the Batman cartoon were the plethora of mechanical gadgets such as the jet pack, batman exosuit and the anti-freeze suit for the specific purpose of marketing batman toys towards younger viewers?
3) What did you think of the Batman Begins movie by Goyer and Nolan? Did you think it succeeded in translating and telling the origin story onto the screen?

Gabriel writes...

Hey Greg,
You asked for thoughts on the new DVD release. In short it's great to have so many eps on one release.
A few things that really impressed me:
The disk art is stunning- especially the Demona pick on disk one.
I love that while we couldn't get commentaries,Since budget,disk space and your personal time are issues, we still get episode intro's for all the eps.
Thanx for the spoiler alert in your intro to Outfoxed, turns out I knew the spoiler, but I really didn't remember the episode before I watched so that was cool.
The main menu's are also great- so much going on.

A few little things that could make it (or a future release) better
Chapter stops in the episodes
I prefer keep-case style packaging like season 1. All the artwork potential is cool on cardboard-plastic packaging, but I like the durablity of keepcase.
I realise those aren't content related, but the only content comment I would make is that it was a pity that Marina Sirtis or John Ryhs-Davies weren't on the CoS commetary (though I've heard report that Marina was asked but unavailble so you guys tried) Other than that I'm completely satisfied with the disks' content.

Really looking forward to S2 v2. Here's hoping for commentary on both "The Gathering" and "Hunter's Moon" (It's five eps like on the season 1 release) And I'd absolutly love to hear from Jonathan Frakes- Xanatos is still one of my all time favorite characters! Looking forward to seeing MIA, Golem, Future Tenses, and the one ep I've never seen Grief.

Thanx for reading
Keep up the good work
You're an insiration for those of us looking to do great things in the entertainment industry.

Ciao,
Gabriel

kool writes...

why does pop go flat

Abbie writes...

Hi Greg! My dad and mom gave me my dream come true! I'm going to the gathering of the Gargoyles and i'm in the Story, Fanart, and te-shirt contests! I'm only 13 but i'm really exited! I wanted to know about what your looking for in a teashirt to give ideas for the contest! I love the show more than any other and own both DVDs! I can't wait to meet you!
See you there! From your number one fan!