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The One Known As Mochi writes...

Wow... So many people have posted questions and comments for you. By the time you get around to my post I'll probably have Gargoyles #8 and the trade paperback (I hope...). Normally, I would have a question for you, but it seems I found the answer in the archives. The question I would've asked was in regards to the episode 'High Noon'. I wondered how Macbeth wasn't being knocked around when Demona (in human form) and Elisa were fighting. Someone had already asked and you responded, so I don't have to worry about that.

What I really wanted to do is comment on Spidey. I've managed to watch all the episodes so far and I have to say it's very well done! I seem to think that there's an intensity present that doesn't let up when it comes to the story and the action taking place. Spidey's quips reminded me of the cartoon from the 90s, though I only vaguely remember watching it at the time (I was preoccupied with a lot of other cartoons...even Gargoyles ;) ). I really like the character designs and the animation is very fluid. Overall, I can tell this Spidey series is going very far and I can't wait to see what you and Victor Cook have planned for all the characters.

I have to admit it's been a long time since I've had to wake up early to watch a Saturday morning cartoon that's this good.

Thank you for such awesome work on Spidey and keeping Gargoyles alive!

Greg responds...

You're very welcome.

Response recorded on May 03, 2008

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The Spectacular Spider-Man #107

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "Catalysts"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
ANDREW ROBINSON

Card #5
Directed By
VICTOR COOK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

STEVE BLUM as GREEN GOBLIN
LACEY CHABERT as GWEN STACY
GREY DELISLE as SALLY AVRIL, BETTY BRANT
ANDREW KISHINO as KENNY KONG, NED LEE
PHIL LAMARR as RAND ROBERTSON, ROBBIE ROBERTSON
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON, JOHN JAMESON
KEVIN MICHAEL RICHARDSON as TOMBSTONE, PRINCIPAL DAVIS
CREE SUMMER as GLORY GRANT
JAMES ARNOLD TAYLOR as HARRY OSBORN

Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KEVIN ALTIERI
DAN FAUSETT
DAVE PRINCE
ROBERT SOUZA

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
RANDY LUDENSKY
SWINTON SCOTT

Animation Checker
SANDI HATHCOCK
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
MYRA OWYANG
CHUCK SMITH

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
HANHO HEUNG-UP CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


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The Spectacular Spider-Man #106

___________________________________________________________________________

The Spectacular Spider-Man
Ep: "The Invisible Hand"
Main and End Title Credits ___________________________________________________________________________
Main Titles
Executive Producers
STAN LEE
CRAIG KYLE
ERIC S. ROLLMAN
___________________________________________________________________________

Developed For Television By
VICTOR COOK & GREG WEISMAN

Created by
STAN LEE & STEVE DITKO

Opening Credits

Card #1
Supervising Producer and Story Editor
GREG WEISMAN

Card #2
Producer and Supervising Director
VICTOR COOK

Card #3
Producer
DIANE A CREA

Card #4
Written By
MATT WAYNE

Card #5
Directed By
DAVE BULLOCK
___________________________________________________________________________

__________________________________________________________________________
Closing Credits

Card #6
Starring
JOSH KEATON as PETER PARKER / SPIDER-MAN
__________________________________________________________________________
Card #7
Also Starring

IRENE BEDARD as JEAN DEWOLFF
CLANCY BROWN as ALEX O'HIRN / RHINO, GEORGE STACY
LACEY CHABERT as GWEN STACY
GREY DELISLE as BETTY BRANT
JOHN DIMAGGIO as HAMMERHEAD
BEN DISKIN as EDDIE BROCK
JOSHUA LEBAR as FLASH THOMPSON

_______________________________________________________________________
Card #8
Also Starring

PETER MACNICOL as OTTO OCTAVIUS
VANESSA MARSHALL as MARY JANE WATSON
DARAN NORRIS as J. JONAH JAMESON
ALAN RACHINS as NORMAN OSBORN
KEVIN MICHAEL RICHARDSON as BIG MAN /TOMBSTONE / L. THOMPSON LINCOLN
DEBORAH STRANG as MAY PARKER
JAMES ARNOLD TAYLOR as HARRY OSBORN, FREDERICK FOSWELL

__________________________________________________________________________
Card #9
Voice Casting and Dialogue Director
JAMIE THOMASON
__________________________________________________________________________
Card #10
Music by
LOLITA RITMANIS
KRISTOPHER CARTER
MICHAEL McCUISTION

___________________________________________________________________________
Card #11
Associate Producer
ERIC VESBIT

___________________________________________________________________________
Card #12
Staff Writer
KEVIN HOPPS

Apprentice Writer
RANDY JANDT

Card # 13
Storyboard Artists
KALVIN LEE
IRINEO MARAMBA JR.
ADAM VAN WYK
RICK MORALES

Storyboard Revisionists
PAUL HARMON
JEFFREY S. JOHNSON

Card #14
Lead Character Designer
SEAN "CHEEKS" GALLOWAY
____________________________________________________________________
Card #15
Character Designers
PHILLIP BOURASSA
THOMAS PERKINS
GREG GULER
JOSE ZELAYA

Assistant Character Designers
JOSH BISHOP
WALTER GATUS
JEFFREY S. JOHNSON
JOEY MASON
KAY PARK

Card #16
Background Supervisor
VINCENT TOYAMA

Background Designers
KENNY McGILL
ART MORALES
BOB KLINE
TED BLACKMAN

Prop Designers
TAE SOO KIM
ANDY CHIANG
ART LEE

Card #17
Background Painters
JOEY MASON
MIKE INMAN
WEI ZHAO
FRED WARTER
LIN HUA ZHENG

Color Stylists
PAMELA LONG
DAVID SVEND KAROLL
CRAIG CUQRO
NANCY ULENE

Card #18

Supervising Timing Director
GORDON KENT

Timing Directors
BRIAN HOGAN
JUNGJA KIM WOLF
RANDY LUDENSKY

Animation Checker
GLORIA PALTER
__________________________________________________________________________
Card #19

Storyboard Production Manager BRIAN G. SMITH

Production Art Supervisor JOHN "BUENOS" DIAZ

Production Coordinator SHERRIAN FELIX

Episodic Casting Supervisor MATTHEW C. OTOSKI

Production Assistant BEN MALONEY

Post Production Assistant JENNIFER L. ANDERSON

Production Accountant NATHAN HARAMOTO

__________________________________________________________________________
Card #20

Associate Producer for Marvel
JOSHUA FINE

Production Coordinator for Marvel
ADAM TOOTLA

__________________________________________________________________________
Card #21

Recorded at
STUDIOPOLIS, INC.

Dialogue Recording Engineer
ERIC LEWIS, C.A.S.

Dialogue Editor
TERRY REIFF

Track Reading
SOUND BYTE, INC.

__________________________________________________________________________
Card #22
STUDIO POST PRODUCTION SUPERVISOR
JHG BOYAN

Editors
RALPH A. EUSEBIO
BRUCE A. KING

Assistant Editors
DONNELL EBARRETE
CHUCK SMITH
MYRA OWYANG

Digital Effects Supervisor
ULYSSES ARGETTA

Card #22

Music Engineers MARK MATTSON
MAKO SUJISHI

Post Production Sound Services ADVANTAGE Sound Services

Sound Designer ROBERT POOLE II

Dialogue Editor ROBBI SMITH

Foley Artist CRAIG NG

Foley Mixer MARY ERSTAD

Digital Audio Transfer ROBERT PRATT

Re-Recording Mixers MELISSA ELLIS
FIL BROWN
Card #23
Main Title Theme by
THE TENDER BOX

Main Title Directed by
VICTOR COOK

Main Title Storyboard by
PHIL WEINSTEIN

Main Title Color by
JOEY MASON

Main Title Animation Production by
HANHO HEUNG-UP CO. LTD

___________________________________________________________________________
Card #24
Animation Production by
DONGWOO ANIMATION CO. LTD
___________________________________________________________________________
Card #25

This Motion Picture is protected under the laws of the United States and other countries, and its unauthorized duplication, distribution, or exhibition may result in civil liability and criminal prosecution. Many of the characters and incidents portrayed and the names used herein are fictitious, and any similarity to the name, character, or history of any person is entirely coincidental and unintentional.

"The Spectacular Spider-Man, the animated series (C) 2008 Adelaide Productions, Inc.
All Rights Reserved.
Spider-Man and all related characters TM & (C) 2008 Marvel Characters, Inc."

Adelaide Productions, Inc. is the author of this film/motion picture for the purposes of Article
15(2) of the Berne Convention and all national laws giving effect thereto.

___________________________________________________________________________
END LOGOS

MARVEL ENTERTAINMENT CULVER ENTERTAINMENT

SONY PICTURES TELEVISION


Bookmark Link

Jeff writes...

Hey Greg!
Huge Spider-Man fan here! The episodes keep getting better and better. Any clues as to when the Big MJ reveal will be? In April? I am dying to get this series on DVD! The Sandman episode remains my favorite(so far) but I think I change my mind every Saturday. It had the right amount of crazy battle scenes and down to earth drama. Im not sure if you know this but will the series run through the summer or will they split up the season? In any event, I will be an avid watcher. One more SM question, Any plans for Pete to reveal his identity to anyone? I doubt you'll answer that, but I think it is what makes Ultimate Spider-man so fresh. (Not that I should compare the two, they are seperate but equal as far as Im concerned.) It would be so much easier for Pete to say "dont hate me Gwen/Liz/Harry/Connors/Brock...Im Spider-Man!" Which is the tragic situation and does make it interesting, I cant wait to see where the show goes and Im counting down til next week(6 days!)
I also read your comics, they are great stuff. I missed the cartoon because I havent had Toon Disney until recently(And they show Gargoyles at crazy times) but I am familiar with the story. However, I have never felt confused reading the comics, the characters have been captivating, regardless of their history. Keep up the great work!

Greg responds...

By now, you've met M.J.

The first season will air more or less continuously through the spring through the first 13 episodes, with a few weeks of reruns scattered in to give us some post-production breathing room. Not yet sure when the second season (also 13 episodes) will air, but definitely not this summer. They won't be ready in time.

I'm glad the comics are working for you. But you can also pick up the DVDs.

Response recorded on April 30, 2008

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Todd Jensen writes...

A few comments on the new Spectacular Spider-Man episode.

I enjoyed this one as well. Parts that especially stood out to me:

Norman Osborn's response to Marko's initial being turned into sand: "We sweep up and try again."
The remark that Marko doesn't need to defeat Spider-Man; he only needs to keep him distracted (very reminiscent of the antagonist strategies in "Gargoyles").
Marko's "Doh!" moment upon realizing that he forgot to take the bank money he just stole with him.
Marko trying to conceal his ignorance about the Big Man.

Dr. Octopus seems Caspar Milquetoastish at the moment; more so than I'd expected (though I don't know that much about him). I look forward to seeing if that changes.

Thanks for another enjoyable episode, Greg.

Greg responds...

It changes.

Response recorded on April 29, 2008

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Greg Bishansky writes...

Competition

Another sweet episode.

Sandman has never been a favorite of mine, but I enjoyed him here. His transformation sequence was great, and I loved Norman's callous attitude... "we sweep up." Hmm, they were trying to add "silicon armor" to him at first, makes me wonder if they meant for him to be like the Rhino.

Harry seems to be moving into the popular crowd, which is good. To all those who complained about him being too dorky, Greg knows what he's doing.

Speaking of the Osborns, is that Emily Osborn I see? Interesting.

Pete, you're a moron. Gwen digs you. Go for it!

And Hobey Brown... awesome! Wonder if we'll see him doing some prowling in the future.

Good episode, not as good as last week's. But still good.

Greg responds...

Rhino's armor -- as by now you know -- is titanium-resin. (Whatever the hell that means.)

Response recorded on April 29, 2008

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Antiyonder writes...

My first attempt at reviewing The Spectacular Spider-Man (I ask that you don't have any banana creme pies in the room while reading).

Overall, the designs really don't bother me, given that I got use to ones from Teen Titans and Legion Of Super Heroes. Plus as has been said, the designs complement the movement well.

While I enjoy the classic Lee/Ditko run I have to say you've done well to evoke the feeling without it being like a formula. Not to mention that like Gargoyles it is a nice blending of serious storylines and lighthearted moments. Just a few questions and comment for the moment.

1. You mentioned drawing story elements from various continuums rather than just using the version of the character that was introduced in 1962. Are you also using elements from the other Spidey shows (The ones that you've seen of course, cause you mentioned not seeing the MTV series) and movies in your stories?

2. Just a confirmation. Spider-Man's line to the Lizard in Natural Selection "Can you say halitosis? (Lizard growls) I knew that you could." is a reference to Xanatos' line on Hunter's Moon Part 1 isn't it? I think so but several people think it's a common line.

3. Speaking of Gargoyles/Spider-Man, despite the differences between parenting methods brought up I kind of see this Norman to be a cross between Xanatos (reaction to being in danger) and Willaim Dafoe's (praising Peter, lecture/berating Harry) take on Osborn. Would you agree with this?

Keep up the great work.

Greg responds...

1. I'm not that familiar with the Spidey cartoons except for the 60s show, and it's been years since I've seen that. But I'm sure there will be similarities.

2. It's a Mister Rogers type reference. Then again, so was Xanatos' line.

3. That seems overly simplistic to me, but I don't disagree.

Response recorded on April 21, 2008

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Jess writes...

Hey Greg! "Market Forces" was another great episode! Poor Peter managed to make progress with Eddie only to blow off Harry. Speaking of Harry, all the money Oscorp stands to make in those shady dealings with the Big Man will come in real handy for the years of therapy the kid's going to need, thanks to Daddy Norm's nonexistent parenting skills.

I did like having an in-story explanation for the dearth of Super Villains we'll be seeing in the future, and am especially looking forward to the Green Goblin.

On the plus side, Peter is now employed, this time with actual money involved! That said, I liked Aunt May being initially reluctant to take his money, and that even though she relented, made him promise to save up for a new camera.

Somehow I have a feeling Peter well end up running into MJ just in time for the school dance, and when that happens he won't be complaining about her "wonderful personality".

A quick question about Peter's first choice of date: How old is Betty Brant? I guessed early twenties, but wasn't sure.

Greg responds...

I wouldn't say that Norman has NO parenting skills. I'd say he has aggressively NEGATIVE parenting skills. (But maybe I'm splitting heirs. Heirs. Get it?)

Betty is 20.

Response recorded on April 18, 2008

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ColdFusion writes...

Sorry if you didn't understand, I just meant Aunt May is mothering Peter in a way we haven't really seen before in other versions of the franchise. He's got the kind of "mom-troubles" that older-Peter doesn't.
It's one thing to juggle a social life with the life of a superhero, it's another entirely when, on top of that, you're underage and thus have fewer personal liberties, eh?

Greg responds...

Yeah. I think Pete (as the "man" of the house) has more freedom than most, but still...

Response recorded on April 18, 2008

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Man Mountain writes...

Hey Greg. First I want to say I love the comic, the artwork, and the story so far and hope it continues on and on. Second, same goes for Spiderman! You are hitting everything that IS Spiderman while still making it your own. Finally to my question, I don't know if you have any comments (or time), but could you comment on your Spiderman episodes as you do for Gargoyles? I always love behind the scenes insights. As always, thanks for your time and effort.

Greg responds...

I think it's too soon to be doing full rambles on Spidey. You (or at least I) need a bit of distance, hindsight, to make the rambles worthwhile. Also, I don't want to be dropping tons of spoilers, and I don't want to inhibit myself either. And time IS another factor. I still need to do two or three Gargoyles rambles. And I'm just swamped. But someday.

Response recorded on April 18, 2008


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