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In the episode "The Cage" it's implied that the final scene where Sevarius is confronted by Talon and the Mutates to force a cure out of him, takes place at a Cyberbiotics lab. However, as the scene unfolds and different camera angles are shown, the electric eel tank with broken glass is shown, as well as the ceiling that the Gargoyles broke and escaped through with Maggie in "Metamorphosis". This leads me to believe that this final scene was a return to the original scene of the crime in the Gen-U-Tech building. Growing up watching this episode, I always thought of this scene taking place in the original Gen-U-Tech lab from "Metamorphosis." Are the holes in the ceiling and the eel tank just coinicidences, or was this final scene of "The Cage" intended to be at Gen-U-Tech rather than Cyberbiotics?
I'd have to watch it again, but my memory is that it all took place underground in the abandoned Cyberbiotics complex that later becomes the Labyrinth.
I rewatched "Lnng Way Till Morning" today.
I'm not sure if I noticed it (or commented on it) before, but I spotted two parallel elements in the flashbacks (beside the obvious "Goliath and Hudson pitted against someone who made a poison dart attack upon a human friend"). The scene where Demona wounds Goliath parallels the Archmage's attack on Prince Malcolm; on both occasions, Hudson tries to block the attack, but to no avail. And in both the past and present parts of the story, Demona comments on the gargoyles going underground where their wings will be no use (though in different moods).
Continuing the study of how often "beast" imagery gets applied to the gargoyles: the Archmage calls Goliath a "beast".
October 31st and you're not watching "Eye of the Beholder"?
I rewatched "The Edge" today - appropriately, since today (October 30) is, according to some sources, Dostoyevsky's birthday, and Goliath was reading his work in the episode.
I spotted more "hunted like animals" remarks (I'm keeping close watch for those in the 25th anniversary review) from Xanatos during his conversation with Goliath at the castle. (I don't recall any of that imagery in "Deadly Force". I think that Macbeth addressed Goliath as "beastie" in "Enter Macbeth", but I'm not certain - if he did, I must have temporarily forgotten my resolve to keep track of that element.)
I also couldn't help thinking, this time around, how convenient for the series it was that Elisa only got a partner *after* the gargoyles moved out of the castle and into the clock tower.
Yeah. It was too convenient, which is why we gave her Matt.
Rewatched "Enter Macbeth" today.
I can't help womdering what must be going through Hudson's head as he watches a Donald Duck cartoon, thoughtfully stroking his beard. The spectacle of a duck grown to human size, wearing clothes and speaking (kind of) could be an even bigger argument for not believing everything you see on television than the revelation of the Pack's true nature.
U remember in your ramble on "Enter Macbeth", your daughter spotted what looked like the Mona Lisa in Macbeth's mansion. This time around, I noticed a portrait of a man apparently in 18th century attire, who reminded me of portraits I'd seen of Bonnie Prince Charlie.
The doors to Macbeth get it both coming and going; they first get broken down when Bronx escapes, and when he returns with Goliath, they demolish a second pair of doors. (Of course, it becomes academic after the whole mansion gets burned down.)
Lexington talks about getting the clock working again; I wonder if he ever succeeded before the Canmores blew the place up.
1. Donald is a mystery to us all... ;)
2. I think Macbeth owned a lot of expensive art.
3. Yeah, so much destruction.
4. He never did.
Features I'd just noticed about "Temptation", this time around.
1. When Broadway tells Goliath that Brooklyn had gone on a joyride, he makes motions with his hands suggesting someone gripping a motorcycle's handlebars.
2. Demona, when she talks about the events of "The Thrill of the Hunt", uses the phrase "hunted like animals" - which not only continues the "humans seeing the gargoyles as beasts" thread that I'd noticed all the more in "Awakening" and "The Thrill of the Hunt", but also put me in mind of the Hunters - no wonder she uses that description!
1. Yep.
2. She's got a history...
I also rewatched "The Thrill of the Hunt" and "Temptation" today. Things I noted this time in "The Thrill of the Hunt".
1. Lexington, angered about the Pack's treachery, cries that they're like animals. I thought that appropriate, given the Pack's "animal names".
2. The Pack continue the "referring to the gargoyles as beasts" practice from "Awakening" and even speak of hunting them, such as Wolf's cry "Let the hunt begin!" - the talk about hunting them also made me think of the Hunters (though they wouldn't be introduced until Season Two, of course).
3. When Brooklyn and Broadway arrive at the end to tell Goliath and Lexington how they'd seen a report on the news about Fox and Wolf's arrest, they come gliding in from outside the castle - so apparently they weren't watching television with Hudson when they found out, but somewhere else. (I won't ask where, but this detail struck me for the first time.)
4. Dingo's cry of "Stone me!" upon seeing the photographs of Goliath felt like a particularly appropriate response to a gargoyle.
1. Yep.
2. Common themes running through the series, I think.
3. Or they were watching t.v. earlier.
4. :)
To celebrate the 25th anniversary of "Gargoyles", I watched "Awakening" (all five episodes) on DVD yesterday, and thought I'd share a few things I hadn't noticed before (or hadn't noticed enough) that struck my fancy.
1. When Goliath sends the trio and Bronx to the rookery, Bronx looks ashamed of himself - in a way that reminds me of times when dogs I'd known looked guilty over something.
2. When Xanatos tells Owen "Make the offer now" at the ruins of Castle Wyvern, I suddenly wondered whom he bought Castle Wyvern from. I won't ask here - it's obviously a "No spoilers" answer - but I was struck by the fact that this was the first time I wondered that.
3. I spotted what looked like a "foliate head" (or "Green Man"-type head) carved over the archway the gargoyles are standing beneath when the Commandos showed up in the courtyard, and a couple of winged figures on one of the tapestries. (I'll have to check for other unusual and remarkable features of the castle in later episodes, as well.)
4. Many of the human characters repeatedly call the gargoyles "beasts", both in the medieval scenes and the modern (Princess Katharine's protest at allowing beasts in the dining hall, Mary calling the gargoyles beasts, Bruno asking "Where's the beast?" while pursuing Goliath and Elisa).
5. Goliath asks Elisa, when they first meet, "What were you doing in my castle?" Despite Xanatos having bought it, he clearly thinks of it as still his - as if laying pipe for the arc about the gargoyles having to leave the castle and Goliath resisting it.
1. The dogs I've had get that shamed look based on my reprimanding tone more than based on what they've done. As opposed to the cats I've had (and have), who at best stare at me as if to ask, "Are you talking to me?"
2. An interesting question.
3. Art Direction was pretty awesome on the show.
4. All very intentional.
5. We tried to keep each character's POV clear.
What would have happened had Wolf challenged Coyote to take off his "battle armor" before he would have fought him in "Leader of the Pack"?
I dunno. I'm not too interested in hypotheticals.
Hi Greg I watched Season 2 of Gargoyles recently and I am left thinking about one character at the end of Hunter's Moon. I'm hoping you can help me with.
Low and behold Demona wants to kill the humans again. This time with a biological planetwide human killing virus and protect the Gargoyles from the virus with some sort of gargoyle magic statue.
There's two problems I saw with the plan.
One Demona herself is human in the day which means when the sun rises the virus would likely kill her. Which means she'll die every couple minutes while the sun is up due to her immortality.
Two even if her being a gargoyle at night protects her from the virus. It will do nothing to protect MacBeth who will die by her hand and as a result kill her for good with him wouldn't it?
As I was watching the episodes I thought they were problems with the plan until the very end where Demona once again flies off alone.
Is it really a problem with the plan, did she have everything covered, or did the destruction of her relationship with Angela break Demona to a point that she didn't care as long as she made a 'better' world for her race?
In her mind, she had all the bases covered. But with Demona, if there's an element of self-destruction inherent to her plans, that should come as no surprise.
When Titania says in the episode 'I'll Met by Moonlight'..."even Puck may have mended his ways" what exactly does she mean by that? Was he always just extra?
"extra"?
Hello,
What is the name of the dam on which Goliath and the hunters fight and where is it?
I can't remember. Sorry. I do seem to recall it was somewhere in New York state.
Hey Greg I've recently been re watching Gargoyles and just reached I'll be Met by Moonlight. I noticed that one of the Gargoyles greeting them at the castle in the first two minutes looks a lot like the Creature from the Black Lagoon or Abe Sapien from Hellboy having more fish fin like wings and aquatic features unlike any other Wyvern clan Gargoyle I've seen from the show and comics. So my questions are
1) Is this guy really "Scottish stock" same as the rest of the main Gargoyles?
2)if yes do his features come from some sort of mixed heritage?
3)Could he be related to the Loch Ness clan?
4)Or am I'm just reading too much into a character's design?
It's been a long time since I saw the episode, so I'm not sure who you're referring to. It's possible that a Loch Ness Gargoyle joined the Wyvern Clan generations before the massacre and the laying of the Avalon eggs. But I'd have to see which Gargoyle you're referring to in order to make a judgement.
Hi there. Just a quick question on magic. Couldnât find this in the archives. How is it that with just one outburst of magic from a halfling, the most powerful of the third race, Oberon, can be blasted into a wall?? Love the odd fact that the magic is green though for all users. Thank you
Why would that be an issue? You get blasted; you get blasted. Especially if you're not ready for it.
I looked at your timeline for Gargoyles (specifically, September 28) and was wondering, When Fox called Mr Vogel about her takeover plans, where they both Gargoyles at the time or did the call take place after puck reversed the spell?
They were probably gargoyles, but it hardly matters as they wouldn't be aware of the change.
When Demona had the Phoenix Gate(Vows), why didn't she use it to transport some of the members of her clan to present day Scotland instead of bringing her younger self to the year 994?
How would that suit her one-track-mind plans?
Dear Greg,
I am a huge fan of Gargoyles. However, there is something that I was always curious about. What did Cu Chulainn shout when he was charging the banshee in the episode The Hound of Ulster. It sounded celtic to me but I don't know for sure. I cant find a script and this I would really like to know what he said.
It is - as I recall - a gaelic expression put in the script by Diane Duane and Peter Morwood (or maybe by Michael Reaves). I'm afraid I can't remember the exact words, let alone their spelling. And my Gargoyle scripts are all in storage. Wish I could be more help.
In "Vows" When Goliath told to the young Demona about doing nothing to prevent The Wyvern Castle Massacre.To not let the petty jealousies that prey upon her heart.To fortify herself with love.Was he really hoping to prevent the future and was it his last attempt to reason her?
Yes, hopefully if forlornly.
What was Demona's goal in City of Stone? Was a massive killing spree the goal?
Certainly that was part of it.
Why did Diane react to the gargoyles the way she did in Nigeria? ("Elisa you know these monsters?!?!") By this time she had already learned what happened to Derek/Talon. Wouldn't she just assume the gargoyles were other innocent victims of Sevarius's experiments?
If you say so. But obviously, we didn't see it that way.
Hello, Weisman. Me again. Hope you're doing well and all of your projects are successful.
I was re-watching Gargoyles again and I was watching the "Hunter's Moon" three-parter and I was curious about something about Jason Canmore:
I noticed something in Part Two, when Robyn is talking to Jason and John about Demona being able to walk around in daylight and how the siblings were debating about whether she'd "share this sorcery with the others," and Jason says, "we'd never know" if she had.
My question is, did he suspect (albeit fleetingly) that Elisa might be a gargoyle in disguise (who was able to use magic to shape-shift at will) thanks to Demona or was he just overthinking the discussion, on top of suspecting that she was hiding something in general? That's the vibe I was getting from the exchange, at least.
Thank you for your time and for answering my question (:
I don't think he ever thought Elisa was a gargoyle.
Why didn't Stuart Canmore chase after Demona after she escaped the net in the flashback at the start of Hunter's Moon Part 2? She was just a couple feet away when she got out of the water.
I'd have to look again, I suppose, since it's been awhile, but as I recall, she was behind him, and he didn't spot her.
Hello, Greg! I hope you're doing well.
1. So long after I've seen "The Mirror" episode for the first time, and I'm still deeply curious: what was Xanatos look like as a gargoyle? Preeeeeeetty interested. I know, that this is not the best question to be answered in writing, but if only briefly...
2. Episode "The Edge" starts with a sparring between Xanatos and Owen. And Owen gets the upper hand.
a) Why did Xanatos stopped the following sparring?
b) Was the purpose of sparrings with Owen in training him in hand-to-hand combat?
1. I'll leave this to your imagination.
2a. Didn't he have an appointment?
2b. No, it was to maintain his edge.
Hello, Greg!It's me again. How are you? Well, I hope.
I was re-watching one of my favorite Gargoyles episodes, "Long Way to Morning" and I had a thought, particularly about Demona: How exactly did Demona know where Elisa's home was? I don't recall her knowing before this episode and i was curious. Was she somehow keeping tabs on her or spying?
Thank you for your time and answering my question. (:
Maybe she checked the phone book.
I'm told it magically gives out addresses.
Hello Greg!
Love all your work, so thank you for such a great stories.
In the episode "the mirror," Puck Says "All Humans on this concrete Isle." NYC has such a constant flux of traffic, between cars, cabs, ferries, and public transport, when people entered Manhattan did they magically become a gargoyle even after the spell was cast? Did those who left the Isle magically revert to human form? Since the populace appeared to accept the notion that they were always gargoyles, I imagine that if those entering/leaving the island did change, then they did not notice. Would that be correct?
Thank you so much!
Yep.
Hi Greg!
I suppose this is a bit of a nitpick about 20 years too late, but while rewatching the pilot of Gargoyles for the millionth time, I couldn't help but question how Goliath managed to carry all of the Gargoyles from the battle to Castle Wyvern.
One at a time.
What was Xanatos' contingency plan in case Goliath threw him off the edge of the Eyrie Building at the end of "Awakening, Part Five"?
Don't know.
Hey Greg! My question is in regards to the letters sent by Xanatos in Vows:
1. What details were included in the first letter? Did he just say "here is a coin" or were stock tips or other future knowledge included?
2. Who did young David think sent the letter? Could someone as intelligent as X really leave that alone for 20 years?
3. Are the letters constructs of the time stream or out of David's head? Did he read (or copy) the originals before traveling back in time?
1. Just the coin, basically, as I recall. It's been a while since I've rewatched the episode.
2. He never knew. He may have searched on and off for an answer, but didn't find one until the second letter came.
3. He probably had them memorized. So the content may in fact have been born with the time stream.
1) The spell the Weird Sisters cast on Demona and Macbeth ensures that the two of them are unaging and immortal, only able to be killed by one another. However, in "The Mirror", Demona expresses her wish to no longer turn to stone during the day, stating it makes her "vulnerable".
If Demona were to be shattered by someone other than Macbeth when stone during the day, would it bypass the Weird Sister's enchantment and kill both her and Macbeth permanently, or would the enchantment be powerful enough to simply piece her back together?
1. Vulnerable to Macbeth, at least. The rest of your question is hypothetical and moot.
Hello, Mr. Weisman. Back again.
Something that bugged me a little when I was watching "High Noon" and "The Price"; in both episodes, Goliath wonders how Macbeth could have escaped from the Weird Sisters (of course, Macbeth didn't actually escape, but that's neither here nor there with regards to my point).
Anyway, my question is this: did it never occur to Goliath that the Weird Sisters might have just let Macbeth go? After all, he doesn't really know anything about the Sisters at this point; they're almost entirely an unknown quantity. Did he think that they'd keep Macbeth and Demona prisoner indefinitely (that isn't rhetorical; I really do want to know)?
Thank you for your time, sir. Have a nice day.
I don't know about indefinitely, but the Sisters didn't take them casually, hence Goliath's response.
There has been a lot of talk over the years about why Demona told Goliath about the Praying Gargoyle during her gloating in "Hunter's Moon Part Three".
1. The gloating was exactly that, gloating. Like most villains, she had to have a "my brilliant plan" speech.
2. Subconsciously, she wants to be defeated because without humanity around, she'll lose her scapegoat and because she subconsciously knows she needs to be stopped, so she subconsciously handed Goliath the tools to stop her master plan.
3. And this is my interpretation, she actually believed Goliath would let her. After what happened on board the Hunter's airship in "Hunter's Moon Part Two", saying Goliath is thinking like a true gargoyle as he openly demands vengeance, seemingly killing two Hunters with Goliath, and Goliath himself not disagreeing when she says that perhaps they're not so different; she believed he was finally, finally seeing the light, finally coming over to her way of thinking, and... well, since gargoyles mate for life, thinking she might finally have her man back and a human free Earth.
Or maybe it was all of the above or none of the above.
All of the above. And more. She's a bit of a complicated mess, huh?
Dear Mr. Weisman I have a question about the Awakening episodes. Did you and your team want the audience to figure out Xanatos and Demona were the bad guys before Goliath found out? In the third part there is a scene where Xanatos says that everything is going just as planned which gives it away. And in the fourth episode there is that extreme close up on Demona's face when she and Goliath meet again and she smiles like a villain. If you did not wish for the audience to figure it out then why were these shots not cut? You could have kept the pretense going until the fifth part.
Obviously, we wanted to let the audience know something was up, without letting them know exactly what.
In the Mirror Episode, When the humans (including Elisa Maza) turned into gargoyles, did that include Elisa's Family Xanotos, Fox, the cops, and the parents of Xanotos and fox? Or is it just the minor characters and Elisa?
Everyone on the island.
Hi
1. In 'Double Jeopardy' Lexinton and Broadway view the tapes of Severius, detailing the creation of Thailog. (I'm being a bit specific in case some details have slipped your mind over the years) Anyway, Severious artfically aged Thailog to be the age of Goliath, but how did Severious know Goliaths age or did he just estimate?
2. Also in that tape, Severious mentioned how he managed to counter the 'slow aging process'. Goliath would later explain to Elsa that gargolyes age at 1/2 of humans, so once again, how did Severious know that?
3. If Thailog had been aged differently, say to the age of the Trio or Hudson, would that have affected his mind by much?
4. In Vows, Thailog and Macbeth meet for the first time and I do love Macbeths reaction. 'Who the blazes are you?!'. Did Macbeth react like that because he was put off by Thailog's resemblance to Golaith?
5. In that same scene, Thailog slips Macbeth a gun and allows him to escape. So I'm assuming that Macbeth was not entirely sure of Thailog's intentions, other than that it looked like he was double crossing Demona, but it has me thinking. Does Macbeth count Thailog as an alley, enemy, or just neutral?
1. He estimated, I suppose. But I also think it's possible that he had that information from Xanatos, who may have gotten in the past through Demona.
2. I don't remember this. Are you sure you heard that right? Because Thailog from this point on ages at a normal rate.
3. Too hypothetical to answer.
4. He was reacting to that, yes.
5. I think by the time Macbeth and Goliath were done comparing notes, Macbeth would regard Thailog at best as someone to be very wary of.
Where was that dam where Goliath fought the Hunters? New Jersey? Long Island? Westchester County?
I'm guessing the latter, but it's been so long, I honestly don't remember.
I'm back with some questions regarding the skiff Goliath and co. rode arround on during the World Tour.
For the life of me I cannot recall whether they kept the skiff with them in Manhatten or sent it back to Avalon, or if it was ever even shown what happened to it.
1. If they did keep it, would whoever rode it next be taken back to Avalon or resume the World Tour?
2. Also, if they kept it, how did Tom get from Avalon to Manhatten?
3. Kind of a related topic, but if not I'll understand if I have to ask again later...what brought King Arthur's body to Avalon?
It wasn't shown, but you saw what happened to Arthur's skiff. The same thing happened to Goliath's. Since the skiff/Avalon "knew" it was the last stop, it sank away and returned to Avalon. Recycled, don'tcha know.
1. See above.
2. There is, by the way, more than one skiff.
3. A skiff.
I just watched Enter Macbeth and I have a question about why he went to Xanatos with his offer. How did Macbeth know that there were gargoyles living modern Castle Wyvern in the first place?
He had seen them.
hey Greg, long time fan of the show, i started watching it when i was 11 yrs old, i'm 27 now. here's my question: in the episode High Noon just before the sun rises, what was Goliath looking at before he took his position since he shifts his head to the left (our right, his left)
I'm sorry. I can't remember. I'd have to rewatch that specific scene.
Hello!
Not a very significant question here, but I couldn't help noticing as I was watching Young Justice that there were a few little references to the film "Casablanca." I really, really love that movie, and I loved the recurring callbacks to it - the episode entitled "Usual Suspects," the exchange in "Insecurity" of "At least a kiss is still a kiss," "And a sai is just a sai!", and (though this one's a bit more tenuous) the whole "We'll always have Paris" implication that was in "Endgame."
It's just really great stuff. I guess I've been wondering for quite a while what the inspiration or reasoning was behind it, or if it was just for fun, or just a coincidence; I dunno! They were all great little Easter eggs and made me smile whenever they'd pop up.
YJ is (was) a spectacular series and really changed my life, no joke! Thank you so, so much for sharing it with all of us (and for taking the time to answer fan questions; wow).
I'm a huge fan of the movie. Slipped a visual reference to it into Gargoyles even. But I don't think there was much of a plan here. Some of its dialogue has simply slipped into the vernacular.
I recently read one of post about Reawakening and you said that even though some people saw the gargolyes and coldstone, the public still didnt know about them because there was no proof. I cant help but find this funny, because in todays day and age pretty much everyone carries a camera AND the internet in there pocket, so it is far easier to get phsiycal proof of something. So im curious but if you would have done things a little differently if the series had been set in a more recent time?
Obviously.
Okay so i reaslie with your lack of actvity here, this post will go unawsered for a very long but i do hope it dosent get deleated like my last post.
In Double Jeapordy(which is probabley my favourite episode, for reasons you can guess), i noticed recently two things that i thought were strange. When serveius received the kidnapping instructions from thailog, thinking it was xanatos, did these instructions state specfically whether or not thailog was going to be in on it? That is to say did they tell serverius that thailog was going to know about xanatos plan to fake kidnap him? I ask because, when the comadoes bring thailog to the oil rig, serverius prepares to drug him, then thailog breaks out of the container and looks angry(of course you said he likes to perform). Then when he drugs golaith, he says his shackles werent locked and he clearly was not drugged himself. So what happened? Why did serverius put him in a cell unchained and in full strength? The only thing i can think of is, after thailog killed the comadoes, serverius told him about *ahem* xanatos plan, thailog then feigned ignorance and simply waited in the cell to make it look more convincing for whoever servius thought the plan was directed at.
The second thing i am wondering about is when xanatos arrives with ransom money and then attacks serverius. If xanatos had no clear intention of paying and was simply going to "make a example" out of serverius, then why did he bring the money at all? Also what xanatos mean by that? Was he actually going to kill serverius for his betrayal or just punish him in a very severe way?
And now that im done i actually thought of another question. When lexinton finds the gen-u-tech band, did thailog leave that here intentionally or was simply an accident? If his goal was to lure golaith to the oil rig, then why did he leave a clue that could have lead golith all the way back to the city? Anyway i hope you are able to answer these for an old fan like me and i also hope that when i read your answer in the future young justice was still be on. Have a nice day!
Sometimes it feels like every day here at ASK GREG has a theme.
Today's theme is "ask me extremely specific questions about stuff from SO long ago that there's no chance I'll remember". I'd love to have the luxury of time to go back and watch the episodes, but I don't. I barely have the luxury of time to answer these questions.
Anyway, I'll do my best.
1. This one I really don't remember. It all made sense at the time though, and I tend to think it makes sense now.
2. Xanatos brought the money because he didn't know what the set-up would be when he got there. He thought he might have to show real money to get what he wanted. As for what he planned to do with Sevarius, I think it's best to leave that to your imagination.
3. Thailog knew there was more than one gargoyle. He wanted ALL to be discovered. If I'm recalling correctly.
And going back to Gargoyles and YJ, I noticed your secret connection with Celebrity Hockey (Hudson's favorite show). I thought that was pretty cool. I like how you use mirroring, foil characters, connections, irony, all that good stuff on your shows. Like in "Cloud Fathers" Coyote (the spirit) pulled a stunt on Coyote (the Xanatos robot) which was very similar to Robin, Kid Flash, Aqualad, and Superboy pulling on Blockbuster in "Fireworks". I also see you said once that the Light was perhaps influenced by the Illuminati in Gargoyles, but not directly, so I wanted to know if there are any other hidden connections between YJ and Gargoyles and if so what are they?
Thanks a lot Greg. Like I said before, I appreciate how you're willing to talk with your fans and I think this website and your work is really great!
There are probably a ton. You can chalk up some of them to my sincere lack of imagination. But others are quite intentionally used as fan-service, particularly to Gargoyles fans, who have been beyond ridiculously loyal to me for over a decade. And often it's just for my own personal amusement. Trust me, if I could have figured out a way to put some version of the line "You beat up a beach!" into Young Justice, I would have.
Regarding Stargate: The Hunted.
I would have watched it. (I think I tried the first ep of the cartoon that did get made. Whatever it was, it wasn't Stargate.)
You said "Besides, night looks cooler om action animation than day does." That reminded me how day shots in Gargoyles used to jump out due to their rarity. Though I must add that one of the best tv action sequences anywhere is Elisa evading and taking out the goon squad while running through Central Park in the morning. (I also thought of B:TAS, but who doesn't think of Dark Deco when they hear nighttime and animation?)
One thing intrigued me; you made the large alien (name escapes me at the moment) only 12- a member of a long lived, quick growing species, but still a child. I would think living thousands of years would lead to an extended childhood, not quick growth. What made you choose that? (If you don't recall, what are your current thoughts on it?)
I'm a little lost. Are you referring to Ohnu? If so, I think the idea was to keep the cast young and inexperienced. And I liked the idea of a man-child.
Hi Greg,
I am just writing to say the gargoyles was and still is one of my favourite childhood shows. The twists with fox being part magic and owen was puck the whole time?!! I was utterly surprised!! Now i get how Xanatos knows some things that are unnatural.
Another thing, in the episode upgrade, i noticed that fox and Xanatos were playing a game of chess with the pack and the gargoyles as pieces whilst the pack and the gargoyles were fighting each other at the same time. That cannot be a coincidence. i believe they were playing their lives as if it was a game to them and chess seems to be a perfect way to illustrate the point.
Genius
Thanks. (And I don't think we were being subtle about it. We never wanted the audience to think it was a coincidence.)
I have a question about Vendettas. When Vinnie first encounters Goliath and Wolf fighting he was driving a fork lift. Why was this? Was that his job at the time? It would amuse me to think that Vinnie brought his pie firing cannon to work. Then again he mostly encountered the Gargoyles at work, so maybe he wasn't being so illogical.
Boy, it's been a LONG time since I watched that episode. Wasn't he tracking them? Then he made use of the forklift because it was there? Honestly, I just can't remember. But what you're suggesting doesn't sound right.
Facts and Fiction about "Deadly Force".
We got a shout out here:
http://m.mentalfloss.com/article.php?id=33538
15 Temporarily Banned Episodes of Popular TV Shows
"Deadly Force" made #5!!! Which is very, very cool!
It's ALWAYS nice to be talked about, and I don't want to sound like a churl, but in the very short paragraph describing the situation, there are at least four errors. Here's the original text from the website:
5. Gargoyles, "Deadly Force"
Controversy: Gunplay
While pretending to use a gun in "Deadly Force," Broadway accidentally shoots Elisa and attempts to cover up his crime. Although this episode was initially pulled from the rerun cycle thanks to objections by advisory groups, it was eventually re-aired after editors removed some of the blood from Elisa's shooting. It has since been added to the DVD collection.
Error #1: Broadway wasn't "pretending to use a gun". He was playing with an ACTUAL gun, pretending to be a cowboy. (This one may sound nit-picky, but I don't think the original phrasing is clear at all.)
Error #2: "[Broadway] attempts to cover up his crime". Not really. He's so afraid and ashamed, he runs away and hides. When Goliath accuses Dracon, it takes Broadway a few minutes to own up to his culpability. But there's no attempt at a cover-up.
Error #3: "[T]his episode was initially pulled from the rerun cycle thanks to objections by advisory groups..." That's untrue. In fact, the REVERSE is true. Advisory Groups LOVED this episode. For example, we got a positive write-up in Madeline Levine's "Viewing Violence", which I can tell you was not overly kind to most animated television series. No, the truth is we were fine when the series was in syndication and when it was rerun on the USA network. But when it moved to what was then called "ToonDisney", a new group of Disney S&P execs over-ruled what our original S&P exec had decided and ignored ALL the good press that the episode had received. Thus (for a long while), TPTB removed it from the rerun rotation.
Error #4: "...it was eventually re-aired after editors removed some of the blood from Elisa's shooting..." Again, this is inaccurate. The episode aired ONCE with the excessive blood, because Frank Paur and myself didn't get the retake with less blood back from Japan in time. WE were the ones who wanted less blood, because (a) we didn't want it to appear that Elisa had already bled out and (b) that much blood seemed distracting, like we were trying to get away with something instead of trying to tell the story. By the episode's second airing, the retake was in and the episode aired multiple times with less blood in syndication and on USA before the series' reruns moved to ToonDisney, and the version with less blood was pulled from the rotation. It's reinstatement had nothing to do with quantity of blood. It was originally brought back for Halloween marathons - I suppose because TPTB at ToonDisney thought they could get away with it on Halloween. Then later, when we began airing VERY, VERY late at night, I suppose they figured there was no reason not to include it.
Anyway, so there you have it. Still glad we were mentioned, but I figured I should set the record straight on these points.
I'm sure you're all still wondering why my presence here at ASK GREG has been so minimal. I'm still quite swamped with work, but I wanted to try to post a little something...
What happened to the disc Robyn stole from Demona? Did the police find it in the wreckage of the airship?
SPOILER REQUEST. NO RESPONSE.
Hi Greg. Thanks for giving us this great series, and for all you do to help keep it alive. Here's my question:
I've always felt that "Hunter's Moon" was a much darker storyline than any of the other Gargoyles episodes we've seen. I don't know if it's the way all three episodes open with a flashback that involves someone seeking vengeance, or the fact that this is the first time we actually see Goliath wanting to commit premeditated murder (not just "murder in the heat of battle" like before), or the fact that we almost lose two regular cast members (Angela and then Elisa), or the theme of hatred being passed on from parent to child for a thousand years. Maybe it's just that there's hardly any comic relief in these episodes, as almost every scene seems to involve one of our regular cast members going through emotional turmoil in some way.
Anyway, I was just wondering if you were deliberately trying to set a darker tone for these episodes, or if this is just how I perceived them myself. And if it was deliberate on your part, just wondering what your motivation was for that, because these episodes really do stand out to me as the darkest episodes in the series. And if it wasn't deliberate, then is there anything which in hindsight might have contributed to these stories coming out this way?
Also, why is it that you chose for the series finale to be so dark? I'm not criticizing, because I love these episodes and I love Gargoyles, but it just seems unusual (not in a bad way) that in a show where you've said yourself that you wanted Goliath's basic optimism to shine through, the way you chose to write the finale was by telling a story where we see his most vengeful side coming out. Just interested in understanding what your motivation for that was, story-wise.
Thanks for taking the time to read this question, and for all you do.
It was a BIG story. But to me it seems of a piece with what came before (and even what came after in the comic). I'm not sure - though it was long ago - that we set out to make it darker, though we did set out for it to culminate much of what came before and to resonate with much of what came before too.
In any case, I think the ending of the thing is VERY optimistic. The fact that we put Goliath through the mill - and had him react realistically to that mill - during the three-parter doesn't change that. By the end, Goliath reaffirms his principles.
Hey Greg. I just had one question I wanted to ask you.
1. In the 2nd episode of the Pilot for Gargoyles, Owen mentions that Wyvern castle is haunted. Was this just originally a throw away line similar to Matt Bluestone's line about the Illuminati, or was did was the line meant all long to lay the seeds for a possible episode in the (then) future about the ghost of Hakon and the Captain? Or has it been so long that you honestly don't remember, because if it was that I honestly do understand.
Thanks.
1. I think originally it was more of a throwaway, but it stuck with me.
First of all, let me say that how much I have always enjoyed Gargoyles. It was a high point of the afternoon for my younger brothers and me during the original run (while our mother enjoyed having a half hour relatively free of sibling squabbles), and now I'm having a lot of fun introducing the show to my 4-year-old son. So, you see, your show has multi-generational appeal! Thank you for all your hard work and vision.
Secondly, I guess my question is about your writing process. I recently discovered via this site your ideas for the prospective Gargoyles spin-offs. This suggests to me that you write with a, for lack of a better term, "master plan" in mind. Unlike, say, David Milch, who famously writes and re-writes furiously as new ideas occur to him, and actually plans out very little.
1)Would you say this is accurate?
2)If so, do you ever deviate from this plan, if a new and different idea strikes you?
3)Again if so, would you mind providing an example? (A Gargoyles show example would be just fine, I'm not asking for spin-off spoilers here!)
Thank you in advance for your time.
First of all, that really warms my heart. Thank you for telling me that.
Secondly...
1. I can't speak for David Milch, but yes, I do better when I've planned ahead. That doesn't mean I don't allow for new ideas and/or rewriting. I do. I just would rather have the structure in place to allow new ideas to grow, rather than - generally - winging it.
2. Yes. (Gotta start reading all the questions before answering any.)
3. Uh... one that comes to mind is one we didn't do. In "Grief", we belatedly came up with the idea to let Coyote kill the travelers, who wouldn't die because Anubis was off-line, so to speak. And if we had come up with that idea a bit sooner, I definitely would have incorporated it, because it's a GREAT idea. But unfortunately, the idea didn't strike us until AFTER the episode was completed.
Someone in a Captain Action discussion group, found a clip from a Gargoyles episode entitiled "Eye of the Beholder". There is a brief appearance by Action Boy, who is the sidekick of Captain Action, a 1960's action figure from Ideal toys. His emblems were blacked out, I'm sure for copyright purposes. I was wondering if someone envolved with the show was a Captain Action or Action Boy fan. Anyway, it was a cool thing to see.
I have no memory of this, I'm afraid.
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