anonymous writes...

Hi there:

1.) I didn't know if you knew, but your show currently holds the record for the most episodes to feature Sandman on any Spider-Man animated series, as he's never appeared in more than one episode of a Spider-Man cartoon. I've noticed some villains that have appeared on the various cartoon shows have been used surprisingly little. Mysterio's had no more than four episodes (as shown on the Fox Kids, 1990s "Spider-Man" show), Electro's had three (from the 1960s animated series), and Kraven's had three or four appearances at the most, I think (also from the Fox Kids TV show). Do you have any plans for future seasons to try and break these villains' current records and let the villains appear in more episodes?

2.) Is there any chance we will see Doctor Octopus meet with Mysterio in season two, or maybe in another season?

3.) When season two is a huge hit (which I'm sure it will be), will you guys get started animating season three or does it usually take a few months of planning before you can get right back to work on another season?

Needs A Little Guides writes...

This has been bothering me for sometimes, and i dont know how or who to ask this, so i'm just going to ask you because your in the cartooning busniess, I'm a senior in high school. And I've alwayed dreamt of becoming an cartoonist, I've alwayed enjoyed drawing and cartoons, and ever sense i was small I use to watch gargoyles and loved it, And from there I started getting into the arts, but it stopped when i enterd in high school,there was no arts and so my talent has gone to waste, -_-... You probably dont really have time for this but I'd really like your opion on how you started off or where to i could start, ...Thanks for putting up with me if you do response to this

Bill Rodebaugh writes...

Hello Greg,

I'm an animation fan....particular from the days when everything was animated in the US....such as the earlier Hanna-Barbara days or Filmation's cartoons. Has "Gargoyles" and the new animated "Spectacular Spiderman" animated overseas? Do you have direct input into all the stories that go or have gone into these series?

Sincerely,

Bill

Jordan writes...

Hey Greg,

I caught the spider-man premire and I have to say it was one of the best saturday mornings I've had in years. Congrats to you and your crew.

In the time between Gargoyles and Spider-man, how would say the overall process of creating an animated show has changed, for better or worse?

Moeen writes...

This question is actually not about Gargoyles.

I was wondering if you have seen or know about the animated series "Avatar: The Last Airbender." If you have seen it, what do you think of it?

I've heard some people complain about how animation and animated shows in America have been in a decline since the 90's, but Avatar is actually the best animated show I've seen since Gargoyles. It came out a few years ago on Nickelodeon and is currently in it's third season.

The shows strong points are many that made Gargoyles such a great show, namely very complex characters, a complex plot and excellent pacing among other qualities. Like Gargoyles, it also appeals to many different age groups, not just kids.

You've mentioned how it would be difficult to air a show like Gargoyles these days with the current lack of S&P freedom, but the creators of Avatar have nonetheless managed to make a great show with an excellent storyline apparently without sacrificing anything, and it has become quite a hit.

So I thought you might be interested in looking into it, if you haven't already.

Landon "Lumpmoose" Thomas writes...

Hello, long-time reader, first time asker. I just caught "Ken 10" and loved it. I think it's one of the best Ben 10 episodes yet, and that's saying a lot. I love seeing the shades of Gargoyles in there with your fearlessness in shaking things up, adding drama, introducing new characters, and playing with the time line. It makes me all the more excited for Spectacular Spider-man (congrats on the 26-episode pick-up, by the way).

I'm currently pondering a career in sound design/editing/engineering. Animation is my passion and that's what I'd like to work with, at least partially (i.e. I can't draw). You've mentioned Advantage Audio in the past as the Gargoyles post-production house. Advantage Audio looks like a great place to work, but it surprises me that Disney television animation would contract out for audio work on one of their flagship products.

1) I know smaller animation studios usually contract out for audio post-production, but how often do the big studios, like WDTVA, WB, Cartoon Network, and Nickelodeon, use external post-production houses?

b) Do they even have in-house audio teams? If so, how often do they use them?

c) Just out of curiosity, what does Culver Entertainment do?

2) The thing I'm worried about most is being 'merely' a tech grunt in the audio production field. In your opinion, how much creativity is there in the audio post-production field?

b) How closely do you, as a writer/producer/director, work with audio teams? Do you just pass the work on and expect an end-product?

3) This is a personal, limited-in-scope question of which you may have no opinion. I'm currently in Minneapolis with a BA in theatre, minor in computer science, and very little audio experience. I'm pondering going to Full Sail for a trained-by-the-best kind of thing. Does that school stick out for you or would a local tech school and/or experience be good enough to break into the big time?

Thanks for any help! I know questions weren't strictly Gargoyles-related, but Gargoyles was what inspired me to steer into the entertainment industry in the first place!

Bazell writes...

In "A Long Way To Morning," Demona, Hudson and Goliath do not turn to stone until the clouds clear and the sunlight shines through - with the sun clearly well over the horizon, suggesting a bit of time has passed after sunrise. However, in "The Silver Falcon," Broadway turns to stone even though he is in a basement, cut off from the light of the sun, suggesting a circadian rhythm. Was it simply an animation error in "A Long Way To Morning," or is there a reason for this. (I assume it's the animation, but I was curious)

Billy Kerfoot writes...

Hi Greg, me again. Sorry but I forgot this other question I've been meaning to ask:

What type of animation did you guys use for the show? Was it dark deco like in Batman: The Animated Series? And although I know you didn't work on TGC, from the looks of it, do you know what animation they used as well? Thanks a lot!

Justin writes...

I know this will not reach you for awhile. But I was perusing internet movie database and found an outstanding review of the series I thought and hoped you might enjoy.

This person captures the spirit of the fans in every way, on every level. We have bought the DVS's we WILL buy the comics, and Yes, I believe we will bring this timeless show back.

We cannot do otherwise guys.

I have just one question: How can Disney Television Animation produce such a wonderful show as "Gargoyles" for a couple of seasons and then go back to being Disney Television Animation? I simply cannot understand it, and if anyone has any thoughts, PLEASE share them with me! This show was a breath of fresh air on every level. If this wasn't a groundbreaking show, it certainly raised the bar sky high.

Voices--Many's the time I have thought that they could have chosen a better actor for a part in animation. Not here. The voice cast was so good that to this day I cannot imagine anyone else filling the bill. In the role of Goliath, Keith David demonstrated that he possesses one of the greatest speaking voices of any actor in the business. Jeff Bennett was also great as Brooklyn, my favorite character. (Loved the white hair!)

Music--Carl Johnson's scores were great. They beautifully set the tone and underlined the action and the drama.

Animation--Excellent. Dark, moody and stylish. The shots of the clan as stone statues are downright eerie at times. To this day, I still can't believe Disney did this one.

Plot--Action, drama, technology, mythology, humor and a little Shakespeare on the side. Folks, WHAT MORE COULD YOU POSSIBLY ASK FOR? This series had the most tightly structured story lines ever--there was not a single moment of dead air anytime.

The best thing about the series, however, was the characters. For being a clan of gargoyles (with a couple of humans), these characters were as real as you and I. Things HAPPENED to them! They actually got HURT as a result of violence. They matured, sometimes in ways unexpected. They found out the hard way who their friends and enemies were. And they had to live with the consequences of their actions, which sometimes came back to haunt them in later episodes.

Here's hoping Disney will realize the error of their ways and bring this show back. If you are already a fan, may you continue to enjoy the show. If you haven't seen it, give it a chance. But be advised: Once you have seen television and the world through the glowing eyes of a gargoyle, you will never want to settle for "standard kiddie fare" ever again.

I hope you enjoyed this Mr. Weisman

Rylynx1285 writes...

Mr. Weisman this would be my first time asking a question. I have to say I have been a big fan of Gargoyles since the beginning. The show really change my feelings about people who are different. Thank you Mr. Weisman for introducing this show to my life. As for my question. Do you feel that Animation in America has been on a steady decline? These days that aren't that many animated shows that are made with the same quality as Gargoyles or any animated shows during the ninties which I dubbed the golden age of animation. I just want to know your opinion on this subject. Thank you and I hope you can bring Gargoyles back in any shape or form in the near future.

Joey Conaway writes...

Hey Greg I bought the GARGOYLES DVD today and I have enjoyed it already here is my question
to ya

How long did it take yall to do the animation and get the voice overs
for Disney at that time please let me know thanks

Zel writes...

have you thought of pitching a non-gargoyles Animated-Action-Fantasy-Drama to Disney (or Fox, or Cartoon Network, or whoever)? I'd watch it. It's bound to be loaded with Gargoyles inside jokes

Joshua P. Christie writes...

Hi Greg-- first off before my question I want to say that my previous question regarding Goliath using the Phoenix Gate to not return to Scotland in order to save his clan when he used it to save Griff in London-- I submitted that a year and a half ago and when I didn't see an answer I took it upon myself to copy and paste it during the chat you had a couple of weeks ago (Nov./03). So it was not a double post but you had answered it twice. For what it is worth, I understood it the second time around. :)

My question for 2003 is, with Gargoyles being property of
Disney and the reality of not being able to do much with
the show without their blessing, have you ever considered
coming up with an original idea for a show and trying to
get something new off the ground? Perhaps not even a
syndicated show but something more akin to Todd McFarlane's
'Spawn' on HBO? I am not suggesting any particular idea, just one of your own which created a new universe of characters and storylines that perhaps one day could be funded and see the light of day notwithstanding our hopes
of Gargoyles one day returning to the air. It is encouraging to see Fox considering reviving 'Family Guy'
after the syndication and DVD sales surprised the hell out
of everyone. Maybe Gargoyles can see the revival it needs
on DVD to open Disney up to that possibility. Thank you for your time and I hope to see you at the next Gathering that comes stateside again.

Julius Jacobson writes...

First off, thank you for creating a masterpiece. Undoubtedly one of the greatest animated shows of all time.

Now some questions about the TV industry:

1.You are quoted in the FAQ as advising aspiring television authors "If you can be happy doing anything else, do that thing." Working in the industry for all these years, do you feel that most of your peers have taken this advice, or do you feel surrounded by bitter and disillusioned cynics?

2. Why is it that you were given such a position of significant control with "Gargoyles" relatively early in your career, yet have been unable to find a position in similar role since adding that credit to your resume? Despite being a moderate hit, did losing the ratings war with Power Rangers attach a stigma to the show (and thus you) as "not being able to hit a homerun ", making it harder to get future opportunities (you have done some good work since, but nothing with the creative control or depth of Gargoyles)? Or is the industry understanding of what Gargs was up against (A barinless "Pokemon" like monster) and don't disparage it as a "failure" simply because it couldn't defeat a (ratings) behemoth, and your current situation is just the brakes of a volatile industry?

3. I don't necessarily want to be a TV writer (I'm into prose) but I am a big fan of animation. Do you think the FoxBox and the new Ninja Turtles cartoon (the blocks highest rated program by far), in going up against Kids WB, is in the same position Gargoyles and Disney Afternoon was in in 1995/96? Foxbox has moved to Sundays ostensibly to avoid the competition. As a creative Producer once in a seemingly similar situation, could you just objectively tell a worried fan if this is a sign of The End? ( TMNT has, however been signed on for more episodes up to 52, which according to you is succesful in todays market.) As an aside to this question, how much of keeping an animated show on the air has to do with sales of merchandise as opposed to pure ratings?

Thank you for your time.

Dragon girl writes...

hi there!!
Im a fan of yours!!! and im a fan of manga, comics and drawing, i wish one day i could illustrate my own story
i only want to ask you: What things do you need to do
to have a nice story and character desing?,please answer me
My mail.- beautifulbeast_10@yahoo.com.mx
bye!!

Dragon boy writes...

Greg, i am making some "comics" cause my dream is becoming a professional japanese comic maker (mangaka) ,here is my only question:How can you become a good drawer and how can you make things that people really like?
here is it, please answer me,ops! and im a fan of yours n.n !!!!
n_- bye !!!!

Vashkoda writes...

Hey Greg. Concerning all the different series you've worked for and all the jobs you've held in them (creator/producer/voice director/writer/etc.), which do you think actually "sells" your talent to companies to make them want to hire you? Do you feel any particular works of yours outshine the rest and really impress the execs? How well is "Gargoyles" regarded by these company execs, for instance? Or do you think it is instead the fact that you've worked for big name companies in the past, like Disney and WB, that impresses the execs, rather than any particular works you've done? Or when you apply as a freelance writer, for example, do you just submit several sample scripts of your ideas, and they decide from that whether to buy the story or not, regardless of your actual background? I'm just curious how it all works. Thanks!

Francois Ferland writes...

Sorry, it's me again. I know you must be getting tired of me, but I just rediscovered Ask Greg after five years, and I have tons of questions to ask.

I have an animation question.

1. I'm fairly certain without being 100% sure that all the episodes of a multi-parter are being done by a single studio. Is that true? It sure seems that way, like "Awakenings" and "Hunter's Moon" having gorgeous animation throughout and "City of Stone" and "Avalon" having moderately good animation all accross their parts.

I can see how it might be better this way. It insures a lot more consistency within the same story, and that includes scene continuity from one part to the next. Character models and background for all parts will be done by the same staff or supervised to make sure they fit together. I can't see communication ever being good enough between two distant animation companies to insure that two episodes would mesh together seemlessly.

Of course, sometimes it might be difficult for a company to complete 3, 4 or even 5 episodes at the same time, but I assume that those studios had their episodes assigned a lot of time in advance, with as few other episodes as possible being expected from them while the multi-parter was being done.

You mind shedding some light on the matter?

Thanks!

Mike Cohen CKayote@worldnet.att.net writes...

Topic: Weisman, Greg

As a result of watching 'too much' TV as a kid, I find myself wanting to work in writng TV and movies. I'm starting my freshman year of college in August, and I have no idea about how to get into my chosen profession. I tried asking my school's advisors and the film department people and looking on the internet,etc. but nobody knows anything about it.
So I figured that ask someone who's been there is doing that.

So how did you end up with a job writing all those Disney shows? Where did you go school? What did you major in? Who did you have to meet to get where you are?

Thank You Very Much,
Mike Cohen
CKayote@worldnet.att.net

Anonymous writes...

In a previous question, you told someone to send a script to a production studio, as a way to break into the business. I was just wondering if someone would actually read the script, or just throw it away?

Haleigh Costantino writes...

I am a digital imagery student and freelance artist in Arizona. I wanted to know how you got started working and if you can tell me about any companies that accept freelance artists for concept art, etc. And please keep the idea of that Gargoyles movie going!

Justin writes...

Greg,
This isn't a question, so much as a comment. I just rewatched Awakenings Part 2, and I must say it was absolutely stunning. The part that really sticks out for me is when the great acting the voice artist do in the opening scene. The parts that stick out in my mind are as follows:

"These bowstrings have been cut... there was betrayal here."
As you said Hudson was falling back on his training.

And Keith David and Bill Fagerbakke were excellent in their exchanges.

The animation during this scene is amazing in my book. Maybe not the models that I liked in episodes like Hunter's Moon, but it is still amazing. Each character display such emotion. I know Bronx is only a beast, but it even feels like he gets what happened. I loved the scene. Hudson knocking some Vikings into hay as he swoops in. Broadway using what he knows best... food! The action really picks up here and I feel so sorry for these characters. I must admit that in October 1994 when this first aired I thought many more died than about forty. Which is the number I think u said. But nonetheless it is so sad. I just lost a friend of mine back in November. So it taught me that if even one life is lost is just hard if hundreds are lost.

Anyway Kudos on an awesome episode.

roxanne writes...

last night I whached the episode "seeing isn't believing". I think it's the second to last episode in The Goliath Chronicals. Anyway, the animation style was really really weird, I wondering if you happened to know what that was about.