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Clan-Building #6: Reunion

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Asatira writes...

Hi, Greg! Glad to finally get the issue 6, and to finally see something we fans have known of for a while, but never got the details. So that's what Coldsteel was doing all this time. And good to see another place from legend exists in the Gargoyles universe, I just wish there was more space and time to see more. Ah well, each medium has its pros and cons. There's a number of other things I liked about this issue, that can be summed up with one word: characters. For instance, I found the demand from Thailog to Shari for a story, and her feeding him grapes, rather funny because she outranks him. I think she's just mollifying him for now. I am glad that Angela recognizes the differences about parental concerns about biological relationships, but still barrels ahead with her guess about Gabriel's relationship to Coldstone. And his follow-up comment, quoting the "biological" but still saying son, which was most important. I kind of wonder how much Desdemona overheard and if some of that pause was her taking it in as well. Reminded once again, when Coldstone mentions his concern about children with the image of Angela, how important the clan's eggs really were to the clan. I'm like many on the site and curious about the revelation at the end. What could Xanatos have to do with Coldsteel, and will the later be cooperative?

Greg responds...

Hang tight. You're just an issue away from learning more about your last question.

Response recorded on October 16, 2007

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KingCobra_582 writes...

My issue #6 Review.

Thanks for another great issue, Greg.

**SPOILERS**

STORY - First off, kudos on the story. Having Coldstone show up was a great idea, and well executed. I liked the expression on his/her/its' face upon learning about Gabriel, and I didn't see the twist coming. I had thought his emotions there HAD made him actually turn evil. Good plot crunch, that.

For a minute there, I actually thought he was going to kill Elisa. Brutal. But that's 'Coldsteel' for you.

I was also curious as to his (Coldstone's) exact connection with the natives, and what their relationship was, not to mention their treatment of him afterwards, but maybe someday, we'll learn more in a future issue.

Thailog was as kickass as ever.

It seems to me that Brooklyn was still a little depressed, seeing Angela and Broadway like that. He made the excuse about 'Thailog still out'. Is that the real reason he walked away, or was he lying to them? Either way, I have to say, Poor Guy.

Once again, story threads were left hanging for future issues, and I can't wait to see where they go over time. I recall hearing somewhere that this issue was based on a script you'd written for the old Marvel Comics series. Is that true?

art - Not as perfect as Issue #5 was, but better then #3 and #4 were. Decently drawn, and the coloring works primo. Nicely done. Hats off to Stephanie Lostimolo and Dustin Evans.

Bottom Line? Nice, sensible, one-shot, with, as usual, hints of future plotlines contained within, and great characterization. Thailog continues to reign highly as one of my favorite villians, and having a flashback to a previously unseen Avalon tale was clever. Hats off to an excellent story. The art, though not the greatest. was still pleasing to the eyes. If awards could be presented for artwork, Evans and Lostimolo would deserve to win big.

And you, Greg Weisman, would, once again, be #1 in 'Best Writer'.

Until #7. :D

Greg responds...

Thanks.

Yes, most of this issue was written originally for the Marvel book (which I was scheduled to take over) before it folded along with all of Marvel's Disney licenses. I adapted it to fit our current continuity. Glad you liked it.

Response recorded on October 16, 2007

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<SIGH> Gargoyles #6

<SIGH>

Okay. I'm embarrassed. As many of you already know, there are a number of production errors in issue #6. I have already received what I believe is a heartfelt apology from SLG, and I'm personally passing this apology on to you fans... and adding one of my own.

Here, as far as I can tell, is the rundown of the errors in Gargoyles #6:

PAGE ONE. The logo and title ("Gargoyles Clan-Building Chapter Six: Reunion") have once again been left off the book.

PAGE TWELVE. Although the correct lettering overlay was used, the art is incorrect -- and is in fact a reprint of page 16.

PAGE TWENTY-THREE. An uncorrected version of the page with the wrong "SCARAB" logo was used.

BACK COVER. The add for the trade paperback leaves Nir Paniry's name off, which is frankly inexcusable. Also Stephanie is still listed as doing tones on Bad Guys, but Karine did her own tones.

ETCHED IN STONE. In addition, the blurb for issue #7 lists Dustin Evans as that upcoming issue's colorist, but the colors for #7 are now being done by Robby Bevard. Dustin was colorist at the time I wrote that Etched in Stone, but since then the situation has changed. So that's not really an error... just consider this an update.

Guys, believe me, I am well aware how unprofessional all this makes us look. I recognize that the fans are NOT expected to have unlimited patience with all our screw-ups -- be they production errors or late deliveries. I've been told that SLG is going to reprint the issue and that exchanges will be possible. In the meantime, I'm looking for a way to post the correct pages (which exist, I swear) somewhere practical on the internet so you guys can at least see what you've missed. And of course, everything WILL be correct in the Trade Paperback (though that's hardly the inducement to buy that I was looking for).

All I can say is that we will try to do better. Truly. I know that must sound hollow, but I'll now be looking over galleys personally. Honestly, if ALL the mistakes on the book were mine, I'd feel a LOT better. And as always, I'm ready to take full responsibility for any creative stuff you don't like. That is on me.

Finally, for the record, Angela's costume on the cover is NOT an error but a creative choice made by Greg Guler (i.e. the man who designed BOTH versions of her costume). He was aware that the "scene" he was depicting was from a flashback but made the creative decision to go with the new costume on the cover. Note that covers are not canon. Covers are the FINAL ADVERTISEMENT/INDUCEMENT to get people to buy the book. Greg felt that the new costume would make for a better inducement. We discussed it, and I agreed.

Again, I'm so sorry about all this.

Greg Weisman
October 10th, 2007



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