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Jeff Lenihan writes...

Mr. Weisman,
I had a couple of questions regarding the double date you said you planned on sending Elisa and Goliath on.
1)In your mind, would Goliath have been dating Delilah out of any real interest in her as a person, or would it only have been a superficial attraction based on her resemblance to Elisa?
2)Obviously, Elisa wouldn't be thrilled about the idea of Goliath dating anyone. Do you think, however, that she would resent Goliath (either consciously or subconciously) for dating Delilah, who basically looks like a gargoyle version of herself? I ask this mainly due to the events of "The Mirror." Goliath's statment about not recognizing her beauty when she was human, coupled with his reluctance to answer her question as to whether he thought she was ugly, could be interpreted to mean that he only found her beautiful when she had a gargoyle's form.(Granted, I think you stated previously that this wasn't what you meant for him to be saying, but it could be interpreted that way)
3)You said you were considering Jason as a potential date for Elisa. Given the fact that Elisa told him in Hunter's Moon 3 that there was someone in her life who would always come before him, wouldn't it be uncharacteristically cruel for her to then turn around and make him think he had a chance with her after all?

Greg responds...

1. I think it would have had a lot MORE to do with the fact that Elisa WANTED him to "see other people, gargoyles, whatever..." Delilah is the only real option in NYC at this time.

2. O.K., for starters, saying "they're dating" is pushing it. Rather, Elisa and Goliath experiment with not seeing each other. Their dates (for this one night) are basically being used a bit. So, yes, I think seeing Goliath with Delilah would disturb Elisa. And frankly, seeing Delilah period is just disturbing for Elisa. But seeing Elisa with another man would also disturb Goliath. They're trying to make the best of their mutual decision that seeing each other is impossible. But let's just say the date does not go smoothly.

And by the way, you're misrepresenting me with regards to "The Mirror". I think in fact that Goliath did NOT find Elisa sexually attractive until "The Mirror" allowed him to see her through a gargoyle's eyes. There was always chemistry there. But it was based on (a) her physical attraction to him and (b) a strong emotional and spiritual connection. After "The Mirror", Goliath also maintained a physical attraction to Elisa. He was no longer blinded by her human characteristics.

3. Would it be any crueler for her to go out with Morgan, who had no idea about her relationship with G? At least Jason wouldn't be blind-sided. Anyway, she isn't trying to be cruel. This is a sincere attempt. As far as her rational mind is concerned, the guy might really have a chance if things work out. I'm not saying there's no potential for cruelty involved. Welcome to the world of dating. But in any case, it's one date. A first date. So let's not over-react.

Response recorded on June 29, 2000

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VF writes...

My two young daughters prompted me to watch "Gargoyles," and now I'm hooked, too--just for different reasons. Hmm, then again, maybe not for different reasons. ...

I think it's great that you incorporated elements of Shakespeare, Arthurian legend, etc. (My kids really impressed their preschool teacher when they started name-dropping Shakespearean characters left and right.)

And I am especially impressed with how you and your colleagues were able to make me care so much about animated characters--a definite tribute to the quality of the storytelling and characterization is my guess. The romantic in me just loves the careful development of the Goliath/Elisa relationship. Subtle-but-emotion-filled glances, touches and comments (sometimes even unbeknownst to the characters themselves) make it all the more romantic and all the more regrettable that there are no more episodes to see it play out further.

My question relates to "Hunter's Moon, Part III." How does Goliath internalize his failure to save Elisa since he had promised that he would always be there for her (I think in "The Gathering")? Now, granted, I don't think Elisa would ever expect ANYONE to always be there to save her (although it's a nice and loving concept she can appreciate). But I think Goliath expects it of himself and would have a difficult time, at some point, accepting that he was not able to save her (not to mention that he was in part responsible for causing her to fall, albeit accidentally) and would not be able to just put that behind him.

Of course, I'm the first to cheer when their relationship does move to the next level with the kiss and all (and later in "The Journey" with the mutual statement that neither of them regrets their chosen path). The earlier "Hunter's Moon" scenes involving Jason, as well as the revelation that Elisa is OK after all, certainly provide the two with plenty of compelling motivation to more openly acknowledge how they feel about each other. But still, I can't help feeling Goliath's characterization would not allow him to simply consider all that happened while he was caught up in seeking vengeance as a lesson learned and move on. Your thoughts? (And thank you.)

Greg responds...

Wow. I like letters like yours, thanks. THis response is so long after your post, I just hope you stop by to see it.

I don't think anything was settled. And I think some of the TREMENDOUS FURY coming off Goliath after Elisa's "death" was an obvious result of guilt -- classic Demona-style-"I'm blaming you for my failing"-guilt. But once she's revealed to be alive, obviously, a huge chunk of that goes away. I imagine that sometime, off camera, he had some kind of, "You nearly died and it was my fault" moment with her. And she immediately said something incredibly sensible. He's smart enough to KNOW she's right. But that doesn't change how he feels. Obviously, again, he'd continue to be protective of her. But they're way past the point where he can pretend that he can some how keep her out of dangerous situations.

So the CRISIS is on hold. But I think it'll surface, at the worst possible moment, the next time her life is truly -- as opposed to every-episode-casually -- on the line.

Response recorded on June 26, 2000

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Vashkoda writes...

Hi Greg! You've previously mentioned having big plans for the clones that extended to 2158 and beyond, and today you confirmed that some would have children. 1) When you mentioned having plans that extended far into the future, did you mean the present clones or their children? 2) If it's the former, how would they survive that long? 3) Are the clones' children going to remain a separate clan, or will they merge into other clans? 4) Are you going to try to completely nullify what TGC did to the clones, or have you incorporated it into your future plans for them? 5a) Do you have any plans for moving the clones out of the Labyrinth? 5b) If so, where will they move to and why? 6) Will the clones be able to produce genetically normal gargoyle offspring? 7) If you've given this any thought, would the offspring have a parent clone's backwards-coloring or that of the gargoyle one or either of the parents was cloned from? 8) What was Elisa's reaction to finding out she had a clone? 9) If Delilah has a child, how would Elisa react to it?

Greg responds...

1. I'm not sure I understand the question...

2. See the answer to 4.

3. I can't answer this while the clan contest is ongoing.

4. Honestly, I haven't decided yet. Though I didn't care for the episode, it's absolutely one of the easiest to fix. Seems to me the clones could wake up at any time. So if the series came back in the present, I could wake them then. Or I could wake them anytime before 2158. But I figure with Goliath Chronicles it's going to be an all or nothing thing. So I can't make this specific decision in a vacuum. Right now, I'm leaning toward ignoring all post-Journey continuity. But I haven't made -- and probably can't make -- a final decision until I know in what form the series will resurface.

5a. See the answer to 3.

5b. Ditto.

6. Sure.

7. Being color-blind, it's not the first thing I think about.

8. On the surface, she was annoyed with Demona and Thailog, but open to being friends with Delilah. (She had seen the effect Goliath's harsh reaction had with Thailog.) Underneath that think the whole thing made her anxious. I do not think as of "The Journey" she had as yet gone down to meet Delilah.

9. Whoah, you're getting ahead of yourself...

Response recorded on June 20, 2000

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Jeremy writes...

First i would like to say that GARGOYLES was the best show i have ever seen.My first question is have you got any new offers on bringing back the series?Have you tried HBO they picked up spawn which is another kick ass show?I think they would jump at gargoyles and it would give you more freedom.If hbo did pick up gargoyles would the story's be more risky using adult themes such as drug use,swearing,nudity or murder.I personaly would love to see the saga shift into a more adult series.

Greg responds...

First off, no. No one has suggested bringing the show back except me. HBO isn't likely to want it, or to get it for that matter even assuming they did want it. They didn't "pick up" Spawn, they were the ones who brought it to the screen in the first place.

As to whether the show would get "more adult" if we had the non-broadcast freedom to be, the answer would generally be "no". I think the show appeals to adults now, without adding gratuitous elements. I wouldn't shy away from doing a drug story if I had a good story to tell about drugs. Adding curse words and nudity for their own sake doesn't interest me. I like nudity as much as the next guy, but it would have to fit. We basically showed Fox nude at the end of "Eye of the Beholder", because it made sense that she'd have no clothes on after her transformation. But I'm not out to arouse anyone. As for murder, hey, been there, done that.

The show's the show. I'd love to have freedom from standards and practices, but I won't ignore my own standards.

On the other hand, the show might get more mature, in the sense that Goliath and Elisa's relationship would continue to mature. That doesn't mean we'd be showing them engaged in sex acts, but we'd deal maturely with inter-species romance. At least I'd hope so.

Response recorded on June 19, 2000

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Nick writes...

Hey hey. I still remember seeing the first episode of Gargoyles. I guess I was about 9 or so. I still get goosebumps when I watch the intro. And I wasnt surprised to read that you work on the ST series. I've watched it too from its first broadcast (in my area anyway). I think I've only missed it 3 times but seeing how they dont play the episodes in any specific order odds are I havent missed anything I havent already seen. But onto my question. Can you sum up the Goliath Chronacles for me? I never saw them since for a while I didnt have cable and dont currently have toon disney. Thanks.

Greg responds...

Erin says: I think that was a very good question. I have a friend at school and his name is Nicholas. And he likes the GARGOYLES show too. And Nicholas has a nickname, and his nickname is Nick.

Greg says: I'll sum up "The Journey" which was the first episode of THE GOLIATH CHRONICLES: Goliath is brooding about the loss of the Clock Tower and about how humanity seems to be perpetually at odds with the Gargoyles. He visits Elisa. And they are attacked by Quarrymen, a KKK-esque organization that hates Gargoyles. Elisa & Goliath survive, and Goliath realizes his Journey isn't over. (A lot more happens, but you asked me to sum up.) As for the other 12 episodes of Chronicles, well, I had nothing to do with them. They aren't cannon in my mind. And I'm not qualified to describe them to you. Ask in a comment room.

Response recorded on June 17, 2000

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Chapter XIII: "Reawakening" (background rambling)

I'm trying something different with this ramble. And because of recent difficulties, I'm going to break the Ramble into two parts. My thoughts on reviewing the episode last Friday night will need to be recreated from scratch. And I'll get to that as soon as I can.

But first I thought you guys might appreciate a little background. What follows is a long memo that I wrote to Story Editor Michael Reaves after receiving the first draft of writer Brynne Chandler Reaves' outline on our thirteenth and final episode of the first season. Pay careful attention to the date of the memo and the title of the episode. I'll comment on both sometime in the next few days...

THE MEMO (unedited):

To: Michael Reaves Date: 4-10-94

From: Greg Weisman Ext: 7436

Re: Notes on "The Awakening" / Outline for 4319-013 of GARGOYLES

GENERAL NOTES
This is a tough one, because in this episode, we have a very specific mission, which is to remind Goliath of his. In order to accomplish this, I'd like to focus both our efforts and Goliath's soul-searching. These aren't simple concepts but I'm gonna try and go through them in baby steps. This is less for our benefit than for the benefit of our audience & Goliath. (Remember, Goliath is a determined thinker if not a quick one.)

Goliath spends the episode searching for the true meaning behind the gargoyle motto, "A gargoyle can no more stop protecting the castle than breathing the air."

We begin by defining our terms. Goliath first needs to understand the following equation: "Castle = Home = Family = Community". He more or less learned the Castle through Family section in "ENTER MACBETH", but we'll need to reiterate the lesson in some way for our audience. Then we need to take him the final step from Family to Community.

After that (or perhaps simultaneously), he needs to decide on what is meant by "protect". Protect what? The physical structure he lives in? No. Again, Home leads into Family which leads into Community.

Protect why? To survive in a hostile environment? Ultimately and by the end of the episode Goliath decides/remembers that to survive is not enough. Coldstone and Demona provide cautionary proof; both of them are abominations of a sort, created in the name of "Survival". Survival ("breathing the air") is important, but clearly survival isn't enough. Goliath and his clan need purpose. They need to return to the mission: Protect the castle (i.e. protect the community).

This dovetails nicely w/Elisa's mission as a cop: "To protect and serve." And leaves us, at the end of our first season, with a more pro-active group of heroes.

SPECIFIC NOTES
Just a few specifics that aren't covered in the beat outline that follows.

Page 1.
--The trio saw snow last episode. Let's make the winter weather the backdrop to the action. Not part of the story.
--I don't think we want to light any fires in the clock tower.

Page 2.
--We no longer need Madame Serena in this story. Plus she adds another new element to a pretty full plate.
--Remember this is one of the spells that Demona ripped from the Grimorum back in "Temptation".

Page 3.
--Coldstone wouldn't name himself. It's not gargoylean thing to do. And he hasn't been awake long enough to know he needs a name. Let Demona do it.

Page 7
--I think we can fit the action of this story into one night, so this is kind of a moot point, but I don't think Demona would risk sleeping as stone in Xanatos' castle. She doesn't trust anyone that much.
--Let's not overplay Matt's conspiracy fettish. It's o.k., but we don't want him to come off as a "babbling".

Page 11
--Remember, unless we're getting biblical here, Gargoyles weren't "created". They have very strong territorial and protective instincts. These instincts are as strong as their survival instinct. But I want to make sure we don't imply that they were magically created by someone or something who gave them a mission.

Finally, if I could recommend a title change... how about "Re-Awakening" instead of "The Awakening". I think it's a bit more appropriate all the way around.

ACT ONE
1. Prologue #1 - Present Day Manhattan - All-Nite Grocery - Winter Night
--It's snowing in Manhattan and will continue to snow until the last scene.
--A lone thief holds up the owner of a small and otherwise empty All-Nite grocery store.
--Thief tells the owner: "I guess we just live in dangerous times.

2. Prologue#2 - Flashback to 994 A.D. Scotland - Castle Wyvern - Night
(Note this scene happened off-camera during part one of the five-parter, somewhere around page 24 of script #4319-001.)
--Goliath informs Hudson that they must leave to harry the vikings far away.
--He'll need Hudson's tracking skills.
--Demona and "pre-Coldstone" gargoyle (Goliath's rookery brother) are also present.
--Magus comes thru and says or does something obnoxious.
--Demona, secretly desperate for Goliath to bring them all along, asks why they bother protecting the human's castle at all?
--Pre-Coldstone agrees: "Let them keep the castle, we can survive anywhere."
--(We see he is of a semi-simlar mind-set to Demona, which explains why she uses him 1000 years later for Coldstone.)
--Hudson firmly states the gargoyle mission statement: "A gargoyle can no more stop protecting the castle than breathing the air..."
--Goliath instructs his rookery brother to stay w/Demona and protect.

3. Present Day - Winter - Clock Tower - Night
--Goliath's been daydreaming (at night) about old memories.
--Trio are going to a movie; they invite Hudson along.
--Hudson's a couch potato. He'll wait to see it on cable. Besides he's got to guard their home.
--Trio: We live over a police station. What could happen? We don't have to guard the place every night.
--Hudson tosses off gargoyle truism: "A gargoyle can no more stop protecting the castle than breathing the air..." (But that's just an excuse to be left alone.)
--Goliath reacts silently, realizing their mission has lost meaning for the gargoyles, even Hudson. Maybe even himself.
--Trio leaves ("We don't even live in a castle anymore...")
--As Elisa enters.
--She wants to know how gargoyles are "surviving" the cold weather.
--G says they're fairly immune... to the elements.
--Elisa starts to leave for her shift w/offhand remark: "Time to do a little of the old 'Protect and Serve'."
--G stops her to find out what she means.
--Police motto.
--But what does it mean? Protect who?
--(Maybe Elisa can get us from Castle to Family here.)
--Goliath decides to accompany Elisa on the night shift.
--Which is a bit problematic now that she has a partner.

4. Castle
--Demona has talked a reluctant Xanatos into another attempt to destroy Goliath.
--Xanatos & Demona use science & sorcery to revive creature made from cybernetics and mismatched gargoyle parts. (The head is that of Goliath's rookery brother, our pre-Coldstone, augmented by cybernetic-eye & etc.)
--Demona names him Coldstone.
(--Perhaps she represents Xanatos as her servant. Perhaps he allows it.)
(--Note: in this episode, I think we want to sense a tension between X & D, but I don't think we want to bust them up here. It's distracting and we have enough to deal with.)
--Coldstone's confused. Last thing he remembers is Goliath & Hudson leaving the castle. Then came sunrise and oblivion.
--Demona: "Goliath abandoned us to the mercy of humans."
--He has been seduced by their beliefs.
--It is because of him that you look like this....
--It's mirror time.
--Does audience see him or do we save that revelation?

5. Manhattan Streets / All-Nite Grocery / Rooftop across the street.
--Elisa & Matt are driving in her car.
--Goliath is following them from above. (She's given him a walkie-talkie or headset or something. She's basically wearing a wire so that he can be on her shift with her.)
--They investigate All-Nite grocery store robbery from scene 1. (Not a crime in progress. Remember, they are detectives, not beat cops.)
--While Matt questions the owner...
--Goliath, watching from above, is able to talk quietly w/Elisa.
--We get from Family to Community.
--Elisa: No one wants to live a prisoner of their own castle anymore. We live in a community. The whole community needs to work together...
--G: "To survive." (He still hasn't gotten it yet.)
--Radio call: "All available units."

6. Times Square.
--That tortured soul, Coldstone, is going bonkers.
--(He hated "Cats". No, wait... he hates humans.)
--(Physical strength only. No robotic weaponry yet.)
--Morgan and other cops are just securing the perimeter, keeping people clear.
--From a distance, Goliath surmises another Xanatos robot ploy. (He sees the occasional metallic glint. The rest is in shadow.) He won't be dragged into another of Xanatos' schemes.
--Elisa & Matt don't have that luxury. They approach the thing. Tell it to cease and desist, etc.
--Coldstone prepares to throw a small car at them or something.
--As Goliath reacts, we fade out.

ACT TWO
7. Times Square.
--With Elisa endangered, Goliath doesn't hesitate to intervene and save her and a flabergasted Matt.
--Now Coldstone really goes ballistic. Literally. Barrel rises from robotic arm and fires.
--Goliath dodges or maybe he is hit, but Coldstone is too shocked to notice. --He didn't know he could do that.
--(Xanatos had a pre-programmed battle mode built-into his circuitry.)
--While C is figuring this out, Goliath comes in and smashes him.
--It's only in close that Goliath realizes he's not fighting a robot.
--(Is this the audience's first full look at Coldstone too??)
--And it's only now that Coldstone recognizes G.
--But all this convinces Coldstone that Demona was telling the truth.
--Goliath is attacking his own rookery brother to defend a human.
--But Goliath is out-matched, and soon losing.

8. Inside Orpheum Theatre (Times Square).
--Trio are watching movie from balcony.
--(As Broadway did in "Deadly Force").
-- "There sure are an awful lot of explosions in this movie."
--But are those explosions coming from outside?
--Suddenly movie stops. House lights come up.
--On ground level, Morgan is ushering people out the back entrance, calmly and for their own safety.
--Trio exit to see what's going on.

9. Times Square.
--Trio arrive in time to save Goliath from Coldstone.
--Coldstone surrounded by all four gargoyles.
--Looks like the tide of battle might have shifted.
--We see gargoyles thru Coldstone's robot POV.

10. Castle.
--Matchcut to Xanatos office monitor.
--Seems he gets a direct feed on whatever Coldstone sees or hears.
--X to D: Looks like sonny-boy's having trouble making friends.
--(No indication that they're going to help yet.)

11. Times Square.
--Goliath does not attack; he's still trying to put everything together.
--Could this abomination really be his rookery brother?
--At first, Goliath doesn't talk to Coldstone, rather he speaks about "it".
--Which of course doesn't endear him to Coldy one bit.
--G tries a kinder, gentler approach.
--Might even be starting to reach him.
--G: What happened to you, pal?
--From off-screen Demona says: "We did."
--Goliath, trio and Coldstone turn to see Demona, Xanatos in Gargoyle armor and a Steel Clan Robot. Fade to black.

ACT THREE
12. Times Square.
--Stand-off.
--Demona: If you're going to bring your whole clan, you can't expect me not to bring mine.
--G: You call that a clan?
--Coldstone is torn, confused. What should he do?
--Demona: "Destroy Goliath. Destroy him, and we survive."
--Coldstone looks down at his cobbled-together form: "Is this survival?"
--Demona tells him not to be fooled by appearance.
--Goliath and the others have been corrupted by humans.
--"We are the only real gargoyles left."
--Travis Marshall pulls up in newsvan.
--While cameraman is setting up, Elisa uses "wire" to warn Goliath.
--Goliath appeals to Xanatos
--(Probably doesn't yet know that Xanatos IS one of the robots.)
--(G thinks he's talking by radio-link via the robots.)
--G: It's your city, X, shouldn't we reconvene someplace less fragile.
--Demona doesn't like the idea, but Xanatos insists.
--(She's not ready to sever their partnership yet).
--Xanatos quietly names a spot that only Goliath (and Elisa via their wire) can hear.
--The eight combatants fly off, severally.
--Marshall only gets the tail end on camera.

13. Clock Tower.
--Hudson sees Marshall's report on t.v.
--Discusses dilemma (theoretically w/Bronx, but he's really talking to himself).
--Goliath told them to stay and guard the tower.
--What should he do?

14. George Washington Bridge.
(Or whatever bridge is closest to Times Square.)
--Your basic battle royale...on the bridge, in the air. Among other things...
--Brooklyn goes after Demona.
--He's still mad at her from "Temptation."
--Which allows Goliath and Coldstone to continue their face-off.
--The Steel Clan robot is destroyed.
--Xanatos is forced to unmask.
--But generally, the bad guys are winning, if barely.
--Coldstone & Goliath plunge into the icy river.

15. The River.
--Coldstone's got a built-in breathing apparatus that extends over his mouth and nose automatically.
--As they struggle underwater, Goliath's losing air and consciousness.
--G. hears Hudson's voice: "A gargoyle can no more stop protecting the castle than breathing the air."
--Suddenly, Goliath is pulled out of the water... by Coldstone.

16. An Ice flow.
--As G. gasps for breath he sees that a battered Demona and Xan have the drop on an even more battered Trio. The fight is over; the good guys lost.
--Demona's glad Coldstone saved G. for her to finish off.
--But Coldstone wants some answers first.
--Coldstone: "You said if Goliath dies. We would survive."
--Again, he indicates himself: "Is that all there is... surviving?"
--Demona's almost tender with him, but what she says is something like: "That's all that counts."
--But Goliath has finally figured it out. Surviving is not enough. To merely survive at all costs is not the gargoyle way. Gargoyles protect the way gargoyles breathe. To forget that leads to true corruption. Not the corruption of humans, or even Coldstone's metallic corruption. But the bitter fanaticism of Demona's corrupt soul. Or something like that.
--Of course, Demona's not just gonna sit there and let Goliath speechify forever.
--She takes aim.
--Coldstone leaps between them, takes the blast and is blown off the ice into the water. He does not resurface.
--Goliath immediately dives in after his brother.
--Demona fires into the water at both of them.
--She is furious at Coldstone's betrayal.
--Trio try to take some advantage of situation, but Xanatos won't allow it.
--Suddenly, the ice seems to be hit from above by a cannonball that sends everyone reeling.
--That was no cannonball that was Bronx. Hudson dropped him from on high.
--Again, the tide has turned. And it's all Xanatos can do to grab Demona and rocket her out of there.
--Goliath comes up for air. There's no sign of Coldstone.
--Goliath has lost his only surviving brother.

17. Epilogue #1 - Bridge.
--The six gargoyles are climbing back up the bridge. (They'll need some height to glide home.)
--Hudson apologizes for abandoning their home, the clock tower.
--Goliath points toward Manhattan and says something like: "The clock tower is where we sleep. But our home is that island. Our castle is Manhattan. And gargoyles always protect their castle... and anyone, human or gargoyle who resides within."
--Elisa pulls up in her car. It took her awhile to get clear of Matt.
--Are they o.k.? Do they need anything?
--Goliath: "I need a detective."

18. Epilogue #2 - All-Nite Grocery - Dawn.
--The thief from scene 1 comes in again.
--The owner is scared at first but the thief is very contrite.
--He gives back all the money and asks the owner to call the police so that he can turn himself in.
--When the flabbergasted owner asks why, the frightened thief replies: "Six monsters and a cop told me to."

19. Rooftop across the street from the All-Nite Grocery - Morning.
--In the cold early morning wind amid hazy sunlight, Elisa stands on the roof across the street from the grocery store amid six horrific stone gargoyles.
--Elisa watches, as Morgan (at the end of his shift) takes the thief away in his squad car.
--Elisa: "Well, it's a start. Xanatos, Demona, you two are next."
--The sun breaks through the clouds, shining brightly on a beautiful winter's day in Manhattan.
--E: "You know, guys, the city feels safer already."
--She leaves them there to sleep and heads home after a long night.
--FADE.

End of memo. My real Ramble should come soon.


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Joxter the Mighty writes...

Recently, when someone asked you what other cartoons you liked, you mentioned among them, "Old Development Bonkers"... What did you mean by that?

Greg responds...

There were two versions of Bonkers. One that I developed which featured Bonkers, Jitters, Sgt. Grating and Miranda Wright.

There were some problems on the show that came to light when episodes first came back from overseas. Disney panicked. Over-reacted. They basically took everyone off the show and started from scratch with a new developement and production team.

They tossed everything but Bonkers himself. Brought in Detective Piquel, and I think, watered down the premise. Some of the episodes might have been individually better -- and I think the art direction was definitely improved, but the ideas that made the show unique were flattened or ignored.

Then to add insult to injury they aired all the NEW episodes first, and created a "Transition episode" to transition from the Piquel episodes to the Miranda episodes, making it appear as if our stuff had been an afterthought. Given that our show didn't LOOK as good, it made us seem like a poor replacement, when in fact I think our stories were better (just my opinion).

By the way, the Miranda/Bonkers relationship was a clear precedent for Elisa/Goliath. (Doesn't that seem strange?) And because I didn't get to play out all my HILL STREET BLUES inspired cop ideas in Bonkers, it gave impetus to making Elisa a cop so that I could play that stuff out in Gargoyles.

Response recorded on April 07, 2000

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Aaron writes...

What division, roughly, does Elisa work in? Homicide, Narcotics, Missing Persons, etc. I'd have to guess Organized Crime, given her run-ins with Dracon, but we never really do find out much about Elisa's job. I realize that this is Gargoyles, not NYPD Blue, and what goes on in Elisa's personal life is much more important to our then her job, but it would be nice to know.

Awakenings memories: Hmmm, I caught it the first time around in '94, so they're a bit vague. All I really have is images, Goliath catching Hakon's sword, Demona's first appearence (Goliath may be bigger, but she's still scarier), etc. But even five minutes into the first episode, I knew I'd found something very different and very good. I was hooked.

Greg responds...

Aaron, to be honest, I'd have to do a bit more research into the workings of the NYPD to answer your question completely.

Maybe, "A FAN" or Airwalker knows this....

But I thought she was a Squad Detective, meaning she handles whatever comes her way, ala NYPD BLUE. According to that show, I there are also special squads like ANTI-CRIME, Missing Persons, etc.

If I had to pick one of the ones you listed above, then I would pick Organized Crime. But I'd still lean toward "ordinary" Squad Detective.

Response recorded on April 04, 2000

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Robby Bevard writes...

Inspired by my long ramble... The very first time we meet Dracon, it is quite clear that he and Elisa have some sort of prior relationship from before the series started. His calling her "Sugar" for instance. Exactly how did they know each other? Was it just through past dealing with her being a cop and him being a badguy? Their relationship seems too personal for that. Not that it seems that they dated at one point or anything,but there seems to be a back story. COuld you fill us in a little if there is one?

Greg responds...

There were prior cop/criminal run ins. Dracon was her Lex Luthor, so to speak. And no, they never dated, but I think there are some interesting stories in their pasts.

Response recorded on March 31, 2000

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Vashkoda writes...

Hi Greg! You may have already answered this in some shape or form, but in case this hasn't been asked: We know that Goliath started having feelings for Elisa possibly as early as "Awakenings", and that he first began to realize how beautiful she was in "The Mirror". But when (if ever) did Demona begin to suspect that Goliath and Elisa loved each other? Or did she never consider the possiblility because the idea of a gargoyle loving a human was ludicrous?

Greg responds...

I think that subconsciously Demona suspected it as early as Awakening V. That's one of the reasons she hates Elisa so much.

Response recorded on March 31, 2000


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