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THE GATHERING, PART ONE
Hey Greg! Good to see you rambling again. I'm going to have to do a little mini-marathon to catch up, so without further ado....
When this episode first aired I had figured that this would be the ep when the Travelers (finally) got back to home base and the rest of the regular cast. I, for one, was looking forward to this, if for no other reason than to see more of my favorite character (Brooklyn).
Seeing the Gathering on Avalon was a nice little "curtain call" for the many supernatural beings the Travelers had encountered on the World Tour. Other than those we had met, Nought definitely had the most striking design (it also helped that he was pretty well featured for a walk-on).
I agree with you about Anubis--he should not be laughing. That part never seemed quite right to me.
It amuses me how, when the Banshee and Odin are fighting, Oberon at first enjoys the action immensely, but as soon as his mirror is nearly damaged he calls an end.
I may be alone in this, but I don't feel too sorry for the Banshee--she was a bit of a pain.
Selene (sp?) is in full fury mode here (I love her eagerness in offering to hunt down Puck).
I also enjoy Princess Katharine's reaction to Oberon contacting her magically.
I've always wondered what Renard thinks of Petros Xanatos. I'd imagine that they might have got along well enough, despite Renard's enmity towards David.
I hadn't figured out Titania and Anastasia were one and the same until Anastasia started talking. Only here did I recognize them as both having the same voice actress and draw the connection.
Of course I didn't get the Owen/Puck connection (or refused to--I'll explain later).
I, too, loved Vogel's reaction to Petros' question about him being related to Owen (an honest question if you ask me).
The child is born. And (for those of us who read the credits of FUTURE TENSE) we already knew his name (and what he'd probably look like all grown up).
Watching the bit with the jogger pouring out his drink after his "hallucination" this last time, I felt myself thinking that, while it's a nice old gag, I'd kind of like to see it with a new twist. For example, instead of pouring out the offending substance, after seeing the supposed hallucination, the subject instead smiles and starts chugging it.
The hypnotized guard is funny. The late Charles Hallahan did a great job with both that and Travis Marshall's snide "...both of them ex-convicts..." line. Great copy and great performance.
The confrontation in the Xanatos' bedroom was very well done. Oberon's reaction to Fox being Titania's daughter is, of course, a high point, but there are smaller things that stand out to me as well. Seeing a young and healthy Renard is a plus, and I love that Fox visibly reacts to seeing Xanatos' gun behind his back (it's small and if your attention is on Xanatos you wouldn't notice it).
As I was watching this time, I thought about Oberon's lines about how Xanatos should take comfort in having "fought admirably for [his] child against impossible odds," and that they have an hour to say good-bye before he takes Alexander away forever because Oberon is "not without a heart." These lines, looking at the words alone, are essentially making things more painful and frustrating for the Xanatos' (insult to injury, as it were), but Oberon does not intend them that way. He's actually being honest, maybe even paying compliment to them, and (in his own mind) is being nice about the whole thing.
In a way it reminds me of Xanatos' line to Derek in THE CAGE--"He's the scientist, you're just the experiment." Xanatos wasn't trying to hurt or insult Derek with that statement, he was just stating the fact of the matter. Similar to Oberon here, the words used by the speaker seem more hurtful than the speaker's intent.
I suppose all this is just a roundabout way of saying Oberon really is Xanatos' comeuppance. :-)
THE TRAVELERS FINALLY COME HOME!!!
Man, I was so happy to have them back on home territory and ready to get back to stories with the rest of the regular cast in their given setting. The World Tour was a nice way to expand and show more gargoyles, but there really is "no place like home."
When Goliath is telling about all the gargoyles around the world he sounds positively giddy. He's even SMILING! Of course he's been smiling since they got back, but here...it's just that seeing Goliath this happy is a bit uncommon.
The Trio of course has their first introduction to Angela...and I kind of suspected this would be the cause of a few waves with them. Three guys and ONE girl…oh, yeah, trouble. The bit with the chocolates is funny, too. And after tasting just ONE chocolate, Angela says, "I think I'm going to like it here." BEHOLD! The power of CHOCOLATE!!
Seeing Goliath and Elisa on her terrace...the first time I watched this, I had already decided that they were going to kiss or something by the end of the season. When G brought E back home, I thought, "This is going to be it!" Then Elisa had to be a party pooper and stop it (and my, wasn't that rain a convenient way of breaking it off).
This latest viewing, I found myself thinking, "...She left her lights on, the electric bill's going to be bad. Wait...how long have they been gone, exactly? It's a miracle she still even HAS her apartment--all the months she wasn't there to pay rent! What, does she pay several months in advance?!" Being a budding actor I have found myself struggling to cover such bills for the past two years, consequently thoughts like that have a tendency to occur to me.
Anastasia/Titania's revelation of herself to the gargoyles was a bit too quick for me, but there's only so much time in the average episode.
I love that the evacuating workers are actually questioning why they're being evacuated (I heard someone mumbling "fire drill"). It's a little detail I like.
The force field surprised me a bit, both because it's something we hadn't really seen before in the series, and because it was actually effective.
I love how Oberon goes from being amused to being pissed off when his magical bolt doesn't break the force field.
Nice effect where his eyes glow green when the lightning flashes.
Seeing Oberon wreak the one car makes me feel sorry for the car's owner (hope the owner's got good insurance). Then he puts everyone in the city to sleep and I start to wonder how many people might die (killed in a car accident, fell asleep while on a ladder or stairs, etc.) because of this. A lot of people are going to be inconvenienced by something they have absolutely no idea about (kind of like Vinnie!).
Oberon's put the city to sleep and both Petros and David Xanatos are in the "war room" with the former asking, "Has the attack begun?" I find that hilarious.
And then Oberon grows up ("Enuk-cha!"). That last shot of his laughing face through the glass of the atrium is great, especially as a cliffhanger.
Here, at the end of my ramble, it's time to talk about Owen. Now, of course he's acting weird but....
Okay, when this ep first aired I watched it with my brother. Now, I was the GARGOYLE nut in my family. My brother and mother thought it was all right and would watch it from time to time, but I was the one who lived, breathed and slept it. So, my bro and I watch this and my bro turns to me and says, "Owen's got to be Puck." And because it was my brother who said this, I disagreed with him. It wasn't that I didn't think it was possible Owen and Puck were the same (in fact, it seemed to me like a distinct and intriguing possibility), but it galled me that my brother (who would NEVER admit to being wrong) would be right about this. The fact that GARGOYLES was MY thing and not his made me more adamant.
Of course, in the end he was actually right...but I can't recall being disappointed about it in this case. It was just too cool of a twist.
On to part two, now....
One has to assume that by "Night of the Panther" at least, Elisa had made some arrangement to deal with bills and etc.
after hunters moon part 3 is there any more reviling eips on goliath's and Elisa's relationship
Read the comic, and you'll see the answer is yep!
Hi i have a question about galith adn elisa. dose xanatose, puck, foxe, macneth, the mutates including derik, the rest of the gargoyles or any one ealse know about Galiths relationship between elisa?
What's to know? That they like each other? It's not exactly a secret. As to the extent of their feelings... which they've hardly (or at any rate barely) admitted to each other out loud, I think it all depends on how ... intuitive each of the people you listed are and/or how much opportunity they've had to observe Goliath and Elisa together.
I would think that Xanatos, Fox and Puck get it.
The clan, especially Angela and Hudson and Broadway and Bronx and Brooklyn and Lex, get it. (I started out writing Angela only, but as I considered each character, I couldn't find one who didn't get it.)
Macbeth... I don't know. It's not that I don't think he's intuitive, but he just hasn't spent enough quality time with the couple to have the chance to observe. And I think that maybe in "Sanctuary", he might have been distracted and/or a tad self-absorbed.
Mutates... same thing. How much have they seen of Goliath & Elisa together? Derek is, I think, the densest of the four mutates. But I'm not sure any of them have had the observation time to figure it out.
Hi, Greg. I know you open these for the gathering thing but i got these questions and comments...ya know, it is a nice oportunity. I would love LOVE going to the Gathering but as i am on the other point of the continent (:P) like, i cannot go... Gargoyles is geting very popular here, in Argentina, but i would want to know if the dvd or the comics are going to be able here? :) so the south people can enjoy gargolyes more?:) Jo, anyway, great show, great story, great characters, great drawings and...great me! hahaha.
Fine, now comments and questinos, if u wanna escape, these is the rigth moment:
Demona is one of the best characters i have ever seen before, and i love the contrast that she has with Magnetto, althougt she is, well, crazy.
I get what feelings the poor Goliath still had for Demona, and what feelings Demona had for Goliath, but the others members of the clan once had a close relaitionship with her as well, like "sister-brothers" "daugther-father". So ( i know about Brooklyn, very expresive the guy) what did feel Broadway and Lexingston about that? I mean, if my sister would get mad and because, let´s say, a dog kill someone she loves, now she would be trying to destroy all the dogs of the world:S i would be really...sad?.
It´s the same with Hudson, he ´d seen Demona since her most tender infance, looking her grown up from that little hatchling to that powerfull and nobel warrior she once was. Actually, he was her father. So same question, what did cross his mind every time he see her then in the new millenium? It must be very frustrating.And as we are with him, if Demona was part of the clan no more, they would still be like a daugther and a father, by teorical terms?
And Elisa, she is such a nice person! But althougth all the times Demona has tried to hurt her, Elisa seems to get more anger whenever Xanatos or Tony Dracon tryes something than when Demona does. Why is that she react so "professional" when is Demona who "pops-up" ?
Tempation: Jo, great episode however not the best.
Nice detail: i LOVE that posture of Demona after Brooklyn tryed to take the book away from her for the first time: leaning against the wall, huging the arcanorum as it would be Goliath him-self (XD)looking lunatically from the shadows. It was then when i thougth: something happened to these girl!.
To think: Gargoyles can really keep a groudge for a long time, and not just Demona but then Lexingston and now Brook, c´mon people, let it go!.
I think Demona wasn´t really lieng to Brooklyn...yes she screw it up, but i think she really has a point. Always she has that nasty point of view that makes you think " fuck, she is no so wrong".
Long way to morning: It´s great if you want to see scared things but, i really didn´t like the Demona of the past in these one, she acts very similar to the present, not exactly but...she was nasty.
Reawaking: I love these one, how the clan learns that the people is important and no the place where the people is, how they got more "civilizated". very nice lesson.
The mirror: It´s the first time someone subdue demona in how much time? These episode, i think, it´s the only one ( after high noon) in wich Demona appears that i laugh. Awesome, but why did Demona hesitate when Puck asked her what did she want? It´s not the destruction of human race always on her mind?
City of stone: And everything got sense!! I cried at the end :( poor demon. And that make me ask was the humans hate what drive her on the way she was or it was the lonlyness what twist her brain?
High noon: hahahahahahahahahahahaha...GREAT END!! "Why are we working together!?""grrrr"
Avalon: Macbeth and Demona working together...Woaho.
Well that´s all for now. I really REALLY hope you understan all that crap, i did my best to write in pure english(:P)and if you did not... i am really sorry. A last think!! In ascending list: Whoose of these characters she hates most?: Macbeth, the hunters, Goliath, the rest of the clan, Elisa, the rest of human race, Puck, Thailog. Thanks for your time, bye :)
In the future, numbering your questions would really help me out. Also please avoid using curse-words in this forum. We try to keep it PG.
1. I'm afraid I don't know where the DVDs are available internationally. Have you tried Amazon.com?
2. Broadway and Lex may not have been THAT close to Demona in the Tenth Century. She was too young to be a maternal figure to old to be a Rookery Sister, and perhaps too imposing and/or prickly to be a friend. So her betrayal of the clan, is just that: a betrayal of the clan, not a personal betrayal. Which is not to say that they don't take it personally, cuz I'm sure they do. But they don't feel personally betrayed. Does that make sense?
3. As for Hudson, he is Demona's father. So I think it's much tougher on him. The only saving grace, such as it is, is that I think by the time of the massacre, Hudson had a clearer sense of Demona's true nature. I think deep down the betrayal was less of a shock to him then it was to Goliath. Not that he wasn't surprised. You can see how warmly he greets her in "Awakening, Part Four" when she first resurfaces. But in the end and darkly, I think her role in things saddens but doesn't shock him. I also think he CHOSE to focus his real hatred on Hakon Clan-Slaughterer.
4. I don't know if I agree with your assessment of Elisa vis-a-vis Demona. Certainly Dracon is able to get under Elisa's skin, but I think the thing to keep in mind is that Dracon is HER nemesis. Not Goliath's. Hers. Not that Goliath hasn't been of use there, but Dracon isn't super-human. He's a crook. She's a cop. Dealing with Dracon is HER job. As for Elisa and Demona, I think there are plenty examples of Elisa revealing her true feelings for Demona (in "The Mirror", in "Vows", in "High Noon", etc.) And they aren't without ire. But Elisa didn't lose her clan to Demona. So it's not the same thing.
5. In "The Mirror", Puck had already made the point that he didn't have the power to giver her absolutely anything she wanted, i.e the destruction of the entire human race. So she had to pick a more specific wish. That put her at a brief loss.
6. Loneliness, I believe, was a huge factor in creating the present day Demona. Not the only factor. But a big one.
7. Well, this is a little pointless, but if I have to rank your list, at this time, i.e. as of issue #1 of the comic book, I'd put 'em in this order of hate:
Elisa
Hunters
Thailog
Goliath
Macbeth
human race
rest of clan
Puck
Something has always bothered me about the way the clan reacts to Elisa's hysterical sobbing on the hay at the end of the Metamorphosis episode. Why doesn't at least Goliath,who has more than a platonic interest in her at this point, go over to comfort her. The whole episode evolved with Brooklyn wanting to pursue Maggie due to his compassion over what she had gone through. I thought the episode was wonderfully done otherwise. I was despite knowing Xanatos always had some kind of agenda was willing to bite at first when he seemed shocked that Derek became a victim of Sevarius' mutagenic dart.
I just think it's honest that sometimes big dumb guys (read the entire male population) don't know how to best handle public displays of emotion. We're not culturally trained.
But the other thing to keep in mind is that you're only seeing a fragment. The most dramatic, painful fragment, but a fragment nonetheless. You don't know what came before or after. Did she already tell them to give her a moment alone, and then when she broke down they didn't know how to respond (see above)? Or did Goliath head her way just after the scene ended?
I've been taken to task in the past for answers like this. Told that I was "cheating". That if it wasn't on screen, I can't fall back on the wiggle-room of what might have happened off-screen. But I don't think that's fair. 22 minutes an episode is all I get. (Or 24 pages an issue, which is a lot less, believe me.) I can't possiblly fit the entire range of responses to anything into that time. There MUST be off-screen moments. I go for the big punch on screen, as long as I feel that it's honest and not gratuitous, but there must be more.
Hi, Greg,
Suddenly, this came to me: it looks like nobody ever asked this, so, how did Elisa get that amazing car of hers?
Thanks.
I'm thinking she bought it.
was it planned for elisa and goliath to fall in love
Yep.
After a few hours of perusing through the archives and "unanswered questions," I think these are questions that haven't been answered yet. If these questions were answered, I apologize. This list of questions will have to do with Elisa Maza.
Knowing that Elisa Maza is half Native American/African American, does she struggle with the duality of being of mixed cultures? If asked the question "what racial aspect she feels more related to?" what would her response be (if any)? As a child, how would being of two different descents affect Elisa?
I've also noticed within the series that she is close to her parents, but gravites towards her father (i.e. "Her Brother's Keeper"). Did something happen in the past to make her gravitate that way or is it "Daddy's little girl" type of thing?
I know the name of the show is "Gargoyles," but I have always been intrigued at the fact that Elisa Maza didn't have strong outside relationships with anyone outside the police force and the gargoyles. Is it because she's too busy on the force? Is it because she's a loner at heart? Was there a plan to have her outside friends/relationships shown within the series?
You've stated before that Elisa has been in romantic relationships. What is her preference towards men? I know that she finds traits exemplified in Goliath as attractive, but this is more of a superficial question and I'm looking for answers that deal with a racial, religious and financial aspects. Yes, I'm horrible.
You've stated earlier that she's bee in romantic relationships, but not to the point of marriage because no one has ever been that close to her -- why is that? There are probably too many influences to state, but I just want to know about the most prominent influences.
There are probably more questions brewing in my head, but I see that you're bogged down already; therefore, all I can do is wish for my questions to be replied someday.
In the future, numbering your questions would be helpful. I'll divide your questions by paragraph.
2a. I'm sure she struggles a bit.
2b. I think Elisa probably relates to being African-American a bit more than Native American as her mother studies her heritage and her father had (for most of Elisa's life) rejected his. But I don't think she'd respond well to the question, frankly.
2c. I'm not going to use this forum to right a dissertation long answer. I'm sure there was some societal ostracism here and there. Elisa's different. Her ethnic background isn't always immediately obvious from looking at her. This causes some confusion for OTHER people. And that confusion can indeed effect a child. But Elisa was raised in a good home, surrounded by love and a fairly concrete ideal of right and wrong transcending the petty. I think she did fairly well.
3a. Probably a bit of Daddy's little girl. Probably also a natural bent. Elisa is bright, but she's a doer like her father. She didn't follow her mother into acadaemia; she followed her father onto the force. Beth, though choosing to study her Native American heritage, is much more like her mom. Derek is somewhat trapped. He probably would have been better off just following his own path -- to the sky, most likely. Flying was his great passion. But he felt (mostly internal) pressure to follow dad and big sis onto the force. That led to a backlash, which brought him under Xanatos' sway. Now he lives underground.
4a. I'm not sure I agree with your premise here. Elisa had a VERY strong relationship with her family. Plus I think she has friends. The fact that most of those friends are cops, is hardly surprising, since most of us pull our friend pool from our environment. I don't think that Elisa dates much. She would, I think, be very hesitant to date cops or lawyers that she works with. (It's dicey even today for a woman to date co-workers and still be taken seriously.) And she's sure not gonna date perps. And given her schedule, that limits her opportunity to meet people. We happenned to meet her between relationships, but I never thought she NEVER dated. The force does define her a bit. But not entirely.
4b. She's self-sufficient. Which is different. But she has a lot of love to give. And a cat.
4c. Eventually, all things.
5. Racially/ethnically, I don't think she's picky. Her parents' successful marriage; her attraction to Jason, her attraction to Goliath, certainly, indicates she's pretty open. Religiously? I don't know how much that would matter to her either, assuming values were shared. Financially. Well, she wouldn't want to date a bum, i.e. someone who wasn't first self-sufficient as she is. I think she has some traditional values and dreams... again modeled from her own family. But I think those values and dreams are pretty middle/working class, generally.
6. Main one: didn't meet the right guy. Otherwise, see above. She had a goal, a plan. To be a detective for the NYPD. She didn't want anything to stand in the way of that. Then she got there, and meeting eligible guys isn't that easy. Doesn't mean she wasn't looking or even hopeful.
7. Hope you're still around to read these answers.
Hi Greg,
Does Elisa ever get married??? She is one of my favorite characters. Angela is my most favorite.
My advice is to start picking up the comic book... In time, all will be revealed there...
Just a comment: I couldn't help to notice that detective Ellen Yin from "The Batman" has the same the color schemes as Elisa Maza.
I've noticed that too. But I have to assume it's a coincidence. Red, black, blue isn't exactly an exotic choice for either character. I've worked on both series, and certainly, no one on The Batman has ever snuck up to me and whispered, "Ellen's a tribute to Elisa, you know."
Why didn't Xanatos use his power and influence to have Elisa kick off the force or have her kill?
Why would he do either of those things? What possible motivation would he have? How would that aid his cause AT ALL?
How did Elisa know how to wake up Sleeping King Arthur in Avalon part 3?
The Magus filled her in off-camera.
Hi Greg, how are you?
I know that you had a plan for Goliath and Elisa to go on a Halloween double-date. Would this be Elisa's decision? How long after Hunter's Moon III would this have taken place? How long after that would they have decided that that was pointless and become a couple? If the show comes back will this episode be aired?
Thanx, bye! >^-^<
I won't answer this now, except to say BUY THE COMIC BOOK -- all will be revealed!
I've read that Elisa is based of Salli Richardson. i've been wondering since she is, is elisa's skin dark or white? its hard to tell on the tv but it looks white. which is it??? salli's skin is dark so i was wondering. thanks greg!
GARGOYLES FOREVER!
Elisa's skintone is very similar to Salli's, I think. Though I may not be the best person to judge this. Elisa's mother is African American. Her father is Native American. She gets her skin more from her father, it seems to me. But she was never meant to be caucasian.
It seemed that Brooklyn was chasing any female that could talk or had wings (maggie and angela)in "The mirror" was he atracted to Elisa as a gargoyle?
Wasn't everybody?
First of all, I just want to say that Gargoyles is the BEST cartoon series ever made! You and your working crew did an amazing job at bringing it to life.
So, yeah. My question:
Why doesn't Elisa ever change her clothes? I know she changes clothes and her closet is probably filled with a lot of black T-shirts and a lot of blue jeans, but she would have looked great in the outfits from the comics. Or at least something similar.
But nonetheless, I LOVE the show and I am crossing my fingers for more episodes!
I also can't wait for the DVD to come out! I am SOO buying it! Thanx for your time. >^-^<
Well, she did change her clothes occasionally. La Belle Elisa dress that she wore on Halloween and "Eye of the Beholder". The tough girl outfits she put together for "Protection" and "Turf". The clothes she wore briefly in episodes like "Hunter's Moon, Part One" and "Eye of the Storm". The dress she wore in "The Journey". There may be a couple of more examples that I can't think of at the moment.
The short REALITY answer is that redesigning new clothes for her every episode would have been prohibitively expensive and cause multiple animation errors overseas. So we limited her wardrobe changes to situations where story called for it.
Think of her standard outfit as a dramatic conceit.
Within the show, I just think that's a look she's comfortable with. I pretty much where the same outfit everyday myself. Tennis shoes, jeans and a t-shirt. Of course I don't wear the same t-shirt everyday. I have black t-shirts, white t-shirts, red t-shirts. And most of them have some kind of decal or design on them. But...
Anyway, the plan for the comic book is to start giving her a wider variety of costumes. But we still love that red jacket, blue jeans and black t-shirt. So that won't go away.
Why is Demona is always doing so poorly when she fights against Elisa?
I mean through her 1000 years of experiences in battle she should be a damned good warrior (considering that the Weird Sisters and the Archmage wanted her), so why has she lost against Elisa even in her gargoyle form(Avalon)?
Was it because she was ever such outraged that she became incautious? Or is Elisa truly the better fighter?
I think that a few factors come into play.
I think that Demona is unaccustomed to fighting in human form, which is why she has difficulty in "High Noon".
I think on Avalon, she was under the Archmage's thrall, which dampened her own skills... as it dampened her free will.
And I think that Demona has an obvious rage problem, and since much of that rage is laser-focused on Elisa specifically, she often lets her anger get the better of her skills.
Also the battles have always been brief, with many distractions and third party interventions.
I think Elisa's pretty tough and savvy, but in any sustained conflict between the two, I'd absolutely put my money on Demona.
why did u decide to put elisa maza and golith together?
I might suggest that THEY decided. But beyond that, it was always the plan, from the moment that Goliath entered the development. We never considered any other alternative.
hey i was wondering why you made elisa kiss galith. does she love him? i havn't seen that episode yet but i want to.
Yes, she loves him. Though she's barely admitted that to herself, let alone him.
Hey gang...
The other day, I got the following question here...
Audra writes...
Hi Greg,
I was just wondering, how tall is Elisa? I am an 18 year old female and I am pretty tall myself. I am 5'7. And Elisa seems like a tall woman to me. I was wondering if she is as tall as me or taller. Thank you Greg!
I responded...
I don't know. It would be a good question for my CreatureComics.com partner, art director, Greg Guler. I'll ask him.
Here's Greg Guler's response:
Hey guys. Although it's never been figured out in feet
and inches, I figure she has to be at least that tall
in order for her be as tall as she is with Goliath,
and make decent eye contact.
Greg G.
So there you go. You asked Greg, and a Greg answered. All part of the service here and at CreatureComics.com.
Hi Greg,
I was just wondering, how tall is Elisa? I am an 18 year old female and I am pretty tall myself. I am 5'7. And Elisa seems like a tall woman to me. I was wondering if she is as tall as me or taller. Thank you Greg!
I don't know. It would be a good question for my CreatureComics.com partner, art director, Greg Guler. I'll ask him.
do elisa and goliath ever become a couple?
You mean they're not now?
Hey Greg, my question is simple how long are the sleeves on Elisa's black shirt? Because I noticed in the episode "The Green" she has short sleeves and in "Sentinel" she has long sleeves in the scenes where Elisa takes off her jacket. This is most likely a typo unless Elisa had time to run home and get a change of clothes. Just thought I would mention it, because unless she was caring a change of clothes with her when they first set out for Avalon or unless she stopped off on the quest to buy a new shirt I don't see how her shirt could change so drasticly.
I'd say at home, Elisa has both long and short sleeve black t-shirts, but she didn't exactly pack for the trip.
On the other hand, she did have plenty of opportunity to pick up some stuff (say in Paris) and plenty of motivation (you try wearing the same clothes for weeks on end). So maybe she bought a new shirt. Or maybe Princess Katharine sewed it for her on Avalon. (We didn't show it, but the Skiffers stopped back at Avalon between every adventure.)
My point is... if you want to view it as a mistake, be my guest. Congrats. You found one. But if you'd prefer to find an explanation for it, it's not exactly a challenge.
what's with goliath/elisa?
aren't you going to hook them up?
SPOILERS:
Eventually.
A question about Elisa awakening King Arthur "early". Now, we know that Elisa awakened Arthur ahead of schedule, based on the information given in "Avalon Part Three" and "Pendragon", and that he was apparently originally supposed to be awakened somewhat later and for a different emergency than the Archmage (although we don't know what it was or how far away in time it would be).
What I'm curious about is: has Elisa thereby altered Arthur's destiny? To explain a little more about what I mean, I suppose that I'd better go into a brief "ramble".
We don't know much about the nature of fate or destiny in the Gargoyles Universe (beyond the fact that the Weird Sisters are linked to it, at least when Luna is the dominant one), but we can tell that it exists in some ways (such as Avalon sending people "where they need to be"). I don't know if it's actually supposed to be possible to "alter destiny" in the Gargoyles Universe, beyond the fact that we know that the past can't be altered (as Goliath and Demona have both learned the hard way), but since Elisa came to the Hollow Hill in her own time rather than in the past, her awakening Arthur obviously wouldn't count as changing history in the same way that somebody going back in time to, say, avert the Wyvern Massacre would. However, since the future is part of the time-stream (and I assume that the only 2198 in the Gargoyles Universe is the one where the Space-Spawn show up and take over the planet and there are no alternate 2198s where that event doesn't take place), it doesn't seem so probable that it can be altered.
On the other hand, we do know that carefully-laid plans that were devised, not by God or destiny or something of a transcendent nature, but by humans or gargoyles or the Oberati, can be changed through the actions of others. Demona and the Captain of the Guard's original plans to betray Castle Wyvern, for example, wound up having different results than those that they were expecting, thanks partly to Goliath's decision to only take Hudson with him, partly to Hakon's decision to smash the gargoyles at the castle in spite of the Captain's protests.
So what my real question is, I suppose, is this; was the original "future time" for Arthur's awakening (in which he will not be awakening after all thanks to Elisa) set by God or Fate or something of that nature, or was it set merely by people (as in, the ones who placed him in the Hollow Hill)? Has Elisa genuinely altered Arthur's future, or only altered his future as it was perceived by those who laid him to sleep on Avalon?
It's a very interesting distinction isn't it? Does Destiny = Future?
Well, I'm thinking no. The future, as you stated, is part of the timestream. Actual events that happened in the future (from some kind of external perspective) are immutable.
But Destiny, to me at least, means something different. Destiny is about potential. It's not about a lock or a guarantee.
Individual characters may be loose with language, but I think that in the Gargoyles Universe, when one says a character is "DESTINED" to do X, what one means is that said character is destined to ATTEMPT X. Doesn't guarantee success. Success relies on a combination of indiviual and circumstance.
So, to your original question, has Elisa altered Arthur's destiny? I'd have to say... "MAYBE!!!!"
I mean actually, I know the answer to that question, but I just don't feel like answering it now. What I mean by "maybe" is that she certainly may have. She may have created a new destiny for him. She may have spoiled plans for the old destiny. And yet he may find his way back to that old destiny. Or what he does accomplish may not be exactly the original destiny, but winds up doing the same thing or sowing seeds for others to reep. Any or all of the above.
how old is Elisa?
By the end of 1996, she was 28. So now in 2005, she's about 36 or 37.
Hello Greg!
First of all, I want to thank you for a show that had me hooked from the very first preview. I loved it when it first aired in the mid-nineties, and I think I appreciate it even more now. So....thank you!
I was wondering when you think the guys came to think of Elisa as a part of their clan. I know that it was at least by the time of "The Cage". I realize that that their trust and affection grew along and along, so it probably wasn't, say, the "seventh" time they saved each other's necks that it was official, but do you think that it was something that had to be discussed? Was there an announcment or did it even need to be said?
I think that by "Her Brother's Keeper" Goliath was already viewing Elisa as part of the clan. Ironically, her role in moving them to the clock tower, a move he strenuously objected to, helped cement her position. His willingness to have Elisa reveal the truth about them to her brother demonstrates that he viewed her -- and thus by extension Derek -- as family.
But I think the final turning point was "The Mirror" and seeing her as a Gargoyle.
But as you noted, the whole thing was a progression. So I'd be open to other interpretations. It's a very good question and I'd be interested in hearing other points of view on the subject.
Time to ramble...
Chapter L: "The New Olympians"
Story Editor: Gary Sperling
Writer: Adam Gilad
Director: Bob Kline
ORIGINS
Well, the Greek Myths of course. But that's not really what I'm talking about. As many of you know, The New Olympians was a concept -- originally created by Bob Kline -- that we began developing at Disney TV Animation even BEFORE Gargoyles. It was definitely a concept that evolved, but it was also a concept that we felt fit nicely into the Gargoyles Universe. So this episode was created as a backdoor pilot. At the time we had big plans for the Gargoyles Universe. Hopes that it would eventually evolve into Disney's equivalent of the Marvel or DC Universe. The World Tour expanded our Universe in many ways -- mostly for the sake of the Gargoyles series itself. But also to demonstrate that our universe had the "chops" to go the distance.
So the New Olympians were imported whole, like Athena from Zeus' head -- into the gargverse. The development for "The New Olympians" series focused on four major characters: Terry, Sphinx, Talos and Taurus. Terry and Sphinx were kept out of this episode on purpose -- so that we'd have fresh faces for the series if it went. Talos has a very minor role. But Taurus took a lead here. Other characters, such as Kiron, Ekidna, Helios, Boreas and, of course, Proteus were also part of the N.O. development. Though again, we left out a bunch of other characters: Xetes, Kalais, Medusa, Jove and Xanatos (yes, Xanatos) so that the whole series didn't become old news, should it get going.
The basic concept of the series, familiar to anyone who's attended a Gathering and seen the original pitch, was Romeo & Juliet. Terry is a human. Sphinx is a New Olympian. They are in love. But their "families" aren't making that love easy. This episode, would in essence be a PREQUEL to that series. Terry hasn't arrived yet. Elisa will help pave the way for Boreas' decision to finally reveal the New Olympians to the human world.
But another important inspiration was the work of Jack Kirby. In my recent ramble on "Eye of the Storm", I commented on how we strove to avoid a Kirbyesque Odin -- and didn't entirely succeed. Here, Kirby was a clear influence. I hope The New Olympians weren't a rip-off, but I can't deny that his Inhumans, his Eternals and his New Gods influenced us -- or me, at least -- when we were creating both New Olympus and our cast of characters.
Creating the cast was also interesting. We basically compiled a list of Greek & Roman myth-figures. Gods. Monsters. Titans. Etc. Then we tried to think about their descendants... Tried to think about which would be the most visually interesting. (A lot of the gods, for example, just look like glorified humans, so we tended to ignore them.) Originally, Kiron had the Taurus role and Medusa had the Sphinx role. But after talking with the artists, we made the double switch, because it was felt that having to animate a centaur and a woman with snaky hair on a regular basis was just inviting difficulties. As with many of these pragmatic decisions, I eventually fell in love with the new version -- and wouldn't want to go back, even if I could be assured of the highest possible animation quality.
In order to import this diverse group into the Gargverse, I posited that these were the descendents of mortals who mated with the Children of Oberon (or Mab). They therefore have incredible abilities and amazing appearances, but they are mortal. Some may have extremely long lives, but they do age. Still, before they left the human world behind, many of the original Olympians were treated as Gods. But some were treated as Monsters. As in Gargoyles, PREJUDICE would be a major theme of the series. In fact, if you look at the PREVIOUSLY of this episode, you'll see that it's fully thematic. All stuff about humans being prejudiced about Gargoyles. That's because we had nothing content-wise that we needed to set up. But if we set-up human prejudice, than it helped forge the twist of prejudice against humans, which Elisa would face in the episode. (I do wish we had thought to include Goliath's line: "Humans fear what they do not understand...")
So the New Olympians fled the Human World. They established a secret island and developed astounding technology... including a cloaking device. (I was always a touch disappointed with all the fog and mist in the opening scene. I wanted the skiff to suddenly be on the open sea, with nothing around for miles. The fog allowed for the notion that something might be hiding BEHIND it. I didn't want that. Still, I think the idea gets across. And the shimmer effect is nice. Plus, I like how Goliath abruptly spreads his wings when he enters it. When my daughter Erin saw the city finally materialize, she said: "Wow!")
OLD LINES IN NEW CONTEXT
Were we just out of dialogue ideas, or were we trying to make a point or an inside joke or something. I'll let you decide...
Goliath: "We cannot wage war against an entire city."
Elisa: "You'll have to do better than that."
VOICE WORK
Michael Dorn wound up playing Taurus and the late Roddy McDowell as Proteus. Dorian Harewood, who was originally cast as Boreas, also wound up playing Talos. But none of these three were our original choices for those rolls. Instead we cast three people who I thought would be perfect for their parts. But none hit it. It was one of our rare recordings that DIDN'T work. So we fell back on Michael to play the very Worf-like Taurus. (This sometimes bothers me as the voice is exactly the same as Coldstone's. But ultimately you go with the best hand you have at the time.) Dorian ended up doing double duty as Talos and was terrific. And of course, Roddy was just brilliant as Proteus.
What's interesting is that Proteus himself is not the greatest actor. Erin noticed... "There's something different in his voice." Of course, it's Keith David PLAYING Proteus playing Goliath. (Which is always fun.) And Keith hits the mark with precision. As does Salli & Michael when they're playing Proteus playing Elisa & Taurus. Sure Proteus always LOOKS the part -- thanks to his shape-shifting abilities. And I suppose he's less of a ham than Sevarius. But he never quite takes the time to truly "inhabit" his roles. Certainly, while playing Elisa and then Goliath, there are a number of small tip-offs in his choice of words that are just wrong. Like can you really imagine Goliath saying: "Who's that guy?" One assumes that his performance as Taurus' dad is equally off the mark.
The walla in the Senate House when Elisa is on trial isn't my favorite. We just didn't get enough coverage, so it repeats and repeats.
PREJUDICE
All of the New Olympians we see are prejudiced. Every one. Some are worse than others. Boreas is well-meaning, but wrong. Taurus is narrow-minded. Talos is, at best, only pragmatic -- not morally outraged by Elisa's treatment. Most of the others are just flat out racists. "New Olympians fear what they don't understand." I'm sure somewhere on the island there were some more enlightened individuals, but we made a point of NOT showing them.
I wanted to do a few things with that theme. (1) Show that prejudice breeds prejudice. The New Olympians have some legitimate grievances against the human race, but they've learned the wrong lessons from their ancient persecution. (2) Of course, we wanted to play the irony of the monsters being afraid of the "Humans of Legend". Elisa tells the Gargoyles to hide when they first land on the island. And she's the one that the New Olympians fear. They have "no quarrel" with the Gargoyles. And the best solution that even Boreas and Taurus can come up with is to "Quarantine" our girl. (3) There was a three. I had it in my head a minute ago. Now, for the life of me, I can't remember what it was.
Maybe it had something to do with Prejudice only truly being able to be attacked one person at a time. I went to an all boys high school. We were all so deathly afraid of being called homosexuals that a culture of homophobia was ingrained into all of us. It wasn't like I was going around gay-bashing. I like to think that even then, I had the sense and the control to stifle my prejudices. But I can't deny I had them -- probably still have them to some extent, unfortunately. Anyway, then I went to college. Acted in a couple plays with a guy I really admired -- both as an actor and as a human being. Became good friends with this guy (who had the amazing name Steve Wraith). THEN I discovered he was gay. By that time, I didn't care. He had personally won me over -- in a slightly less dramatic fashion then how Homer Simpson learned to accept gays after John Waters saved his life. Steve never saved my life, but I'm afraid the metaphor is VERY apt. I haven't seen Steve in twenty years, but I owe him a lot. A few years later my cousin came out. After that, many if not most of my friends came out. My sister. Etc. Steve paved the way to make me a better person. Conceptually, we can all talk about dismissing prejudice, but I have this sneaking suspicion that the only way we really learn is one human being at a time. That's why Goliath vouching for Elisa was ineffective. People are doomed to HAVE to figure things out for themselves. And unfortunately, some never do.
WHO KNEW THESEUS WAS SUCH A BASTARD?
And so we put Taurus through that process. He meets a human. His distaste is palpable. He knows the story of the Minotaur, his ancestor. [Now Theseus is one of my all time favorite characters from Myth. But I couldn't resist flipping the tale of the Labyrinth and telling it, if just for a few seconds, from the Minotaur's point of view.] But Taurus will learn to respect humans - one human at at time. Elisa and Taurus actually have a lot in common. Both are cops. Both have/had fathers who are/were cops. But as Elisa says, he's "got some funny ideas about justice."
Elisa is clearly more enlightened. In part, that may come from her own history. She grew up as a person of color in a largely white society. She's no stranger to prejudice. Being both African-American and Native American, it's possible that she has even faced some rejection from African-Americans and Native Americans as well. Clearly, based on her openness with regards to Goliath and the Gargoyles, she learned her lessons long before we met her. Pretty much from the moment she realized that Goliath could talk -- and was therefore sentient by human standards, she treated him as an equal. I always admired her for that. Unlike the New Olympians, she didn't let the prejudice she faced turn her into a bigot.
Taurus will eventually get the message. His prejudices don't just vanish. But he's learned something.
SOME NEAT MOVES
I like the sequence where Goliath comes to break Elisa out, and Proteus takes advantage of the situation by first turning into Elisa and then Goliath. (When Erin first saw him as Elisa, she said, "Uh oh." which is pretty much exactly what he was going for.
I like how Taurus threatens to fire Helios.
I like how Goliath turns to stone in Proteus' cell.
I like how Elisa takes charge -- and basically FORCES Taurus to partner up with her. She has two tip offs that Proteus is posing as Goliath. First the fact that he didn't turn to stone and blames it on the cloaking device affecting the sun's rays. Of course, Elisa knows that it's not literally the sun that turns a gargoyle to stone. It's his or her biological clock, which is often triggered by sunrise. But the real clincher is Proteus' plan to blow up the Collonadium. Elisa knows Goliath would NEVER do that.
I like when Taurus tries to express his admiration -- and still can't do it without insulting her species. Elisa takes it in stride: "I'll choose to take that as a compliment." Progress is slow.
THE NEW OLYMPIANS
We end the episode with a pretty blatant pitch for giving the New Olympians their own show. It's certainly shameless. But I make no apologies. I still contend that THE NEW OLYMPIANS would make a GREAT t.v. series.
Anyway, that's my ramble. Where's yours?
hey greg heres a question. when did goliath found out that he had feelings for elisa?
I don't think he realized it until "The Mirror". But I think his feelings for her existed as far back as "Awakening".
You said Elisa and Tony Dracon had a history. What history was this?
Whoah. I thought September 30th, 2002 would never end.
Anyway, they've had cop/crook encounters in the past. I'm not going to go into the whole story here.
Ramble on Golem.
A great episode this.
On the climbing. I've got to say, my favorite Gargoyle shots are of them climbing. It best shows off how animalistic they are and how beautiful they are. It really drives home the "they aren't human" issue. They're creatures of instinct.
And, BTW, when Angela and Bronx are climbing up the tower, that's a great butt shot on Elisa. Gotta say. Elisa rocks. Strong woman that never gives up, protects her friends, has a sense of humor, and has a great butt.
If she's based off of anybody you know, mind introducing me? :)
Onto the rest of the ramble.
Max and Elisa parallel on that huge issue. They're the heroes beside the heroes. The difference is that Elisa started out that way. It's who she is. Considering who her parents are, it might even be an instinctive trait to her.
Max? Max isn't so lucky as to have Elisa's upbringing. He's probably had to learn that lesson that there are some things that are too powerful for him to overcome. So, he has to overcome that fear just to go into his destiny.
Elisa's learned quite the opposite lesson. Even within the series, she's learned that, even though there's always somebody bigger and stronger than she is, that doesn't really matter.
Renard gone mad. Oh come on, like you wouldn't destroy a few things if you got that kind of power. It's like a new toy. You play with it until you're through.
But, when Renard was through with the euphoria of the new toy, he was left with the cost. And, that was a great face shot of the Golem when Renard realized that he had become something. It also made sense that it was Goliath's words that finally got through.
He might, logically, have known that Elisa and Max were right, but he considered Goliath to be an equal. They both share that daily struggle of integrity. And, it's here where Goliath really repayed Renard for his lesson in Outfoxed, and reminded him of the daily struggle that is integrity.
The final fight sequence was something that struck me. 4 different heroes, 4 different styles. Max, the Golem, Goliath, and Elisa. Each very effective.
The first time I saw this, I saw the golem as a robot and Max as the mind behind it. Telling it what to do and, like a good little drone, it does it. Essentially making Max the mind. But, that scene with Brode over the big pit, last time I saw it, changed my mind. Instead of the golem's mind, the golem has it's own mind even if it is a primitive one, Max is the golem's heart.
If there were future episodes with the golem, I could see Max going through efforts to keep the golem from becoming like the monsters that he fights.
Can't wait for the ramble on "The Hound of Ulster"
Elisa's based on Salli Richardson. She's in the upcoming movie, ANACONDA 2.
Totally agree with your heart/mind assessment, by the way.
Hi Greg! I have loved this show since i was 8 and now im 16 and im still watching the reruns! Anyway, i am a New Yorker and I think you did a great job of portraying the City realitically. But-one thing bothers me. In New York there are many precincts and youmade it seem like the only police department in the city was the one Elisa worked in. How come in any of the episodes you never see another precinct?
We actually made an effort to portray this realistically. Elisa may get involved in investigating crimes that wind up taking her out of her precinct's boundaries, but she doesn't get started investigating crimes that don't begin within those boundaries. (If that's clear.)
Will Goliath and Elsa get further into there relashiship
Yup.
Could Elisa have told the chief of police about her brother's condition after Metamorphosis or The Cage?
Obviously, she could have. But she didn't.
Hi Greg,
So I guess i'm in a way sort of a...um.."new" fan of gargoyles...i used to watch it all the time when i was younger but i guess i just had other things to do...but i'm watching it again now...way kul show dude...but i wantedto ask you...since i'm new and this is bugging the bejeepers out of me....does Elise Maza and Goliath ever put aside their differences and like wed r something?...i know i shuld continue watching the series....and i will try to watch it as much as i can...but disney likes to rerun them and they're not always in order...and now that i'm older unlike when i was a kid i have more responsibilities such as work and school that keep me from being able to watch it so i'd be extremely grateful if u'd fill me in on that subject...oh and heheh..Happy Birthday...may-b if i send it now it might reach u sometime around there...or if not merry christmas ^.^...heheh...see ya..
Disney is actually pretty good about airing the episodes in order. Of course, we didn't get to tell all the stories we wanted to. I only worked on 66 episodes and they did 12 more after I left and that's it.
So the short answer is, no, Goliath and Elisa do not get married by the end of the 66 or 78 episodes.
What happens in the future is another story.
In "The Mirror," why did Elisa get her shoes back and none of the other humans-turned-gargoyles get theirs back when the were changed back into humans? And where *did* Elisa'a Jacket go?
I don't recall everyone else using/losing shoes. I'd have to watch it again. Maybe the other people you saw all transformed before they had their shoes on in the first place? Never put them on, so never got them back.
As for Elisa's jacket... I don't know. I've never known the answer to that one. Magic and Puck's personal aesthetic, perhaps.
Greg
i was wondering if golitah & elisa ever become a couple
Have you seen "Hunter's Moon, Part III"?
or said another way...
Define "couple".
Hello Greg,
The subject came up in the Adult comment room on the Gargoyles Fan Website, on wether Goliath and Elisa would ever be able to become mates. Physically.
So the main question is, can they become mates, in a physical sense, without physically harming Elisa?
How well endowed is Goliath (beneath the loin cloth)?
How well endowed are Brooklyn, Broadway, and Lex? Yes, inquiring minds want to know *^_^*. If not exact sizes, some general indication would be appreciated.
Thank you for taking the time to consider the question.
Mooncat >^,,^<
and the peeps in
the Adult Gargoyles Comment Room
I think of Goliath (and all the gargoyles) as being proportional. So that would make him fairly well-endowed by human standards. I have no doubt that Elisa and Goliath could become intimate, but I do have some doubts as to whether they could engage in intercourse without harming Elisa physically. But there are of course, many ways to become intimate short of intercourse.
Settle a bet, will goliath and elisa ever hook up?
Define "hook up".
1a) Did Goliath know Jon Canmore and John Castaway were the same person? b) Did Elisa?
1a. Not at the time of "The Journey".
1b. Ditto.
I was wondering, when exactly did Goliath actually admit to himself consciously that he was in love with Elisa? Actually said to himself, "I love her?" Was it at a specific moment in the series, and if so what scene/episode? Thanks!
That's a darn good question. I'm sure he hadn't figured it out by "Sentinel". It might, in fact, have been in "Hunter's Moon, Part III" after she returned from the dead. Maybe right after the Praying Gargoyle was smashed. Or maybe after he returned to the castle. It wouldn't surprise me if it was as late as that.
I'd be eager to hear what all of you think on this question.
In any case, he certainly knew by "The Journey".
Hey Greg I just want to say you did a great job on the Gargoyles. Ok now for a couple of questions.
You know on 'hunter's moon 2' after Jason kissed Elisa, then Elisa went to the clock tower. Well, was she going to go visit the gargoyles, namely Goliath? And if she was would she tell him who she felt about him if she was?
I do think she would have come to see them, to talk about the crisis in general. I don't know that they would have discussed the kiss. I don't know what she would have revealed about her own feelings. But I tend to think -- very little. It's just not her -- guarded, pretend to be invulnerable -- way.
Anyhow, it's moot.
in 2001 (or probably 2002 when you answer this :) ) is Elisa still a NY Cop? has she been promoted or still doing her detective work?
How about in 2003?
Yes, I'd imagine she's still a cop. Hopefully, by now she's been promoted a grade or two. But I don't have a context to say how high.
I forget who asked this: "10. Does Dracon dream about Elisa and him being together?"
Greg replies: "10. Probably." By dream, would that be in the context of fantasizing about Elisa, (Poor Tony's never met Demona, has he?) or does Tony genuinely have some really strange dreams?
http://www.inktank.com
Maybe both.
Before I get to the questions, I'd just like to say how much I enjoyed the show and how amazed I am to find that I'm not alone in wishing to see a return to that universe. Having said this...on with the questions!
First, is it possible to obtain recordings of some of the episodes, particularly "The Mirror"? On the subject of "The Mirror" I must say that I was somewhat disapointed that subplot (the sparks of romance) between Goliath and Elisa never reached the level of developement I was expecting (or did it?). I honestly thought Elisa made a very good gargoyle, and I always wondered if that might also have been addressed in some way. Thank you once again for everything!
1. The first season was released on video, though you'd probably have to haunt e-bay to find copies of those tapes. Otherwise, the only thing I can recommend at this point is to record the eps off Toon Disney.
2. Well, I think the subplot was advanced in episodes like "Sentinel" and "Hunter's Moon", among others. As for Elisa being a gargoyle, that was always temporary in my mind.
The grant of immunity to Oberon's magic is a great gift to Goliath and his clan (even if it *is* subject to Oberon's interpretation).
1) You've explained that Elisa still fell prey to Oberon's sleep spell because he didn't consider her part of the clan. a) Why is this? Did Oberon not recognize how close Goliath and Elisa were back on Avalon? Did he automatically dismiss the idea that a human could be adopted into a gargoyle "clan"? b) Just a comment here, but I think it would have been a nice touch if Elisa *had* been granted immunity from the sleep spell, kind of as a way to symbolize her relationship to the clan. c) At some future point, do you see Oberon extending this immunity to Elisa as well?
2a) Do you have any specific ideas for future moments when the clan will once again get to take advantage of their immunity from Oberon's magic? b) When you introduced Oberon's gift to Goliath in "Ill Met by Moonlight", were you already thinking ahead to "The Gathering", realizing that that the clan would need this immunity? Or was it simply something you figured you might make use of eventually in a future story?
1a. Largely, I don't think he's that observant. Gargoyle clans. He's thinking gargoyles. No doubt, Elisa was regarded as an ally, but I don't think it occured to him to actually consider her to be part of the clan.
b. Well, it's nice and symbolic, but I just think the spell has to come from Oberon's PoV, and it seems out of character to me for him to include her. This isn't something I missed. This is something I considered and made a conscious decision about.
c. I doubt it.
2a. Not specifically at this moment.
b. Yes and yes.
Hi Greg. Just wondering--was the part in the Journey where Goliath went to see Elisa the first time the two talked or saw each other since the kiss at the end of Hunter's Moon 3? If not, when did they first see or talk to each other after the kiss? Thanks!
Elisa and Goliath kiss on the morning of October 27, 1996.
Goliath goes to see Elisa just after Midnight on October 29, 1996.
I find it hard to believe that they didn't see each other at all on the 27th or 28th. But it's very possible that they had no time alone to discuss what had happened.
Hi Greg,
I have some questions about Goliath and Elisa.
1. You've said that Goliath started falling in love with Elisa pretty early on. And that he fell in love with her before he even understood how attractive she was physically. By Elisa's reactions in various episodes it seemed that she knew he was falling for her and she tried to deny the truth for a while. Not only his feelings but hers as well. Obviously by what happened in Hunter's Moon I , II and III she realized that she was in love with him and she let him know. Did she fall in love him because of the way he has protected her and his personality?
1a. Did she find him attractive physically?
1b. or both?
2. I've read your comments that Elisa and Goliath would realize that their relationship before it really started was impossible and they would date members of their own species, possibly at a Halloween party. Would this party have been the first time they dated since the breakup?
2a. Also would it be at this party that they would both realize that they still loved each other?
2b. or would that have been later on down the road?
3. Does Elisa know that Goliath was watching her and Jason in her apartment? (Hunter's Moon Part II)
3a. If not, would Goliath ever tell her?
1. Well, I think Elisa probably thinks he's good looking too, but yes, it's who he is inside that really attracts her. In my opinion, anyway.
1a. I think so.
1b. Both, yeah. I gotta start reading ahead.
2. I think so. But it's not a party so much as a night out. At least in my mind.
2a. Yes.
2b. I don't think they ever stopped loving each other, but they tried to let logic and reason dictate their feelings. By the end of this Halloween adventure, they'd realize that it was pointless to supress their feelings. Certainly unfair to their dates.
3. Not sure. Don't think so.
3a. It seems unnecessary now.
Time to ramble...
This episode was directed by Dennis Woodyard, written and story edited by Cary Bates.
The one word title, as usual, was one of mine. I thought initially that we'd be even more focused on the Cathedral. That we might play a Quasimodo character. Heck, if Disney's "Hunchback" movie was going to have living gargoyles bouncing around, then I could have a Quasimodo swinging from the bell-ropes.
But the story, thank goodness, rightly evolved into a family drama with Goliath, Elisa, Angela, Demona, Macbeth and Thailog (and Bronx) providing us with one very ODD family. Quasimodo went away in favor of Thailog.
And we had to work a bit to make sure the thematic idea of the heart as a Sanctuary worked its way into the picture. Thank God for that French minister, eh?
During the "Previously..." recap the following exchange was heard between my eight year old daughter Erin and my five year old son Ben, after Angela learns (in that scene from "Monsters") that Goliath is her biological father:
Benny: He IS her father. He laid the egg.
Erin: Girls lay eggs.
Benny: His wife laid the egg.
ROMANCE
Enter, for the third time or the first (or, depending on your point of view, maybe this one doesn't count either), Ms. Dominique Destine. She tells Mac, "We have all the time in the world..."
This for me (and I know for Bond expert Cary) was a very memorable line from "On Her Majesty's Secret Service." And always a good sign that a relationship is going to come to a bad end.
Elisa tips her hand, which she can do cuz no one is awake, about how she really feels about Goliath here. "The most romantic city in the world and Goliath isn't awake to share it with me." (Or something like that, all quotations are approximate.) That's what she'd like to do, I'd wager. Soar over Paris with G. the way they soared over Manhattan in "Awakenings". Now had he been awake, do you think she would have made that request? Or would she in fact be distancing herself from him simply BECAUSE she had that impulse?
After her adventure on the Loch, it's nice to see Margot on a pleasant little stroll through Paris.
THE GARGOYLE WAY
Why is Goliath so resistant to parenting Angela? After all, though they're really more like younger brothers, he does his fair share of parenting the Trio.
He falls back on "The Gargoyle Way", but that's certainly inadequate, as Diane Maza will later point out. Yes, he's only one of her rookery fathers, but he's (a) the only one there and (b) the only one left alive except for the two souls trapped inside the AWOL Coldstone.
Ultimately, I think the answer is that Angela's sudden obssession with her "BIOLOGICAL" parentage makes him nervous because of the obvious extrapolation to what comes next. If she's obssessed with me as Daddy, then what happens when she learns who Mommy is?
And that's the key. He's divorced Demona. His wife who laid the egg. It took centuries and months, but after "Vows" he moved on. Now he sees Demona as a nemesis. A painful one to be sure, but a nemesis none the less. He's afraid of what the knowledge will do to Angela. He's afraid of what Demona will do with Angela, should Angela share that knowledge. And is he perhaps afraid of what -- under Demona's influence -- Angela might become?
THE CATHEDRAL
There's some nice animation in this episode -- but none of it is at Notre Dame. That sequence put us through fits in retakes and editing. Ugghh. It's still painful to look at.
But there's some nice stuff going on...
Demona says: "In here my love." to Goliath before she realizes its not Thailog. What did you all think of that line? At this point we had only seen one silhouetted monster from a distance. And since you knew Demona was in town, we intentionally tried to lead you to belive that she was the Monster at Notre Dame. Were you expecting Thailog? Or did you think that Demona was addressing G as 'my love'?
Goliath's arrival is a shock to her, so what did you think then?
Then Thailog's arrival is supposed to be a bigger shock to you guys. Was it?
I love hearing Thailog say: "My angel of the night."
Demona has a good line too: "Jealous and paranoid."
Later, we set up Nightstone Unlimited and their two "human" identities, Alexander Thailog and Dominique Destine.
At this point in production, we knew that Fox was going to have a baby but we had not named it yet. I couldn't think of a better first name for Thailog and later I couldn't think of a better first name for Alexander Xanatos. At first this bugged me. But I began to realize it made perfect sense. Xanatos had programmed his "first" son well. If X would pick Alexander, why wouldn't T have picked it as well. And there's something so symmetrical about both his kids being named Alexander.
TOURISTS
Elisa sits at a french cafe talking out loud to herself. Ugh. Very awkward. Obviously, we couldn't come up with a solution we liked better. I'm sure it occured to me to do it in voice over, but just chucking a V.O. sequence in the middle of an ep is very awkward too. Suddenly, the movie is POV Elisa, and we weren't doing that here. (Cf. "Revelations" and Matt's VO narration.)
I do like her last line though, coming as it did from a long time Superman scripter, Cary Bates: "This is a job... for the Gargoyles!"
THE WEDDING NIGHT
We had Macbeth use the Lennox Macbeth name instead of Lennox Macduff because we thought it would be too confusing to give him an entirely different name to any new viewers. And it makes sense that he has multiple aliases. But it still bugs me and I think in hindsight, I wish we had just been consistent.
Demona kicks Macbeth into unconsciousness, and Erin asks: "Why didn't she get hurt?"
And that's a very fair question. As usual with D&M's Corsican Brother connection, we tried very hard to be faithful to it, but it was very hard. And we wound up being a bit inconsistent. The best I can suggest is that when Demona knows she's going to hurt M and it isn't just on impulse, she can more or less steel herself against the magical feedback. It's still painful. But she doesn't show it as much.
The Gargoyles wake up and Elisa says: "Look alive, guys!" Well, they do now, don't they?
I love how Thailog slips Mac the gun and then later yells at Demona, "Didn't you search him?!" He's an evil genius that one. And passive-aggressive too.
Thailog's plan is brilliant, I think. So elegant. So simple. And if not for Elisa, so effective.
Mac's suicidal tendencies resurface. Demona's legendary temper gets the better of her common sense.
Thailog really comes into his own in this ep. Sure, Xanatos said he may have created a monster, but now Thailog has outsmarted X, D and M. Who the hell is left to outsmart?
And he has some great lines too:
"You and what clan?"
"Teamwork is so overrated."
"Aren't you spunky?'" (Another Lou Grant reference of course.)
To be fair, he couldn't immediately know that Angela was blood kin, but still doesn't his reaction to her give you the creeps? When X says Angela is lovely in "Cloud Fathers" I don't think anyone thought he was being salacious. But T? Yeah, baby.
Of course, Goliath finally gets the picture after this one. Up to this point, he was thinking Demona's the lost cause but maybe Thailog is salvagable. Now he knows better. At least about T anyway.
BATTLE
There's a lot of water in that water tower. It looks cool though. The animation here makes up for the Cathedral stuff.
I love Goliath's two-handed punch.
I love Demona's punch-drunken sway, as she makes her move to, as Mac says, "put us out of our misery..."
But I've always wondered why the background painters put multiple pictures of Elisa on the wall of Macbeth's chateau. Odd, that.
When I was young, I used to love MASH, particularly back in the Wayne Rogers days. (And, yes, Wayne is a friend of my dad's now. But they didn't know each other back then so I was unbiased.) But one thing that used to drive me nuts was the repetition of the following exchange:
<LOTS OF SHELLING IS ROCKING THE HOSPITAL. SUDDENLY, IT STOPS.>
Hawkeye: Do you hear that?
Someone else: Hear what?
Hawkeye: Silence! The shelling's stopped!
This was fine the first time they used it. By the twentieth time it got VERY old.
But we do a version of it here after Elisa shoots Demona ending the battle.
Why? When it used to drive me nuts? It's amazing what I'll pay tribute too.
KEITH meet MR. DAVID
I love playing Thailog against Goliath, because I love those Thailog/Goliath exchanges where Keith plays both roles. That's one of the main reasons we created Thailog. To enjoy listening to Keith go to town.
1st Epilogue:
Goliath: "She has done you a favor, Macbeth."
That line should be a bit of a shock when G first says it. But it makes a lot of sense after he explains. And I love the look that Goliath and Elisa share. They aren't even pretending they don't share those feelings. They just won't act on them.
And how about Goliath actually telling a joke: "Just make sure you get a good look at her at night." Word.
2nd Epilogue:
One of the things I like about our series is we didn't have to end each episode the same way.
This one ends rather darkly. Goliath won't acknowledge the obvious. He just broods. Angela turns to Elisa: "Elisa, I have to know." And Elisa confirms that Demona is Angela's mother, because it's ridiculous to either lie or to not confirm the obvious that Angela has already figured out. But she knows G didn't want A to know that. So everyone is left unhappy as we sail into the fog.
And Erin ends the episode saying: "I think Elisa should be her mother."
(Me, I've always seen them sharing a more sisterly relationship. But I thought Erin's idea was sweet, and certainly came out of the sexual tension between E&G.)
Anyway, that's my ramble. Where's yours?
Dear Mr Weisman.
Hey there. Hope you had a nice holiday.
I was wondering when it was that you actualy thought up the idea for the garg universe? I mean, did it just pop in your head on day or had it been there for a while?
Also, was there any 'plan' to the story. Was there always going to be a Goliath/Elisa thing? Were the Rookery eggs always going to be on Avelon? Was there some kind of planning towards it?
I know this is probably incredibly sappy but its been killing me ever since I saw that episode...what WAS Goliath going to say to Elisa at the end of 'The Mirror'? Ok, for a start, it wouldn't have been much because he knew that the sun would be up soon. And all the clan were around. But what would he have actualy told her - sworn absolute undying love? Admited that he liked her a bit? I know its a stupid question, but its a lovley scene. Also, what were they like with each other the next night? I guess they both knew what he meant (even if I don't).
Okay, thats all for now. Thank you very much.
Stacey,
It's been so long since you posted these questions (last October) I'm going to assume that you've already got the answers since all of them are available in the archives.
But just in case, and briefly.
I've been fascinated with Gargoyles since high school at least, but the series was developed by my team at Disney between 1991 and 1994.
Yes, we had a plan. G&E was planned. The eggs showing up on Avalon (or some equivalent) was planned..
I'm not sure that Goliath had the exact words on the tip of his tongue. (This isn't like Titania whispering in Fox's ear.) I think he would have tried to stammer something out about his growing feelings for her. But it would have stopped far short of "declaring his undying love".
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