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after you did all 3 seasons are you think season 4 or as 3 . as 1990 in 1994 it was on i want a fan in 15 years i was't what are you going for me now . wane are you put bake on the air .
I'm not at all clear what you are saying or asking.
The decision to "bake" isn't up to me. But check out the trade paperbacks; they're pretty well-baked.
Has there been any word yet on whether there will be a third Gargoyles graphic novel?
No news.
You've probably gotten this question 1 million times by now, but I'll ask anyway since I've tried to find it and haven't.
Is the gargoyles comic officially over, since the gatherings and fanbase have been down?...and if this question has been asked, could you link me to a couple of people who have asked it?
The comic is officially over for now, but I haven't given up on bringing it back.
Hey Greg,
I'm sure it's cliche and you're tired of hearing it by now, but I loved Gargoyles as a kid and continue to do so...I guess there's no need to go into any more detail than that. Just wanted to start off by saying thanks for all the hard work.
Anyways, onto the questions:
1. With the Marvel/Disney merger, what are the odds now that we'll see you pick up where you left off on the Gargoyles comic?
2. Does SLG still own all the rights to the comics you wrote for them or is it all owned by Disney and thus now a part of Marvel as well?
Now that the semi-practical questions are out of the way, time for my far nerdier side to kick in:
3. If asked to do a Marvel/Gargoyles crossover, who would be your first choice in Marvel character to cross over with? And since it's likely to be Spidey, who's your second?
4. Have you been approached about bringing Gargoyles into a future Kingdom Hearts game?
Thanks,
Phil
1. I don't know that the Marvel merger has any effect on Gargoyles.
2. For starters, Disney owns Marvel, not the other way around. Marvel has no control or say over Gargoyles. But I don't know the specifics of the Disney/SLG deal or who owns the reproduction rights. I do know that Disney maintains ownership of the intellectual property including anything added in the comics.
3. Uh... I'm not that excited about the idea at all. But I guess the Defenders.
4. No.
Loved the trades, loved the single issues. Assuming that more stories will be published, (and I certainly hope so), is there any thought to releasing trades the size if the original art?
There's been some talk. Nothing definite.
Disney as of recent bought out Marvel. That in mind will Marvel release thier comic adapton to Gargoyles as a graphic novel?
I doubt it.
If SLG doesn't continue to make Gargoyles comics do you think that you could move over to BOOM! Studios, who now make Disney comics? or would Disney give you the chance to continue the comics there?
I have no idea.
Hi Greg. A quick response on your "accessibility" ramble. I actually really appreciated the way you approached it in the comics. It was handled in a very classy way that wasn't redundant or insulting for existing fans. In fact, the spread in Issue #1 was elegant, fit the story well, and was a fun extension of the opening credits monologueâ"which, of course, was intended to bring new fans up to speed in the first place, and ended up becoming a touchstone for the loyal existing fans. I feel like the same was accomplished here (the spread, Al's story, etc.), and as someone mildly irritated whenever a story feels it has to "talk down" to me, I appreciate it.
Well, I tried.
now that disny has reportedly purchest marvel do you think or hope that there is anny chance of restarting the commics, i certanly hope so and i wonder if this is why disny didn't continue them at SLG.
thank you for your time sincerly a gargoyles fan :)
I've answered this before. Check the archives.
I don't know if people have asked you this, but anyway -- with Marvel now part of Disney, would you write more Gargoyles stories assuming that Marvel decides to revive the Gargoyles comic series, maybe do some limited series for the spin-offs?
It's been asked and answered. Check the archives for a more detailed answer, but the short answer is... for now, I'm sticking with SLG, as they currently represent our best chance of getting more comics.
Of the stories in the gargoyle comics that were originally planned for the television show such as the stone of destiny and double date stories, how much of what appeared in print was conceived during your time as the producer of the show and how much was developed as you started writing the story for the comic?
Was the Double Date story always suppose to feature the return of Thailog and was the Stone of Destiny story intended to be always non linear or for that matter to show that the Stone had multiple vessels?
The broad strokes have all been in my head for years. Little details were ALL worked out at outline and script, i.e. relatively recently.
What do you think about the Disney Marvel merger? Do you think it will change anything for you(or in other words you're struggle to get more episodes of Gargoyles made)? Do you think we will see you're gargoyles comics published by Marvel in the future?
1. I'm withholding judgement.
2. I don't know.
3. No.
I know that whether any more Gargoyles trades are made by SLG depends in large part on the sales of the existing trades. Did Dan Vado give you any specific numbers (or even ballpark figures) of how many copies of the trades need to be sold so that SLG will consider approaching Disney to make more Gargoyles trades? If he did, what are those numbers/figures/estimates? Also, I don't know how closely you keep up with the sales of the trades, but can you tell us approximately how many have been sold so far so that we know how close we are to potentially meeting the goal so that we might get new trade paperbacks in the future?
He did not give me specific numbers, relative either to his expectations or to actual sales. But clearly the numbers warrant the fact that he's now (still) in the process of trying to secure the license again from Disney.
Will Disney buying Marvel Comics mean anything for the Gargoyles comic book series?
I don't think so, but I don't know.
Hi Greg
The two Gargoyles & Bad Guys TPB volumes are currently winging their way to me via the net. Do you know if there is any chance that the Marvel series will be reprinted (maybe by SLG, in the fashion that Dark Horse reprint Marvel's old Star Wars stuff). I know you weren't directly involved with that run, but I was just wondering if you were in the loop. Thanks for the hard work.
No idea.
Not sure whether this could be classed as a question, or whether it's more a suggestion. Have you ever thought of setting up a donations button to raise money for the gargoyles comic? Maybe as incentive have a draw at the end of each comic that allows the winner to have a character (either thier own design or one from the series) drawn for them by the current artist of that comic.
It's a thought.
Dear Greg,
I just finished reading Clan Building Vol. 2 and I wanted to know, will there be more Gargoyle trade paperbacks? I know there is one for Bad Guys coming out, but I wanted to know about stories concerning the main Gargoyles. Also, speaking of Bad Guys, how many issues will be in the trade? Lastly, I thought the trade rushed Brooklyn's time traveling story, will there be a trade paperback to cover what wasn't told? Thanks so much for giving fans the unpublished issues.
Bad Guys Trade is out. Contains six issues worth of content, including covers.
Brooklyn's story wasn't all that rushed to my mind. IF you're asking about his ENTIRE time-travel journey, then please understand there was NEVER any intent to show all of that here. That story takes place over FORTY YEARS of continuity. I hope to tell more of it eventually, but let's be honest -- there's no way I'm ever going to cover all forty years in my lifetime.
And, yes, I hope there will someday be more Gargoyles trades. Dan Vado and SLG are working on that now.
What Gargoyle arc would you say was the most enjoyable to write? I don't mean this as a question of 'favorites', but what do you think really made you pat yourself on the back more than normal?
Uh... I don't know. The prep on the "Rock" arc was extensive, so completing that was... a relief.
Truth is, I'm pretty proud of all the so-called canon Gargoyles work. (Maybe too much so.)
"Vic Cook and I will be signing promotional postcards and talking about MECHA-NATION, our new comic book series (with Greg Guler and Antonio Campo). This was a project that was seen at a couple of Gatherings and was previously announced with SLG. Unfortunately, SLG had to bail, but the good folks at APE scooped it up. "
Hi Greg,
I realize that SLG has been good to the Gargoyles fandom, and that you seem to have a great working partnership with them. That said, while I don't want to disrespect SLG or anything like that, if they can't make continuing Gargoyles financially feasible, is there any chance that the comics might be able to continue at APE?
I don't know if Ape is interested, but I KNOW SLG is. So what's the point of jumping ship -- even hypothetically -- now?
I know that Disney isn't totally giving up on the Gargoyles franchise, but is there anything specific they are giving up on? And is there anything special in the future for Gargoyles? Because i am getting a little tired of the same episodes and comics. Thanks for taking the time to read this.
You're ALREADY tired of the comics? Some of them JUST came out.
Disney has no current plans for Gargoyles. The good news is SLG is still interested in making more Gargoyles and Gargoyles-related comics, but need to make a new licensing deal with Disney before they/we can start.
Dear Greg,
I have watched Gargoyles ever since it came on back in the nineties. It was a shame to see it end with the Goliath Chronicles... Will you try to revive the show, and if you do, when?
We have revived it... as comics. Please pick up the three trade paperbacks.
So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.
And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.
I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.
And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.
Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.
Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.
Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.
Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.
Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.
You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.
Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.
Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.
Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.
My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.
when do you think the will put the second part of season two on dvd & will they be puting the goliath chronicles on dvd too? also do you think you will be making more episodes os spin off of the series?
The "more episodes" exist in comic book form. Check 'em out. And Disney currently has no plans to put out more DVDs. See the archives for more info.
Got easily a hundred calls, texts, e-mails yesterday about the big Marvel/Disney news and a few about the Sony/Marvel/Spidey news, so here are a few random thoughts to go with what I posted yesterday...
1. SPEC SPIDEY: The main thing that's changed about the Spec Spidey situation is that Sony is now out of the loop/decision making process about whether or not there's a third season. Before Sony was waiting to see if Disney picked up the series. Then they'd decide on its economic feasibility for Sony. Now Sony isn't part of that equation, leaving the whole thing in Marvel and Disney's hands. Of course, now that Marvel and Disney are kinda one hand, so-to-speak, I don't know what that means for us. Other than the obvious, which is that I'm sure we're not exactly Disney/Marvel's highest priority at the moment. How and when this decision gets made is really up in the air, but a former negative does feel good -- now -- that our last six episodes won't start airing on Disney XD until late October. That means our last episode won't air until early December, which may be a better time for Disney/Marvel to focus on the show. (Or not.) Of course even a positive decision in December or (more likely) January means a HUGE gap between Seasons Two and Three, but I'd take that over no new episodes.
2. FLASHBACKS:I can't help but be reminded of events in the mid-nineties, when Michael Eisner (then CEO of Disney) wanted to buy Marvel, so that he'd have super-heroes to compete with Warner Bros' DC Universe heroes (including Superman and Batman). Back then, however, Marvel was, or so I was told, a corporate mess. And it wasn't just that -- as now -- various studios already had the rights to individual characters, but that the rights had been double sold all over the place, and that every character pretty much represented a lawsuit in the making if not already in the works. Eisner was advised NOT to buy Marvel, and of course he didn't. But he REALLY wanted to be competing in the boys action/super-hero market. That was when the Gargoyles Universe was raised as a possible alternative. We pointed out that the Marvel Universe began with the Fantastic Four, and that we could use Gargoyles as a springboard to more properties and to an entire Universe. We were encouraged by Michael to create spin-off properties, backdoor pilots, etc. And that was THE major impetus for us to work on things like New Olympians, Bad Guys, Pendragon and Dark Ages. (Gargoyles Future Tense -- which became Gargoyles 2198 and TimeDancer came later.) It was also a reason to be expansive with the World Tour and introduce more and more new characters, etc. Of course, by the time all this stuff was actually made, the world had changed again. Frank Wells died. Michael and Jeffry Katzenberg went to war, with Jeffry eventually leaving to found DreamWorks, and taking two of my immediate superiors, Gary Krisel and Bruce Cranston, with him. Rich Frank (another of my bosses up the chain) also left. Dean Valentine was placed in charge of Walt Disney Television Animation and he had no affinity for Gargoyles or its spin-offs. And Michael, who had initiated the whole thing, had way bigger concerns on his plate. I was more or less forced out. But for one bright, shining moment...
3. GARGOYLES: I'm sure a lot of people are wondering what this means for our favorite winged warriors, but in the short term, I'm sure the answer is "Not much." Gargoyles is pretty much under Disney's radar right now, and really doesn't exist on Marvel's radar at all, as far as I can tell. We'll be an extremely low priority. Our best bet is still SLG, which HOPEFULLY will be motivated by the sales of the Trades to want to make more content with me. Having read Dan "Mr. SLG" Vado's recent reaction to the Disney/Marvel merger, I'm hoping he isn't too discouraged by being in bed with his competition. But I have no doubt that the best way to get Dan fully on board is to make it worth his while by having those trades sell VERY well. So again, buy the trades and/or SPREAD THE WORD!!!!
Okay, in the period of just a few days, I have been rocked by two incredible pieces of news.
1. Last Thursday (8/27/09), Vic Cook and I were informed that in exchange for some concession vis-a-vis the live action Spider-Man features, Sony returned the television rights (including the animated television rights) for Spider-Man to Marvel. This took place the day before ComicCon, I'm told. But I was only informed of it this past week.
2. Today (8/31/09) comes the news that Disney has purchased Marvel outright.
NOW, before you ask -- before you post a thousand duplicate and/or overlapping questions to ASK GREG -- let me be clear: I have NO IDEA what this means for either Gargoyles or The Spectacular Spider-Man. Neither of these developments are by definition good news or bad news. Shocking news, sure. But how it will play out for either or both properties is a complete mystery to me. As soon as I have ANY information on either property, I will post it here at ASK GREG. Until then, don't ask. Seriously. Just don't. There's just no point in bogging down the queue with questions I have no answer to. Thank you for your cooperation.
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