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Todd Jensen writes...

Phew! Nice to have this thing back! Now for some questions that I've been waiting a long time to ask.

1. In "The Journey", during his recruitment speech, Castaway, while playing upon the fears of the citizens in his audience, lists two specific ones: that the gargoyles might attack them while they sleep and that they might kidnap their children. Recently, I found myself realizing something about these fears. Gargoyles obviously fear humans attacking them while they are in their stone sleep, and Demona believed in "The Reckoning" that Princess Katharine and the Magus had kidnapped the eggs. So, were you deliberately going for a notion of "humans and gargoyles fear each other for parallel reasons" when you wrote this scene, or am I just reading too much into it?

2. My new guesses for the 7 Arthurian survivors:

a. King Arthur
b. Merlin
c. The Lady of the Lake (so far, the obvious ones :)
d. Sir Percival
e. The Grail Damsel (since she's got a different name in practically every version of the Arthurian/Grail legends, I figured I'd better just put down her position to make it clearer whom I meant)
f. Morgan le Fay
g. Nimue

3. One of the most intriguing aspects of the gargoyles in the series, to me, was their initial lack of personal names, something that worked particularly well with me since it made them seem even more "their own unique culture" (I particularly liked the scene where Hudson was asking why humans have to name everything in "Awakening Part Three"). What inspired you and the other members of the production team to come up with this idea?

Greg responds...

Hey Todd,

1. I don't think you're reading too much in, but you need to keep in mind that I was breathing gargoyles at the time. It filled my thoughts. Whether I was conscious of those specifics parallels, doesn't answer whether they were intentional or not. Does that help?

2. We're up to eight now. Plus guesses need to be on their own post. Note: it's best to be as specific as possible. Bet hedging is no way to win a silly contest.

3. Originally, desperation. We had a hell of a time getting names approved. Coming up with a rationale for waiting until the twentieth century to name most of our characters was an inspiration I was grateful my boss went for. Fortunately, he saw that it solved all our problems. Gave us young characters with names that had a more contemporary, yet fun feel. Allowed Goliath to stand out from the crowd more. Made Demona's name less silly and more chilling. Etc. Making Gargoyles a unique culture was the solution to a difficult problem. One of the many things, that just made the show feel "right".


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Entity writes...

Glad you're back, Mr. Weisman! Here are a few questions I've pondered over:

1) If the series had ever shown Merlin, how do you envision his physical appearence? Would he have been along the lines of the white-bearded Disney version from "Sword in the Stone", or the younger, clean-shaven version from "Excalibur" or "Merlin" (the mini-series)?

2) I heard somewhere that you'd written an early screenplay for the GARGOYLES theatrical movie, which was basically "Awakenings" cleaned up around the edges, but that it was rejected on account of being "too cartoonish". Would you be able (and willing) to share with us that screenplay?

3) You mentioned that "Hunter's Moon" was originally going to be a video release (which would explain why so much of Part 1 seemed like a reintroduction to the series). If it had been released on video as planned, would it have been longer than only one hour (3 twenty-minute episodes)? I ask because that seems kind of short for a video, and because out of all the other chapters of the series, "Hunter's Moon" is the only one for which you've revealed full-fledged scenes that didn't make it into the final cut.

Greg responds...

Hi Entity,
1. Not telling this now. Had very specific plans though.

2. Michael Reaves and I wrote a pitch and then a treatment (actually two), not a screenplay. And it would be irresponsible to share it at this point, since the movie is still in development at Touchstone Pictures.

3. The decision not to make it a video came before the script (and maybe before the final draft outline) was written. It would have been at least a bit longer... we certainly wouldn't have had to cut the Jason/Elisa clock tower scene. But beyond that, it's too hypothetical a question for me to answer. We never were given the opportunity to explore that avenue in any real way.



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