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Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
I posted this in the comment room, but Todd suggested I repost it here...
RADIO PLAYS...
Sometimes I just don't have anything Gargoyles for us to do. And I'm not sure if just doing old episodes is all that interesting. And the other things have been fun... at least it seemed that way to me.
Here's a history of the works of the GATHERING PLAYERS...
1998 - RAIN OF THE GHOSTS (an unproduced pilot I wrote)
1999 - THE ROSWELL CONSPIRACIES (a rejected pilot I wrote)
2000 - ROUGHNECKS: THE STARSHIP TROOPERS CHRONICLES (the last arc of the series, which I story edited, half of which was unproduced. Written by me, Jon Weisman Lydia Marano, Cary Bates and Michael Reaves.)
2001 - GARGOYLES: "Hunter's Moon, Part Three" (Note: this was the first time that we actually did something gargoyles related for the radio play. This included scenes that were cut for time from the original. Written by Michael Reaves.)
2002 - TEAM ATLANTIS: "The Last" (Unproduced episode featuring Demona and Fiona Canmore, written by me)
2003 - GARGOYLES: "The Reckoning" (Performed in honor of Gary Sperling, who co-wrote the script with Lydia.)
2004 - GARGOYLES: "The Journey" (my uncut version of the script)
2005 - DOC SHAKESPEARE (An unproduced pilot written by myself and Sam Bernstein)
2006 - GARGOYLES: "The Mirror" (written by Lydia Marano and Brynne Chandler Reaves)
2007 - GARGOYLES: "Clan Building, Chapters III, IV & V: Invitation Only, Masque & Bash" - (from the comic, premeiring chapter V before it was published. Written by me...)
2008 - Geez, I should probably figure this out soon...
Anyway, you can see that traditionally, we've only done something gargish about half the time. For me it's fun to get to see my unproduced work performed, and it does give the fans a little insight into the biz. In any case, I've never heard any complaints from the folks who attended.
Greg Weisman
OFF TO CHICAGO... ON A WING AND A PRAYER...
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
As many of you know, perhaps my favorite television series of all time is HILL STREET BLUES. A couple years ago, the first season was put out on DVD. There was no marketing that I noticed... but there was a bit of publicity. A year later the second season came out. This time no marketing and no publicity. Also, I'm GUESSING, not much in terms of sales -- as the third season isn't on the schedule. I've signed up at Amazon to be notified if-and-when it is released...
SOUND FAMILIAR?
I bring this up, since it allows me to do a few things:
1. SPREAD THE WORD! I encourage you all to buy the first two seasons of Hill Street Blues. This was one of the truly seminal shows in television history, brilliantly written and acted and directed and a HUGE, HUGE influence on Gargoyles. Like Gargoyles it created a tapestry, a world of characters. Very much worth your time and disposable income.
2. CREATE A REALITY CHECK. For those of you who STILL seem to feel Disney is doing something unusual (let alone nefarious) in its treatment of Gargoyles, this is one of just many, many, many examples that demonstrates it's not. We can all sturm and drang about how business should be done, with marketing and publicity galore for every product, with a guarantee that once a company starts a project they must finish it (whether or not the economics justify it), etc. But the gnashing of teeth doesn't change the reality. Companies -- even companies as huge as Disney have LIMITED resources and must deal with the notion of OPPORTUNITY COST. So one company takes a flier on a Gargoyles DVD set, another takes one on Hill St. Both do fairly well in their first season releases, despite limited or no marketing and limited or no publicity. Both fair poorly in their second release. Both don't seem to rate a third release. It's sad. But it's life.
3. ENCOURAGE YOU TO SPREAD THE WORD! The best thing any one of you can do to help get the next release of ANY show you love -- short of spending your own money -- is to help us Spread the Word! About the DVDS, the comics, the Gathering. Oh, and about Hill Street Blues. (See, I practice what I preach!)
With that in mind, I depart in less than 48 hours for Chicago and my 12th Annual Gathering, followed immediately by a trip to Minneapolis for ConVergence (http://www.convergence-con.org/). I won't have internet access while I'm gone, but when I return I'll post my conjournalx2. I encourage all of you who are attending the Gathering to post/cut&paste their conjorunals, diaries etc. here to ASK GREG. It creates a central place where I can refer ignorant PTB-types. Also, if you see me at either con, please come up and say hello. I am notoriously bad with names, and I admit (with some embarrassment) that it often takes me two or three conventions to really nail a name down. But I do want to meet you, and I do want to get to know you. I'm not much at small talk, but I can talk about animation and comics and pop culture in general ad nauseum (just ask my wife).
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
Nobody here but us chickens.
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