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In one the first series episodes, (i forgot the name), where Xanatos donated the eye of Oden and then had it stolen again for himself, there in the museum scene there was night watchman who was walking down a corridor, and he stopped to look at a painting. He said "Yeh, you and me both, pal." Was that painting any famous one in particular? I almost thought it looked like Edward Munch's "Scream" but then I thought why would the night watchmen associate what he was feeling with "Scream"(not the movie)?
Scream the movie wasn't out yet when we made that. It had no influence on us. And in any case, I've never seen it.
That was supposed to be Edvard Munch's painting though.
A couple of "Future Tense" questions:
1. What inspired you to do the "Future Tense" story (aside from the fact that it provided an effective motivation for Goliath to get rid of the Phoenix Gate)?
2. Were there any particular "dystopia/bleak future" stories that had a noticeable influence upon this episode? If so, which ones? (Well, actually, I noted that you mentioned an "X-Men" story about Sentinels in the future as one of the influences).
1. Lots of things. Mostly, we thought it was a VERY powerful story.
2. That X-Men story is the main one that comes to mind. But I'm sure there were others, at least subconsciously.
I've been meaning to post this for a while.. well a month or so-
On Friday, November 17, 2000 05:54:50 PM Revel writes...
"Regarding your "Vows" ramble
I think More's the pitty is kind of like Ignorance is bliss. You've just heard it so many times no one knows who originally said it. (my opinion of course) "
- I don't have my worn out favorit poetry collection with me, (where did I put that this I have been desperately searching for it for a year now …!) But I believe your example comes from a Thomas Gray poem entitled either, "Elegy in a Churchyard" or "Ode Upon Distant Prospects at Eton (or was that Oxford? Or Canbridge)" I might be mangeling any part of it. It is the last line of the poem, "In a place where ignorance is bliss, 'tis folly to be wise."
Revenge of the English major:)
O.K. Not definitive, since you don't have the book in front of you, but it sounds right.
This is a related comment to the Mystic shop in London question that I asked a bit ago (perhaps assisted by the fact that I was watching a PBS documentary on Napoleon earlier today). Napoleon once made a famous dismissal of the English as a "nation of shopkeepers" (presumably before those same "shopkeepers" defeated his fleet at Trafalgar and his army at Waterloo). In light of this remark of his, I find it rather amusing that the gargoyles in England are shopkeepers as well as the humans. I don't know if that quote of his ever came to anybody's thought when you were working on "M.I.A.", but I thought that you might be interested.
It did actually.
You said: <<O.K. Thanks. So death was NEVER personified?
Certainly Uranos was personified in the mythology, right? And Eros, of course. >>
Umm, I'm not certain what exactly it is you mean by "personification", so let me be a bit more elaborate.
Pretty much *everything* was personified as a deity, including abstractions like "Victory"-Nike, "Peace"-Eirene, "Justice"-Dike, "Violence"-Bia, "Night"-Nyx, "Sleep"-Hypnos, etc. The name is the concept is the deity...
However most of these deities never seemed to have a solid existence in stories besides their very function - unlike gods and goddesses like Athena, Hades, Hermes, Thetis, Callisto, etc, who very clearly were "persons" with a history and personalities that was separate from their specific roles...
Uranus was ofcourse personified - he was a person who was defeated and castrated by Cronos, etc, etc. And in fact he was probably personified so much that the meaning of his name being "sky" was probably almost forgotten, and Zeus was considered the god whose province was the sky, etc.
Eros is a weird case: The story which "personified" him as the son of Aphrodite and the lover of Psyche, was written very late, 2nd century AD I think, by a Roman writer. In that one he was obviously a seperate person, "personified" with any definition one can come up with.
But before that, Eros seems to have been much more of an abstraction, one of the very first gods who was birthed by Chaos: For if there had been no Eros (no love) later gods (like Gaia and Uranus, or Cronos and Rhea, or Zeus and Hera) could not have loved each other. More of a force, less of a person.
Now Death-"Thanatos" was ofcourse personified like anything else: he's supposed to be the son of Night, and the older brother of Sleep (Hypnos). But besides that, he seems to me to be much more of an abstraction like Nike, and less of a person like Athena. He's referred to as a person occasionally (Zeus sends Hypnos and Thanatos to carry the body of Sarpedon with honour away from Troy, I think that Hercules is supposed to have wrestled with Thanatos in one case) but those two are pretty much the only occasions I remember him be a person...
I don't know if the above helped clarify or confuse...
It helped clarify where you were coming from, but I think even the brief mentions you give legitimize the way I characterized Thanatos. The God of Death. He doesn't have a lot of stories attached to him. But that's still the idea.
Live you said, "The name is the concept is the deity."
(And I knew about the two versions of Eros.)
This is a weird question, but were there any plans to use more recent fictional works in the Gargoyles universe, particularly:
1) HG Wells
2) Jules Verne
3) C.S Lewis
4) H.P Lovecraft
I could easily be influenced by the first two.
But I've read almost nothing by the last two. I'm aware of their work, and some of it has seeped into pop culture to the extent that I might be indirectly influenced by them.
But I had no specific plans to hit the nail on the head of any of these four authors.
there seemed to be many similarities between the star wars universe and the gargoyles universe is this coincidence?
I'm not aware of too many overt similarities. Other than a few intentional in-jokes.
I'm sure by virtue of the fact that we're both trying to tell highly archetypal stories that there will be some overlap.
That doesn't make it a coincidence, exactly. But it's definitely not intentional.
Regarding Xanatos's name you said: <<First it's a slight change on Thanatos, the Greek god of death.>>
A small tidbit: "Thanatos" is not just the ancient Greek god of death, it's the Greek *word* for death (in both ancient and modern Greek).
It means death the same way that in Greek "Uranus" means sky and "Oceanus" means ocean and "Eros" means love (both romantic and physical), etc...
O.K. Thanks. So death was NEVER personified?
Certainly Uranos was personified in the mythology, right? And Eros, of course.
A more normal but somewhat silly question (the answer is almost certainly "no"):
Have you ever read Don Rosa's "Return to Xanadu"? I'm not entirely certain but I think that was one of the first mentions of Xanadu that I ever saw - and which lead me to read Coleridge's poem.
No.
My earliest Xanadu references are from Coleridge and CITIZEN KANE.
Then there's that Olivia Newton-John / Gene Kelly movie.
Hi!
I'd like to ask You for a Carl Johnson, editor of the such wonderful music sound track to the Gargoyles. Yes, I know there's nothing like a original motion picture soundtrack from the series (however, I know about a fan-made one), but what I want to know if something about this guy, especially what other movies he illustrated with music (I've asked many people, on cr too, but nobody know really nothing).
Another question: how You probably know, there was a TV horror movie Gargoyles (which I haven't seen, btw). I'm curious if You saw this movie and if it inspired You even a little.
Sorry for my english (I'm a polish fan), and thank You in advance for answering my questions and doing it for fans - You are great! ^_^
[Btw: I noticed there was a question about a possibility of releasing a Gargoyles role-playing game. If You are interested to see a fan-made amatour rp conversions of series, I've got some (there's much more of this stuff on the web) of them at following adress ftp://vortex.efekt.pl/people/gargoyle%5E/gargoyle_gamez/]
Carl wasn't the music editor. He was the composer. He's a nice guy, but I don't have access to his bio. He will, however, be a guest at the 2001 Gathering in Los Angeles. I suggest you attend. (I know Poland's a long ways away, but L.A. is a great city to vacation to. And we've had fans come from Europe and even Japan and Israel before.)
If we're talking about the Cornell Wilde/Bernie Casey tv movie, than yes, I saw it. But I don't think I got any inspiration from it, since I saw it AFTER we had developed the series.
1) Did you ever see either the movie or the original stage version of the musical Camelot(there's a lot of difference between the two)?
2) If so, what did you think about it?
Both. Loved the musical the first time I saw it. Other productions I've seen have been more mixed. The movie is a bit mixed for me as well. But I basically think it's a great show.
I recently got the original book version of 'Magic'; it's just as good as the movie. Have you ever read it?
No.
Todd> Such scenarios have their root in reality - whereever a minority is oppressed by a majority, you'll get the individuals who'll fight back hatefully and the individuals who'll want to live in harmony.
In my opinion it's *extremely* silly to think that Gargoyles could be copying the X-men when both were obviously copying the real world...
Now X-Men and the *New Olympians*... well that's a whole other story. :-)
New Olympians is influenced by Jack Kirby's Eternals or New Gods much more than X-Men.
But I think you're missing Todd's point. I don't think we were ever really a Batman rip-off any more than we were an X-Men rip-off. His question was about our concerns. And we were concerned that we'd be PERCEIVED as a Batman rip-off. We weren't concerned about being PERCEIVED as an X-Men rip-off. But frankly, I can't remember why. Because one concern is just as legitimate (or illegitimate) as the other.
Hi Greg. I was a little curious about Robbins' line about books at the end of "A Lighthouse in the Sea of Time".
Who came up with. it.
Were there any specific influences (assuming it didn't come from a source I don't know).
Are there any other drafts of the quote available (if yes, could you post something?)
It was written by Lydia Marano and/or Brynne Chandler.
It was inspired by a similar quote by Barbara Tuchman, but I don't have the original handy.
Greetings. I was just wondering if you've ever considered including fairy tale (Snow White, Cinderella, etc)elements into the Gargoyles Universe, especially since you've included mythology and aliens. Thanks!
Yep.
Greg, what do you think about the place that the "May Day's Decree" has in the Gargoyle Universe? (the murder of a great number of infants so as to destroy Mordred)
I always felt that unlike most other parts of the Arthurian legend (which didn't have so obvious sources) , the "May Day Decree" seemed a complete copycat of Herod's massacre with a bit of Perseus thrown in. As such I felt it was perhaps the part which rung by far the most untrue...
Anyway, others in the comment room have disagreed ofcourse. Do you think it happened in the Gargoyles universe or not?
(And I really hope for something more clear than "All things are true" :-)
You're forgetting Moses, which I think is a much more direct parallel.
Hey Greg
Comment about Terry Pratchet. :)
Just find any one of those Discworld books and read the first couple pages. If your not hooked into it by the first or second page... well like thats possible. hee hee
ja!
see my comments to Aris.
I realize I'm cutting myself off from some good stuff, but I don't have a shortage of books to read EVER.
I just read William Faulkner's New Orleans Sketches. It was a great early example of his work.
Aaargh..I lose Internet access for a while, and return to find that due to my poorly phrased questions that I was looking forward to finding out the answers of, I have totally messed up the question..oh well.
I'll try a more careful rephrase now..but first, some new questions.
Are or were there any plans to incorporate the legend of Faust into the Gargoyles Universe?
Yes.
Greg-
I think the book club thing over in the comment room is a great idea. But I just finished Postman and already owned Rime,(and it's not even October yet!) so I was wondering if, off the record, you could recommend a few more books. I'm working at a Borders bookstore now and am itching to use my book discount.But, if you want me to just be patient and wait with everyone else, I'll understand, of course. Thanks for your time:)
Well, I'd suggest looking at the list that Todd gave of books I've already said I read and influenced Gargoyles. (You might also check out the ASK GREG "Influences" archives for other suggestions.) But I don't know what I'm gonna pick for December yet, so I can't tell you exactly what I'm gonna choose.
Quick! We must fill the queue - Greg's caught up! :-)
Anyway, just a nitpick: You said "Odysseus traveled for twenty years."
Well, he was away from home for twenty years. But ten of these years he had been fighting at Troy. His return took him a further ten years, seven of which he spent as a virtual prisoner in Callisto's island.
So, one could say that he spent only *three* years travelling, though it was twenty years that he spent away from home.
If one's nitpicking, anyway. :-)
That's what I meant.
I actually DID know that.
And Brooklyn may stay in one place, fighting or whatever for various lengths of time in various periods of time. But when all is said and done, he'll be twenty years older when he gets back.
Hello Mr. Weisman.
It has been a while since I have stopped by here. I've been extremely busy.
I reviewed your most recent responses to your fans, and I took special notice of a response you gave to Aris regarding the weird sisters.
You commented that one was older and one was younger, but not always the same one. (Or words to thqat effect.) That made me curious.
I am not really familiar with the mythology surrounding the sisters. I know that the imagery and concept of the "three women" can be observed in a number of disparate cultures and stories. I never actually took the time to investigate their history , however. I knew that Shakespeare's works played a prominent role, so I just assumed you were importing them from there. I kind of took it for granted.
Anyway, I was interested in your comment because it reminded me of an incarnation of "the three women" that I knew of. Lloyd Alexander's Orwen, Orduu and Orgotch. I specifically remember one of them being upset because they "always had to be Orgotch!" They were bitter because the other two seemed to always appropriate the other two identities. Alexander's Weird sisters were the only ones I had ever observed to display this interchangeable identity. I know that Alexander's sisters were Welsh in origin. His books were inspired by the mythology of that culture. I dont know if the interchangeable identities were also of the same origin, or purely a creation of the author.
I was wondering if your weird sisters were inspired by Alexander's in any capacity, or if the concept behind their identities has other origins.
Thanks in advance for taking the time to answer.
Mr. Pun, Mr. Chin, Mr. Nel and Mr. Lo
I've never read Alexander. (Is the BLACK CAULDRON based on one of his books? I did see that.)
Just read your "Gargoyle pitch" that you posted a few minutes ago. It's definitely interesting to see the familiar story increasingly taking shape (with some differences still here and there, such as Goliath being an artificial creation or the "Elisa-equivalent" being still considered as descended from the "Princess Katharine-equivalent").
I was also intrigued to note that even this early in the development, you'd visualized Goliath fighting the Germans in the air in World War II, the first hint (perhaps) of "M.I.A."
Yeah, M.I.A. was actually a VERY early idea. My dad is a MAJOR Spitfire buff, (which is how I wound up meeting Douglas Bader as a child). So images of the Battle of Britain have always filled a special place in my imagination. And the thought of Goliath mucking it up on the side of the RAF was such a potent image, it survived until we found a way to bring it to pass.
Greg responds...
I once read a Star Wars novel right after the original movie came out. It stank. Kinda turned me off that whole thing.
But you never know.
;-; you read Splinter of the Minds eye? huff. See when I read this trilogy of books it turned me *onto* the other books. Timothy Zahn is really a great writer. And turned me on so much so that I read through so many of the bad ones... including "splinter" <which was released shortly after the movie, pure crap>. Occasionally I try to make my way through another one here and there..... But everything pales. PALES!!!!!! ~taunts all the star wars fans who disagree~ sheep!!!! can't any of these so called hardcore fans see that a BIG MACHINE OF DEATH is kinda boring? book after book.... ;-; so depressing. But This trilogy.... MWAHAHAHH. 9.9; sorry
erhm, heheh. ^.^ anyways.... ~wavies the books in front of Greg~ If I managed to send these.... or not even these. Just the first one to Jen, would you consider reading it? "Heir to the Empire". Made the best seeeelllleeeerrrssss list. =) Hit number oooooonnnneeee. read the reviews online of it if my sales pitch didn't sell it.
and forget about the rest of the books. <a couple short stories are superb here and there but mostly they're blah>
running off now, spanish homework to do.
You don't have to send me books. (Thanks for the offer.) The truth is, I'm not interested in reading Star Wars-anything right now. That world isn't firing my imagination. The next book I plan on reading is William Faulkner's "New Orleans Sketches." Plan on starting it on the plane ride down to New Orleans. Right now that's just where I want to go.
But if I ever get nostalgic for Star Wars, I know which books to pick up. Thanks.
1a) You said that Brooklyn would travel to the "Future Tense/2158/?" era both before and after he met Katana. From the perspective of those living during this future period, did Brooklyn's first visit (when he was alone) happen *after* he had already appeared with his family? b) If so, did the people during that time reveal (perhaps accidentally) to Brooklyn that he was going to have a family?
2) You said that Brooklyn keeps "chasing" after the Gate because he wants to get home. Although I'd understand why this would be important to him when he's alone and memories of home are still fresh on his mind, I would think that after 40 years and having the comfort of his family, getting home wouldn't be as critical to him. Am I wrong, or does Brooklyn find a new reason to be motivated to return home to the present?
1. I'm not answering that now.
2. Odysseus traveled for twenty years. Brooklyn for 40. (But he was only awake for 20.) Sometimes we reason not the need.
Knowing you are an English type teacher (as opposed to Science and what not), is it safe to assume you are familiar with the concept of the HERO'S JOURNEY? (a journey of self-discovery?)
It can be said that Titania went on the HERO'S JOURNEY. She took a trip and came back all the better (simplified). Too, it can be said, that Oberon ordered all fae to complete a HERO'S JOURNEY of sorts. (Loving the capital thing by the way) Oberon himself I belive went briefly on a journey, but only kinda (assumed from previous answers).
My q is, will Oberon ever go on a HERO'S JOURNEY and have a coming of age? Has this already happened, more subtly? Will his character continue to develope?
I like to think all of my characters continue to develop. (And yes, I'm familiar with the Hero's Journey concept.)
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