Jessica writes...

Hi Greg!

In "Eye of the Beholder" Xanatos lists genetic compatibility as one reason he and Fox should wed. Did either one of them ever have strong desires to be a parent before Fox got pregnant?

Thanks!

Alan writes...

My question is about what Titania whispered to Fox at the end of "The Gathering." You've said that you never expected it to become such a big mystery among fans. Was anyone in the Gargoyles Universe ever curious? Did Fox ever tell anyone?

Xander writes...

Back in 2005, during the run of Justice League Unlimited, DC Comics imposed an embargo on the creative team of the show â€" the most infamous of which being the Bat-Embargo â€" that disallowed the use of most prominent Batman-related characters. And later Aquaman's. Is there any possibility of that happening to Young Justice? If so, do you have any contingency plan for that? Or does Young Justice have precedence over other DC shows in regards of the use of its characters?

Anonymous writes...

What happened to Disney gargoyle Avalon archives? Did the owner shut the site down, and where can I download more pictures?

Sasha writes...

Dear Greg,
What is it that convinces Broadway not to destroy the Sun Amulet in the episode "Turf." After learning that it could "leave a lot of gargoyles stone dead," he says, "It should be destroyed!" What changes his mind?

Xander writes...

Can you tell us who was the first (a) person, (b) being and (c) entity to figure out how to work the Phoenix Gate?

Bryan writes...

The Eye of Odin. How did he lost his eye to begin with?

Logan writes...

Loved the pilot, I had EXTREMELY high hopes for Independence day and my expectations were defiantly exceed. Seeing Connor animated for the first time was beyond incredible.

Please do me the favor of confirming weather or not we will see any of the following justice league members out of costume assuming their civilian identies. clark? bruce? barry?

Vaevictis Asmadi writes...

Hello Greg,

When Xanatos travelled to tenth century Scotland in "Vows," how did he communicate with the Norman ambassador and Prince Malcolm? There was no language barrier in the episode, but English wasn't spoken in Scotland back then. I'm sure that the production reason for this was the same as in Awakening and the Avalon World Tour, but have you decided upon a within-the-Gargverse reason? I have a guess or two, but it would probably be an idea.

Thanks.

Anonymous... for now writes...

I think it's a wonderful thing you're doing here for the fans on this website to respond to their questions about this remarkable show you made in the past. It shows true passion and dedication to the fans of how loyal you are about this show. I'm a huge fan of the show myself. You created a great show and took risks and made such powerful story lines that very few people in the business today would be able to succeed at. I'm here to tell you that hope is still here for the Gargoyles. Some changes and considerations are being made soon for the Gargoyles Series within the Walt Disney Company. Opening kids of this generation to the show would be a great decision in order to resurrect the Gargoyles Series to the public today. Just as you’ve said to your fans many times before, get the word out about the show as much as you can. If they do their part (as they have been doing), we will try to do the best we can. We'll keep in touch.

Richard Jackson writes...

Have you ever seen Orson Welles' adaptation of of Henry IV, Chimes at Midnight (titled Falstaff in some countries)? I really enjoyed it. After all, Welles as Falstaff. It doesn't get any better than that.

On the same note, who is your favorite Shakespeare screen actor? Olivier? Welles? Branagh?

dph of rules writes...

Do either Coldfire, Coldstone, or Coldfire require sleep to avoid mental exhaustion?

tomi writes...

Neither borrower nor a lender be: For loan loses both itself and friend, and borrowing dulls the edge og husbandry
-William Shakespere.

Being original is never too easy: as amateur writer myself, and as misunderstood loner, i spend often much of my time crafting my own stories and developing characters of my own, and as certain perfektionist, it is long process.

Of course, i dont think it is a bad thing to be influenced by others and perhaps occasionally paying certain hidden tributes to them, but as any at least somewhat intelligent knows, too much borrowing is bad thing too: it only makes final product to look and feel predictable, facile and empty.

Many writers these days seems to be struggling between two choices:
When maing something original, how to make it to feel on its own and as much unpredictable and enjoyable as possible...
Or, whenever taking upon him/herself to craft from something that,s already been done in some form at least, to make sure not to repeat too much on the past, but still maintaining certain loyalty to its history.

Although i can certainly see many influences which must,ve been crafting on makers minds when gargoyles was crafted, it still manages to maintain it,s own fresh sense and certainly stand on its own. You and your fellows managed to make intresting world which was filled with intresting characters, deep themes and surprising plot-twists, something what is only very rarely seen in tv these days.

Then, you were showrunner on Spectacular Spiderman and have done work in The Batman for example. In The Gargoyles, you were given freedom to make your own characters, places and objects to use, and to use them in almost anyway possible, as long as it would seem to fit in. But whenever working on Spiderman, some things that fans of the franchise had grown to love in the past had to be maintained: Peter Parker/Spider-Man has to be portrayed as outcast whom fights against both city,s evildoers as well his own problems in his personal adolescence, or in Batman,s case, Btsie has to be this dark and tormented warrior of justice, Alfred loyal(and cynically sharp) butler, and Joker to be sick psychopath. And yet, repeating too much on the past, and you get scratched.

Having worked on something original and taking upon something you had been fond of in the past, which one do you consider to be easier/pleasent to do and how often, as a writer, you struggle between all these choices?

Elm writes...

You have answered previous questions about Luach's father with saying that, while born during Gruoch's marriage to Gillecomgain, Macbeth may have been his real father. Did you ever intend for this twist to surface in the comics when you rekindled the series?

Also, the year after Macbeth's "death", when Luach was killed, why, rather than going to join Macbeth (who surly knew of his son's death and his wife's desolation), did Gruoch commit suicide? Or is that simply history, and thus undependable?

Lost writes...

are you friends with Diane Duane?

Voice Chaser? writes...

Thanks for answering my question about Fleur and the Grim's voices.

Who do you imagine for the following characters?

Amanda Chung
Brother Valmont
True
Nashville

Alex writes...

If Superboy is 16 weeks old but is equivalant to a sixteen year old does this mean he will age quicker then the others?

In Teen Titans there was a major issue that you never got to see Robins eyes. Will we in Young Justice?

Is there any discussion about Robin being the most expierenced yet youngest in the show?

Shadow Wing writes...

Other than Lex, have we "met" any bi- or homosexual characters? I just want a yes/no answer, no need to name names if you don't want to.

Filip writes...

Hey, Greg.

Are you writing any of the episodes to Young Justice?

Ian Whitcombe writes...

I'm curious about the philosophy behind recieving episode premise approval for a show from DC (and I'm assuming Marvel too for SSM?). I wonder which would describe it better:

1. You submit the episode premise as a checks and balances procedure working in good faith that the episode will be approved provided there aren't any legal or logistical oversights that would make the episode impossible to produce. What I think I'm asking is if they recognize your desire as producer to make the episode, and they would only veto a premise if there was some sort of hassle.

2. You submit the episode premise in the hope that DC likes it and sees value in the episode's production. This would imply that the episode could be approved or vetoed based on the creative "whims" of DC.

Blizzard Sprite writes...

Hello, Mr. Weisman.

My next questions are for Brooklyn, who was one of my favorite characters in the franchise. Not only did he come off as cool, but he was a relatable character who came off as a sort of rebellious youth. So, here are the questions.

1. I read in a 2008 interview that Brooklyn was quite popular with the fans of the show. How and when were you able to determine that? Nowadays, I figure it would be pretty easy given the pervasive nature of the internet and how fast information can be circulated. But back in the 1990's, during the show's original run when internet use was not as prevalent, how were you able to obtain feedback about certain aspects of the show, such as character popularity?

2. Brooklyn’s encounters and love interests in the twentieth century always seemed to have an unhappy ending to them (his initial encounter with Demona and his initial interests in Maggie the Cat and Angela come to mind). Because of this, he seemed to come off as the most unfortunate character in the original Manhattan clan, at least to me.

a. Do you think that all of these unfortunate letdowns were necessary in developing his character, and preparing him for what was to come in Timedancer?

b. Do you think that Brooklyn having fewer ties to (new) people in the twentieth century made it easier for him, mentally and emotionally, to jump around different points in time?

3. Were you concerned about the audience perception of Brooklyn when you had him return from the Timedancing adventures not only with a family, but an eye patch? I think one of the qualities that made Brooklyn such a likable character, in addition to his personality and his cool voice, was that he was a physically attractive and handsome gargoyle. One external change might not be all that drastic though.

Thank you for your time.

Harlan Phoenix writes...

Did you ever consider giving the Magus a name beyond his title as, well, Magus?

Chris writes...

Everyone knows by now that there weren't enough DVD sales of the Gargoyles series to support the release of the remaining episodes by Disney (i.e. not profitable). This is the same situation that Warner Brothers found with the DVD release of some Hanna Barbera cartoons. In the last year, Warner Brothers (through Warner Archives) have developed the MOD (manufacture on demand) Program. They will burn the complete series of a Hanna Barbera cartoon onto a DVD-R on an order by order basis. These DVD-R's only contain the episodes (not any special bonus features) and can only be ordered from Amazon or Warner Archive online store. According to Warner Brothers this has kept the production and distribution costs low so that they can make money at this and satisfy their fans. Is there any way to get Disney to do the same thing with regards to the remaining episodes of the Gargoyles?

Algernon writes...

Hey again Greg,
When Superboy speaks for the first time in "Independence Day", a surprised Kid Flash responds by blurting out "He can talk?", was this a deliberate nod to Elisa's similar line in "Awakening Part Three" or just a coincidence?

Anonymous writes...

ageless meaning immortal. can you answer now?