A Station Eight Fan Web Site
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I'm wondering if you could be a duel master what civilization would you choose me i would hybrid with water and nature
I'm too much of a chicken to be a duel-master.
I wonder you said that kaijudo was complex to write even for you could you clarify also what was it like to write for the choten any similarities to writing for xanatos
There are a lot of characters, multiple worlds within worlds, lots of rules, lots of alliances. It's complex. Not undoable. And not necessarily hard to understand while viewing. But it's a lot to keep track of while writing. Even for me, and I specialize in juggling this kind of thing. That's not meant as a criticism. I think the series is a blast. But it was a challenging show to get my head around as a freelancer.
I suppose there are some low level similarities between Xanatos and the Choten. Certainly, they both have complex agendas. But I suppose you'll forgive me if I see more differences than similarities and believe that Xanatos is at a different level of sophistication in terms of his goals. In terms of what he cares about and especially what he DOESN'T care about. He's less... obvious. (But of course, I'm biased.)
Hey i watch kiajudo alot and saw some of the episode you wrote and was wondering what did you like about the show writng for it and who was your favorite character to write
Lars was fun. Bob is also fun. I enjoyed working on the series - but WOW was it complex. I mean, I produce some complex s***, but nothing quite as complex as Kaijudo. Not complaining, mind you. I enjoy juggling all those balls. Lot of choreography for a lot of characters in every episode I worked on.
Hello there Greg (you don't mind me calling you Greg, do you?), how you've been?
Well I hope you have been doing well, and working hard on YJ for us fans.
So let me introduce myself, my name is Daniel I'm from Brasil and I LOVE the YJ tv show. As for the comic book, still I haven't had the chance to check it out. But I cannot see why it wouldn't be as great as the animation.
Anyways… with the recent CN's actions and the future listing of DC's solicitations, a lot of speculations have surfaced the web. Do those same speculations harm you or the crew in any way? Note that I don't mean it physically, I mean carrerwise (e.g. the mood in the work environment, the relationship with the bosses… that kind of thing?).
Have you ever thought about, or did in fact pitch in an Earth 16 title for the DC's New 52 (such as the Earth 2 title)? If not, how about it? I imagine that great things would come out of it. :) And what about novels? That would certainly be interesting!!
I'm not sure what speculations you're referring to. But...
ANYWAY, I suppose this is as good an excuse as any to go through a bit of a chronology.
We finished the scripts for Invasion in January of 2012. So that's when I stopped getting paid, because although I'm a producer on the series, that title and even the responsibilities that go with it were, in essence, a courtesy, based on my experience, I guess. With a guy as talented and competent as Brandon on the job, Warners didn't feel any need to pay me to do the post-production on YJ. They had no problem with me participating, but they also had no problem with me walking away. (Same with Season One, by the way.) (And it was the same at Sony vis-a-vis The Spectacular Spider-Man. In animation, writers often aren't valued all that much once the script process is completed. From the point of view of these companies, I was really just a story editor with a glorified title, who was willing to do what he had to do in order to make the title real and NOT glorified.)
On one level, I probably should have walked away. But instead, I worked for free, helping to post the episodes with Brandon from January to October of 2012. Simultaneously - because I do need to earn a living - I did a number of freelance scripts for various series, including one for Warners' Beware the Batman, plus a Transformers Prime, a couple of Kaijudos, a couple Rescue Bots and a couple of Octonauts. Plus, there was the YJ comic, a few miscellaneous things, and I was also working on revising my first novel, Rain of the Ghosts. Oh, and Brandon and I were also giving free input on Legacy, as well. So I was plenty busy.
In October of 2012, we finished posting episode 220, "Endgame", and on Halloween I moved out of my office on the Warner Bros. Ranch and moved back to my old office in Beverly Hills. By that time, I was done with the comic as well.
During that period, Brandon and I (both separately and together) pitched all sorts of further Earth-16 properties, including (but not limited to) a third season (of course), animated spin-offs featuring Arsenal and/or the Arrow Family, a comic book entitled Earth-16, the Black Manta Celebrity Hot Tub shorts, a direct to DVD movie, etc. Brandon even pitched a YJ meets Scooby movie. Unfortunately, none of these were in the cards.
I'd love to say differently. I'd even love to say I've moved on, but I haven't really. Like many of the fans, I'm still mourning the whole thing, quite a bit. Perhaps even quite a bit more than is healthy. And - because I do need to earn a living - I'm still looking for both freelance work and my next solid gig. (It's been fourteen months without a real job, and it's starting to get a bit nerve-wracking, to be perfectly honest.) But Rain is coming out in December, and I'm hard at work on its sequel. They've both been very rewarding to work on, at least emotionally. (We'll have to wait and see if they turn out to be rewarding financially - but at least the potential upside is there.)
I'd happily do a YJ Novel, but like anything YJ related, it's just not up to me. It's just not a property I control AT ALL.