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Vanity writes...

How did the composition for the Gargoyles theme come to be?
Was all music made just for certain situations, (Macbeths 'break-up' scene with Luoch(sp)), or was it lifted from somewhere else???
Was the music made for the characters/scene or did the character/scene just match the music?

Greg responds...

1. We auditioned a few composers. Liked what Carl Johnson was doing. Hired him. And he composed the theme.

2. All the music that aired on the series was composed FOR the series, but once a piece was composed it was put in our Gargoyles' Music Library. Our budget didn't allow for us to score every episode with original music, so our amazing music editor, Marc Perlman, used the Gargoyles' Music Library to edit a score for every episode.

3. Uh... Well, again, Carl composed certain themes that were applied and often reapplied to certain characters. But Marc juggled all this stuff.

Response recorded on June 16, 2003

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Adam Goldberg writes...

GARGOYLES MUSIC:

I have always wanted to find the music, aside from the title and close music from Gargoyles (For example, the Something Sad is happening music, or An Evil Robot Is Attacking Music).
Can I find the music played during the show? Thanks

Greg responds...

Only by watching the episodes, I'm afraid.

Response recorded on December 22, 2000

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Kalafarski writes...

I've always loved Carl Johnson's music in the series. Watching City of Stone Part IV recently, I realized that you can hear this great, low, vocal music as Macbeth and Gruoch abandon Castle Moray. I thought it was a good, dramatic piece to go along with the scene, but I can't remember hearing it in any other episode. Do you know if original music was composed/recorded for this episode in particular, being one of the landmark multi-parters?

Speaking of the music of the series, I probably should have asked this first. I'm not sure how score composition works in an animated series. I seriously doubt new music was recorded for every episode, but I really can't say. Was the music used in each episode from stock clips? Would Mr. Johnson produce a series of generic pieces at the beginning of each season, or for the multi-parters? Or am I wrong, and it was more frequently than that? I realize that you may not have had that large a part in the incorporation of a score into the series, but anything you know about the process would be appreciated.

Greg responds...

I'm sorry, I can't remember specifically about that moment in City IV. Generally, on GARGOYLES, we fully scored a few episodes at the beginning of each season. And we partially scored selected episodes where we knew we'd need something unique. Then Marc Perlman, our amazing music editor, would use our music library to edit a score to everything else.

At SONY, they score EVERY episode, but they do it with synthesizers not orchestras, in order to afford it.

Response recorded on November 14, 2000


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