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What was Demona's goal in City of Stone? Was a massive killing spree the goal?
Certainly that was part of it.
Since Demona is still around as of the Gargoyles 2198 spinoff, that means MacBeth is still around as well. I know you won't discuss any actual plans for the character (SPOILERS!), but can you tell us if you had specific plans for him? Or did the outline for 2198 not get that far?
I have plans for everyone and everything.
Here's hoping you're in a sharing mood... and to add something to GargWiki's timeline. ;)
From your timeline, you have revealed vague events that line up with a Gathering date and a character played by one of the special guests... so I was wondering if you now had one for ConVergence as it is the Gathering Reunion in 2014, and if so, if you would mind sharing it?
Gargoyle sympathizers gather for the first time in five years. Vinnie and Demona attend. (Just canon-in-training.)
1)When Macbeth first fought the Manhattan Clan, did he know they were members of Demona's original clan? And that Goliath was her former mate?
2)As of Phoenix, how much does Mac know of Demona's past before they first met? Does he know about the Wyvern Massacre and the role she played?
3)During the 17 golden years of Mac's kingdom, did he and Demona ever discuss her past? And if yes, how honest was she?
1. He knew the former, not necessarily the latter.
2. I assume you mean as of the END (i.e. the present day 1997 ending) of Phoenix. If so, he knows about the massacre. He's heard HER version of the role she played. I doubt she'd have copped to the entire truth.
3. Yes.
3a. She was completely honest to her thinking. Emotionally honest. She just left out a few details.
1. In "The Mirror" was the decision to make Demona human during the day intended as symbolic, because she embodies all the qualities that she claims to despise in humans (bigotry, treachery, etc.). Or am I reading too much into it and it was just a way to make her a more powerful villain by freeing her of the limitations that hamper other gargoyles?
2. On that same note, was Demona's smashing of Titania's mirror upon seeing her new human form symbolic of her inability to face herself and admit that she possesses all of the above mentioned qualities? Or am I overthinking again and she just smashed the mirror because you didn't want to do any more stories involving that mirror and it was the only way to explain why Demona never again attempted to use it.
1. Does it have to be either/or?
2. Does it have to be either/or?
Since Goliath and Demona are the same age roughly in 994 what would happen when Goliath became to old to lead the clan and stepped down? Wouldn't Demona also be too old?
Yes, it would have been a concern eventually. But they were both young at that stage, and the bigger concern at that time was death by violence, not by old age.
Why didn't Stuart Canmore chase after Demona after she escaped the net in the flashback at the start of Hunter's Moon Part 2? She was just a couple feet away when she got out of the water.
I'd have to look again, I suppose, since it's been awhile, but as I recall, she was behind him, and he didn't spot her.
Is there any relation between Demona and Desdemona? They seem like pretty dissimilar characters at first glance but the Shakespeare references are so prevalent throughout Gargoyles that I could easily imagine there's some subtle reason that name was chosen (aside from meaning demon).
Desdemona isn't an actual name in the series. It was a script designation, same as Iago and Othello. We used these names in the scripts and the credits for reasons of clarity to those working on and viewing the series. And those names were chosen because of the parallels to the Shakespeare play Othello. So any similarity between Demona and Desdemona is purely coincidental. We obviously came up with the Demona name long before we came up with the designation for her rookery sister.
In universe, Desdemona had no name until she became a robot and was dubbed Coldfire.
Hello, Greg!It's me again. How are you? Well, I hope.
I was re-watching one of my favorite Gargoyles episodes, "Long Way to Morning" and I had a thought, particularly about Demona: How exactly did Demona know where Elisa's home was? I don't recall her knowing before this episode and i was curious. Was she somehow keeping tabs on her or spying?
Thank you for your time and answering my question. (:
Maybe she checked the phone book.
I'm told it magically gives out addresses.
Hi Greg,
I'll try and keep this short, as I'm sure your busy and having things to do, but basically I would like your honest opinion on something. And no, don't worry, it's not about ideas for any of the things you've worked on, nor anything that I or others have written.
Anyway, I'm an aspiring writer who wants to make his own series, and there's an aspect of storytelling that I can't seem to decide on. You see, I have always felt that there are, primarily, two types of villains:
1. The kind who do bad things and don't care
2. The kind who believe that their actions are justified
Summarily, I can't seem to decide which one is worse, as it could really be argued either way. I've asked some friends what they think, and have gotten back different answers.
Admittedly, the self-justifying villain tends to fall under a trope that I have a disliking towards:
Knight Templar - a villain who is convinced that he/she is the hero.
And, after thinking about it, there is at least one thing to appreciate about the "bad and don't care" villains; at least they have no illusions about what they want or what they're doing. Plus, we've seen a lot of the self-justifying villains in recent years, to the point where I think it might be overused. Which is why I think a balance between the two needs to be met, as too much of one can get old fast.
But anyway, I mainly just wanted to ask which type of villain you think is worse; the "bad and don't care" kind, or the self-justifying kind?
I take some issue with the reductive nature of your question. And so I think you're going about things the wrong way. It's not about which is worse. It's about what fits your character. Take, as an obvious example for this website, GARGOYLES.
We have two rather unique and memorable lead villains, DEMONA and XANATOS. I suppose you could reduce Xanatos to your definition of a type one villain. And I suppose you could reduce Demona to your type two. But there are moments when Xanatos thinks what he does is justified, and moments when Demona does a bad thing and just doesn't care. There are also moments when each has done truly heroic things.
The point I'm making is that a great villain is nothing more or less than a great CHARACTER. Write a character with consistency, backed by consistent motivation and history and I don't really care if he or she is type one, type two or type three. (Because, among other things, I doubt that there are truly only two types.)
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