Greg responds...

It depends how you're defining your terms. Broadly speaking, Young Justice: Outsiders is in production and has been for over a year.

But if you're going to divide the broad term "Producton" into it's three main components, i.e. Pre-Production, Production and Post-Production, then:

Writing, voice recording, storyboard, design, direction are all elements of pre-production, and are all done here in Burbank.

Overseas animation is the actual production, done in Seoul, South Korea.

Editing, retakes, music, sound effects, visual effects, foley, sound mixing and on-lining are all elements of Post, which is also done here in Burbank.

Young Justice: Outsiders is very deep into Pre-Production, and pretty darn deep into Production, and beyond the shallow end in Post-Production, as well.

In any case, we're still right on schedule.

Greg responds...

I don't pretend to be a biologist, so I'm willing to be corrected on this point, but it seems to me that anyone who can be affected by female human pheromones, is going to be affected. Degree doesn't matter, because they are very powerful.

Greg responds...

Keep in mind that very few people know the deep details. The big guns are saying, "Do this and it'll work in your favor." And a lot of them do.

Greg responds...

I'm not going to give a blanket confirmation of this kind of thing. Part of the point of even having Earth-16 is to keep the geek audience off-balance. You can't necessarily go back and read comics to figure out how we're approaching things. Sometimes we might follow an individual story, but more often than not, we'll - at minimum - put our YJ spin on it.

For example:

Captain Cold's main opponent = Flash (as expected)

Mister Freeze's main opponent = Batman (as expected)

Killer Frost's main opponent = Aquaman (not as expected)

No guarantees.

Greg responds...

You're assuming that private school is better?

Sometimes it is. Sometimes it's not. He was in a good school district.

Greg responds...

Mostly, I'm speaking broadly, but given enough episodes, it might perhaps become literal. No spoilers.

Greg responds...

I had to look up queerbaiting: https://en.wikipedia.org/wiki/Queerbaiting

Some of the examples given on the wikipedia page seem unfair to me. (Though I'm happy to grant that as a straight male, I'm coming at this from a very different point of view.) For example, calling Holmes and Watson queerbaiting actually seems outrageous to me. Creators need to be able to present two male or two female best friends in a close but non-sexual relationship without being accused of trying to "bait" anyone.

I'm not going to address anything related to YJ, since that would involve spoilers, but I will bring up some Gargoyles stuff, as an example.

In our minds, Lexington is gay. But in those mid-nineties days when the series was originally on the air, there was absolutely no way Disney would let us objectively show this. Nevertheless, we strove to write the character to be consistent with his orientation. We thought we were doing the best possible alternative. So were we queerbaiting? And what would the alternative have been? Not depicting any LGBTQ characters at all?

I, personally, don't have the clout to make (successful) ultimatums to my employers. I could, of course, have insisted on being allowed to show Lexington kiss a guy. But if I had insisted that it's the kiss or I walk, Disney would have shrugged and waved goodbye to me. And my replacement would likely - if only to reassure his or her bosses - have made Lex objectively STRAIGHT. Is that better for anyone?

This kind of thing is simply a reality of the industry. It is getting better. There are plenty of series we can point to that demonstrate that. And I like to think I'm trying to help make things better still. But I'm going to - for my own mental health - reject the notion of queerbaiting almost entirely.

Maybe I'm not yet 'woke' enough. That's certainly possible. But I'm going to consistently push to depict what I can, to suggest what I cannot and to not for one second shy away from depicting two same sex characters having a close but platonic relationship, because (for example) one or both might be heterosexual. Because I write characters. I don't write agendas-masquerading-as-characters. I have agendas, but I don't write characters who are nothing but. I try to keep my characters consistent and true to themselves. But I'm not baiting anyone. And I'm certainly not trying to trick anyone with this sort of thing. Quite the reverse. I'm simply trying to do the best I can under occasionally hostile conditions.

Sorry if that's disappointing. But it's the best 2018 Greg Weisman can give you.

Greg responds...

1. Nope. It's from Earth.

2. No spoilers.

3. He's the fourth individual with an over-ride code.

4. Voices. Not symbolism.

5. Yes.

6. You're welcome, but honestly, my desire for diversity in my work is largely selfish. It makes for better/richer stories and a more honest depiction of the world.

Greg responds...

Well, yes. "Possible." But the accident was not - at the time - reproducible, so it was "impossible" until Sardath figured out how.

Greg responds...

It does? Where?

Greg responds...

Biological age and the age that each character considered him or herself to be, won out over chronological age. Otherwise, Miss Martian, who was chronologically 48 at the time, would have been on the adult world.

There's not plot hole. He was on adult world, probably in Star City, dealing with the chaos. We just didn't show it, as we didn't show where a lot of the adult heroes were.

Greg responds...

1. He didn't not want kids. At least not theoretically.

2. In his way.

Greg responds...

1. At what point?

2. No spoilers.

3. You're overthinking things.

Greg responds...

1. Something like, "For example, that blonde cutie with the mouth on her..." or something. I don't want to get bogged down in what his exact words might have been. He simply would have referred Wally to Artemis.

Greg responds...

I think it's just clear to these guys that Mysterio is the one who's held up traffic. They're New Yorkers. It ticked them off.

Greg responds...

No spoilers.

Greg responds...

"Artemis" was her nom de guerre, just like Zatanna's is "Zatanna". Later, she took the name Tigress.

Greg responds...

1. No spoilers.

2. No spoilers.

Greg responds...

1. Did she need to hold back, given what she was trying to accomplish?

2. When did they fight in season two? When they were faking it aboard the Manta-Ship?

3. Certainly not at the beginning of episode six, when she didn't realize Cheshire was Jade. After that, did she need to hold back, given what she was trying to accomplish?

4. When did they fight in season two? When they were faking it aboard the Manta-Ship?

Greg responds...

Of what?

(But pretty much the answer is always yes.)

Greg responds...

There's really no such thing as a "normal" day. There are tons of (I suppose) normal tasks that need getting done, but it's not like I consistently write in the morning, record voices over lunch and review animatics in the afternoon on a daily basis.

If you're asking what ALL needs to get done, well, there's a TON that needs to get done. Keep in mind that we're on a sliding schedule, where multiple episodes are being worked on in various stages, all at one time.

So, for example, TODAY, as I write this, I had a meeting first thing in the morning to look at color backgrounds for episode 317. This was followed by Brandon and I reviewing the storyboard for episode 323. We were interrupted, so Brandon could give notes on an animation test for 310. Next we're going over to the WB Ranch to meet with our bosses (something we do every other Thursday), then we'll come back and try to finish reviewing the 323 storyboard.

Contrast that with yesterday and tomorrow...

Yesterday, Brandon and I spent most of the day locking the animatic for episode 320. But in the middle of the day, we spent about an hour on the first pass picture edit of episode 307. We got through less than half of the episode.

Tomorrow, which could change, we're scheduled to review Ink & Paint on episode 316, then finish editing 307. I have lunch plans with a young writer. Then Brandon and I come back and call retakes on 307. Then we'll give storyboard notes on 323 to the episode's director.

At the moment we have exactly ZERO episodes in the can, i.e. completely finished and ready for air. ZERO.

All the writing is done, however, and nearly all the recording. (We have three straggler actors we need to pick up who were out of town when we last recorded the cast.) About eleven episodes are still in some stage of preproduction, and seven are in post-production. The remaining (middle) eight are in the process of being animated in Seoul.

Hope that more or less answers your question.