Todd Jensen writes...

Rewatched "Vows" today. A few new things that came to me.

I was hesitant about mentioning this, in case it comes across as an idea, but - from the way Goliath addressed Demona as "my angel of the night" at Prince Malcolm's wedding, I wondered if this was the first time he'd called her that.

When Xanatos referred to his getting the old coin that was the foundation of his fortune as "ancient history", I thought, "well, medieval history, to be precise".

I wonder how Prince Malcolm and his court must have perceived the Norman Ambassador's departure - he rides off just before the wedding, not staying to see Princess Elena, whom he'd escorted to the castle, wedded (even though he'd presumably be the closest thing to a representative of her father there). At least it doesn't appear to have caused a diplomatic incident between Scotland and Normandy.

The Archmage addresses Demona as "you stupid beast", continuing the pattern of unfriendly humans using such terms for gargoyles, that I've been paying close attention to this time around.

Brooklyn is the one most vocal about going to Goliath's rescue at the end; I wonder if Demona's involvement and his feelings about her had a lot to do about that.

I still think it's a pity that the original ending got onto the DVD; I hope that the Disney + version uses the corrected ending. (That's the main thing I miss from my old "Gargoyles" tapes.)

Alix writes...

Where did Demona get her Tiara from? Did someone give it to her or did she steal it?

Google Translator writes...

Dear Greg,

I don't know if this site covers my question, but I have no other way to maybe get in touch with you, so ...

I just read War of the Spark: Forsaken, I don't know what to say. Many aspects pleased me, others made me think "what ?!"

I think overall I can say I liked it. Well, my question is: will you write more books from Magic: The Gathering?

The ending of this last one was very open, there is still a lot to happen and I think you should bring this ending.

Besides, you have all my support to make Liliana and Jace happen.

Todd Jensen writes...

Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.

Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".

Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".

Adam Barnhardt writes...

Hey greg â€" Adam Barnhardt here. I’m a reporter with ComicBook.com and a massive fan of Gargoyles. I’ve been covering the show for the site and there’s certainly a platform for more content â€" especially if we talk about the #KeepBingingGargoyles movement.

Any chance you’d have a chance to speak with me on the phone or via e-mail in the coming days about all things Gargoyle? Would help provide some serious media coverage for the movement.

You can reach me at abarnhardt@comicbook.com â€" look forward to hearing from you.

Todd Jensen writes...

New observations from rewatching "The Silver Falcon" today.

One line of Broadway's dates the episode: he mentions that Lexington and Brooklyn "have dibs on the VCR". I wonder how many of us remember VCRS, and how many of us have forgotten them thanks to DVDs and Blu-Rays.

Elisa's line about Broadway "living out a movie fantasy" brought "Deadly Force" to my mind this time (of course, it helps that Dracon's back in this episode). Fortunately, Broadway's wish to do that has less disastrous results this time.

I also spotted, this time around, the parallels between Matt's entering the remains of the Silver Falcon night club and Broadway and Elisa's later arrival - and how both Broadway and Elisa say "I've had better nights".

And this episode continues "A Lighthouse in the Sea of Time" , showing us that Broadway's begun to learn how to read, and has progressed enough to be able to read Mace Malone's note (and correctly figure out its meaning). In "Lighthouse" he'd initially been drawn to reading because of its ability to take you to other places and times; now he finds that it can be used to convey useful information. (And the poor guy has the word "right" in that note, though he manages to figure it out. It got me wondering - and I'll have to look it up - how so many English words which rhyme with "ite" are written "-ight" - bright, fright, fight, flight, night, sight, knight, tight, etc.

Sebastian writes...

English is not my mother tongue, so I wanted to ask you 2 questions
1. in Earth 16 Superboy is the best friend of the third robin Tim Drake and Kid Flash / Bart Allen as is the case of the new Earth and Young Justice Rebirth?
2. the fourth season in which month of 2020 will it leave?

Todd Jensen writes...

Rewatched "The Mirror" today. A few new thoughts and observations.

I saw Demona's snarl at the "Dracula's daughter" in a new light this time. Dracula was a human before he became a vampire - and, naturally, Demona's going to regard any suggestion that she's related to a human - even a human who's become another "mythical creature of the night" - as the ultimate insult.

Not on the scale of Coldstone or the "Hunter's Moon" scheme, but Puck engages in a bit of "blending science with magic" when he uses the satellite dish and the television antenna atop the Twin Towers to help him turn all the humans in Manhattan into gargoyles and back again.

Bronx gets turned into an Irish wolfhound (or close to that kind of dog) - appropriate, in light of "The Hound of Ulster".

Todd Jensen writes...

Rewatched "A Lighthouse in the Sea of Time" - a few fresh thoughts.

I remember your mentioning that you'd intended to have Goliath list a few specific books about Merlin, with Mary Stewart's "The Crystal Cave" as one of them, but weren't able to clear the rights for that. It recently struck me as particularly unfortunate you couldn't mention "The Crystal Cave", since it was published in 1970 and "Lighthouse" first aired in 1995. Goliath could have given it a 25th anniversary tribute.

Continuing the "'beast and monster' terms used for gargoyles" thread that I've been paying particularly close attention to for "Gargoyles"' own silver anniversary viewing, I noted that Macbeth addressed Broadway as "beastie" (evocative of Robert Burns, though Broadway's definitely not "wee, sleekit, cow'rin', timorous" and there didn't seem to be any panic in his breastie) and Goliath as "monster".

I spotted a drawing of a Celtic cross at the top of one of Merlin's Scrolls, when it was unrolled and the writing was visible.

Todd Jensen writes...

I rewatched "Legion" today.

When Goliath and Lexington were reunited with Coldstone near the start, I suddenly found myself thinking of your mention of a (rejected) outline for a live-action adaptation of "Gargoyles" you'd written which had Goliath, Lex, and "Othello" as the gargoyles who'd be awakened in the modern world.

This time around, also, the Xanatos Program felt like a foreshadowing of "Future Tense".

I also wondered (just a wondering, not a question) whether the ivied balcony in Coldstone's memories (where he's standing while Iago's "pouring poison in his ear" about Desdemona and Goliath) was supposed to be an actual feature of Castle Wyvern before the massacre, or just a symbolic construct.