A Station Eight Fan Web Site
Displaying 1 record.
HUNTER'S MOON, PART ONE
The beginning of the end (so to speak…).
I have to say, GARGOYLES was the first animated series I remember that actually seemed to have "Season Finales"--it just made it that much more special for me.
The "HUNTER'S MOON" title font is in red (as opposed to the usual blue color). It really helps set this apart from the other episodes, and indicates that "Big Things" are about to happen in the world of the show (at least, to me). I have to ask, Greg, when did you guys decide to change the font color for this three-parter?
The re-made Gillecomgain sequence is cool, despite the erroneous use of Demona's older model. I always notice that Demona's line from CITY OF STONE ("That'll teach you humans to betray us") is shortened here to just "That'll teach you humans." Was that done for time, or just to avoid getting bogged down with trying to explain the reference?
I can't help but hold a bit of fascination for Gil's father. The guy is an unsympathetic jerk, but his attitude toward the idea of "a rogue gargoyle looking for food" surprised me. He doesn't seem to view them with any of the venom or disdain (or even wonder) that we've seen others show. In fact, (like your ramble says) he just seems to view such things as a part of life. He almost reminds me of a quote attributed to W. C. Fields, "I am completely without prejudice; I hate everyone equally" (quote approximate). I guess, in that way, I dislike him a little less than I do Gillecomgain and many of the other Hunter's.
Anyway, flash forward to the present and the subway.
Yes, I did recognize Elisa in her disguise--the outfit may have been different but I'd already seen Elisa in that blonde wig, and well, "Fool me once…."
The three muggers make another of their little appearances, this time with slightly different character models: trench coats just big enough to conceal weapons (I only point this out here because I didn't really notice it until I read your memos, Greg).
The one thug's line (when threatening Elisa) about settling for a "first date" made me raise my eyebrows a bit. It's another one of those suggestive lines, and for me actually helped add another layer of realism to the scene.
We get our little list of cameos on the train (complete with a bickering session between Margot and Brendan), and then the gargoyles arrive.
One thing I've always noticed about the subway fight sequence (aside from the brief shot of Goliath with grey eyes), is that the only gargoyles who engage in any action are Goliath (who does pretty much everything), Brooklyn (who tears a hole in the ceiling only to get a shot across his arm) and Angela (who glides down to assist Brooklyn). What were Broadway and Lex given to do in all this? Play "Rock, Paper, Scissors?" And they're even the ones crowing loudest on their way home ("Are we good or what?"--I wouldn't know since you didn't DO anything!). ;-)
The third mugger's voice seems to change. When he first spoke back in the subway station he's voiced by one guy (kind of sounds like Tom Wilson) but when he pulls his gun on Goliath ("Tough luck, handsome") he's voiced by another guy (sounds like Jim Cummings). Another one of those things I always seem to notice.
You mentioned Demona's change being a bit "anime" in your ramble, Greg, and I noticed that as well, but it wasn't the only bit of "anime-like" animation I remember. When Elisa delivers her "Just some concerned citizens…with wings" line (LOVE that, BTW) and continuing through the next scene up until the gargs' arrival at the Clock Tower, the animation always struck me as having a style similar to anime. Mostly it's their eyes; the way they blink and close.
At any rate, Greg, you guys definitely established the status quo of life being good for the gargoyles at this place and time. And I was even beginning to see the Broadway/Angela relationship. I know that my brother was one of those who followed the idea of Brooklyn/Angela, and Angela's tending Brooklyn's wounds probably helped convince him, but for myself I figured it would be Broadway and Angela as soon as I saw them roosting next to each other. That's right; POSSESSION didn't influence me one way or the other, but seeing the two of them in such close proximity convinced me they were going to be an item. Just the funny way my mind works, I guess.
Now we meet Jason for the first time (and he's revealed in almost the same manner Matt was back in THE EDGE), but Elisa's reaction could not be more different (it's actually a nice little comedic beat the way she shifts gears like she does).
During the conversation in the car, it's obvious (to me at any rate) that Jason was hiding something (this is based mostly on the way he sidesteps the question of where he transferred from). One thing I notice is that although he brings up the subject of urban myths, he never mentions gargoyles. This provides an intriguing contrast with Jon's approach, which I'll get to later.
During the robbery and its subsequent chase sequence, Jason does all the things we say cops should do in that situation--he shoots the flammable material, he shoots out the tire of the getaway van. The thing is, to me, this is a subtle indication that Jason is not a real cop. I don't know for certain, but I think discharging a firearm (shooting a gun) from a moving vehicle is technically against regulations. Of course, Elisa doesn't bat an eye, but this is the gal who walked right into the men's locker room.
There are some fun moments in the chase. Elisa muttering, "My mechanic's going to love this" when she starts to drive "off-road" (said mechanic will love all the bullet holes even less). Also, the stage coach horse understandably rears up as the two vehicles pass pretty much under it's bucking legs, but the stage coach driver isn't fazed at all. I guess it's just another day at work for him.
Eventually, the cops catch the bad guys (most of them, anyway) and the new partners compliment each other's respective abilities. Then Jason offers to buy Elisa a cup of coffee. I hear that, and I think to myself, "Uh-oh." Another guy might be coming between Goliath and Elisa (unknowingly, of course). Our heroes "calm bay" has started to develop waves….
Anyway, Robyn is interviewing over at Nightstone Unlimited. I always wondered why she singled out that company as the one to infiltrate. Maybe she caught rumors about Dominique Destine's never having been seen at night….
I can definitely see the idea of her as a female Owen: stoic demeanor, "pointed" face, blue eyes, blonde hair. Give her a pair of wire frame glasses and it'd be a perfect match!
And may I just say that I love Dominique's business dress. In fact, Demona presents herself very well as a businesswoman, except when she gets angry, of course (it's almost comical when she looks about ready to rip the burglar to pieces in her business suit).
And yes, her change kicks ass. I just wish the animators had remembered to leave off her tiara.
Is it just me, or is Act 2 of this ep shorter than usual? I swear it just seems to fly by.
I love the scene of Xanatos playing with Alex while being interviewed by Matt. I did believe Xanatos when he said DI-7 was a disinfectant--I had no reason to suspect him of ulterior motives at this point. Matt, of course, tries to give his best, "I'm a good guy who knows you're dirty" barb, but Xanatos just deflects it by asking his son, "Alex, can you say 'harassment?'" Alex babbles some baby talk, and Xanatos says, "I knew that you could." I love that little moment.
Goliath's reaction to Elisa's description of her new partner always intrigued me. When she's doing nothing but complimenting him, he's smiling, even seems somewhat amused, but when she tries to downplay it, his smile vanishes. He's able to pick up on her personality quirks. Seems like they're in a relationship to me!
The gargoyles seem to be going REALLY fast when they glide past camera on their way to their stakeout locations. Just something that really struck me this time.
But now we meet Jon, posing as a reporter for WVRN. He also seems to be trying to collect information on gargoyles, but he's nowhere near as subtle as Jason. "Gargoyles" are practically the first thing Jon mentions, and the only thing he talks about. No wonder Xanatos is so suspicious.
"If you brought them before me now, I'd happily pulverize them on the spot." It's a funny thing, but I while I still believed in Xanatos's truce with the clan, I never doubted that he would love another sparring match with them.
I am surprised that Jon managed to find a piece of stone skin at the Eyrie Building, though. I mean, what with the fights in CITY OF STONE, KINGDOM, and THE GATHERING that little piece must have been on a very remote corner of the Roof not to get picked up by a cleaning crew. (I'm sorry, I don't mean to nit-pick this much, but…well, there it is!).
The gargs run into trouble at each of their respective stakeouts. I did get the little moment where Lex and Broadway point at Brooklyn in answer to the question "Who wants to explain this to Goliath." As for the bit where Demona's particle beam rifle (or whatever) is able to puncture glass and an entire van, but fails to go through Brooklyn's car door shield…I can only guess that her first few shots had drained her rifle's power cell. It's not much of an explanation but it works for me.
I love the animation of Brooklyn and Demona's fight; it's short but the play of lighting when they're struggling in the foreground and the fire's burning in the background is just wonderful.
But while the Trio and Bronx are dealing with Demona, Goliath, Hudson and Angela face the new threat. As soon as the Hunter's appeared, and I noticed there were two guys and one gal, I pretty much figured out who they were. It is interesting, for me, to compare and contrast their suits. The predominant color scheme is black and red, with a bit of blue thrown in here in there. Actually Jon and Jason's suits are almost opposites in this regard (some of the pieces of armor the two suits share are blue on Jason's suit, and red on Jon's). Of course, another difference is the manner of gloves on the costumes. Jason is the only one to wear full gloves. Jon wears none, but has full sleeves while Jason goes bare-armed. Robyn has gloves, but they don't cover her fingers, and her upper arms are bare (it leaves me to wonder how worried they were about fingerprints). . Then there are the masks. The men have the same traditional Hunter's mask, but Robyn wears a modified version, with the mouth area bare and the hair free. She shows even more skin, actually, what with her bare midriff and all.
But here I am going over the differences in their wardrobe while they're giving our heroes a really hard time.
The weapons they use against the gargs indicate the time, training, and money they put into their hunt. Seriously, they've probably brought as much technology against the gargs as Xanatos ever did. I'm especially enamored of Raptor, the robotic bird that Jon had and which, unfortunately, gets destroyed and never seen again. I can't say for certain why I like it--it strikes me as a pointlessly complicated hunting implement. Actually, now that I think on it, Raptor is the perfect weapon for Jon--after all, he just tells the thing to attack and then stands passively back while the bird does all his hunting work, as opposed to Jason and Robyn who use their own weapons.
Just before he shoots Angela with the electricity thing, Jason looks at her and narrows his eyes. This leads me to believe that he knew, even before he fired, that she wasn't "the Demon."
Later, in the airship, when one of the Hunter's (Jon, of course) brought up that the "other gargoyles might not be" evil, I was fascinated by this dissension in the ranks, so to speak. I liked that one of the Hunter's was questioning the idea of "all gargoyles" being evil, and I thought that maybe at least one of the Hunter's would end up helping the clan.
Boy, did I pick the wrong Hunter (but that comes later). For now, though, Jason is blinded by his hatred against the gargoyles. Robyn, prudently enough, takes no part in her brothers' "disagreement."
I wasn't quite sure if you guys were going to kill off Angela or not. On the one hand, I felt that you guys had too much development invested in her character to just kill her off like that. Besides, there was no way BS&P would allow it. On the other hand, you guys had surprised me in the past….
And you surprised me here, too, when Goliath swore vengeance on the Hunter's while glaring into the camera, saying, "…and I will KILL them." At that moment, I fully realized how rarely the word "kill" is used in American animation. GARGOYLES only used it once before, to my knowledge (DEADLY FORCE, where Broadway tells Goliath that he "can't kill" Dracon). Consequently, its use here had the desired effect; I knew that something had snapped inside Goliath, and he meant to do precisely what he said. Chilling.
All in all, an excellent start that left me eager for the next episode.
I honestly have no memory of changing the font color. It is, I suppose, easy enough to blame my color deficiency, but the truth is I can tell red from blue. Either it was a call made by our post-production supervisor, Jeffrey Arthur or by Producer/Director Dennis Woodyard (and I either approved or didn't notice) -- or by me and it's just been too long for me to recall that I made that call.