I can see a Christmas episode being tough to show any other time of the year: those are entrenched stereotypically as specials, and even the kids (especially the kids, I'd argue) know that, when you're showing a Christmas episode on Arbor Day, it's because something went wrong and you're stuck showing what you have.
Halloween, Valentine's Day, and most of the other holidays are not as burdened by that freight, and you can get away with showing them other times of the year: the holiday just sort of sets the date of the episode (as it arguably does in "Eye of the Beholder") and isn't quite as strange.
Guess what? My comic shop is being excellent with the "Darkwing" crossover and got the second issue in on time. As usual, writing as I read:
[SPOILER]
So right off the first panel we get a somewhat subtle joke: "Lawrence, Maurice, and Kurly." Better abbreviated as Larry, Moe, and...well, Curly, I guess.
Again with the Celebrity Hockey!
And now we get the titles: "The Mirror Quack'd" for the series, and "The Green-Eyed Abyss Gazes, Also..." There were no titles in the first issue, curiously.
I find it interesting that Demona in human form here looks a lot more like a Darkwing character. So far, there's been a pretty clean graphic distinction between the Gargoyles and Darkwing characters, with everyone pretty much looking like they always have. But Dominique here somehow looks, to my eye, anyway, like she's crossing over that line. It's the facial proportions, I think.
The problem of killing a whole day in the story with at least one of its main characters out of play is handled by a bit of very Darkwing funny business, a bit of very gentle torment--one wonders what, exactly, would have driven Demona to copy that particular spell out of the Grimoirum, but never focus on that--and Elisa taking care of something important off-stage.
Now, in a more serious story, I'd complain bitterly about Elisa taking care of an important plot item out of sight. There is a bit of what I've heard called the, "A WIZARD DID IT," line of storytelling to that: something important just happened for the convenience of the plot. This, happily, is not a serious story, and I think it illustrates a reasonable writer's judgment to focus on high jinks here rather than focusing on serious detective work. Enough, for the current purposes, to assume Elisa has enough skill and resources on her side to take care of that chore and let us have fun watching Darkwing Duck and the others do their things.
More fun as Goliath and (native) Demona return to the story. Goliath seems to be taking to his new ally, and this is about as light as I think we've seen him in a while.
Not gonna lie, the "warehouse" looks a lot more like a hangar to me.
Darkwing gets the honor of making the entrance first--a good call, as that seems to be one of his specialties. The reference to being the "pigeon with a vendetta against statuary" is apropos here, sort of. And if Goliath was taking a liking to his unusual ally, Demona's clearly not having any of this, which figures. Happily, Demona is largely Goliath's problem to handle.
The "woof!" business got me laughing out loud.
Demona produces a prop. Not being nearly as steeped in the lore as perhaps I ought to be, I don't know if this is a recurrent one, a reference to something, or if Demona's just managed to pull that out. Regardless, the prop begins to set up the fight between heroes that we've been promised twice now (once in this arc, and once back in the FF crossover). And suddenly the "woof!" business actually has plot relevance. How about that?
Darkwing, it turns out, is not much of a match for Goliath, who's still in a relatively good mood about him. And in comes Elisa, who is just absolutely fierce against Demona. This does feel just a bit proud of her to taunt Demona, but then, it's effective. And so the idol pops out of the story almost as abruptly as it came in.
Demona, having missed on her first attempt, exhibits her lack of patience again by just offering to blow away our heroes. This turns out to be the winning strategy. And despite the sudden (and brief) appearance of the rest of the main clan, Demona vanishes into the mirror, headed for issue 3.
A bit of cleanup and we hear of the conditions that will admit one into the hiding place of the Quackronomicon, and in a fine example of story economy for comic effect, Gosalyn has already got in the hard way. Demona, being Demona, has got in the easy way--I am a little surprised at how happy everyone seems as Morgana tells everyone about why Demona can't possibly get in, since, well, it's Demona--but anyway this sets up for the next issue.
[/SPOILER]
I'm appreciating the tack this story has taken so far. It'd be easy enough to let it fall completely into farce, but it's doing a good job of being a light-handed story--light as a feather, you might say--that balances the characters rather than flattening them. It does also feel a little like a Radio Play that escaped into publication, and in a way I think that reflects the fun the authors are having with it.
morrand - [morrand276 at gmail dot com]
posted @ Sun, Feb 15, 2026 12:50:24 pm EST from 108.69.72.60
