A Station Eight Fan Web Site

Gargoyles

The Phoenix Gate

Ask Greg Archives

COMEBACKS 2007-02 (Feb)

Archive Index


: « First : « 10 : Displaying #37 - #46 of 104 records. : 10 » : Last » :


Posts Per Page: 1 : 10 : 25 : 50 : 100 : All :


Bookmark Link

Makhasu writes...

You've said that Macbeth doesn't get involved after the Space Spawn invade Earth in 2198, until some time later. Why? Surely he wouldn't just ignore his planet being taken over. He fought in WWII. Why would he stay out of this far more important war?

Greg responds...

I'm not revealing this at this time.

Response recorded on February 20, 2007

Bookmark Link

Makhasu writes...

Why did Goliath forgive the Captain of the Guards? Sure, he may not have intended for the Gargoyles to die, but he had no problems with the deaths of the soldiers of the castle, the refugees who were unlikely to be spared, etc... He even helped Hakon chase down Katherine when she tried to flee. This guy's just as creepy as any other villain we've seen.

Greg responds...

Forgiveness helps the forgiver at least as much as the forgiven. Or that's the theory.

Response recorded on February 20, 2007

Bookmark Link

Makhasu writes...

Macbeth said to King Arthur that he was too long a king to serve another. Does this mean that he's never served or worked for anyone post-1057?

Greg responds...

No, it doesn't necessarily mean that.

Response recorded on February 20, 2007

Bookmark Link

Makhasu writes...

How did Xanatos' mother die? How did Xanatos react?

Greg responds...

I'm not telling this story at this time.

Response recorded on February 20, 2007

Bookmark Link

Makhasu writes...

You've hinted that Luach was conceived during the time that Gruoch was married to Gillecomgain, with Macbeth being the father. Why would he and Gruoch take such a risk? He gave her up for her own safety... committing adultery would probably have resulted in her execution.

Greg responds...

Yep. So why would they take the risk?

The only answer I have is... why do you think?

Just to be clear, I'd like to make the point that I haven't "hinted" that Luach was conceived during Gruoch's marriage to Gillecomgain. Luach was definitely conceived during that time. I have suggested that PERHAPS Macbeth was the biological father, but that neither Gruoch or Macbeth know for sure.

Response recorded on February 20, 2007

Bookmark Link

Makhasu writes...

What does Demona think of Delilah?

Greg responds...

What do you think she thinks?

Response recorded on February 19, 2007

Bookmark Link

Makhasu writes...

What does Elisa think of Delilah? It must be pretty disconcerting to know there's a clone of her and Demona.

Greg responds...

As of issue #2 of the comic book, Elisa hasn't seen Delilah in person. But knowing someone like Delilah exists is probably disconcerting enough.

Response recorded on February 19, 2007

Bookmark Link

Makhasu writes...

This is the first of MANY questions. I've submitted them individually, despite shared subjects. I didn't want an entire lot of questions removed because one was judged to be against the rules. I'm praying that these don't get deleted because I posted them all separately. Anyway... here goes.

Does Xanatos regret any of the things he's done during the course of the series? For moral reasons, not because the plan failed. Is there anything he's done that he's felt was morally wrong?

Greg responds...

Xanatos is (a) largely amoral and (b) not one to cry over spilled milk.

Response recorded on February 19, 2007

Bookmark Link

Blaise writes...

HUNTER'S MOON, PART ONE

The beginning of the end (so to speak…).

I have to say, GARGOYLES was the first animated series I remember that actually seemed to have "Season Finales"--it just made it that much more special for me.

The "HUNTER'S MOON" title font is in red (as opposed to the usual blue color). It really helps set this apart from the other episodes, and indicates that "Big Things" are about to happen in the world of the show (at least, to me). I have to ask, Greg, when did you guys decide to change the font color for this three-parter?

The re-made Gillecomgain sequence is cool, despite the erroneous use of Demona's older model. I always notice that Demona's line from CITY OF STONE ("That'll teach you humans to betray us") is shortened here to just "That'll teach you humans." Was that done for time, or just to avoid getting bogged down with trying to explain the reference?
I can't help but hold a bit of fascination for Gil's father. The guy is an unsympathetic jerk, but his attitude toward the idea of "a rogue gargoyle looking for food" surprised me. He doesn't seem to view them with any of the venom or disdain (or even wonder) that we've seen others show. In fact, (like your ramble says) he just seems to view such things as a part of life. He almost reminds me of a quote attributed to W. C. Fields, "I am completely without prejudice; I hate everyone equally" (quote approximate). I guess, in that way, I dislike him a little less than I do Gillecomgain and many of the other Hunter's.

Anyway, flash forward to the present and the subway.
Yes, I did recognize Elisa in her disguise--the outfit may have been different but I'd already seen Elisa in that blonde wig, and well, "Fool me once…."
The three muggers make another of their little appearances, this time with slightly different character models: trench coats just big enough to conceal weapons (I only point this out here because I didn't really notice it until I read your memos, Greg).
The one thug's line (when threatening Elisa) about settling for a "first date" made me raise my eyebrows a bit. It's another one of those suggestive lines, and for me actually helped add another layer of realism to the scene.

We get our little list of cameos on the train (complete with a bickering session between Margot and Brendan), and then the gargoyles arrive.
One thing I've always noticed about the subway fight sequence (aside from the brief shot of Goliath with grey eyes), is that the only gargoyles who engage in any action are Goliath (who does pretty much everything), Brooklyn (who tears a hole in the ceiling only to get a shot across his arm) and Angela (who glides down to assist Brooklyn). What were Broadway and Lex given to do in all this? Play "Rock, Paper, Scissors?" And they're even the ones crowing loudest on their way home ("Are we good or what?"--I wouldn't know since you didn't DO anything!). ;-)

The third mugger's voice seems to change. When he first spoke back in the subway station he's voiced by one guy (kind of sounds like Tom Wilson) but when he pulls his gun on Goliath ("Tough luck, handsome") he's voiced by another guy (sounds like Jim Cummings). Another one of those things I always seem to notice.

You mentioned Demona's change being a bit "anime" in your ramble, Greg, and I noticed that as well, but it wasn't the only bit of "anime-like" animation I remember. When Elisa delivers her "Just some concerned citizens…with wings" line (LOVE that, BTW) and continuing through the next scene up until the gargs' arrival at the Clock Tower, the animation always struck me as having a style similar to anime. Mostly it's their eyes; the way they blink and close.

At any rate, Greg, you guys definitely established the status quo of life being good for the gargoyles at this place and time. And I was even beginning to see the Broadway/Angela relationship. I know that my brother was one of those who followed the idea of Brooklyn/Angela, and Angela's tending Brooklyn's wounds probably helped convince him, but for myself I figured it would be Broadway and Angela as soon as I saw them roosting next to each other. That's right; POSSESSION didn't influence me one way or the other, but seeing the two of them in such close proximity convinced me they were going to be an item. Just the funny way my mind works, I guess.

Now we meet Jason for the first time (and he's revealed in almost the same manner Matt was back in THE EDGE), but Elisa's reaction could not be more different (it's actually a nice little comedic beat the way she shifts gears like she does).
During the conversation in the car, it's obvious (to me at any rate) that Jason was hiding something (this is based mostly on the way he sidesteps the question of where he transferred from). One thing I notice is that although he brings up the subject of urban myths, he never mentions gargoyles. This provides an intriguing contrast with Jon's approach, which I'll get to later.

During the robbery and its subsequent chase sequence, Jason does all the things we say cops should do in that situation--he shoots the flammable material, he shoots out the tire of the getaway van. The thing is, to me, this is a subtle indication that Jason is not a real cop. I don't know for certain, but I think discharging a firearm (shooting a gun) from a moving vehicle is technically against regulations. Of course, Elisa doesn't bat an eye, but this is the gal who walked right into the men's locker room.

There are some fun moments in the chase. Elisa muttering, "My mechanic's going to love this" when she starts to drive "off-road" (said mechanic will love all the bullet holes even less). Also, the stage coach horse understandably rears up as the two vehicles pass pretty much under it's bucking legs, but the stage coach driver isn't fazed at all. I guess it's just another day at work for him.
Eventually, the cops catch the bad guys (most of them, anyway) and the new partners compliment each other's respective abilities. Then Jason offers to buy Elisa a cup of coffee. I hear that, and I think to myself, "Uh-oh." Another guy might be coming between Goliath and Elisa (unknowingly, of course). Our heroes "calm bay" has started to develop waves….

Anyway, Robyn is interviewing over at Nightstone Unlimited. I always wondered why she singled out that company as the one to infiltrate. Maybe she caught rumors about Dominique Destine's never having been seen at night….
I can definitely see the idea of her as a female Owen: stoic demeanor, "pointed" face, blue eyes, blonde hair. Give her a pair of wire frame glasses and it'd be a perfect match!
And may I just say that I love Dominique's business dress. In fact, Demona presents herself very well as a businesswoman, except when she gets angry, of course (it's almost comical when she looks about ready to rip the burglar to pieces in her business suit).
And yes, her change kicks ass. I just wish the animators had remembered to leave off her tiara.

Is it just me, or is Act 2 of this ep shorter than usual? I swear it just seems to fly by.

I love the scene of Xanatos playing with Alex while being interviewed by Matt. I did believe Xanatos when he said DI-7 was a disinfectant--I had no reason to suspect him of ulterior motives at this point. Matt, of course, tries to give his best, "I'm a good guy who knows you're dirty" barb, but Xanatos just deflects it by asking his son, "Alex, can you say 'harassment?'" Alex babbles some baby talk, and Xanatos says, "I knew that you could." I love that little moment.

Goliath's reaction to Elisa's description of her new partner always intrigued me. When she's doing nothing but complimenting him, he's smiling, even seems somewhat amused, but when she tries to downplay it, his smile vanishes. He's able to pick up on her personality quirks. Seems like they're in a relationship to me!

The gargoyles seem to be going REALLY fast when they glide past camera on their way to their stakeout locations. Just something that really struck me this time.

But now we meet Jon, posing as a reporter for WVRN. He also seems to be trying to collect information on gargoyles, but he's nowhere near as subtle as Jason. "Gargoyles" are practically the first thing Jon mentions, and the only thing he talks about. No wonder Xanatos is so suspicious.
"If you brought them before me now, I'd happily pulverize them on the spot." It's a funny thing, but I while I still believed in Xanatos's truce with the clan, I never doubted that he would love another sparring match with them.
I am surprised that Jon managed to find a piece of stone skin at the Eyrie Building, though. I mean, what with the fights in CITY OF STONE, KINGDOM, and THE GATHERING that little piece must have been on a very remote corner of the Roof not to get picked up by a cleaning crew. (I'm sorry, I don't mean to nit-pick this much, but…well, there it is!).

The gargs run into trouble at each of their respective stakeouts. I did get the little moment where Lex and Broadway point at Brooklyn in answer to the question "Who wants to explain this to Goliath." As for the bit where Demona's particle beam rifle (or whatever) is able to puncture glass and an entire van, but fails to go through Brooklyn's car door shield…I can only guess that her first few shots had drained her rifle's power cell. It's not much of an explanation but it works for me.
I love the animation of Brooklyn and Demona's fight; it's short but the play of lighting when they're struggling in the foreground and the fire's burning in the background is just wonderful.

But while the Trio and Bronx are dealing with Demona, Goliath, Hudson and Angela face the new threat. As soon as the Hunter's appeared, and I noticed there were two guys and one gal, I pretty much figured out who they were. It is interesting, for me, to compare and contrast their suits. The predominant color scheme is black and red, with a bit of blue thrown in here in there. Actually Jon and Jason's suits are almost opposites in this regard (some of the pieces of armor the two suits share are blue on Jason's suit, and red on Jon's). Of course, another difference is the manner of gloves on the costumes. Jason is the only one to wear full gloves. Jon wears none, but has full sleeves while Jason goes bare-armed. Robyn has gloves, but they don't cover her fingers, and her upper arms are bare (it leaves me to wonder how worried they were about fingerprints). . Then there are the masks. The men have the same traditional Hunter's mask, but Robyn wears a modified version, with the mouth area bare and the hair free. She shows even more skin, actually, what with her bare midriff and all.
But here I am going over the differences in their wardrobe while they're giving our heroes a really hard time.
The weapons they use against the gargs indicate the time, training, and money they put into their hunt. Seriously, they've probably brought as much technology against the gargs as Xanatos ever did. I'm especially enamored of Raptor, the robotic bird that Jon had and which, unfortunately, gets destroyed and never seen again. I can't say for certain why I like it--it strikes me as a pointlessly complicated hunting implement. Actually, now that I think on it, Raptor is the perfect weapon for Jon--after all, he just tells the thing to attack and then stands passively back while the bird does all his hunting work, as opposed to Jason and Robyn who use their own weapons.

Just before he shoots Angela with the electricity thing, Jason looks at her and narrows his eyes. This leads me to believe that he knew, even before he fired, that she wasn't "the Demon."

Later, in the airship, when one of the Hunter's (Jon, of course) brought up that the "other gargoyles might not be" evil, I was fascinated by this dissension in the ranks, so to speak. I liked that one of the Hunter's was questioning the idea of "all gargoyles" being evil, and I thought that maybe at least one of the Hunter's would end up helping the clan.
Boy, did I pick the wrong Hunter (but that comes later). For now, though, Jason is blinded by his hatred against the gargoyles. Robyn, prudently enough, takes no part in her brothers' "disagreement."

I wasn't quite sure if you guys were going to kill off Angela or not. On the one hand, I felt that you guys had too much development invested in her character to just kill her off like that. Besides, there was no way BS&P would allow it. On the other hand, you guys had surprised me in the past….
And you surprised me here, too, when Goliath swore vengeance on the Hunter's while glaring into the camera, saying, "…and I will KILL them." At that moment, I fully realized how rarely the word "kill" is used in American animation. GARGOYLES only used it once before, to my knowledge (DEADLY FORCE, where Broadway tells Goliath that he "can't kill" Dracon). Consequently, its use here had the desired effect; I knew that something had snapped inside Goliath, and he meant to do precisely what he said. Chilling.

All in all, an excellent start that left me eager for the next episode.

Greg responds...

I honestly have no memory of changing the font color. It is, I suppose, easy enough to blame my color deficiency, but the truth is I can tell red from blue. Either it was a call made by our post-production supervisor, Jeffrey Arthur or by Producer/Director Dennis Woodyard (and I either approved or didn't notice) -- or by me and it's just been too long for me to recall that I made that call.

Response recorded on February 19, 2007

Bookmark Link

Blaise writes...

POSSESION

(Note: My ramble is a little patchier this time, most likely the result of spreading it out over a few days).

Puck gives Alex his first magic lesson, and Coldstone gets his personality problem resolved.

The opening in the Himalayas is pretty neat (I love how Coldstone takes out one robot by burrowing through the snow), and, personally, I'm kind of glad you guys didn't do the "Yeti" thing with him here (of course, I have no idea what would have happened in your lost "comic book story" set in the Himalayas (and all you've told us about it so far is that it takes place during the World Tour and features Coldstone) so I have no idea if you were going to do the "Coldstone-pretending-to-be-Yeti" thing or not).
One thing I noticed: the Steel Clan's POV shots are very different from how they were in the first season (there it was green night vision, here it's some sort of red vision). I guess I kind of like the style of the first season better there--just a personal preference.
One thing of note, this is the last appearance of the Steel Clan robots and Xanatos's gargoyle armor in the whole series.

Loved the "Bewitched" reference. Also loved the "gargoyle-teddy bear."
It would have been nice if the mention of the opera "Otello" had made it into the episode, but there's only so much time available.

Somehow, I kind of figured out who "Goliath" and "Hudson" really were before they revealed themselves. Although Puck may do a better Goliath than Proteus, he still doesn't sound quite like Goliath (and he smiles way too much). And, as soon as I guessed who "Goliath" was, it was fairly easy to deduce who "Hudson" was (and notice that he didn't say a word at all the whole time).

Actually, I was able to guess a lot about where things were going, especially when I heard about the "soul transference" bit. And as soon as Coldstone started working without any of his three souls, I kind of figured Puck was the one pulling the strings. Lex getting possessed I hadn't expected, but as soon as it happened, there was really only one character it could have been. And when Coldsteel and Coldfire were revealed, I kind of figured what the ending would be.

So, for me, this became more about character than plot. It was also a great way to listen to the actors performing a different character with the same voice. Kudos to the cast members for their wonderful work.
I, too, noticed that Desdemona seemed more reluctant than Othello to remain in their new bodies. Here, as in HIGH NOON and even in LEGION, she sometimes takes on the role of conscience and voice of reason for Othello. She compliments her mate very well.
And, as in those previous episodes (and RE-AWAKENING) Othello shows himself to be a little more selfish. In the end he tends to make the right decision (albeit with a fair amount of prodding). Actually, now that I think about it, I wonder if most people in the world aren't like Othello.

Great little moment: Othello/Broadway: "I had forgotten the warm touch of your hand…the sweet scent of your hair."
Angela/Desdemona: "But…it is not my hair."

And then Iago/Brooklyn arrives to whisper in their ears (isn't that what all Iagos do?). I love his little "Oh, yes, that's a plus" after Othello/Broadway talks about "the evil one" being gone.
Another note: at both the Clock Tower and Lady Liberty, when Broadway/Othello mentions "the evil one," the camera is on Brooklyn. I just noticed that here.

I love it how the ensorcelled Bronx just trots away and plops down next to the bound and gagged Lexington. It's just one of those cases where you can almost feel Lex's frustration.

Looking over your outline, Greg, I find myself rereading the ultimately discarded scene of Iago/Brooklyn hooking Lex up to a death trap and "telling his evil plot." Mostly just because of the brief bit of how he would "use his position as Goliath's right hand to destroy Goliath and rule the clan." I thought this extra bit of plotting was rather interesting because we know so little about Iago's goals beyond taking Desdemona.
Truth be told, he has always intrigued me because, in many ways he is the only "natural-born" evil gargoyle we've met so far in the series. I mean, we see Demona's tragic past and how she was "made a villain" so to speak; Yama was only misguided and foolish, but tries to repent; and Thailog (and even the rest of the clones) were more-or-less created to be what they became. Iago is the only gargoyle we know of who has been evil without any real explanation and for this reason (as well as the fact that he was a villain in their "old life" along with the Archmage) he fascinates me. I would have loved to see more of him in the "DARK AGES" spin-off, and I am hoping to see more of Coldsteel in the comic.

Overall though, comparing the outline to the episode, I'm kind of glad you guys just simplified beats 15 and 16. That added business about the Coldstone shell developing its own personality--while admittedly intriguing--was a bit superfluous (especially since we the audience already know Puck's behind it).

I love Lex's groan, "Twice in one night…". I feel sorry for the poor little guy-ensorcelled, jumped from behind, trussed up, and jumped from behind again! And after all that, he gets possessed himself! Of course, in this case, the new tenant is a pleasant one.

Iago/Brooklyn: "I'm sure she'll be heartbroken at first, but these new bodies should help ease the pain." For me, that is one of the most suggestive lines in the series. And hey, Iago knows how to say "good-bye" in French!

"By the Dragon!" This is the closest we get to any sort of "oath" in the series (well…there's "Jalapena" but I'm not counting that… ;-)). I still wonder what exactly this phrase is referencing.

Alex/Lex unties Hudson and Goliath, dropping them on their heads. Goliath's response: "Well, that's one way to do it." This stands out to me because it's one of the few times Goliath makes a joke or other humorous statement.

Othello/Broadway confronts Iago/Brooklyn by saying, "Brooklyn's body does not belong to you. Give it back!"
A rather hypocritical statement since he himself was seriously considering keeping Broadway's body a bare few moments ago. Now that I think of it, I wonder if Iago might not be referencing that when he retorts, "So that I can return to cyberspace or fade away into nothing? Is that the choice *you* were leaning towards?" Othello/Broadway looks like he's about to hit him, but then just drops him instead.

I love how Iago complains about Brooklyn's "fighting skills." If Iago's in control, shouldn't that mean it's Iago's fighting skills that are being used?

I was very pleased you guys got Coldsteel and Coldfire's voice-actors (Xander Berkeley and C.C.H. Pounder) to do the one or two lines each character had in their actual voice.

Brooklyn: "And this 'scrawny gargoyle' will be waiting!"
Reading over the outline, I was pleased you guys decided to have Brooklyn remember the experience. His line "I remember every creepy thing that jerk made me do" kind of highlights the sort of violation he must have felt at that. As a result, I'm left wondering how much the others remember of their possessions. Lex obviously seems to remember being inhabited by Alex, but what about Broadway and Angela? They did seem at least mildly surprised to "come back to themselves" while in an embrace (not that they seemed upset…).

Lex about Alex passing his lesson: "He had a little help."
I always took this to mean that Alex used Lex's language facilities (as well as motor skills) to properly cast the spell. But I wonder how well Alex understood what he was saying. As a child, I learned the Pledge of Allegiance word-for-word, but for years they were only a collection of words in a certain order. I never really thought about what they actually said. I wonder if it's the same for Alex and the spell.

I love Goliath's tired "Let's go home."

Going back to the outline again, beat 17 has Xanatos being momentarily surprised and/or confused by Owen's explanation that "the Coldstone dilemma has been solved." I never saw that in the actual episode myself. Actually, I've wondered if Xanatos's earlier "Bewitched" reference might not have been just a long shot by Xanatos of planting an idea in Owen's head. Of course, maybe I'm just giving Xanatos way to much credit on that score.

This is a good, solid ep all-around with great characters and performances.

Greg responds...

Always take the outlines with a grain of salt, at least. Only the final episode is canon.

Response recorded on February 19, 2007


: « First : « 10 : Displaying #37 - #46 of 104 records. : 10 » : Last » :