Chapter XXXIX: "Kingdom"

Time to get back to rambling...

Well, we've had our adventure in Avalon and made a couple stops on what I knew was going to be a long trip. Time to check in on the home front.

Only trouble is, as these things originally aired, this one actually didn't manage to get broadcast right here. It just wasn't ready in time, and we had enough trouble airing reruns without holding up episodes that were ready to go just because this one wasn't. And besides it was all part of Tier Four. So we couldn't justify waiting for it.

Still. Out of the 66 eps I was involved in, only two aired out of order. "The Price" aired too soon. "Kingdom" aired too late.

Hope it didn't screw too much with your sense of continuity.

Oh, by the way, Kingdom was

Directed by Bob Kline
Story Edited by Gary Sperling
Written By Marty Isenberg & Robert Skir

KINGDOM (BROOKLYN & TALON)

The title, I believe, was another one of my one word 'theme' titles. It refers, of course, to the newly established kingdom of the Labyrinth and who and how it will be ruled. Can any organization exist without leadership? Or will a power vacuum by nature be filled by something, positive or negative?

We have in this show two reluctant leaders. Brooklyn and Talon. Ironically, Talon seems to have no problem asserting himself to lead -- especially among the Gargoyles in the void of Brooklyn's unleadership. He wants the authoritiy of leadership without the responsiblilty that comes with actually having the title.

Brooklyn feels a burden of leadership that's two-fold. On the one hand, he feels like acknowledging his role as leader is a betrayal of Goliath. Like he's giving up on finding his older brother. On the other hand, he feels intimidated by trying to fill Goliath's shoes (assuming Goliath wore shoes).

He's specializing in 'avoidance' or as Kent Brockman would say, "Avoision".

"Why are you looking at me?"
"Perfect."
"Stop asking me that. I don't know."

Everyone else is actually working on the missing Goliath/Bronx/Elisa problem. Brooklyn isn't even doing that, because any action risks being misinterpreted as leadership.

HUDSON

So throughout, Hudson uses psychology to gently nudge Brooklyn into the right mental space.

Guess he'll go to the Labyrinth to ask Elisa's brother if he's seen her. Might see Maggie there....

Suddenly Brooklyn is volunteering. For the wrong reasons, of course, but Hudson has at least gotten him started. Moved him from active to passive.

CAGNEY

Is fun in this. Didn't want to leave the poor cat alone for months now, did we? I like how Broadway and Hudson care for him. How the cat reacts, sleeping on Hudson's head, when Hudson wakes up. How he reacts to Maggie the (other) Cat. How Hudson, quietly admits just how much he loves Bronx in Cagney's presence.

AL, CHAS and ?

I like these guys. They're well characterized in just a few little bits.

Al's the homeless guy that Fang harrasses. Chas and his buddy (who's name I didn't catch this time through -- though I know I have it written down at the office) are Fang's cronies.

Jeff Bennett (as Chas' buddy) is very funny describing their discovery to Fang.

There's a brief moment at the end, where it looks like Lex and BW might be smashing these two guys heads in with rocks. But we pull back and see they're really smashing the guns. I don't think we'd get away with even the tease of that in the current S&P atmosphere.

I wonder where they went after Talon chased them out. Can't help thinking they were naturals to join the Quarrymen.

And how's Al doing?

FANG & CLAW

I love Belushi as Fang. (He's got a great growl that's a sound effect, but it works great with Belushi's stuff.) My wife Beth thought Jim was too over the top. But I think he's hilarious.

He's got a bunch of great lines:

"...Flying bug zappers."
"Now wouldn't that be a crying shame."
"Open the door, Fang. Protect the weak, Fang."
"There's a new Sheriff in town."
"Ahhh, mannn...."
"Mutate humor."

Talon: "You and what army?"

Fang: "This army, pal. And you're our first prisoner of war." (Though technically Talon is the second, since Maggie's already trapped in the gun chamber.)

My nearly eight-year-old-daughter Erin asked, "Is he greedy or jealous?" Both, probably.

And he is bright enought to trick Talon.

And Claw is just a love. Charming in his silence. He really comes into his own in this ep, you know?

Incidentally, this year "Kingdom" made the fan's top ten favorite episodes, alongside such others as: "Hunter's Moon, Parts One, Two and Three," "The Mirror," "Future Tense," and others.

I was a bit surprised. Most of the other ten look a hell of a lot better than this one. It's a tribute to Brooklyn's popularity probably, but also, I think to Claw.

There's great fun throughout with that darn key card. Fang trying to bust into the gun chamber initially. Being so frustrated, and Claw just lowering the card in front of him.

"Give me that!" Fang says and grabs it.

Later, after Maggie's escaped, and Fang regains consciousness to find out what happened, Claw does his intentionally indecipherable pantomime schtick. And Fang simply repeats: "Give me that!"

MATT

The scene with Broadway and Matt is oddly animated. Looks briefly like it's from some other show. But there's something strangely cool about the animation, even though it's off.

MAGGIE

Erin said, "I like Maggie. She's very..." But she didn't complete the sentence. Even with prompting from both Beth and myself. She just liked her, I guess.

Maggie begs Claw to let her out. So that she can join the fight? No. So that she can get help. That's Maggie's version of bravery. And I'm not knocking it. Frankly, it's what we teach our kids. You don't teach them to enter dangerous situations. You teach them to go get help. Dial 911. Maggie will never be a warrior, though she has the power for it. It's just not who she is. Normally, that might bug me. But this was a show with so many strong warrior female types, that I liked having the variety.

But this episode doesn't happen to have any of those strong female types like Elisa or Angela or Fox or even Demona. Did it bother anyone that Maggie was the only woman depicted and that she never participated in battle?

Maggie does get to shine in an area that comes more natural to her. Acting. She figures out at the end what Brooklyn is up to, and then performs her heart out to keep Fang in the dark, as she releases Derek. Well, I've always said she came from Ohio to make it in NYC as an actress...

She and Talon are now even more firmly established as a couple. Even in Brooklyn's mind. Finally, he adjusts and moves on.

XANATOS & OWEN

Hey, how about that new security system, installed as a result of Thailog's 'kidnapping' in Double Jep. Doesn't it... SUCK??!!!!!

The cannons do WAY more damage to X's castle than to anyone or anything else. And I also felt like we had done this before at Mac's place in Lighthouse and the Price.

So this is just weak. A failure on our part to come up with something stronger, more original, etc. We needed some action around now. But I still wish we had cracked this better.

There are some fun moments, if not always for the right reasons...

There's a comedy WAY off-model Broadway riding the exploding cannon.

There's a couple gargs falling through X's ceiling.

And it leads into a fun scene...

Owen's stone fist use (though a great idea) is actually a touch feeble, but X is in rare form...

Xanatos: "Do I really need an excuse to have a good time in my own home?"

And Xanatos: "A man has to make a living."

And Xanatos again: "I wasn't aware I needed permission."

Of course, on my tape that effect is spoiled when he suddenly goes cross-eyed. I'm hoping that's a retake that got corrected after the first airing.

BROOKLYN

Finally, after the debacle at X's place (which winds up being less of a debacle since we never figured out an episode that would show how X would take advantage of the info he learned) and after Maggie's plea for help (Brook could never resist a damsel in distress), Brooklyn finally takes up the role of Leader. Reluctantly.

Brooklyn: "This has nothing to do with what I want."

Hud: "Is that an order then."
Brook: "Yeah, I guess it is." Then look at him right there. That's a hero, am I right?

And Erin says, "Funny. All the leaders have long hair."

Hmmmm....

And so Brooklyn can't avoid leadership...

"Yeah, try as I might."

And he and Talon shake hands, as both accept the roles destiny has thrusted upon them. It looks good on them.

And that's my ramble. Where's yours?

Chapter XXXII: "The Cage"

For ASK GREG and the DCV, here's my ramble on "The Cage"...

Director: Dennis J. Woodyard
Story Editor: Brynne Chandler Reaves
Writer: Lydia C. Marano

SEMI-NEW CHARACTERS:

We'd seen a photo of Beth Maza before, but this was the first time we actually met her.

This is also, arguably, Vinnie's first real appearance. We'd heard his voice before, and we later decided that he had appeared two or three times before. But here was the inspirational moment. The character that we fell in love with, that went on to STAR in "Vendettas" and "The Journey". Throughout our viewing of the episode, my wife kept asking who did this voice, who did that voice? Every single time, I answered "Jeff Bennett." Then at the end, she asked: "Who's voicing Maggie? Don't tell me it's Jeff." For the record, it's Kath Soucie.

And here's the first real characterization for Fang & Claw as well. Fang was voiced by Jonathan Frakes for his one line in "Metamorphosis". But we cast Jim Belushi to play Mr. Obnoxious from this point out. I fell in love with Jim's take on Fang. His performance alone was one of the big inspirations for BAD GUYS. He's got some great lines:
--"Cat got your tongue... don't you get it?"
--"Like you're some kind of expert on evil monsters!"
--"I'll have to clear my social calendar."

Note also, to save money, Diane Maza never speaks. This episode had a huge cast. Making Claw a mute was a fun way to save money.

LITTLE THINGS I LIKE:

--Elisa refers to her brother as Derek. Goliath uses the word Talon.

--I love how Xanatos says: "Goliath and Elisa are always welcome here." He's so slick. He's far from in control in this episode. But he never stops playing the various characters against each other. He's constantly adjusting to new information. Never flustered.

--I like how Sev is basically talking to himself in his cage. With only the growling monster for feedback. Amazing how much one can gleen from a growl.

--Broadway praises the concert music simply by virtue of it's volume.

--Brooklyn's line: "I'm not a man. I'm a gargoyle." And don't you forget it.

Goliath kidnapping Sev and withholding info from Elisa to 'spare her pain', presiges his behavior in "Eye of the Storm".

Maggie is interesting to me in this. Though she's never going to be an action hero -- we intentionally didn't want to make her a strong female, because it seemed like every other female in the show was strong -- she seems to come into her own a bit here. She speaks her mind. She wields some power over Derek, even if she doesn't realize it. She's still stronger than she gives herself credit for. (Geez, I must suck at weak women characters.)

Although it's not used in the body of this episode, in the credits we refer to Maggie as "Maggie the Cat" for the first time. A Tennessee Williams "Cat on a Hot Tin Roof" reference.

FLASHBACKS

Lots of 'em. The recap. And TWO separate internal flashbacks in the show. I'm trying to remember if the board was short or if we just really felt like this was a tough story to get if you didn't have a TON of back-info.

Elisa even has a line, that I think works pretty well, where she's imagining telling her family about Derek -- and in one quick speech, she spews out all the pertinent details. We were clearly nervous about this episode being able to stand alone. Did anyone else have problems with this? Particularly anyone who saw this one without having seen "Metamorphosis" already?

When you see Maggie in flashback, book-ended by her current appearance, you can really see how different the designs were between "Metamorphosis" and "The Cage". I greatly prefer the later designs. Though I think I miss the tails.

FLAWS:

--Throughout the episode, I have numerous problems where identities seem to me to be given away before I want them to be given away.

In the opening scene, we want the audience to think that the snooping winged creature is Goliath. But there are two problems. One is all the Talon scenes in the "Previously on Gargoyles..." recap. The second is that we get too clear a glimpse of Talon.

Later, Goliath kidnaps Sevarius and holds him captive. But we wanted the audience to think it's Talon. But again, I think we get glimpses of Goliath that are just too clearly Goliath.

The concept of seeing a character "in shadows" or in partial "silhouette" just seemed tough to get across the ocean and back with our production team on this ep.

Did anyone think that Talon had kidnapped Sev? Was anyone shocked when it was revealed that Goliath was the kidnapper?

--On my tape, Anton's briefcase mispells his name: SERVARIUS. I hope that was corrected for later airings. I hope.

--The scene between Talon and X in the latter's office is clunky. The cityscape visible through X's window looks to be painted onto the window. And Talon's footsteps are very labored and clunky.

Xanatos admits that Sev's original "Metamorphosis" cure was just a placebo. If we stop here, then Talon should stop being angry at Goliath. Goliath neither killed Sev nor did he destroy a viable cure, nor did he have any impact on Talon's chance at a cure. But at this point, Talon's blinded by rage.

There's some really nice animation of Brooklyn and Fang climbing through the air.

KID RESPONSE:

My daughter Erin thought that Fang looked more wolf-like than cat-like.

She also figured out pretty fast that Goliath was the kidnapper. And when it was revealed she said, "I knew it all along."

CONTINUITY

Brooklyn acts as leader in Goliath's absense. But we don't have anyone comment on it. That was just in case this episode wound up airing before "Upgrade". I think Brook makes some wise moves here though. I also like his emotional resonance with Maggie: "You know I wanted to be your... friend."

I also like when he refers to her "persecution complex". Is he projecting?

We re-intro Cyberbiotics Underground Lab from the pilot, in preparation to turning it into the Labyrinth.

I like Goliath and Elisa's exchange in the lab. Lines like:

G: "You were in so much pain."
E: "Who would we test it on?"
E: "The ends can't justify the means. That's Xanatos' way. Not yours."

Other cool lines:

Fang: "I like this body."

Maggie: "Is your vengeance more important than our humanity?" The ultimate question to put to anyone pursuing vengeance.

Xanatos: "You always over-play your hand, Anton." Anton's just a ham to the core.

Xanatos: "He's the scientist. You're just the experiment."

Xanatos: "Hello, Goliath. Didn't even notice you there."

(X is so cool.)

Talon finally, finally figures out what Elisa has been trying to tell him since "Her Brother's Keeper". Took long enough. This arc for Talon was something we had been planning out as far back as our original unsold first dramatic over-pitch to Eisner. Back when Talon was both Scientist and experiment, and the character (created by Fred Schaefer) was known as Catscan.

I like Talon & Maggie's relationship. Don't know if they ever would have gotten together as humans. But they are so natural with each other as Mutates.

Talon: "We're not strong alone. We're strong together."

Goliath verbalizes here that Elisa is part of the clan.

Talon has his own clan (the Mutates) and his own family (the Mazas). The Mazas learn about the Mutates and are reunited with their son. But Goliath is hiding behind the curtain. Elisa's still not ready to share that secret.

Ending: Contrast this (relatively) upbeat ending with the endings from "Metamorphosis" where Elisa is left in tears and "Her Brother's Keeper" where she is left alone in the snow and wind. Things are looking up.

And, of course, we end on the image of the open cage door. That was important to me, because the cage was never more than a metaphor. We didn't really need it for Sevarius. We needed to see that Maggie and Talon were in cages of their own making. (Sev too, really. And Goliath. And maybe Elisa, although now I'm stretching it.)

Anyway, that's my ramble. Where's yours?