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Did Demona carefully think through her Operation Clean Slate plan? If the virus was meant to eliminate all human beings, wouldn't that kill Macbeth, as well? If so, that would mean that by her killing him she would be engineering her own death due to their magical link.
Greg Weisman says:
"Good question. Keep in mind that magic isn't an exact science. The Weird Sisters told Macbeth and Demona that 'When one lives both live.' Demona used the magic Praying Gargoyle statue to insure she would survive the fullfillment spell. So would Macbeth have survived? Probably. She knows about the mortality link. She would not want his death at her hands if that resulted in her own. Towards Macbeth, her impulse should not be murderous by necessity. And mindset has a real effect on magic results. However, Demona isn't the most stable and rational of characters. She certainly has murderous feelings toward Macbeth. And if their linking spell 'perceived' the death of all humanity as a successful attempt to kill Macbeth, then it might very well have killed her as well. Did she consider this? Maybe.
Maybe it was a risk she was willing, even eager to take. Maybe somewhere underneath it all, she's a bit suicidal. Could she die with the idea of leaving behind a human-free 'paradise' where her daughter could live in safety? Remember, Moses led the Israelites to the Promised Land, but he was not allowed to enter it himself. Maybe that's how Demona felt about it.
Then again, maybe not. Very provocative question."
[Response recorded in the Station 8 "Gargoyles" FAQ, Section VI.]
1. What is the difference between a wizard/witch and sorcerer/sorceress in the Young Justice Universe?
2. What is an alchemist in the Young Justice universe?
3. Is it more difficult for a magic user to use nonverbal spells then verbal spells on Earth 16?
4. What type of magic users are Zatanna and Zatara before he become Doctor Fate?
5. What were the main influences in how you decided to portray magic in Gargoyles and Young Justice?
1. There is none.
2. Someone who practices alchemy.
3. Depends on too many factors to answer cogently.
4. These seem like semantic concerns that I'm not sharing.
5. Mostly logic.
Hi Mr. Greg Weisman,
I have been a fan of yours since Gargoyles. One of the things that interest me is the basic structure of the themes and world building in the series. One of the styles I see continue to pop up in your series is the relationship between science and sorcery. This is something I have been a fan of in comics like Iron Man and Fantastic Four (specifically Dr. Doom versus Reed Richards). I love the simple explanation that energy is energy.
1. Now I didn't see much of this argument come up in your Spectacular Spider-Man series, because Peter debunked Mysterio, but can you say that you ever planned to and who you would've used to explore that science versus mystic aspect?
2. I am upset that directors such as Jon Favreau and Shane Black have knocked down the very idea of Mandarin showing up as not to approach the so-called mystic aspect. Though, it could be be alien in origin or something, as they claim and prove that even super-science isn't allowed in the MCU. Have you read and understand the Iron Man comics specific to Mandarin and Tony's relationship to science versus sorcery? Was it influential at all in your writing?
1. Well, we had Calypso. I'm not going to get into much beyond the fact that we would have explored her character more.
2. I'm not sure specifically to what you're referring. I've read comics from the 60s, 70s and 80s with Iron Man and Mandarin. Probably nothing more recent than that. In any case, I don't think it influenced me much if at all.
I forget to include a question mark on the last post,I try to write proper English so writing a declarative statement on site where you ask questions is quite embarrassing.
But since I do not want to waste your time are the terms magic/sorcery used in your shows different from each other or are they just the same thing.
I think of magic as the substance and sorcery as the manipulation of that substance. But I'm not sure if we've been terribly consistent about it. (And you forgot a question mark again.) ;)
I just wanted to ask something about the gargoyles episode The Gathering part 2.
Was Xanatos wearing an iron suit?If the suit is iron,how was Titania able to freeze him?
His helmet was off.
In "Golem", when Vogel reads the spell to transfer Renard's consciousness into the Golem, was he reading Hebrew in the original alphabet or a Latin alphabet transliteration?
I don't know. I'd have to look at the episode to see if it's visually obvious.
First and foremost, I probably should've looked more carefully when asking the previous question, and I'm sorry for that.
I've checked around the archives, and taken a better look, and haven't found an answer for this.
Sevarius stated once that if a Gargoyle didn't go through stone sleep, they would have to eat several cows in order to get the energy they need. Demona doesn't go through stone sleep anymore, so how does she get the energy she needs for when she becomes a gargoyle once more?
I'm not sure you're quoting Sevarius correctly, but in any case... magic compensates for Demona's lack of stone sleep.
Hello Greg,
I have a question for you about the half-mortal, half-Third Race hybrids. I know that the Children of Oberon cannot use their magic directly on iron. But can half-mortal hybrids use Third Race magic to directly affect iron?
Thank you!
No. Unless they're using mortal magic.
Hey Greg.
In "Heritage" Natsilane battles Raven using a shield and spear. In the course of the battle, we see Nick wield the shield almost as if it was a magical force field and he shoots some sort of lighting bolt from the spear.
Are the spear and shield themselves magically powerful? Or are the just ordinary battle gear that have channeled magic because they are being used by Natsilane the Chief of this Haida tribe? In other words, is the magic coming from the tools themselves or from Natsilane due to his heritage?
Thanks Greg!
How about all of the above?
How does magic work in the Young Justice cartoon? Is it similar to how it worked in Gargoyles?
There are rules, if that's what you're asking. But you'll have to watch and see for the specifics.
Hello again Greg,
A while ago, before I got a hold of Clan Building vol. 2, I asked you this question:
<<Following up on what Clark asked, how is it that such a powerful artifact, the Phoenix Gate, is used by such a simple incantation that even Goliath, certainly no trained sorcerer, quickly learned it? Maybe I'm conditioned by role-playing games to assume that more powerful magic will always be harder to learn than relatively weak magic, but it seems quite strange to me that the Phoenix Gate incantation, and for that matter the incantation to enter Avalon, are so quickly learned when they seem to be quite powerful spells.>>
You replied:
<<It has to do with the nature of the Gate and of Avalon. I don't want to go into too many details (particularly on the former) when we're so close to the release of the Trade.>>
Reading the vol. 2 trade paperback nicely cleared up for me why the Phoenix Gate is so easy to use and just how dangerous it is! In fact it makes me wonder whether the "incantation" is really an incantation in the usual sense... However, the other half of my question doesn't relate to the Gate, and if there was something in the trade paperback that answered my question... I missed it. Now that the three trades have been out for a while and the Phoenix Gate's nature has been (partially) revealed, I hope that you are in the mood to answer the other half of my question:
What is the reason that the Avalon incantation used by the Magus and Tom, seemingly a quite powerful spell, is so easy to use and to learn? Angela and Goliath seemed to pick it up rather easily.
Thanks and have a nice day.
I feel I've pretty much answered this. Reread everything above. All the clues are there. And if the answer isn't clear -- well, then good. ;)
Hello Greg. Congratulations on clearing out that gigantic queue, and thank you for opening for more questions.
I have a question or two in response to answers you gave relatively recently here.
Rebel asked you if Lexington and Hudson got to watch the sun rise in London due to jetlag, and you said yes.
http://www.s8.org/gargoyles/askgreg/search.php?qid=11957
That must have been an awesome and memorable experience for them. I remember Hudson remarked at the end of The Mirror that he wished he could have seen the sun, just once, before changing back into a gargoyle. Goliath actually spent a whole day awake thanks to the Eye of Odin, but I don't imagine he's eager to describe that particular experience to the others...
I wonder about Brooklyn, Katana, and Nashville, too -- whether they ever saw the sun. Unless the Phoenix took care to deposit them during the same time of day that it plucked them from every time it moved them, they probably experienced at least some jetlag. For that matter Goliath, Angela, and Bronx must have had jetlag during the World Tour. Or did Avalon compensate for that somehow?
Avalon and/or the Phoenix compensates magically in a way that a commercial jet cannot.
I still don't understand how magic works in the world of the Gargoyles?
Human magic seems to be incantation based, but mystical beings/creatures also could use incantations or thought magic at whim?
Is there a difference between magic users' power if they speak a spell versus just thinking of it, kind of like the old English belief in word magic?
I was watching the Magus fighting against the weird sisters and it looked like they were evenly matched with the Grimorum giving the Magus an advantage over them.
The Magus got a lucky shot in, basically, if you're talking about his confrontation with them outside Avalon.
Beyond that, the rest of your question has been answered. Check out the ASK GREG Magic archive.
In "The Gate" and "Tyrants", Brother Valmont summons up fiery arrows with the word "Saeth". Is this word an invention of yours, or an actual word from some ancient language (presumably Gaelic, by the look of it)?
The latter.
1. Does Demona absorb thermal energy while in human form, the way other gargoyles absorb thermal energy while in "stone" form?
2. If not, how has Demona adapted?
1. Nope.
2. Magic.
For the Mayan Clan, those who wear the magical prevention-turn-to-stone pendants, how does sleep work for them, or is it no longer needed? Also, to follow this how do they contain their gargoyle strength with out stone sleep?
See the archives.
Hey, I was just curious as to the exact incantation and the proper spelling of it for the Phoenix Gate, I've seen many different versions and I just want to know which is the true one. I've scoured the archives and I've seen nothing on that specific topic and I apologize if I missed it. Thanks so much!
Deslagrate muri tempe et intervalia.
(I'm kinda amazed I remember that.)
Did all the foreign people & gargoyles in "The Green" & "Bushido" that got to speak know how to speak English or are Goliath, Angela, & Elisa for some reason trilingual? (It just piqued my curiosity that you couldn't really have everyone speak English without some explanation for dubbing purposes.)
This also kinda raises a question on why the Emir read the scroll to capture Anubis in English instead of Arabic. (Unless the scroll weren't written in Arabic. Was it?)
There are two ways to interpret things. One is that the Gate compensated, and Elisa, Goliath and Angela were magically adjusted to the local lingua without them even being aware of the change. It's also possible that the folks at the other end were speaking English.
Can no magic, in the Gargoyle Universe, bring the dead back to life? Even Oberon's? I ask cause I remember while Anubis said he wouldn't bring the Vizer's son back to life (it would upset the natural order) I don't remember if he ever said he couldn't.
Anubis didn't say either way.
(And it was the Emir's son.)
G2009 Radio Play - Act Three
672. NARRATOR
Act Three.
673. DEMONA
Norman Osborn was a fool. So obsessed with the power of science, he kept the Crown of Thorns in this vault as if it was just another souvenir â" albeit an expensive one â" to hang upon his wall. But with the Crown and the Spear of Destiny together, I now have the power to force all of humanity to its knees.
674. GOLIATH
These are Christian icons, Demona. Not every human being is a Christian.
675. DEMONA
Not every human being speaks Latin, but that didnât stop me from using a Latin spell to turn a city-full of humans to stone. The magic I wield is potent beyond measure. Mine is the Kingdom and the Power and the Glory. No human may resist. No human will be spared. None will be spared who oppose me. Just look at this foolâ¦
676. GOLIATH
Her name is Obsidiana.
677. DEMONA
Of course it is. For she wears the mystic Obsidian pendant fashioned by human sorcerers. Even that is enough to put her in my thrall. She has relinquished her gargoyle birthright.
678. GOLIATH
I have relinquished nothing.
679. NARRATOR
Demona waves the Spear of Destiny, and Electro rises and blasts Goliath back into the wall.
680. GOLIATH
<impact>
681. DEMONA
Yes, Iâm surprised youâre unaffected⦠since you reek of humanity. The stink of your human whore is in your hair, on your lips, everywhere. And nothing in this world will give me more pleasure, Goliath, than watching your detective on her knees to me, as she draws her service revolver and thanks me with tears of joy in her eyes⦠before gratefully blowing out her own brains.
682. GOLIATH
(coldly furious)
That will never be.
683. DEMONA
No? My power expands with every second. I doubt sheâs far away.
684. GOLIATH
You will not harm Elisa.
685. NARRATOR
Goliath advances on Demona. Electro blasts away, but Goliath will not be stoppedâ¦
686. DEMONA
No one ever said you werenât persistent, Goliath. But what do you hope to gain?
687. GOLIATH
(through gritted teeth)
I will turn these forces back upon you.
688. DEMONA
Impossible. I am the last true gargoyle left on this world. The Crownâs magicks cannot touch me.
689. GOLIATH
So you believe. But I am not the only one who reeks of humanity. Am I⦠Dominique?!
690. NARRATOR
Goliath grasps the crown. The thorns bite into his hands, drawing blood. They struggle for control of the immense powerâ¦
691. GOLIATH, DEMONA
<roaring to the heavens>
692. SPIDER-MAN
<moan>
693. NARRATOR
Goliathâs intervention â" and his complete immunity to the Crownâs effects â" creates the smallest of fluctuation in Demonaâs control. In a haze, Spider-Man lifts his armâ¦
694. SPIDER-MAN
Thwip.
695. NARRATOR
He shoots off a web, yanking the bloody crown from Demonaâs head.
696. DEMONA
Noooooo!!!!
697. NARRATOR
There is a massive explosion of mystic energy and light! Demona, Goliath and Electro collapse.
698. GOLIATH
<moan>
699. SPIDER-MAN
Goliathâ¦
700. GOLIATH
The Spear⦠the Crownâ¦
701. SPIDER-MAN
Gone. I think they⦠blew up. Calypsoâs gone too. But Iâm betting thatâs just a talent of hers. And Iâd guess sheâs taken Kraven and the pussycat with her.
702. DEMONA
<unconscious moan>
703. SPIDER-MAN
But the Big Badâs still hereâ¦
704. GOLIATH
(sadly)
Leaving behind, as always, nothing but a handful of thornsâ¦
Goliath, Spider-Man and Demona sit. Jonah, Elisa, Matt and George STAND.
705. NARRATOR
While Goliath helps Obsidiana, Spidey webs up Demona, Electro and Ock. In the outer vault, Zafiro and the Trio recover, finding only an unconscious and de-venomed Eddie Brock. Outside, the bad guys have all been beaten. Goblin and Vulture, their tech badly damaged, barely manage to fly away. Carnage and Jupiter are once again Cletus and John.
706. JONAH
Iâm here, Johnny. Your old Popâs hereâ¦
707. ELISA
Mattâ¦
708. MATT
Call an ambulance, Elisa. Old Man Dracon said something about seeing a light. Then he collapsed. A stroke or something. Iâve been giving him C.P.R.
709. ELISA
Matt⦠Matt! You can stop. Stop. Heâs gone.
710. GEORGE
Youâre gargoyles are flying off, Detective.
711. MATT
(breathing hard)
Really? Not sure I see âem myself. But is that Spidey web-slinging away?
712. GEORGE
You think? I must have missed him?
Margot STANDS.
713. MARGOT
Are you all blind?! Theyâre right over there!
714. GEORGE, MATT, ELISA (UNISON)
Oh, give it a rest, Margotâ¦
Elisa, Matt, George, Margot and Jonah sit. Peter, May, Harry and Gwen STAND.
715. NARRATOR
Back at the busâ¦
716. PETER
Iâm back. And not a single decent picture to show for my efforts.
717. MAY
Well, you tried your best, Peter. Iâm sure Mr. Jameson will appreciate that.
718. PETER
Oh, yeah. Heâs a sweetheart that way.
719. NARRATOR
Emily Osborn watches as her son finally emerges from the bathroom.
720. GWEN
Harry?
721. HARRY
Hey, Gwen. I feel much better.
Harry, Gwen, Peter and May sit. Jonah and Robbie STAND.
722. NARRATOR
Later that night, at The Bugleâ¦
723. JONAH
Whaddayou mean I canât publish it?! How else can I make them all pay for what they did to Johnny!
724. ROBBIE
You canât publish because the authorities refuse to comment. We have no pictures or statements to corroborate a story that includes gargoyles, a dead Green Goblin and everything except the kitchen sink. No one will believe it. I was there, and I donât believe it! Print this, Jonah, and The Bugle becomes the next Daily Tattler.
725. JONAH
Ms. Brant, call the bomb squad. BECAUSE IâM ABOUT TO EXPLODE!!
Jonah and Robbie sit. Gwen, Peter, Kong, Curt, Harry, EMILY OSBORN and Mary Jane STAND.
726. NARRATOR
Later still, aboard OsCorpâs private jet en route to Miamiâ¦
727. GWEN
I still canât believe we ran into you in the airport parking lot, Doctor Connors.
728. PETER
Yeah, and weâre so sorry you got mugged.
729. KONG
Dude, they took your shoes?! Thatâs hilarious! <laughs>
730. CURT
Yes, well, I just really appreciate the ride back to Floridaâ¦
731. HARRY
Anytime, Doctor C. Anytime.
732. EMILY
Harry, could I have a moment⦠in your fatherâs office?
733. HARRY
Uh, sure, Mom.
Curt, Kong and Gwen sit.
734. MARY JANE
Pete, help.
735. PETER
Whatâs wrong?
736. MARY JANE
Tiny. Cute enough, but itâs like talking to a tree stump.
737. PETER
Tried to warn you.
738. MARY JANE
Just say weâll spend the week as a threesome, okay, Tiger.
739. PETER
Sure!
740. MARY JANE
Not that kind of threesome.
Mary Jane and Peter sit.
741. NARRATOR
Meanwhile, Harry follows his mother Emily into the jetâs private office.
742. EMILY
I know you were playing at being the Goblin, Harry.
743. HARRY
What?! Mom, thatâs crazy! I was in the bathroomâ¦
744. EMILY
Donât lie to me, baby. You hired the worst chauffer in the city to delay our progress. You had a secret hatch installed in the bus bathroom, so you could slip in and out undetected. And you left a pre-recorded âvomit tapeâ with voice recognition software. All very impressive for a sixteen-year-old. But you need to understand⦠the Green Goblin is not what your father wanted for you.
745. HARRY
I have no idea what Dad wanted for meâ¦
746. EMILY
Then let him tell youâ¦
747. NARRATOR
She slips a DVD into the computer and Norman Osborn appears on screenâ¦
NORMAN OSBORN STANDS.
748. NORMAN
Harry, my son. If you are watching this, then I am dead. And I have instructionsâ¦
Norman, Emily and Harry sit. Big Man, Blackie and SHARI STAND.
749. NARRATOR
Meanwhile at the Big Manâs office, he and Blackie Gaxton are visited by Shari, a young woman wearing a pendant depicting an eye atop a pyramidâ¦
750. BIG MAN
Thirty-six.
751. BLACKIE
Thirty-five.
752. SHARI
Nine. Any problems?
753. BIG MAN
Not particularly. Ms. Destine was ready to believe I could find Dracon and the others useful.
754. BLACKIE
And that faux Goblin was happy to believe Iâd been fooled into thinking he was the real thing.
755. NARRATOR
Blackie removes his false face, revealing that he is actually the Chameleon in disguise.
756. CHAMELEON
Just as he was happy to believe I was the real Blackie Gaxton. But Iâm still not sure why the Society wanted all thisâ¦?
757. SHARI
Isnât it enough to know the Illuminati appreciates your efforts?
CHAMELEON and Big Man sit. THAILOG, BRENTWOOD, Homunculus #1, Homunculus #2 And Homunculus #3 STAND.
758. NARRATOR
Shari leaves Lincolnâs office and pulls out her cellphoneâ¦
759. SHARI
Dial Nightstone Unlimited.
760. THAILOG
Alexander Thailog.
761. SHARI
The Spear? The Crown?
762. THAILOG
Waiting for you to send to Duval.
763. BRENTWOOD
Brentwood capture little robot. Use it to control other little robots. When bright light shine, robots take spear and crown.
764. SHARI
Lovely.
765. THAILOG
What should we do with the Homunculi?
766. SHARI
Set them free. Maybe theyâll get their own series some day.
767. HOMUNCULUS #1
Free, free, set them freeâ¦
768. HOMUNCULUS #2
On basic cable and DVDâ¦
769. HOMUNCULUS #3
Jazz hands!
Homunculus #3, Homunculus #2, Homunculus #1, Shari, Thailog and Brentwood sit. Elisa and Goliath STAND.
770. NARRATOR
At the castle, Elisaâs cell rings.
771. ELISA
Maza⦠Yeah, Captain Stacy said you might call. Sure, heâs right here.
772. NARRATOR
She hands the phone to Goliath, who doesnât quite know how to hold it. She takes it back and puts the call on speaker.
773. GOLIATH
Hello�
Spider-Man STANDS.
774. SPIDER-MAN
Hey, Goliath. Itâs your Friendly Neighborhood Spider-Man.
775. GOLIATH
You protect your⦠neighborhood.
776. SPIDER-MAN
Just like you do the super-hero thing without the tights.
777. GOLIATH
Spider-Man, I think this is the beginning of a beautiful friendship.
778. SPIDER-MAN
Hey, I was just gonna say that. You saw that movie too?
779. GOLIATH
Movie?
780. ELISA
God, I love you⦠<kiss>
Elisa, Goliath and Spider-Man sit. Kafka STANDS.
781. NARRATOR
And finally â" yes, finally â" we end where we began. In the offices of Dr. Ashley Kafka at Ravencroft. Sheâs on the phone to her Board of Directors.
782. KAFKA
After all that tsuris, little has changed. Otto and Eddie are still disassociative. Max still needs a cure, and John still wants power. Cletus? He just keeps repeating, âI got a taste now,â over and over. Yes, we lost Dominic, Iâm afraid. But we do have a new patientâ¦
Dominique STANDS.
783. KAFKA (CONT)
â¦Dominique Destine.
784. DOMINIQUE
Just wait until the sun goes downâ¦
Dominique and Kafka sit.
785. NARRATOR
The End.
THE END
NEXT: I finally get back to answering questions...
Following up on what Clark asked, how is that such a powerful artifact, the Phoenix Gate, is used by such a simple incantation that even Goliath, certainly no trained sorcerer, quickly learned it? Maybe I'm conditioned by role-playing games to assume that more powerful magic will always be harder to learn than the weak magic, but it seems quite strange to me that the Phoenix Gate incantation, and for that matter the incantation to enter Avalon, are so easily learned when they seem to be quite powerful spells.
It has to do with the nature of the Gate and of Avalon. I don't want to go into too many details (particularly on the former) when we're so close to the release of the Trade.
Thank you again Mr. Wiseman for answering these question from your fans. I have two related questions for you this time.
1. In regards to stone sleep, I had always imagined that the Gargoyles always biologically shift into "stone". The Gargoyles wiki talks about how when gargoyles are "stone" they are not actually stone but just really hard material that resembles stone. Assuming this is all true, I was wondering if then in the case of a broken statue, if you would be able to see the internal biology of the gargoyle such as bones, organ, blood vessels, etc. Granted they would be stone, but would they still be there?
2. This relates to Cold Stone and the stone pieces of his make-up. It was stated in the show that Cold Stone is made up of stone from three different gargoyles. Assuming that the various parts of the gargoyle anatomy would still exist in a stone state, would these not be visible upon inspection of Cold Stone's body?
3. When Demona turned the citizens of Manhattan to stone in City of Stone, was their stone sleep the same or similar to the Gargoyles? More importantly did their anatomy stay in tact like I am imagining the Gargoyle's do when they undergo stone sleep?
I have a lot of cool, though slightly morbid imaginer in my head about all of this. As always, I look forward to your response.
1. Given that the organic, stone-like substance is all the same color and consistency, it would be very difficult to discern specifics, but in theory, yes.
2. I'm not sure what you're asking. But I think the answer is yes.
3. I'm really not getting the distinction you're making here. Totally different process with the humans in City of Stone. They were magically turned to stone, but I don't see how that changes anything. You saw their facial features turn to stone. Within their bodies, their heart, liver, etc. also turned to stone. What did you USED to think happened?
Hello Greg,
I have a question about language and translations.
Concerning the language "issue" in the Avalon World Tour, and the fact that everybody encountered by the travellers seems to speak English, you once wrote,
<<"Avalon compensates when it sends people to where they need to be...">>
From your response to my "Reunion" review, long ago, it appears this is still the case in canon-in-training. But is this also why Angela can apparently speak English? She seems to speak English in Manhattan. At least, she and Elisa understand one another. It also seems that something was happening when Tom came to New York, and spoke to Morgan and Elisa. Likewise, King Arthur is able to speak to Griff and the Manhattan Clan. And the Avalon clan and their human parents had no trouble talking to Elisa. King Arthur, Tom, the Magus, and Katherine all went to Avalon before the Norman Invasion of England, so they cannot possibly have learned anything resembling modern English before they went there.
1. What is the reason that Angela, Tom, and King Arthur can communicate with modern English speakers?
2a. Do they notice they (or the people they are talking to) are speaking a different language?
b. Did Elisa, Goliath, and Angela notice the language changes during the World Tour?
3. Yes or no: Is this effect(s) on Angela and/or King Arthur permanent?
1. Again, I'm reduced to the notion that Avalon compensates.
2a. They don't seem to.
2b. They didn't seem to.
3. Seems to be.
In the "City of Stone" Part 1. How does Demona restrain Owen into a chair when shes speaking the "Stone By Night" spell?
This has been answered before. I'll refer you to the ASK GREG archives and to my ramble on that episode.
Is the way that a member of 3rd race uses magic versus the way that a normal human uses magic akin to the way a chess prodigy plays chess versus the way a learned man plays chess?
No. It's more akin to the way a master chess player plays chess and the way a master checkers player plays checkers. The board looks the same, but it's a totally different game.
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