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Weisman, Greg
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Jacob writes...
Hi all. Hello Greg.
Nice to see you doing all these rambles, they make some forgotten memories come up to my mind again. I would do some, too, if I got a chance to watch the episodes again. But neither are their re-runs here (I've asked my way through: they want to spend the money on new things, though I always see "Doug", "Darkwing Duck" and so on), nor is my internet connection fast enough to download the episodes (if there are any to download) and a faster connection is by now too expensive. But after all the years without Gargoyles I do still remember some things that I liked or liked not that much.
First the things that I did not like: though there was a continuing plot, sometimes it was all too much the same. In short and very sarcastic: "It was a nice evening. The birds were singing and everyone liked each other. Then suddenly a dark cloud brought evil to our main characters. But after a short and hard fight the evil was defeated and everything got back to normal." That's why I like the "Awakening", "Avalon" or "City of stone" parts. These eps were so interesting because there was enough time to create a very interesting story and a really cool atmosphere - BTW City of stone was my first touch with Gargoyles. I saw the scene where the weird sisters speak as statues of children with Goliath and later crush as Brooklyn touches one of them (I hope I'm not mixing something up). My brother thought it was stupid and switched it off and I pretended that I thought it was stupid, too (Hey, I was just a child which did not want to argue). But I guess I liked the characters and the whole atmosphere. - Of course I don't want to say that the whole series should be one continuing show, but I had liked to see more five-parters.
But of course there are things that I liked very much. Most characters do change during the show and keeps being surprising. Everyone is part of a complex story (sometimes it was too complex for me, but after seeing it the second time I knew what was going on. But unfortunately some eps were mixed up so that suddenly we saw Angela, though the world tour was not even started). One of the things I like most are the fantasy elements (BTW Was the dragon we saw in "Pendragon"(?) a real dragon or just brought to life by magic??) Time travel, magicians, fae and of course the Gargoyles (clear why Fang said "I love this body"!!)
I just hope the new episodes will go on air someday. Maybe until then I can watch a few re-runs.
p.s.: some things might sound meaner than they are meant. I'm not good in being polite when I am writing in a language that I don't use often enough.
And sorry about any mistakes:)
p.p.s. Anything new about the real life movie?
What are you by now working on?
Greg responds...
The dragon in "Pendragon" was animated by magic.
The live-action movie has been shelved for the time being.
Right now, I'm working on "The Batman" for Warner Bros.
FEELING CHATTY...
Hey gang,
Just letting everybody know that I'll be stopping by the Station 8 Chat Room (http://s8.org/chat/gargs/) on Thursday, February 5th, 2004 from 4pm-6pm PST (that's 7-9pm Eastern).
Hope to see you all then.
XeniaG writes...
Here I've been...a fan of yours due to your work on Gargoyles and I never knew you had previously worked on Jem and the Holograms until today. I absolutely loved that 80s cartoon show and I wish they had conventions for it. It was a unique show for its time...with fun and well-thought out story-plots. I was just wondering if you would like to share your brief experience with that show.
Greg responds...
Sure. And it was brief.
I was working at DC Comics in New York. I was an Associate Editor there working on books like INFINITY, INC., ALL-STAR SQUADRON, TALES OF THE TEEN TITANS, JUSTICE LEAGUE, YOUNG ALL-STARS, etc. I was also co-writing a book called CAPTAIN ATOM with my friend and partner Cary Bates (whom many of you know as a Gargoyles story editor and writer).
Cary had some friends, former comic book writers, working in animation. So as partners we pitched premises on a number of shows, including TRANSFORMERS, etc.
We only sold one premise: "Video Wars" to JEM & THE HOLOGRAMS.
The premise was approved and we wrote the outline, which was approved to script. I wrote the first draft and Cary wrote the final draft.
I had literally no contact with the people at Jem. Cary did all that.
But that episode was the first time I saw my name on TV. I've still got it on tape.
Alfred Manifesto writes...
Yo
Long time watcher, first time question asker, I happen to be doing a research paper for colege concerning the literary references within Gargoyles (shakespeare and mythology). I was wondering what comments you might have concerning the way which you used these works. For example, your re-telling of McBeth in city of stone parts 1-4 is very different from the play. This makes sense because the play is an altered versain of the actual historical story to make it more entertaining as well as aceptable to the king of england. As i intend on focusing a majority of my paper to Mcbeth I was wondering how you went about combining history, shakespeare, and your own storyline. If you could make any general comments or speak about mythology in any way would be greatly apriciated. I ask not only because it would help my paper, but also it would be a personal thrill to even get a responce. I've known about this site for a while, but this is the first time i've had a decent question. Lastly, I know its quite possible this has been answered before, but i have not yet read all of the entries in the archives, you are creator and producer of one of my favorite cartoons of all time, how does one find themself in that possition of creater and producer? thanx for your time
Greg responds...
Well, unless your paper wasn't due until 2004, I guess I'm too late to help you there.
Macbeth (with an "a" and a lower case "b") the play was indeed a major influence on our version of Macbeth, but we chose to follow the less-told tale that was the true (or truer) history. But we kept the Weird Sisters in it, and even a few lines of Shakespeare where possible. Plus of course we added the gargoyle race, weaving Demona in and out of Macbeth's story. Or rather, we weaved Macbeth's story into the tapestry that is the Gargoyles' Universe.
As to my background, I'd suggest checking the FAQ and coming back here if you have more specific questions that the FAQ didn't answer.
Zarok writes...
Hey Greg I hear your writing a novel, if so…
1) what's it called?
2) What's it about?
3) And most importantly where can I get it?
Greg responds...
1. Anyone who was at G1998 could probably guess.*
2. Ditto.
3. No where right now. I'm about halfway through the second draft. And it's not like I've got a publisher lined up. But believe me, when I'm ready I'll let all of you know.
*Note: that's a not-too-subtle hint that great and wonderful things happen every year at the Gathering. I reveal and show things there that I don't and won't at any other time. So check out...
http://www.gatheringofthegargoyles.com/
and find a way to get to Montreal this August. You won't regret it!
The_Souldier writes...
I didn't come across this anywhere in the archives so, how did you decide to name your cat Iggy? I'm really just curious, I can't really say it's a stupid name or anythig, because here we have a cat we call Mr. Cat, a cat named Monkey, and a lizard we simply call Stinky.
Greg responds...
Iggy is short for Igthorn, as in Duke Igthorn from the Gummy Bears tv series. The Dukey was always a favorite of mine.
Another favorite was Bigtime Beagle from DuckTales, and our other cat is named Bigtime.
Our dog is Norman, named after Norman from Marsupilami. Not sure he was one of our favorites, but we wanted to use a Disney villain name, and no other name fit our dog.
Lacy writes...
Hi, actually this is more of a general ramblin fan letter than a question.
I love gargoyals, and even after all this time I still do.
OH! Though one good question just came to mind (and likely has been asked a million times) Do you plan on ever re-releasing gargoyals as they were in the first two seasons? (not that stupid farce that ABC mangled.) Do you have to wait for any wavers of contracts or has Disney totally bought out all rights to the show so that we never have hopes of seeing it anywere unless they deside to grace us with it (like that would ever happen)
I also noticed that Aladdin the series was in your list of series you did, that was surprising to me, but then again not really, now that I think about it the series had alot of the same feel as gargoyals. (GO MOZENRATH! chee, I'm such a sap for the bad boys)
Gargoyals still holds a strong place in my heart and was definately the first series I ever did fan art, as well as stories about. (Hey I can read,just said I did it, not giving nothing here, nor do I want to. They just fun stuff for me personally anyway.)
Puck is definately my favorite charactor, and it was a huge disapointment to me, my little sister and our circle of friends who are all fans when he wasnt even given an apearence in that chronicals series. (well other than as Owen) So much got crammed and cliche'd in that series, BLEH gotta get off it >.<
Anyway, love the details and developement of the charactors, they all were so believeable and real. The series touched imagination and feeling as no show has, it wsn't just animation as america treats it, but a true series, like Babyalon 5 and StarTrek series. It is the exsample I use most often in arguements for animation used as another form of filming rather than just entertainment for children.
I really hope to see more someday.
OH!!!! End question!!! Did you ever write out how you planned the series to go? If so, did you ever put them to the web? If so... CAN I SEE?!!!!!
Greg responds...
I'm glad you liked the show.
I worked on developing Aladdin for television -- though that wasn't exactly rocket science -- but had nothing to with its production. I'm sorry if that was unclear.
Disney ALWAYS owned Gargoyles outright. Bringing it back is not up to me, though I'd like to and I continue to hold out some hope.
I have a master plan and tons of ideas in my head, going forward and backward. A fraction of that plan is on the web, and can be accessed by checking the ASK GREG FAQ.
Random stuff...
Random ramblings before I go on vacation...
*I am DYING to see "LORD OF THE RINGS: Return of the King". I can't believe how much I want to see this movie. It has been ages since my geeky self has been this desperate. I literally can't remember the last time I so NEEDED to see a movie.
*I bought both extended DVDs for the first two films. (The first one, a year ago of course.) Honestly, what I really can't wait for is the Extended version of Return of the King, but since that's a year off, I'll settle for seeing the "short" version on the big screen. All I can say is that I hope to hell that there's a movie theater on Marco Island, and if so it damn well better be playing ROTK. (And that's right. I'm cussing! Oh, don't look so shocked.)
*I'd like to see a music video featuring Demona to Dido's
"White Flag".
*I'd like to see a music video from Goliath's POV -- but featuring Elisa -- of "Amazing". (I think that's the title. I'm not sure who the artist or band is.)
*I've seen an interview with Peter Jackson saying that originally -- a long time ago -- he wanted to make "The Hobbit" but found that the rights were a mess. He wanted to make "The Hobbit" to demonstrate that he could do "Lord of the Rings". But discovered that the rights to the latter were free and clear, so switched his ambitions to the LOTR, which he wanted to make as TWO films, as he felt he couldn't do justice to the story in one film. Thank God, he got to make three. And, yes, I'm desperately hoping that after "King Kong" (which I'll trust him on, since he's earned that trust, but if ever a movie did NOT require remaking...) he'll do "The Hobbit" as a prequel with the Ians and JR-D and Serkis.
*I can personally vouch for the rights to Hobbit being a mess. When I was a development exec at Disney -- and again, later, at DreamWorks -- we looked into acquiring the rights to do a new animated Hobbit Movie. The rights were hopelessly mired. I understand it isn't quite as bad now. But at the time, a huge number of people/groups had a claim (some more legitimate than others) to the thing. After looking into the situation, my boss wouldn't touch the thing with a ten foot pole.
*I'd really love to do a WWII Blackhawk movie someday.
*Last week, I saw a short film based on William Faulkner's short story, "Two Soldiers". This is my all time favorite short story EVER. I highly recommend it. HIGHLY. And the movie was pretty darn good too. The kid was amazing.
*Saw Clancy Brown again today at a recording session. He kicked ass, as usual. I'd love to tell you what he played, but I honestly don't know if it's confidential or not, and I don't want to get in trouble. Hopefully, I can talk about it soon. I'm not sure he remembered me though, which was a little depressing.
*Saw George Segal walking down the street in Beverly Hills. He didn't seem to remember me either. Of course, we've never met.
*Saw Diane Lane and Christopher Lambert tonight at my daughter's school "Winter Program". They're kid goes to the same school. I've never met them either, but I'd love to ask them what it was like working with Sir Laurence Olivier ("A Little Romance") and Sir Ralph Richardson ("Greystoke"). I wonder if it would bug them that the movies I'm MOST interested in are more or less the first one's each of them ever made.
*I realize I'm intentionally name-dropping. And I also realize it's kind of obnoxious. But, hey, I live in L.A. and I work in the biz, sort of. So I might as well go all out. I also met Steve Harris ("The Practice") and Ming Na ("e.r.") at the Recording session today. And I saw Rino Romano (Johnny Rico from "Roughnecks: Starship Troopers"). Rino, at least, remembered me, thank god.
*The funny thing about LOTR and my passion for the movies is that I'm not a massive Tolkien fan. I read the Hobbit and the Trilogy when I was in my early teens. And I liked them all right. But I wasn't rabid about it. And I could never get through the Silmarillion, though I tried at least three times. I reread the Hobbit to my kids about two years ago. And again, I liked it. But I TOTALLY LOVE THESE MOVIES. Totally obssessed!
*I ate way too much candy at the recording session today.
*It's been a long time since I really rambled on this site. It's been fun. Have a great holiday, guys.
Seeya soon,
Greg
Art Carney (1918 - 2003)
Growing up and living most of one's life in Southern California makes having a number of so-called "Brushes with Greatness" inevitable.
Sunday, I saw Tony Shaloub in Larchmont Village, but since I had recently seen him at Los Angeles International Airport AND spoken with him at Logan International Airport, I refrained from accosting him again, lest he think I was stalking him or something.
And just yesterday, I rode up an elevator with Florence Henderson, who looks great, by the way.
So the fact that I once met Art Carney is, in and of itself, not particularly remarkable. But his passing seems an appropriate time to relate this story.
In the mid-seventies, I was in Junior High. I read a LOT. I had somewhat eclectic, and geek-leaning tastes, but most of what I read were mystery novels, especially mystery novels that were part of on-going series. One such series was Harry Kemelman's Rabbi David Small mysteries. (This is a series that I highly recommend. The more recent books aren't quite as strong, but the original seven are terrific.) Each book's title began with the day of the week. And the first mystery was called, "Friday the Rabbi Slept Late."
One day, I came home from school and found that my street was, as they say, "bustling with activity". An army of humans and trailers and equipment had descended on Queen Florence Lane. In the seventies, in the San Fernando Valley, this was still something of a rarity. But in any event, I was fascinated. They were filming a movie in and around the house directly across the street from ours.
Soon, I discovered that the movie was a telefilm called, "Lanigan's Rabbi". It was an adaptation of "Friday the Rabbi Slept Late." I'm not sure how I managed this, other than persistance and the chutzpah that comes with not knowing anything at all, but I kept telling people that I had read the book that the movie was based on. At some point someone grabbed me and introduced me to the director. I have no idea if he was humoring me or truly interested, but he asked me a number of questions about the original novel, claiming that he -- and that in fact NO ONE on the set -- had actually read the thing. There were, I was told, certain things in the script that weren't tracking for him. So I answered his questions and told him how the mystery played out in the book. He took it all in and seemed grateful for the insight.
In any case, he then did something fairly astounding. He let me hang out. That's it. But I was allowed to watch filming. I was allowed to get food from the catering truck. I was allowed to sit with the actors and talk with them. Now, this couldn't have gone on for very long. It's not like I was employed by the movie company or anything. I didn't follow the shoot to its next location. But they spent at least three or four days in the cul-de-sac where I lived. They gave me a copy of the shooting script, which I then had autographed by the movie's two leads.
One of those leads was Stuart Margolin, who's probably most famous for playing "Angel" on THE ROCKFORD FILES. "Lanigan's Rabbi" wound up spinning off into an on-going series, and for some reason Margolin didn't end up playing Rabbi Small in the series. But he was terrific in the movie. And he was an extremely nice guy, who didn't seem to mind chatting with a thirteen-year-old, who was hanging around the set.
But the part of Police Chief Lanigan was played by Art Carney. Now Art Carney is a certified genius. Emmy winner. Oscar winner. Of course his performance as "Ed Norton" in THE HONEYMOONERS is nothing short of brilliant. His on-screen teaming with Jackie Gleason, a match-made in sitcom heaven. Among other things, Ed Norton was the clear inspiration for any number of cartoon characters, ESPECIALLY "Barney Rubble". People often forget, however, what a wonderful dramatic actor Carney was. How he brought a touch of humanity to every role he played. Rod Serling knew this. Art is unforgettable as a drunken department store Santa in "The Night of the Meek" episode of THE TWILIGHT ZONE. A part that Serling wrote especially for Carney. He is also truly wonderful in a number of movies: "Harry & Tonto" and "The Late Show", among others.
I knew almost none of this at the time. I didn't even know Ed Norton. In New York, the Honeymooners has probably NEVER been off the air, but Los Angeles was and is an I LOVE LUCY town. It would be nearly a decade before I would move to New York and learn to appreciate Ralph and Ed and Alice and Trixie.
What I knew at the time, all I knew at the time, was that this was a big time star -- in the middle of shooting a movie -- who spent time with me. Time by the catering truck. Time on the set. He explained how things worked. He explained why things were done the way they were done. He was just so damn nice -- nice enough that as ignorant as I was -- I didn't take it for granted. It impressed me even then.
A few days later, they were gone. Stuart, Art, all of them. The movie finished shooting in my neighborhood and moved on. Some time later, the movie went on the air. We didn't have a VCR back in those days, so I don't have a copy. I followed along on my shooting script and took note of all the little changes in it. It seemed to me (though I might have been seriously kidding myself) that the final version of the film leaned a bit closer to the original novel than the shooting script in my hand. I was certainly kidding myself when I took credit for that somewhat dubious conclusion. And without a doubt the coolest moment was watching Rabbi Small and Chief Lanigan (Stuart and Art, as I called them) walking down the hill of my street and turning a corner and suddenly being at the Rabbi's Temple. There was no temple around the corner from Queen Florence Lane, but the transition was so seamless, it seemed miraculous. A true bit of movie magic before I understood movie magic. Before I was even vaguely jaded.
I just now spent a half hour looking for that shooting script. I couldn't find it. I hope it turns up eventually. I'm sure I wouldn't have thrown it out, but there's a good chance it was in one of my boxes that was in my parents' basement, part of my past which was destroyed by a flood caused by the Northridge Earthquake. I hope not. I haven't thought about any of this in years, but now it's something I'd like to revisit in more detail.
I wrote about Bob Hope a couple of months ago, when he passed, and I suppose this is a very similar kind of tribute. Others will, I'm sure, write more important, more personal and more informed things about Art Carney in the next few days. But I wanted to add my bit.
Not just for the incredibly talented performer, a loss we should all feel, though not too intensely as he has achieved a meta-Xanatosian immortality through the many great performances we will always have to rewatch time and again. And not for the friend and/or family member, because he was none of these things to me, and I was none of these things to him.
But oddly, I wanted to write a tribute to the stranger. To the nice man, who was patient with a dopey know-it-all kid. He was warm and funny and made me feel welcome.
And for that I am truly grateful. Thanks, Chief.
George writes...
So, Greg , what type of series are you currently working on your own besides Gargoyles and Redemption Squad, a.k.a. BAD GUYS, Max Steel, Timedancer and all of those other Gargoyles Spin-offs?
Greg responds...
For starters, of course, Max Steel is not a Gargoyle Spin-Off. It was a show on Kids WB, produced by Sony and based on a toy from Mattel. I developed it and worked on the first season in 1999. Since then, I've had no involvement.
I have never stopped trying to bring back Gargoyles or one of its Spin-Offs in some way, shape or form, but in the meantime I still have to earn a living.
I've worked on a number of shows as a freelancer since Max. A non-comprehensive list would include: 3x3 Eyes (English dub), Atlantis: Milo's Return (direct-to-DVD/Video), The Mummy, Kim Possible, Bionicle: Mask Of Light, etc.
I've also been working more recently for a number of companies in development, including Platinum Studios, Warner Brothers, DAG and Hasbro. (All in addition to various spec projects on my own and with partners that I/we hope to sell some day.) I'd love nothing more than to talk about this stuff, but it's both bad luck and bad business to talk about a project before it's sold.
Finally, most recently, I've been writing for a new Warner Brothers animated series for Story Editor/Producer Duane Capizzi (of "Men in Black" and "Jackie Chan" fame). Again, I'd love to talk about it, but I don't know if Warners has announced the series yet, and I definitely do NOT want to be the guy who let the cat out of the bag.
Sorry.
julio writes...
greg I was wondering what is your favirote gargoyles episode or you really don't have a favriote gargoyle episode
Greg responds...
I've answered this before.
I am fond of all the episodes, but I believe our multi-parters are particularly strong (AWAKENING, CITY OF STONE, AVALON, THE GATHERING and HUNTER'S MOON).
If I had to pick a single episode that turned out the best on every level, I'd choose THE MIRROR.
Wolfram Bane (wolfram_bane@hotmail.com) writes...
Weisman, Greg
Given the 'everything is real' concept, does Greg Weisman, gargoyle scholar, exist within the Gargoyles universe?
Greg responds...
I never said that "everything is real".
The Weird Sisters believe that "All things are true".
There's a huge difference in my mind.
As to whether there's a Greg Weisman in the Garg Universe, I honestly haven't given it any thought. Which in and of itself seems strange, don't you think?
I've thought about me being transported to the Garg Universe. And after seeing "Galaxy Quest" (directed by Dean Parisot, a dad in my kids' Indian Guides and Indian Princess Tribes), I thought about what would happen if the gargs actually showed up at the Gathering, but I haven't thought about whether or not I have a parallel version over there.
And now I can't because you just submitted it as an idea.
Oh, well.
George writes...
So,what is Greg Weissman working on right now besides Gargoyles 2198 and Redemption Squad?
Greg responds...
I'm not actually working on either of those things right now.
I'm doing work for Platinum Studios, DAG Entertainment and Hasbro. I hope to be starting work soon on a couple of projects for Warner Brothers. I'll keep you posted.
SCOTLAND BOUND
Hey gang,
Just a quick note to let you know I won't be answering questions here next week. I'm off to Scotland with my dad. We're renting a car and driving along the west coast and the Isle of Skye.
I'll keep an eye out for Wyvern Hill.
And I'll be back in the office, answering questions on September 8th.
Take care,
Sam writes...
What was Greg Weisman's major in college?
Greg responds...
Undergrad: English w/an emphasis in Fiction Writing.
Graduate: Professional Writing w/an emphasis in Playwrighting.
Greg Weisman writes...
hey greg, my name is greg weisman also, sorry, but i dont have a question. i was just on yahoo and i typed in my name and you came up as one of the greg weismans. its really cool that you work for disney. its wierd too because when i was 12(maybe younger or older)and i used to watch Gargoyles all the time. it was one of my favorite shows. im 16 now. sorry to take up your time, i just thaught it was wierd that we have the same name. once again im sorry that i didnt have a question and i hope you could email me back at Gweece@aol.com bye
Greg responds...
Hey Greg, I hope you haven't been pissed off at me for 19 months waiting for my e-mail response. I only just saw your posting. (Long line.)
I'm afraid I have to make it a policy not to e-mail people directly off this site. I'm afraid that (a) the requests would never end and (b) the usefulness of ASK GREG would be damaged as a forum for all the fandom.
What city do you live in? I get calls for other Greg Weisman's all the time. When I lived in New York, I'd often have to ask a confused caller, "Are you looking for the blond Greg Weisman or the Brown-haired Greg Weisman?" Inevitably, the ones with the sexy voices were looking for the blond.
Jimmy_Q writes...
I recently skimmed through you smart-ass responses and I ran in to this question from matt: ok, a beast generally lays more than three eggs in a lifetime. and you are being difficult (as always) and not being very specific... ok, we know that beast mature and can mate a generation before other gargs, and we know that beast live about the same length of time that other gargs do, but can beast continue having children after other gargs stop? if not then garg beast can have about 4 eggs, if so, they could have alot of eggs, i think.
so, how many eggs can a female garg beast generally lay?
you responded: The world may never know.
(That smart-ass response was a reference to an old tootsie-pop commercial. Anyone old enough to remember it has my sympathy.)
I'm quite familiar with that commercial and I'm only 20, so I guess that makes me old, huh? And to think I used to feel so young and virile, too...
Greg responds...
I think they must repeat it periodically. I'm nearly twice (TWICE) your age, and it first ran when I was a kid.
jjwspider writes...
Who-hoo! An update, thanks Greg!
Onto the questions:
1) Will we ever see the Gargoyles episodes collected onto DVD? I would love to own the collection and think that it could possibly lead to more Gargoyles toons, as a Direct to Video thing maybe?
2) What projects are you currently working on?
3) As an aspiring cartoon creator can you give my any advice on who to contact or how to break in to the business?
Thanks!
Greg responds...
1. Disney tells me that the DVD of the first season will be released sometime in 2004 to coincide with the series' tenth anniversary. Further releases will obviously depend on the sales of the first release.
2. I'm in development on a number of potential projects, but nothing definite. My current paying gig is for Platinum Studios, where I'm writing a bible for their entire Universe.
3. Where do I start? How about referring you to the "Animation" achive here at ASK GREG, where I've answered this question before.
Addendum...
Sorrowful Jones! How could I forget to mention Sorrowful Jones?!
Those are probably my two favorite Bob Hope movies, "The Lemon-Drop Kid" and "Sorrowful Jones". Of course, as some of you know, I'm a sucker for a Damon Runyon story in general. Many members of my family were Damon Runyon characters.
Also, today my brother was kind enough to plug ASK GREG, so it's more than high-time that I return the favor.
If you like Baseball -- and especially if you like the Dodgers -- you might want to check out his website, where he writes a daily column about dealing with the emotional trauma, the highs and lows of being a baseball fan. I never miss a day.
Check out:
http://jonthoughts.blogspot.com/
(I wish I knew how to make the above an actual link. But you guys all know how to cut and paste.)
BRUSH WITH GREATNESS
When I was a kid, my grandparents lived in Palm Springs. My brother and sister and I had been staying with them (without our parents), but it was time to head home to L.A.
We were flying. A short flight, a small plane. We got to preboard, because we were unaccompanied minors. One other guy got to pre-board. Bob Hope. Cuz, well... cuz he was Bob Hope.
My grandmother, Sue Weisman -- who is now a healthy 93 years old -- approached Mr. Hope and without hesitation asked him to watch over her three grandchildren during the flight. Keep in mind this was about three decades ago. Bob Hope was a HUGE star. I have no idea what he thought of the request, but he was very gracious and agreed.
The plane had two seats on either side of the aisle. So my younger siblings, Robyn and Jon, sat next to each other in the front row to the right of the aisle. I have no memory of who got the window seat and who got the aisle seat between them. But I know where I sat. I sat in the front row aisle seat across from them. (I was the oldest, so I was the one sitting alone.) Sitting next to me was Bob Hope. Now, this was a night time flight. And not crowded. I remember very clearly that I was kinda annoyed by the seating arrangements. I had flown before, but I had never flown at night and I was young enough to think I'd have a better look at the stars and the moon. So I had really, really wanted a window seat. I also can't imagine that Bob Hope's first choice would have been to sit next to a bunch of kids.
But we both made the best of it. I told him that I had actually seen him on tv twice the previous day. (Again, remember, he was a huge star then, so this was not unusual.) His golf tournament was during the day, and he had been on a Dean Martin Roast the previous night. He explained to me that the Roast had been recorded weeks before.
That's about all I remember. And I'm sure in the next few days you'll see and read a bunch of much more efficacious and worthwhile tributes to the man. There are a couple movies of his, "The Lemon-Drop Kid" in particular, that I truly cherish. And his work with the USO is unparalleled.
But I just thought I'd add this: He was a man that my grandmother could trust with her grandkids. And I think that's saying something.
Rest in peace, Bob.
Vashkoda writes...
Hi Greg. I was just wondering if you could give us an update on the following:
1) The Touchstone Gargoyles movie.
2) The Gargoyles Encyclopedia you prepared (have you been adding anything to it? Have you been submitting it to publishers?)
3) Any projects you're currently working on.
Sorry if any of these are sore subjects to be bringing up. Thanks for any answers, though.
Greg responds...
1. I think that's on hold. There was a management change at Touchstone, and it seems the new management is currently not pursuing the project. Not surprising after seven years of unsuccessful development and I don't know how many writers. But it is disappointing, considering the kinds of movies that dominate the box office, it seems like they're missing a bet.
2. The Encyclopedia is done, though it could stand another draft if I had the time, which I don't. I have no publisher to submit it to. For starters, I don't own Gargoyles. Secondly, I really don't have any connections in the world of publishing. Third, everytime I've talked to anyone (not fans, but publishing pros) about the project, I've gotten nary a nibble of interest. If any of you know anyone in publishing who might be interested, I'd love to get it published (with or without the timeline).
3. I've been working recently for Platinum Studios, developing their comic book universe. It's been fun. Last year I wrote one Mummy, which has aired and one Kim Possible, which hasn't aired yet. Oh and I worked briefly on the Bionicle Direct to Video "Mask of Light" that's coming out later this year. That's it for animation.
Lord Sloth writes...
How do you feel today?
Greg responds...
Eh, fine. I'm dieting, which makes me a touch cranky. I overslept too. And my back's a little stiff. But otherwise, I'm good.
Thanks for asking.
Don't do it again. ;)
F7 Addict writes...
I was sitting down watching Hercules-The ani.series. It ended and I started watching the credits(a habit I've formed since working at a movie theater). When what to my wandering eye should appear but Jon Weismen. Any relation?
Greg responds...
YEP. My kid brother. His name and my sisters', though not their personalities, were used for the two younger Hunter siblings, Robyn & Jon Canmore.
Shan writes...
Greg, I was thinking about your resume again recently because someone asked what other projects you were involved in. If I'm not mistaken, every show you've worked on has either been primarily boy-targeted (GARGOYLES, TROOPERS, MEN IN BLACK, MAX STEEL, etc.) or unisex-focused (DUCKTALES, BONKERS, etc.) To my knowledge, JEM is the only property you've ever done any work on that was primarily intended for girls. Did you find any unique challenges or concerns in that, or was it just simply a matter of telling a good story?
Greg responds...
The unique challenge to JEM was that I had NEVER written for animation before. Otherwise, I just try to tell a good story. I actually prefer to write female characters, which is not always appreciated in the conventional-wisdom-world-of-boys-action-shows.
Zelandonii writes...
Have you written any novels? Have you thought of writing one in the Gargoyles universe?
Greg responds...
I have written the first draft of a novella. I'm about halfway through the second draft, though to be honest, I haven't worked on it in almost a year.
I have started a number of other novels, without finishing them. It's an unfortunate fact that I have trouble motivating myself without an externally enforced deadline.
I would absolutely LOVE to write a Gargoyles Novel. A series of them, actually. I've got a number of stories in mind. All I need is an interested publisher. I can't justify writing a book based on a property I don't own without one.
Anonymous writes...
Since Jon and Robyn were named after your siblings why didn't you name Jason after yourself?
Greg responds...
Too arrogant even for me.
Aaron writes...
Enquiring minds want to know, Greg: When you were in college, did you ever wall yourself into your dorm room and spend two days writing fan fic about an animated show? ;)
Greg responds...
No. I didn't have a t.v. in college -- and thus there's a four year gap in my otherwise copious television knowledge.
Of course, I didn't have a computer until the last semester of my senior year. And I hated typing before computers. I wrote everything long hand and then typed it up only when I was confident that I didn't want to make any changes. So I typed very little. And the internet? Forgeddaboudit. Didn't exist -- at least not to my knowledge.
Also, I was an English Major with an emphasis in Fiction Writing, so I had plenty of writing to do for classes. And starting in my sophomore year, I was already writing professionally for DC Comics. So any non-school writing at that time, tended toward paid work, not fanfic.
Besides, the whole concept of fanfic didn't really exist for me until after the Garg fans told me about it.
I guess I did right a King Lear fanfic once -- as a term paper.
lily writes...
Okay, I've never been able to get to S8 before, and I don't have the extensive amount of time to read through EVERY answered question, but I did skim through the archive and FAQ contents, so I'm hoping not to repeat an old question. Anyway, I was curious as to whether you felt Disney (or more precicely cartoon form) was the best outlet for your vision, considering the amount of pressure ratings, time slots, ect. puts on those types of entertainment. I would have thought that you would have built a comic or graphic novel (and I differenciate them due to the difference in quality of art/story)fanbase like more sucessful Jap Cartoons (Dragonball, Pokemon, ect.)have done. I'm not questioning methods and I'm not exactly an expert on your past in the greater Disney hierarchy, what's dodne is done, just curious.
Greg responds...
Are we talking generally or about Gargoyles specifically?
To take Gargoyles out of the context of its creation at Disney is to remove any reality from my answer. I'd love, at this stage, to do Gargoyles in any format that would have me and it. But at the time, the show was created by a specific group of people in a specific place.
If we're talking generally, again, I'd love to do any of my ideas in any format that would have me. But no one is battering down doors to get me. I'm scrounging these days for every freelance assignment.
Galvatron writes...
Have you found a new job?
Greg responds...
I've had better luck (a bit) generating freelance work this year (as compared to the last two). But no, I haven't yet found a steady gig. It's a tough market right now.
Lord Sloth writes...
Happy birthday to the one and only, Greg Weisman, Creator of WORLDS!!! Or, since you wont read this for a few months, Merry Christmas to THE Greg Weisman, Puppet Master of GARGOYLES!!! Or perhaps just a happy UN-birthday for you, whenever this is.
I take it that it is no coincidence that the day Charles Canmore was killed by Demona happened to be on the day you turned 18 (if my math serves me (it usually doesn't)). Is there any cool story as to how that came to be? And I seem to remember there being some other dates in Gargoyles that are one with your special day, but I could be wrong since I can't think of them. Are there by any chance?
Anyway, have a nice day and good luck with your 38th year, unless it's 39 by now... Cheers.
Greg responds...
Actually, in 1980 I was turning 17, not 18.
And there's no cool story for this one. I just used my birthday because it seemed like the right time of year and I felt like it.
I've used my birthday (9/28) a few times:
994: Tom, Mary and the refugees enter Wyvern Castle. [This one has less to do with my birthday, then with the fact that I decided that the date of the flashback in AWAKENING ONE should coincide with the Gargoyles World Premiere in Florida, which was on 29 September 1994. Working backwards, it's obvious that the refugees got to Wyvern on the 28th.
995: Tom, Mary, Finella, Magus, Katharine and the eggs escape Edinburgh Castle. [Again, this is just a coincidence. They escaped on Michaelmas Eve. Michaelmas is 9/29.]
1963: Vinnie is born. [I gave him my birthdate since he was my stand-in in THE JOURNEY.]
1980: Charles Canmore dies. [See above.]
1995: Demona summons Puck in THE MIRROR. That same night Fox contacts Vogel, inducing him to betray Renard. [The events of the Mirror just broke down in the chronology so that they wound up happening on the 28th. On the other hand, OUTFOXED originally aired on my birthday in 1995, so I tried to have something from "OUTFOXED happen on that day -- though the main events of the episode could not have taken place until later.
1996: Xanatos captures Coldstone in the Himalayas. [This event had to have happened around this time, but I chose my birthday, cuz I felt like it.]
That's it for now.
Audra writes...
Even though the only episode of The Goliath Cronicles you worked on was The Journey, did you see all the episodes of The Goliath Cronicles?
Greg responds...
I've seen the other twelve Chronicle episodes exactly once each.
Duncan Devlin writes...
At the end of H.G. Well's 'The Time Machine', the question was posed: "What three books would you take with you [to form a new society]?"
What would be
a. your three choices?
b. Goliath's?
c. Demona's?
Greg responds...
Forming a new society is so outside the scope of my ambitions or desires, it's hard for me to answer on the spur of the moment for myself let alone for the others.
Ultimately, I'd have to include the complete works of Shakespeare, something by Faulkner and something (probably) "The Blue Hammer" by Ross Macdonald. But then there's Stoppard's "Arcadia". Hmmm. I don't know.
Audra writes...
Was Gargoyles animated in the widescreen version? I know Gargoyles is a TV show, so it was meant to be seen in standard version on a standard TV, but I know movies like The Lion King II Simba's Pride was direct to video, and never shown in theaters, but there is a widescreen version of the movie. Thanks, I just was curious.
P.S. What do you think of both Lion King movies?
Greg responds...
No. Gargoyle's aspect ratio was strictly designed for the tv set.
I thought the first Lion King was wonderful. (Not perfect, but wonderful.) And the opening still gives me chills, despite the fact that at one NATPE, I must have seen it five hundred times in one day.
As for the second one, I've never seen the whole thing. Just glimpses here and there, so it's not fair for me to comment.
The Cat writes...
Hey Greg,
Ok, anything new happening with you and everybody else?
Bye.
Greg responds...
Everybody? I should think so.
Me? Yeah, I'm doing a bit of work. It's nice to be employed. It got scary there for awhile. I had a speaking engagement in Clearwater, Florida. (Waves to Kelly and Tore!)
And I've got a couple of other paying gigs going now. It's a bit premature to talk about either, but I'm sure I'll be letting you know about them soon as I can.
And, as always, I'm juggling a ton of spec balls up in the air, hoping something comes of them.
Anonymous writes...
Will the destruction of the WTC change any of your plans for Gargoyles and its spin offs?
Greg responds...
No. Not really. It changes me though, which may have effects that even I don't realize.
Shan writes...
Greg said:
It's a bit of fluff, but I remember really liking it. Fun fluff. (It probably didn't hurt that in rehearsing the kiss between Antiope and Theseus, Elizabeth and I sort of discovered that we liked each other. As a result, we were boyfriend and girlfriend throughout my senior year of high school. So, as you can imagine, my memories of the play are rather fond.) Elizabeth also recently reminded me that David Schwimmer, now of FRIENDS, played Giganius the Herald.
Shan asks:
I don't mean to pry too much but does Elizabeth = your wife Beth? (You don't usually refer to her as Elizabeth)
I think this the case, but there is the possibility you dated a different Elizabeth that you still talk to and need to distinguish the two. (This is coming from someone who dated two different people named Robert, one was my first relationship and the other my ex-fiance.)
Thank you.
Greg responds...
No. Elizabeth was my high school girlfriend.
I met my wife Beth (which isn't short for anything) in graduate school.
But Elizabeth and I are still friends, though I haven't actually laid eyes on her in years, because we live on opposite ends of the country. But we exchange e-mail periodically.
Vic writes...
hi,
What shows or properties did you work on before gargolyes?
Greg responds...
Many, many. All the Disney stuff, primarily DuckTales and Darkwing Duck and Bonkers and Raw Toonage, but most of the rest in some capacity or another too.
Before that I was at DC Comics, where my main claim to fame (though not much fame) was Captain Atom.
Shan writes...
You've mentioned collaborating on a (I presume spec) feature script with your brother Jon. Without intruding on your brother's privacy too much, is he within enough distance of you that it's practical to work together in person on semi-regular occasions?
My sister and I are back collaborating again on some projects, but only because technology has caught up to us. We worked together for years when we lived at home, but when she got married and moved to Seattle and I moved to Los Angeles (which happened within a 6 month timespan), the level of development on Internet for the masses wasn't quite on our side then. Now we both have our own Internet accounts (versus subaccounts on Dad's AOL), email, and Final Draft 5. It feels like we're getting a lot done, and I'm glad to have the interaction back, but it's not quite the same thing.
The question I'm leading to is this: If you had to (or actually do) all your work by Internet with Jon, do you think (or do you feel) you could still create the same quality and level of product? Or in your mind is there just no replacement for the in-person collaboration experience?
If this turns out to be a hypothetical, I apologize since I know you don't prefer those.
Greg responds...
My brother and I both live in Los Angeles. We have very different lives, so getting together isn't particularly easy, but we manage.
When writing the outline, we worked the story out in person. Then took turns writing and rewriting each other.
When writing the screenplay, we did the reverse. Took turns writing and rewriting each other, by sending the material back and forth over the net. When we were done, we got together to polish the first draft.
Then we sent it out for notes. When we got those notes, we got together again to work out a plan for what and how we were going to change. Then September 11th. We haven't worked on it since, but he's coming over to my office this Friday to work on the second draft.
In essence, a lot can be done these days over the internet. But I tend to think that something is lost when people don't get to gether in person.
Todd Jensen writes...
In your latest ramble, you mentioned that you were working on a novel. While I obviously doubt that it's a "Gargoyles" one (not unless Disney suddenly decided to release a line of "Gargoyles"-based fiction - if they did, I feel very certain that you'd be at the head of the volunteers line), I was quite interested to hear that (especially since I'm writing one myself), and wish you well on it (not only in getting it written, but also in finding a publisher).
Greg responds...
Thanks, Todd.
It's written. Finished it week before last. Turned it into my manager, who's reading it now, I guess. Hopefully, I'll find a publisher. Keeping my fingers crossed, anyway.
Virginia writes...
Are you going to be able to make any kind of art gallery in the near future? I love your work and would be interested to be able to purchase picutres from the gargoyle and Max Steel series. My 3 year old son loves the show too, btw.
Greg responds...
That's great. But I'm not an artist. Can't draw worth a darn. (I said darn because your son is only three.)
Anonymous writes...
Why do you dislike Terminator 2? Was it because of the time travel?
Greg responds...
Well, I think the time travel is a mess, certainly.
But I just didn't like the movie either. It's been so long since I've seen it, that I don't feel comfortable giving a full review here. My command of the specifics is non-existent, I'm afraid. But as much as I loved the first one, that's about how much I disliked the second.
JEB writes...
'Ello, Greg.
1) What years were you working at DC Comics? Were you there around the time they did CRISIS ON INFINITE EARTHS? (I'm assuming yes, since you worked on its 'cousin' WHO'S WHO IN THE DC UNIVERSE.)
2) If (1) was yes, did you work on anything Crisis-related (excluding WHO'S WHO)?
3) What did you think of the Crisis, story-wise? (I liked it, of course. Then again, anything with cosmic stuff and grand epic battles is guaranteed to be a favorite with me.)
4) Which did you like better, the pre-Crisis multiverse or the post-Crisis single universe? (I like them both, but I miss the former.)
5) What did you think of the Crisis' effects on DC Comics as a whole? Do you think it did more good, more harm, or do you think it didn't really do either? (I think it was interesting, and created many excellent opportunities for revamps (Superman, Wonder Woman, and Captain Atom being among the best). However, the continuity blips- especially those afflicting poor Hawkman- were a major long-term failing.)
Sorry if these questions are a bit annoying or disinteresting to you, but I just realized that you were in the offices around the time (at least) that the post-Crisis cleanup was underway, and I was curious about your views on that period. Thanks!
Greg responds...
1. I started freelancing for them in 1983. I joined the staff as an Editorial Assistant in 1985, toward the tail end of Crisis. I was promoted to Assistant Editor in 1986. And promoted again to Associate Editor in 1987. I quit my staff job in '87 but continued to freelance for them until late 90 or early 91 (overlapping with my Disney career for a year or two.)
2. No. I was a peon in those days. Unless you count xeroxing stuff. Of course, Crisis had ramifications that lasted for years, so you could say I later worked on things that were "Crisis related".
3. Some of the issues of Crisis are powerful great stuff. But the name Anti-Monitor never did much for me. And I have to say I miss the parallel universe stuff a bit. It wasn't so much Crisis as what came out of it that disappointed me. For me the results either went too far or not far enough. And there was so much well doing and redoing... It's all hindsight, and not like anyone at DC is asking me, but I'd do things differently.
4. Definitely the multiverse. I'd bring it back if I could. "Crisis on One Earth". I think it's what allows them to start over every twenty years or so, let the characters age normally. But then move on to a new Earth, where the old ones can still be reached, but we can see Superman, etc. young again. Let's us leave behind missteps without shattering continuity. Etc.
5. Well, I've kind of answered this already. But again, I don't want to blame Crisis. I think Crisis did ITS job. I just don't love all those revamps. (Except Captain Atom, of course.)
It's fun to revisit old stuff. That's why I'm here no need to apologize.
Jacob writes...
Hi Greg
Are there any series you have produced or created that you like more than others? Maybe you could write your three favourite ones.
Greg responds...
Well, Gargoyles. Duh.
But I also really loved working on Starship Troopers aka Roughnecks, though I was neither the Producer or Creator.
(I assume we're limiting this discussion to series that actually made it on the air.)
Anyway, those would be my top two, in that order.
Justin writes...
Greg
You have mentioned that you are color blind. I believe you said you are red-green deficient. So my question is,
What colors do you see the gargoyles as?
Brooklyn?
Hudson?
Lexington?
Broadway?
Kai?
Because you said you thought Goliath was blue, when he really was purple.
Thanks
Greg responds...
See, now this sounds like...
All right.
Brooklyn looks kinda burnt red to me.
Hudson... I don't know. Brown maybe.
Lex... Brown or green.
Broadway... green/blue.
Kai... hell, I don't remember. Blue or purple?
Lacey writes...
Which character do you feel is most like you, or closely resembles you physically and/or mentally?
Greg responds...
None really resembles me physically, I think. But many of you have seen me at Gatherings. Do you agree?
As for mentally... if you took ALL the characters and squashed them together you'd get me, I think.
Yttrium writes...
You mentioned you were in a play called THE WARRIOR'S HUSBAND and played Theseus. Could you tell us what it was about?
---Ytt
Greg responds...
Sure. Although, keep in mind, that I was in this play over twenty years ago. So I may be misremembering stuff. I'd recommend hitting a library and reading it for yourself. It's by Julian Thompson.
But anyway... Hercules and Theseus attack the Amazons to get the girdle of Hippolyta, which Herc needs to complete his ninth labor. Homer is along to report on the action.
Hercules is very strong and carries a big club, but is neither bright nor brave in this play. Theseus is smart and cunning and good with a sword. He likes to let Herc stand up as the front man, while he makes things work behind the scenes. He's used to getting his way.
The Greeks come up against the Amazon Queen Hippolyta and her younger sister Princess Antiope. All the Amazon men are pretty wimpy. The title character is an Amazon man named Sapiens, Hippolyta's husband. He gains backbone as the play progresses.
Theseus and Antiope do battle. Antiope is very turned on to find a man who can hold his own with her. Theseus, used to just getting what he wants, is also knocked for a loop to find an equal in this woman. They fall in love. Together, they end the war. Herc gets a girdle. Not THE girdle, but everyone figures no one will notice the difference. It ends happily.
It's a bit of fluff, but I remember really liking it. Fun fluff. (It probably didn't hurt that in rehearsing the kiss between Antiope and Theseus, Elizabeth and I sort of discovered that we liked each other. As a result, we were boyfriend and girlfriend throughout my senior year of high school. So, as you can imagine, my memories of the play are rather fond.) Elizabeth also recently reminded me that David Schwimmer, now of FRIENDS, played Giganius the Herald.
FYI, Katharine Hepburn played Antiope in the original Broadway cast.
And thanks for asking this question. It makes me very nostalgic.
Entity writes...
Since you're so close to catching up, I figured I'd clear up what I meant when I said there was a difference between your "pre-LA and post-LA responses." It just felt like, right after The Gathering, you got reinvigorated. Your responses have been more frank, conversational, and for lack of a better word, peppier. Or perhaps I should reference Ed Asner on that last one and use the word "spunk." :)
Greg responds...
Really? Cool.
Certainly, I believe the Gathering was invigorating.
But I wonder if you still feel that way...
Jim R. writes...
Sorry, I clicked Submit too soon. This goes with my previous post.
And do you consider Gargoyles your cobblestone, milestone or somewhere in between? Meaning, do you think Gargoyles was your first series to become as great as it has, or do you think that you'll never do anything even close to what an impact Gargoyles has had on people like us fans, or are you still full of high hopes to possibly out-do yourself someday?
Greg responds...
Geez, this is a depressing question.
I try NOT to think this way, period.
Vega writes...
Hey again.
I assume you're a fan of animation in general, considering your career choice. What are some of your favorite animated shows?
Do you find that the North American preconception of animation as being "for kiddies" as a hinderence to making quality shows like Gargoyles?
As a side note, I really have to heap some praise on everyone who worked on Gargoyles. There are some subtleties in the series that would do a top quality anime justice. The subway rescue in Hunter's Moon, as well as Goliath at Elisa's window. To be more specific, Goliath greets Elisa on the train, Goliath overhears Elisa talking to Jason Canmore. Silent, but eloquent beyond words. That kind of subtlety of expression is very rare in North American animation.
Greg responds...
I like animation, of course.
I know I've answered the 'what are your favorites' question before... so I'm not going to attempt a comprehensive list again. But it's hard to top the original Johnny Quest. And I liked the Herculoids a lot. And Batman the Animated Series. Gummi Bears, etc. For a more complete list check the archives.
And yes, of course, it doesn't help that the country almost exclusively views animation as a kids medium. On the other hand, I don't mind writing for kids. I think kids are a lot smarter than most people give them credit for.
Shan writes...
To my question about future occurences of Jeffrey Robbins you said:
>Yep. (And you worry too much. I'm not paying that close >attention.)
1. I'm glad Jeffrey wasn't a one-time character to you. Even as a teenager I wanted to see characters with disabilities in animation, to reflect the wide variety of people in society as a whole. My sister and I co-developed a series years ago where a visually impaired character was prominent (maybe someday we'll get to do somethin with it). Fifteen years after I first got seriously interested in animation, I've seen a wide growth in character ethnicity but still not much in this area. It's one reason I loved working on EXTREME GHOSTBUSTERS and having Garrett (voiced by Jason Marsden, also Pvt. Brutto from ROUGHNECKS) as our wheelchair bound hero who was such a good character you practically forgot about the wheelchair. Jeffrey's the same kind of character. While portrayed as the character is, ultimately you see the person.
To make this into a question, especially now that I realize that the elder Brutto in ROUGHNECKS ends up in a similar situation (not sure whose choice that was though): without forcing it into the story, would you be open to incorporating more characters with disabilities in animated series?
2. Me worry too much? I think there's a space in line for you behind my father and Kevin on that one. If Mom or my sister think it they're not saying. (In other words I get told that a lot.) Won't deny it. But you do I have to remember I didn't know you that well back then... much changes in a year.
Greg responds...
1. Absolutely. Robbins, of course, was never a one-shot character. For starters,even with TGC, he appeared twice. And I hate to take credit where credit's not due, but I actually do believe that bringing Sgt. Brutto back in a wheelchair WAS my idea. Certainly, I was the first to write him back that way in "Funeral for a Friend". Claw was mute. Renard was confined to a wheelchair. I'm not tooting my own horn here, I just think that maybe you're overlooking characters because they fit so naturally into the series that you forgot they were disabled. I also would love to do a hearing impaired animated character with Marlee Matlin doing the voice. She used to come into Rockets and I once had such a big crush on her that I swore that if she came in one more time, I'd ask her to marry me. (She must have sensed that cause she never came back.)
2. Uh.... (The big problem here is that you attribute better memory function to me than I actually have. What were we talking about?)
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