A Station Eight Fan Web Site
Hello again Mr.Weisman! I'd just like to Say I'm one of the Lucky few Fans Who've just managed to Get the Graphic Novel Version of the Gargoyles: BAD GUYS series! And I LOVE IT! and Here are Some questions I Do Have for it if you Don't Mind!
1) I Don't Know if you Answered this Already, But Is there was reason why the 3rd issue was Drawn by a different Artist than the one who drew the Rest of the other Comics?
2)Since Dr. Sevarius works for Thailog Now at Nightstone Unlimited, Is it Possible That Thailog was IN or aware of Sevarius's Plan to turn everyonein Times Square on New Years Into mutants?
2. Anything's possible.
I just re-read all of the Bad Guys comics, and as I read I kept wondering if there were secret clues or hints in the art or the way you worded the narrative and it got me thinking about a few questions:
1. a) In Gargoyles, is there a clue or hint you've dropped either in the show or in one of the comic books that you thought was clever/you really liked that no one has picked up on yet? (you don't have to say what it is/don't need to give spoilers).
1. b) Was it a clue or hint that you thought people would pick up on and they never did or is it one that would've become clear/made more sense as the show/comics went on?
2. Follow up: I remember reading that you said you dropped a hint/clue/big fact in the 2014 Radio Play at ConVergence that no one picked up on when you thought they would. Has anyone asked/talked to you about it yet or is everyone still in the dark to whatever it is you put in that radio play?
Thank you for your time and answers.
2. One or two people have picked up on it. Not many, though.
So the #Gargoyles20 U.S. Tour continues. Stop #3 is CONvergence in Minneapolis, Minnesota. (Well, actually in Bloomington, Minnesota, but close enough.) http://www.convergence-con.org
This is a big one for us. It includes a number of events that we used to do at the old Gathering of the Gargoyles Conventions, which ran from 1997-2009. And I know a bunch of Gargoyles fans will be attending, so it'll also be a reunion of sorts.
My schedule for the long weekend is quite packed - which is just how I like it!
THURSDAY, JULY 3, 2014
2:00pm - 3:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
3:30pm - 4:30pm BUFFYVERSE TEN YEAR ANNIVERSARY
Okay, so Gargoyles ISN'T the only show celebrating an anniversary. The Buffy/Angel universe has been off the air for ten years. Let's reminisce and talk about the impact these shows have had on TV fantasy since their cancellation. Panelists: Myself, Tim Lieder, Cetius d'Raven, Madeleine Rowe, Mark Goldberg. EDINA.
7:00pm - 8:00pm OPENING CEREMONY
If it's not exactly a magical invocation, it is nonetheless our official kick-off for the convention! Join CONvergence mascot Connie as we welcome our Guests of Honor, give out some awards (including the Mark Time and Ogle winners), and get this party started. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Frank Paur, Matthew Ebel, Dawn Krosnowski, Greg Guler, Rob Callahan, Windy Bowlsby, Michael Lee. MAIN STAGE.
9:00pm - 10:00pm GREG WEISMAN'S FANCY BASTARD PIE COMPETITION
Geek Partnership Society is excited to host the Greg Weisman Fancy Bastard Pie Competition at CONvergence 2014! It is open to all CONvergence members who wish to participate. The goal is to make a pie that Greg Weisman, herein to be known as "Fancy Bastard", likes best. The winner will be told super-secret Young Justice spoilers. Find out [some of] what would have happened in Season 3! (But winner must swear to secrecy to claim prize.) See below for some helpful hints.* CABANA 110.
FRIDAY, JULY 4th, 2014
11:00am - 12:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Last chance to audition! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
12:30pm - 1:30pm FROM TV TO COMICS
We'll discuss the TV shows that expanded into the comicverse, such as Buffy, Smallville, Young Justice and Gargoyles. Did they succeed? Were any of the comics improvements on the shows? How did canon change during the transition? Panelists: Myself (Gargoyles, Young Justice), Shawn van Briesen, Jonathan Palmer, Greg Guler (Gargoyles), Karine Charlebois (Gargoyles, Bad Guys), Christopher Jones (Batman Strikes, Young Justice, Bad Guys). PLAZA 2.
2:00pm - 3:00pm SIGNING
Myself, Christopher Jones (Young Justice, The Batman Strikes, Parallel Man) and Greg Guler (Gargoyles, Phineas and Ferb) will be holding a signing session. Both Chris and Greg always have an array of stuff (books, prints, etc.) to sell and sign. But this time I'm pretty darn prepared as well. First off, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;) CONVERGENCE CENTRAL.
3:30pm - 4:30pm CREATING GARGOYLES
This is what we used to call (at the Gathering) the Rocky Horror Gargoyles Show. The creators of Gargoyles show clips and tell stories of how the show came to be. Lots of visual aids. Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Frank Paur ( (Supervising Producer/Director), Greg Guler (Lead Character Designer). ATRIUM 6.
7:00pm - 8:00pm TIME TRAVEL THEORY
Let's assume for a moment that Time Travel is possible. This panel will explore the theories behind such technology. We'll explore quantum realities, temporal anomalies and all other challenges our theoretical time travelers will be face! [Now, I suggested this panel, but then they went and put some actual scientists on the damn thing. So I may quickly be embarrassed into silence.] ;) Panelists: Myself, Nicole Gugliucci, Jim Kakalios, G. David Nordley, Amy Berg. ATRIUM 4.
8:30pm - 9:30pm GARGOYLES Q&A
Join the cast and creators of the "Gargoyles" series and SLG companion comic books to ask and talk about the property. And, as always, Cosplayers are welcome! Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Christopher Jones (Bad Guys guest artist), Marina Sirtis (voice of Demona and Margot Yale), Frank Paur (Supervising Producer/Director), Karine Charlebois (Gargoyles Guest Artist, Bad Guys Artist), Greg Guler (Lead Character Designer, Gargoyles Guest Artist). MAIN STAGE.
SATURDAY, JULY 5th, 2014
9:30am - 10:30am GARGOYLES SIGNING
Myself, Marina Sirtis (voice of Demona and Margot Yale) and Frank Paur (Supervising Producer/Director) will be holding a signing session. Again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., The Batman, Batman: The Brave and the Bold, Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
11:00am - 12:25pm GARGOYLES RADIO PLAY REHEARSAL
This is a closed session - for those who were cast in the Radio Play - led by Myself, Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice) & Marina Sirtis (voice of Demona, Margot Yale and Queen Bee). ATRIUM 6.
12:30pm - 1:30pm GARGOYLES RADIO PLAY PERFORMANCE
Fans and professionals - including Myself (voice of Donald Menken and Lucas "Snapper" Carr), Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice), and of course, Marina Sirtis (Deanna Troi from Star Trek TNG and the voice of Demona, Margot Yale and Queen Bee) - perform a LIVE, ORIGINAL Gargoyles radio play! ATRIUM 6.
2:00pm - 3:00pm GARGOYLES BIOLOGY AND CULTURE
A "what if" panel about the biology and culture of the Gargoyles universe. Creators and performers speculate about anything and everything going on outside the frames of the TV series. Panelists: Craig A. Finseth moderates Myself (Creator, Producer) and Greg Guler (Lead Character Designer). ATRIUM 7.
3:30pm - 4:30pm RAIN OF THE GHOSTS
I'll be reading from and talking about the world and characters of my novel "Rain of the Ghosts" and its sequel, "Spirits of Ash and Foam," which comes out July 8th, 2014, one week after the convention! ATRIUM 3.
7:00pm - 8:00pm ONE ON ONE WITH GREG WEISMAN
Hal Bichel will moderate a one-on-one panel with Myself. PLAZA 2.
8:30pm - 9:30pm SIGNING
Once again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Batman, Batman: The Brave and the Bold, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
10:00pm - 11:00pm BLUE MUG
Ever wonder about the sexual habits of Gargoyles? Ever wonder who was sleeping with whom among the Young Justice Team or the cast of Spectacular Spider-Man? Join us for for a late night peek at your favorite animated series. This panel will get blue! (So attendees will be carded!) Panelists: Myself, Christopher Jones, Mara Cordova (Last Tengu in Paris Artist). It is also rumored that Edmund Tsabard (an unfancy bastard and Last Tengu in Paris Writer) may make an appearance. EDINA.
SUNDAY, JULY 6th, 2014
11:00am - 12:00pm PROTOFEMINISTS IN SHAKESPEARE
Shakespeare portrayed several intelligent, independent, and self-aware women--Juliet, Lady Macbeth, Katharine, Beatrice, Viola, Rosalind. We'll discuss the problematic and the remarkably (for the era) fleshed-out aspects of their representation. Panelists: Myself, Elizabeth Bear, Ashley F. Miller, Joseph Erickson, Alexandra Howes. EDINA.
12:30pm - 1:30pm GARGOYLES FAN PANEL
It's the 20th Anniversary of Gargoyles. Come share your favorite moments from the show. As always, Cosplayers are welcome! Panelists: Daniel Mohr moderates Myself, Ryan Alexander, Robert Wagner, Maggie Schultz, Jennifer Anderson, Karine Charlebois. ATRIUM 6.
2:00pm - 3:00pm SIGNING
Myself and Greg Guler (Gargoyles, Phineas and Ferb) will be holding one last signing session. Greg G. always has an array of stuff (books, prints, etc.) to sell and sign. And I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, The Batman, Batman: The Brave and the Bold, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. CONVERGENCE CENTRAL.
3:30pm - 4:30pm YOUNG JUSTICE
Creative minds behind the Young Justice TV and comic book series will talk about this fan favorite. We're planning some special surprises as well. And, as always, Cosplayers are welcome! Panelists: Myself, Marina Sirtis (voice of Queen Bee), Christopher Jones (Artist YJ Comic). MAIN STAGE.
5:00pm - 6:00pm CLOSING CEREMONY
It's not over 'til the gynoid sings - or something like that. Join CONvergence mascot Connie and our Guests of Honor as we say farewell to another convention. Shenanigans may ensue. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Matthew Ebel, Frank Paur, Dawn Krosnowski, Greg Guler, Windy Bowlsby, Rob Callahan, Michael Lee. MAIN STAGE
SEE?!! I told you there was a lot. And that's only the stuff that I'm doing. CONvergence is jam-packed with all sorts of pop culture nutritional goodness. So stop by and say hello!!
*In the interest of Full Disclosure, Fancy Bastard would like all to know that he especially likes the following pies:
BERRY (pretty much any kind of berry or a mix of same)
BANANA CREAM (herein to be known as the funniest pie)
Combinations of some of the fruit pies can be great. Contestants are welcome to try other pies at their own risk.
Fancy Bastard does NOT especially like the following pies:
Anything with Chocolate or Lemon or Meringue
Raisins in Apple Pie
Almost never Cherry, though he has tasted the rare exception...
I am writing an article about unproduced television spin-offs that found new life elsewhere, and Bad Guys was one of the first to come to mind. The website I'm pitching the article to requires that all source material be citable.
1. Is there any citable reference regarding Bad Guys, particularly when you were first planning it as a television spin-off and the plans fell through?
2. If not, are you able/willing to give an interview over the phone if requested?
Thanks for any help you can provide.
Well, you can start by looking at the ASK GREG archives under Bad Guys or the various Redemption categories:
If you still want a phone interview, you can contact the site administrator, Gorebash, and give him your contact information and your credentials, and he'll pass them onto me. And I'll try and figure out if you're legit. (Though the fact that you didn't even look at the archives before posting doesn't bode well, frankly.)
And of course, since it's been nearly three months since you posted this, the whole thing may be moot by now. So it's all up to you.
I wrote this up on my blog last Christmas (a bit of a gift to myself there) and thought I'd share it here.
For every hero, or group of heroes, there must be villains. The villains test the hero, the villains make the hero. In the realm of superhero lore, Batman and Spider-Man have been cited as having the greatest rogues' galleries in comics. And I do not disagree. Sadly, other heroes or teams seem to come up lacking. Sure they may have one or two great villains, but the rest seem to be meh. The FF have Dr. Doom and Galactus, sure. The X-Men have Magneto and the Sentinels, Green Lantern has Sinestro, but the rest of their rogues galleries have always seemed, at least to me, to be okay at best. I know some will contest this opinion, but it's my opinion and as far as this blog goes, that's the one you're stuck with. Personally, I always thought the Third Great Rogues' Gallery belonged to "Gargoyles." So, let's honor them.
First of all, here's who didn't make the list and why:
Wolf - Nothing against Wolf, he's fun. He's a big dumb thug, but he's fun. But, as of yet, I haven't found him to be very interesting on his own. And I always thought his teammates were more interesting and fun to watch.
Tony Dracon - I like him a lot more than a lot of other "Gargoyles" fans seem to. He's usually fun, but he didn't quite have enough to make this list.
Oberon - I never thought of him as a villain, and I still don't. Even when he was trying to kidnap Alex. Did I agree with him? Not at all, but I don't think he was in the "legal" wrong either.
Robyn Canmore, Dingo, Matrix, Yama, and Fang - If you don't know why, shame on you.
Second of all, here's who I hope to add to the list some time:
Queen Mab - Come on Disney, let Greg do it!
Morgana le Fay - Ditto.
With that out of the way, let's dive into list.
20. Duval and Peredur fab Ragnal
At present, we've seen too little of these two to know much about them. But what we have seen has been enough to give us an intriguing mystery, especially if you've been following ASK GREG for the past fourteen years. They are the guiding hands of the Illuminati Society, which was created a century after the Fall of Camelot, by Sir Percival to "set things right." Which of these two men is Sir Percival? Well, I have my theories on that. Peredur fab Ragnal is the Welsh name for Percival, and Duval sounds like a modern alias for Percival as well. In fact, for years Greg Weisman told us that Percival was Duval, and then when the comic comes out we get Peredur. Following that, he said nothing changed from his original plan? So, who is Sir Percival, and what's the deal with the other guy? Again, I have my theories.
But I imagine that should new material ever come our way, one or both of these guys will shoot up on this list.
I also enjoy the idea of Duval being cybernetic, but I think he needs a bit of a re-design. Especially in what he wears.
19. The Banshee/Molly
The Banshee may have only been in one episode (with a cameo appearance in another), but damn did she leave an impression. Everything about this character was executed flawlessly. The character model, the animation, the voice, the effects! I loved how ghoulish she appeared, you could see the background through her.
It also helps that "The Hound of Ulster" is one of the best World Tour episodes. The script is tight, the animation is gorgeous, and a lot of the character actions are subtle and over the top when they need to be. Look at Molly's brief, brief exchange with Rory's father for the subtly, which contrasts the wonderful over the top performance as the Banshee.
This guy was a jerk. I mean, really. A paranoid tyrant who thought the world was out to get him. Well, not the world so much as his cousin, Macbeth. I suppose I can understand seeing Macbeth as a threat to the throne, but he just seemed to go out of his way to make Macbeth miserable. He reveled in it. When he died, we were all happy to see him bite it.
Batman has Joe Chill, and Spider-Man has the Burglar. Goliath has this Viking chieftain who massacred his clan. Well, Hakon may not have acted alone, but with the swing of his mace, the series really began. Like his descendant, Wolf, he's pretty one-note. But he plays that note masterfully.
But perhaps the better story isn't even the one where he shattered the clan, but the one where his vengeful spirit attempted to drive Goliath insane. That episode was the perfect send off for Hakon, even more so than falling off a cliff to his death. His angry, vengeful spirit was trapped alone at the bottom of a cavern for all of eternity without anyone or anything to hate. At least that's where I think he should have stayed. Hakon might have ranked higher if he didn't come back one last time in an episode that I thought was one of the show's only misfires. But hey, sixty-five episodes, eighteen comics, and only one misfire. You're still golden.
Now this guy is fun. I love his design, both as a gargoyle and as a robot. I love his Doc Ock-esque tentacles, and I loved Xander Berkeley in the role. Coldsteel is a manipulative jerk, and it's fun to watch him work. His favorite victim is usually Coldstone, and his goal remains unchanging… possess Coldfire. In a nutshell, he's a creepy stalker.
What's also fun is that he's had three voice actors, and not because Berkeley was unavailable. When he controlled Coldstone's body, he was played by Michael Dorn. When he possessed Brooklyn, he was voiced by Jeff Bennett. And they both did it without talking like their regular characters. Watch "Possession" again and listen to "Brooklyn" speak. It's obvious who is in the driver's seat.
I also enjoyed his appearance in the comics, working for Xanatos to distract our heroes from the theft of the Stone of Destiny. Where will he go from here? I'm not sure. I tend to think he works better when he's teaming up with other villains than acting on his own. Well, he did see potential in the Coyote robot, so maybe that's not over; one could see him working with Thailog too; perhaps even re-team with his rookery sister, Demona… they did get along quite well in "High Noon."
15. Constantine III
What can I say about this guy? He follows a long tradition of Disney tyrants, and is just as fun to watch as any of them. Sometimes I think the tenth and eleventh century villains are even more vicious than the modern day villains, and Contantine sums that up.
When we first meet this guy, he uses Finella, the woman who loves him, to lure King Kenneth (who is in love with her) out just so he can murder him in cold blood and take his crown. Then he casts her aside so he can marry Princess Katharine and better secure his claim to the throne. And he tries to keep in control with barely veiled threats against her charges. Harsh.
But even better than that is his return in the "Gargoyles" comic book where he's hunting down and murdering every gargoyle clan he can find, and trying to find Katharine and her friends. By now, he's been in power for two years and rules with an iron fist… which leads to a civil war. This guy is such a jerk that he even kills the messenger that the army of the Three Brothers sends. You never kill the messenger.
And then there was his rather creepy relationship with his new protégé, Gillecomgain, which led to the two inspiring each other in a very twisted ways. Constantine is inspired by Gillecomgain's scars to wear them as war paint in battle, and in turn, Constantine inspires Gillecomgain to become the Hunter. As if Gillecomgain needed any more inspiration. Which brings me to…
Let's face it, even as a kid, Gillecomgain had issues. Obviously there was a lot of darkness instilled in him by his father, who himself had some very understandable issues also. What did these issues lead to? One rogue gargoyle was going through their barn, and Gillecomgain pointed a pitchfork into the shadows to scare a thief only to get slashed across the face. What did THAT lead to? Arguably the events of the entire series.
Gillecomgain's life didn't get better. Constantine III took an interest in him which set him on the path of becoming a masked political assassin, not to mention his continued hunt for the demon that scarred him. Like dominos, this led to events that made Macbeth the man he is today, the Canmore clan what they became, and set the tone for centuries of hatred and pain. And all because of one scratch in a barn.
As a character himself, Gillecomgain stacks up well. There is a moment after his arranged marriage to Gruoch, who obviously doesn't love him, where you almost wonder if you should feel bad for a man whose wife obviously despises him. Then he crushes her rose underfoot. What does this mean? Here's a hint, Luach might not have been Macbeth's son. Powerful stuff.
13. Falstaff/John Oldcastle
Okay, this guy is fun. Him and his gang of LARPers gone bad. They appeared only in the final two issues of "Gargoyles: Bad Guys" but they made an impression. I loved the buildup Falstaff received. We see him take a young Harry Monmouth (who would grow up to become Dingo) under his wing. Train him to be a thief, and take pity on the poor boy after his mother ran out on him. Only for that shocker of a final page where we see Oldcastle with his hands wrapped around the throat of her already dead body.
I really love his gang. At first glance, they seem super human, but are in fact incredibly skilled. And I love that Oldcastle, maybe the world's greatest thief, named himself after Shakespeare's king of thieves. He looked the part, and just seemed to take so much joy in everything he did, and that helped make it a joy to watch him do it.
I hope we get more at some point, because I want to know more about him. Why did he murder Dingo's mom? And when did the Illuminati recruit him? Does he have any other responsibilities for the Society other than guarding their giant vault? Well, until next time, and I believe there will be a next time.
Of all the new characters introduced in the comic books, the most intriguing has to be Shari. Is she Thailog's new executive assistant, or does she own him? So far it seems to be a little bit of both. But I'm sure it's far more one than the other.
I love the narrative device of her storytelling, and I wonder where her knowledge comes from. Sure, she's a very high member of the Illuminati Society, but there are some things she just shouldn't know. And yet, she does. Like I said, she's intriguing. Now, I have my theories on who she really is, in fact I think it's so obvious, I almost wonder what the point of not revealing it was, aside from the fact that I can't see a place in the stories released to do it.
And as a final bit of trivia, Shari's look and basic design was inspired by stage actress and long time "Gargoyles" fan, Zehra Fazal. I've seen her perform on stage, and she is brilliant. She definitely deserved to be immortalized in "Gargoyles" canon in such a way.
11. The Archmage
Who would have thunk it? A one-shot villain if "Gargoyles" ever had one. You watch "Long Way to Morning" again, and you'd never think this guy would have become so important in the grand scheme of the series. Well, let's just say that David Warner kicks ass.
While I do write off his appearance in "Long Way to Morning" as 'obvious one shot villain,' he's still fun, even there. But I think what everybody remembers most is his turn as the villain in the "Avalon" triptych. I loved "Avalon Part Two." I thought the script was brilliant. I thought David Warner's dialogue with himself was tremendous. The entire endeavor was just wonderful.
Do I agree with the decision to kill him off? Absolutely. I don't think he would have had any staying power in the modern day material. The guy is a clichéd sorcerer, even if he's a very fun one. However, that doesn't mean I think the character is done entirely. There is plenty for him to do in a certain spin-off that takes place during the "Dark Ages." Or maybe even something to do if one were to TimeDance and have an encounter with him.
What can I say, I have a soft spot for this glorified toaster oven. At first glance he may seem like Ultron wearing half of Xanatos's skin, but the influence from Xanatos is evident. This robot has a sense of humor, sometimes even a perverse one. Granted it's not sentient or self-aware, but it almost seems close enough to fool you.
I love all the designs he goes through. They're all different, while at the same time reminding you of who you're looking at. But my favorite will always be the first one. I loved the look, I loved his perception-warping weapon the most. I wish he'd used it more often.
What's next for this character? Well, Greg has kept extremely tight-lipped. We know more upgrades are on the horizon, but come "Gargoyles 2198" … well, let's just say I think I know what the Xanatos of "Future Tense" was actually foreshadowing.
9. Jackal and Hyena
The "Gargoyles Universe" is well known for their complex, complicated villains. But sometimes, it's nice to just cut loose. Enter the sociopathic Jackal; and his twin sister, the psychotic Hyena and we're in for a good time whenever they show up. These two will crack you up one moment and then make you sick the next.
The first time they appeared, they didn't seem THAT bad. Then, come their second appearance, you have Hyena nearly slicing a fan's face up, and smiling when she gets arrested. Following that, we have Hyena falling in love with a robot. And then, after that, the two volunteer to trade in their body parts for cybernetic implants. Frankly, it's rather sick.
Jackal almost seems normal when you compare him to Hyena. "Normal" being very relative, until we get to "Grief" where he becomes the avatar of Anubis, giving him power over life and death, and what does he do? He decides he wants to end all life on Earth. Yeah….
I'm glad these two are close siblings, because they deserve each other. Still, whatever else they are, they're very fun bad guys. Hell, even a friend of mine named his gold colored Aztek after Hyena.
8. Anton Sevarius
Dr. Anton Sevarius earns points for being the creepiest villain we have encountered so far. He's even creepier than Jackal and Hyena! Sure, he's pretty much a hired gun, but the guy enjoys it. He revels in it. I can sum up Sevarius with one quote. After he was asked why he was doing this:
"For science, which as my associate Fang indicated, must ever move forward. Plus there's the money… and I do love the drama!"
This guy is only slightly more ethical than Dr. Mengele! And I also need to give a ton of credit to Tim Curry for really bringing this guy to life. Apparently, Brent Spiner was the first choice to voice Sevarius, but Curry got the role, and Spiner was cast as Puck. Thank god for those decisions.
Another moment that really stands out was when he was all over Angela in "Monsters." Does he have a sexual interest in her? I don't know, probably not. I think he just took pleasure in making her as uncomfortable as possible.
I think my other favorite Sevarius moment comes from "Double Jeopardy" where he thinks he's taking part in a Machiavellian scheme of Xanatos's and decides to act the part… very badly, I might add. So much fun, even when he makes you scream.
7. The Weird Sisters
Okay, let's get this out of the way. Silver haired Luna is the Sister of Fate; Raven haired Selene is the Sister of Vengeance; and Golden haired Phoebe is the Sister of Grace.
The Weird Sisters are, for the most part, a complete mystery. They have plans within plans that stretch through the centuries, after all what is time to them? They could even give Xanatos a run for his money. What is their agenda? Only they know. We've seen two thirds of the story, with Luna ascendant during "City of Stone" and Selene ascendant during "Avalon." But there is a missing piece, where does grace fall in their plans for Demona and Macbeth? Hopefully time will tell.
These three are great fun to watch. I love how they can be both nowhere and everywhere. And I love how they can and will take on different forms depending on who is looking at them at any given moment. Where do their loyalties lie? Well, it seems to be with Oberon, but I've long suspected there is something bigger at play with these three.
It would be easy to say they were plucked straight out of the Scottish Play, but in several folklores and mythologies, the Weird Sisters are present in some form. There is just something elemental and primeval about them. And that's part of what makes them a great element of the series.
Any woman who David Xanatos would marry would have to be cut from the same cloth he is, because anyone else would be beneath him. Fox is that woman. Hell, sometimes she gets the better of him, whether they're sparring in the dojo, or playing chess. And he doesn't resent this; it's just further proof that he's found the love of his life.
It's weird to watch her in "The Thrill of the Hunt" at times, because Wolf, Jackal, Hyena, and Dingo just seem so far beneath her, she almost seems out of place there. And yet, at the same time, the more we learn about her, the more it makes sense. When we meet Halcyon Renard, a huge piece of the puzzle is put into place. She was never a daddy's girl, in fact, quite the opposite. She was clearly motivated, for years, by just annoying her father. Maybe her mother too.
And I think it was just as much of a shock to her that she loved David. But I wonder what their relationship was like before her prison sentence? Obviously Xanatos made her a television star, but what else was going on there?
She was his lover and employee. And a trained mercenary, let's not forget that.
Like her husband, she grew and developed as the series progressed, and is every bit as interesting a character as he is. In fact, in an alternate universe, I wonder how the series would have played if Fox was in Xanatos's role from the get go.
Ah, the prodigal son… and he's a bastard. Literally.
I love this guy, he's just a hoot. Thailog is as powerful as Goliath, as brilliant and amoral as Xanatos, and as hammy and immoral as Sevarius. All at once. And it shows. In every single appearance, it shows. The guy is a walking Oedipus complex, what with his desire to prove his superiority to his fathers. I suppose one might say that he's already gotten the better of Sevarius, since he has the good doctor on his payroll. And while he outsmarted Xanatos once, I don't think he's done. Turning Nightstone Unlimited into a powerhouse to rival Xanatos Enterprises is obviously a means to this end. But what next?
I think my favorite thing about Thailog is that while he is a clone of Goliath, that's the last thing that comes to mind when I think about him. He's a fully developed character in his own right, and not simply Goliath's evil twin. On that note, I'm happy his coloring is different, because the last thing this show needs is an entire episode where the gargoyles try to figure out which one is the real Goliath.
And how can anyone not find that maniacal laugh of his to be anything but endearing?
4. John Castaway
John Castaway is a fascinating character, hell to crack the top five, he has to be. Castaway is a weak man, and at the heart of everything, a frightened child. Too weak to stand up to his brother and say "this is wrong" and too weak to admit he was wrong when he pulls the trigger and everything goes to Hell. I think the only thing that has changed is his support system.
Now that the gargoyles have been revealed to the world, Castaway represents a political movement who are moving against them. And it's rather frightening. Not for being a group of hooded thugs, they are not, but for being like a cross between the neighborhood watch, and a support group. Oh, there is a violent wing of the Quarrymen, we know that. But with Castaway's shrewdness, and the Illuminati's backing, I don't think he would do something stupid like fire anti-aircraft cannons in Manhattan, or hijack a train. No… because that would make Castaway much less difficult to defeat than he is. And even then, who says that happens? The Quarrymen are destined to be a problem for at least the next two hundred years, and like the Hunters before them, his descendents will lead the organization.
Keep in mind, we can all trace this back to a scratch in a barn in the tenth century.
Well, where do I start? Well, I suppose I will start by saying that I almost feel bad for putting him on this list at all. He has a strong sense of honor, if skewed. He's worked against our protagonists and with them. But, in the end I think the only side he's on is his own. While he is more of an ally now, that doesn't mean he hasn't been part of the problem before and won't be part of the problem again.
His story is terrific. Rather than follow the Scottish Play, the story we got was a loose adaptation of the true history of Macbeth and his reign over Scotland. Yes, we had Demona and gargoyles, and the Weird Sisters and sorcery, but we also had a history lesson unfolding, even if we didn't know it at the time. And it's terrific. To this day, it's my favorite tale in the entire mythos.
When we first meet him, the centuries have certainly taken their toll. He is not above attacking the gargoyles, taking hostages, and committing grand theft. And yet, we never once think of him as evil, despite doing some pretty unethical and amoral things. That changes with "City of Stone" when we learn his story and feel sorry for him. But at the same time, I think the perception among many fans has swung around too far. Yes, we understand him more now. But that wasn't his redemption. Far from it.
I think the tail end of "Sanctuary" and "Pendragon" is where the change begins, and I stress this, begins. In the former, he learned that he is still capable of love. In the latter, while some didn't quite get why he competed so violently against King Arthur for Excalibur, well, it always made sense to me. This is a man who has suffered so much, who viewed his existence as sad and endless, that he was looking for something to give it meaning and maybe justify every terrible thing that has ever happened to him. Being the new Once and Future King would serve that purpose, wouldn't it? Well, it doesn't quite work out for him, but over the course of the series we have seen this man go from suicidal renegade to a man who doesn't think life is completely worth living, and now seeks purpose in his existence. Did he look like a fool clutching that broken sword? Well, he was a broken man. And once you hit rock bottom, the healing can begin.
2. David Xanatos
He was designed to be a heroic character, and he was cast as the villain of the piece. That, right there, is what makes this character so brilliant. He has so many positive qualities, so many admirable traits. He's smart, he's cool, he's suave, he's practical, he knows his priorities, he doesn't sweat the small stuff, he doesn't hold a grudge; the titled heroes have more personality flaws than he does! But he is also incredibly ruthless, and while he's not evil, he is incredibly amoral. He seems to be the walking personification of Frederick Nietzsche's ubermensch when one stops to think about it. And he is awesome.
I am actually struggling here, what more can be said about David Xanatos that hasn't already been said? He's designed many tropes all by himself. There was never a villain like him in animation before, and even after he's left, there still has never been anyone quite like him. He doesn't surround himself with dimwitted henchmen and beat them up and scream when they fail. No, quite the opposite, he is always surrounded by incredibly competent people. His assistant and majordomo, Owen Burnett comes to mind. And he so rarely loses. In sixty-five episodes, and eighteen comics, I can count the number of actual losses on one hand. Aside from that, he always comes out on top. Always. But when he doesn't, he doesn't throw a fit and scream, he shrugs it off and moves on to the next plan. There are always contingencies. This guy is the coolest guy in the series.
His character arc throughout the series is brilliant. I love his rivalry with Goliath, and I love how he doesn't hate or even dislike Goliath. He likes Goliath a lot, admires him, and regards him with what I can best call a mix of interest and benign amusement. That's far more interesting than Megatron's hatred for Optimus Prime. And I really love how Goliath would often use the word "evil" to describe Xanatos. Sure, Xanatos has done some evil things, but Goliath's view of him for the longest time was very two-dimensional. It almost represents how most audiences, especially in animation, were trained to view the villain. No, Xanatos wasn't a Dark Lord, or a diabolical evil. He was simply a trickster. A human trickster.
While Xanatos and Goliath seem to have made some form of peace, that still didn't make Xanatos one of the good guys! I love that! In a way, he's still the enemy, and now the gargoyles are living with him, and they know it! He still has plans and schemes, and while he likes the gargoyles and helps them out, that doesn't stop him from manipulating them to his own ends, or even working against them. And best of all, as far as Xanatos is concerned: it's nothing personal.
I also have to give a ton of credit to the performance of Jonathan Frakes. He made Xanatos sound so sophisticated, fun, and erudite.
David Xanatos, he should run a seminar on villainy. Often imitated, never duplicated.
Demona is the clear number one on this list, for reasons both grounded and very esoteric at the same time. At the most minimal of glances, she seems very typical. We've seen genocidal human haters before. But scratch the surface, even a little, and we get the deepest creation of not only the series, but one of the deepest creations in the realm of fiction. I'm going to say this now, and roll your eyes all you want, but Demona would not be the slightest bit out of place in Russian literature. Or William Shakespeare's for that matter. I love this character.
Let's start with the surface elements first. She's got a terrific character design, and was so very well animated. Marina Sirtis deserves a tremendous amount of credit for the work she did bringing her to life. She embodied that character so completely that I never want to hear anyone else ever voice Demona on any animated project. No one can do it. Period. Hearing Marina Sirtis voice Demona was just as much of a revelation as hearing Mark Hamill's Joker. And I will stand by that statement even under threat of torture. She is also just such a badass! An intimidating warrior, an immortal, a sorceress, and she transforms into a human during the day! Hell, in both forms, she's pretty hot.
Now, for the esoteric. She has a guilt complex that makes Peter Parker's look tame by comparison, but she spreads it around to everyone else rather than internalize it. And considering how much she has to feel guilty over, this makes her arguably the most dangerous character in the series. She cannot accept her own culpability for the terrible things that happened to her, and for all intents and purposes, murdering her clan. She may not have swung the mace, but her ambition, her bigotry, and her cowardice put them in front of it.
Her favorite scapegoats are humanity as a whole, who make an easy and convenient target for her to project her guilt and self-loathing on. Now, does she have a point? Yes. Let's face it, humans can be bastards. We've done terrible things as a species. But, just as you cannot blame every Muslim for the attacks on September 11th, or every German for the Holocaust, Demona is wrong to blame every human for the terrible actions of a few. And at the end of the day, she was either directly or indirectly responsible for those actions. She betrayed her clan, and caused the massacre; she created the Hunter, and betrayed Macbeth. Demona created her own pain, and she intends to wipe out every man, woman, and child on the face of the Earth just to justify every damned stupid choice she ever made.
Despite all of that, she is an eternally conflicted character. She is not a one-dimensional cut-out. Deep inside, she knows she's wrong, she knows what she did. But she cannot and will not acknowledge that. And that's what makes her hatred for Elisa Maza so interesting. The one human she hates most is the one that has been a true friend to the gargoyles, because Elisa is living proof of just how wrong Demona really is. And the fact that Elisa and Goliath are now in love doesn't help considering Demona's lingering feelings of jealousy.
Of course, there is Demona's biological daughter, Angela. She is probably the one person Demona cares about in the world. My single biggest regret about the cancelation of the comic book is that we didn't get to see the two of them interact again. I am beyond curious to see where this goes. But one thing I am confident of, it's not heading towards a hysterically easy redemption. Nope, if we take the plan for the "Gargoyles 2198" spin-off seriously, and I most certainly do, Demona is still plotting against humanity long after Angela has died. Is it sad? Yes. Is it tragic? Yes. Is it Demona? Absolutely.
I also love how she is a walking mess of contradictions. Her belief system is based so much on lies she tells herself, that she will rationalize anything she can to fit her world view. Why? Because the alternative is admitting she is wrong, and right now, she will not do that. Cannot do that. Sadly for both her and Angela, I see tragedy in their future.
Demona's through line is one of the main reasons I am so desperate for "Gargoyles 2198" to be produced. I want to see how her story ends, and if it's going to end anywhere, it's in that spinoff. This is a story I am dying to see, and if Disney never produces it, well… one way or another I intend to find out what happens to her. What her ultimate fate is going to be. We know she'll have an epiphany of some kind. How does it happen? Why does it happen? What's the fallout? How does her story end?
Demona is an endlessly fascinating character. We've never seen anything like her in the realm of western animation before her debut, and I don't think she's been replicated since. Why? I don't know. But lightning has been caught in a bottle, and I am rather happy that no one has attempted to imitate this unique and perfectly conceived character but tragically flawed person.
What? No love for Bruno?
For the GargWiki's timeline, I was wondering if you would please share the dates and descriptions from your timeline of the events of "Bad Guys"?
I'm feeling generous, so:
Saturday, June 15th, 1996
That evening in Ishimura, the gargoyles hold a council meeting with their human neighbors. Yama is banished until his honor can be restored.
Sunday, October 27th, 1996
Robyn Canmore is arrested.
Friday, November 1st, 1996
The Director gives the Hunter Robyn Canmore a choice between staying in prison or leading an elite squad of desperadoes on dangerous missions. Robyn chooses the latter.
Tuesday, November 5th, 1996, 7:00pm AEDT
In Australia, Dingo and Matrix defeat the Tasmanian Tiger. They are then defeated by Hunter. She offers Dingo a choice between prison and charter membership in her new Redemption squad. Dingo reluctantly elects to join. Matrix chooses to sign on as well.
Friday, November 8th, 1996, 7:07pm UTC+09
Vinnie tries to find the train to Ishimura. Hunter, Dingo and Matrix coerce the gargoyle Yama into joining their team. They head for Paris.
Friday, November 8th, 1996, 9:27pm EST.
Sevarius poses as âFredâ to sneak into the Labyrinth past Al, Benny, Tasha, Claw, Shari and Thug. He reveals himself to Fang, whom he calls Fred Sykes.
December 22nd, 1996
Dingo, Matrix and Yama train in the Squadâs headquarters beneath the Eiffel Tower. Hunter walks past Notre Dame and remembersâ¦
Wednesday, December 31st, 1996
After midnight, the Redemption Squad arrives in Manhattan to investigate Anton Sevarius, ensconsing themselves at the Casablanca Hotel. After sunrise, Robyn Canmore visits Jason Canmore at Rikers and John Castaway (a.k.a. Jon Canmore) at the Quarrymen Brownstone. John washes his hands of her. Dingo and Matrix go off on their own to pursue Sevarius before sundown. After sunset, Yama and Hunter follow them into the Labyrinth but split up. Hunter is about to be attacked by Fang. Yama rescues Hunter, but Fang shocks both unconscious and takes them to Sevarius, who has already mutated Thug, Tasha, Erin and Benny. They are rescued by Dingo and Matrix.
Thursday, January 1st, 1997
The Squad prevents Fang from releasing Sevariusâ CV-1997 virus on Times Square. Later, they discover that Sevarius has escaped and Tasha has hanged herself. Yama nearly executes Fang, but Hunter talks him out of it. Thug takes Erin and Benny back to the Labyrinth. Hunter is forced to admit Fang to the Squad.
Saturday, January 3rd, 1997
Hunter briefs Dingo, Matrix, Yama and Fang on their mission to attack an Illuminati Society stronghold.
Monday, January 5th, 1997
Dingo, Matrix, Hunter, Yama and Fang approach Eastcheap Isle, when their battle-copter Redemption is blown out of the sky. Matrix saves them. Seven robots attack. Fang abandons them. Yama destroys Robot #6 but is targeted by Robot #7. Hunter and Dingo destroy Robot #1. And, while Matrix armors up around Dingo, Hunter also destroys Robot #2 â" but is targeted by Robot #4. Meanwhile, Fang destroys Robot #5 and then saves Yama by destroying Robot #7. Dingo/Matrix saves Hunter and destroys Robot #4. Hunter destroys Robot #3. Yama destroys the newly-arrived Robot #8 and the two Sentry Robots #9 and #10. They enter the islandâs interior and battle Points, Doll, Bardolph, Quickly and Pistol. But Dingo recognizes Pistol as an associate of his former mentor John Oldcastle, now known as Falstaff, King of Thieves. Falstaff, the Illuminatiâs treasurer, welcomes the squad to Eastcheap and, with the help of Fiona Canmore and Thailog, tries to convince them to change sides. The Squad plays along, but Falstaff is not fooled. A battle results in Falstaff submerging his island/ship. The squad survives, adrift. Meanwhile in Paris, the Director confers with his assistant Dolores and his superior Monsier Le Maire.
Second question--and given the snafu with the last one, the first one with my name...
Upon first reading "Bad Guys #4", I was rather surprised to see Dingo acting so forcefully in order to prevent Yama from killing Fang in righteous rage. I know acts like that are standard behavior for heroic characters, and that the point of the series is to feature the transtion of these no-longer-villains into actual heroes, but I wouldn't have thought that Dingo was at the "revenge killing is bad and must be stopped" phase yet, particularly given his past as a mercenary--until the moment occured, I would have thought that his reaction would have been to think "good riddance to bad rubbish".
So to sum up all this in the form of a question: why do you feel Dingo was so adamant in preventing Yama from killing Fang?
I'm not sure adamant is the word. He just didn't think Fang was worth it. And I think Dingo had already gotten on board with the general "Thou Shalt Not Kill" thing. Even before Hunter co-opted him into her fight.
Bad Guys was an excellent story, but I do have one question about one of the protagonists. Yama makes a point at the end of the story to note that each Bad Guy has an inner need to redeem himself or a greater purpose found in redemption. Matrix, however, is distanced from the rest of them almost immediately in terms of motivation as his mission is simply to preserve "law and order."
Now, I'm not knocking this at all; Matrix is my favorite protagonist in the book. But I think the distinction is interesting.
1. Does Matrix understand the concept of redemption?
2. Will he eventually find a reason why his own redemption might be necessary?
1. Good question. One that we'll explore given the opportunity.
2. Have to answer #1, before we can get to #2.
1. Were any of the Falstaff's Band of Thieves members Illuminati or are they just minions or henchmen?
2. If they are members of the Illuminati, what is the rank of:
A. Falstaff (John Oldcastle)?
C. Mistress Quickly?
3. What's the real name of:
B. Mistress Quickly?
4. Did Dingo know any of the Band of Thieves besides Falstaff and Pistol?
5. Why did John Oldcastle (Falstaff) strangle Dingo's mom?
6. What did the Redemption Squad plan on doing with Mistress Quickly?
1. Not saying.
2. Not saying.
3. Not saying.
5. Not saying.
6. Not saying.
So I've been lurking a bit, and I see folks are questioning the accessibility of the Gargoyles comics.
And I know I shouldn't do this, but I'm going to defend my own work here instead of just letting it stand on its own.
I totally reject the notion that the comics aren't accessible to new readers, unfamiliar with the GARGOYLES property. Now, granted Clan-Building, Volume II is pretty inaccessible IF you haven't read Clan-Building, Volume I. But in fairness to me, the Clan-Building arc is published in two volumes for commercial reasons, not creative ones. It's not two six-issue arcs; it's one twelve issue arc. So if you read Clan-Building in it's entirety OR if you read Bad Guys in it's entirety, I think both these arcs are extremely ACCESSIBLE.
And, yes, I've seen the reviews that claim that they're not. But I notice that those reviews are written by people who ARE passingly familiar with the cartoon and are making the ASSUMPTION that the books would be inaccessible to new readers. But I don't buy it. I've been doing this for a LONG time. And I know how to fill in my reader and/or viewer, introduce new concepts, etc.
Every issue in sequence introduces all the necessary information to a new reader that said reader would need. Does a reader benefit if they know all the backstory? Of course. But they don't have to know that backstory to enjoy the comic.
Let me take a specific example -- one that a reviewer specifically brought up. At the very end of issue #2 of Bad Guys, Sevarius appears. The reviewer (who knew exactly who Sevarius was) thought that I was blowing off new readers, because I gave NO backstory or introduction to Sevarius in that issue. But I'd argue that no introduction was necessary at that point. We've seen a mysterious figure descend into the Labyrinth, taser a guard, shed a disguise and confront Fang, claiming to know his real name and stating that he is Fang's "maker". That's ALL you need to know at that point as a new reader. It's perfectly okay if you DON'T know who this guy is. It's intriguing enough on that level. And in the very next issue (or chapter if you're reading the trade) Hunter gives all the backstory on Sevarius that you need to appreciate his role in issues/chapters #3 and #4. Yes, a hardcore fan is going to get extra juice when Sevarius pulls off his disguise because they'll recognize him. But even if Sevarius had been a brand new character, I wouldn't have handled his introduction any differently.
Look at Tasmanian Tiger. He is a new character. I hope he's at least a little bit intriguing. But is a new reader lost because they DON'T know that this is his first appearance? Readers, whether they are hardcore Garg fans or complete newbies, know as much about TT as they need to know -- and no more.
Yes, there are resources on the web -- BUT I don't count on those AT ALL, with one exception. And that exception is if people wonder why I'm ignoring Goliath Chronicles. And a new reader isn't even going to KNOW about Goliath Chronicles, so it's NOT an exception to him or her.
Otherwise, I use the tools I have within the book to explain what an audience needs to know. Someone familiar with the property may THINK the reader needs to know more, but I flat-out think they're wrong. My proof is anecdotal but it exists. I know people who've read the books and enjoyed them even though they never saw the show. Has it interested them in finding out more about the original series? Yes. And that's good and fine. But there's a difference between a new reader being intrigued and WANTING to learn more and a new reader being confused and NEEDING to know more to get what's going on.
You don't need to KNOW Brooklyn's entire history to know he's hurting because he can't get a date, to know he's pining for Angela and to know he's trying to get away from Angela and Broadway before chapter 10 of Clan-Building comes along -- and he's thrust into the past. Everything you NEED to know about him is present in issues 1-9. One benefits from knowing more, but that doesn't make it necessary to know more.
Of course, the greatest blockade to accessibility is the non-linear structure of chapters 7-9. But that's not property-based or familiarity-based, that's me using a non-traditional structure, which I might have done on an issue of, say, Captain Atom or Spider-Man or whatever. Hopefully, if a reader has read the first six chapters, they're intrigued enough to want to follow along despite the difficult structure.
Remember, issues 1 & 2 are designed to introduce you to the world of Gargoyles and any relevant information about said world. I got slammed by one reviewer for opening the comic book series with that adaptation of "The Journey", but I thought it was essential for new readers. One could argue fairly that each succeeding issue isn't as accessible as those first two, but complications and characters were added gradually through those first six issues. Anyone reading the book in order would not have been lost for a minute. If we hadn't been plagued by delays and late deliveries (which I had no control over and did not anticipate) it wouldn't have been the same kind of problem.
Any comic book or animated series that employs serialization and continuity is subject to these difficulties. And the middle chapter of any story (including a twelve-part story like Clan-Building or a six-part story like Redemption) can be tough to follow without having read the first few chapters. But just as I feel you can enjoy, say, "Leader of the Pack" without ever having seen any episodes from Season One of Gargoyles, I think Clan-Building can be enjoyed without having seen ANY of the Gargoyles TV series. Is the same true for "Avalon, Part Two" or "Avalon, Part Three"? No. But I think it IS true for "Avalon, Part One" and/or the three-part "Avalon" series when considered as a single unit.
My point is, I'm very familiar with the dilemma, and I know how to compensate. Or in any case, I'm VERY aware of the need to compensate. One can argue that I failed, I suppose. It does become subjective at some point. But nothing I did was done without very conscious thought on my part vis-a-vis the needs of a new reader. So any reviewer who claims that I didn't care or didn't try to make the book accessible is just -- well, wrong. And I think they are making assumptions based on THEIR knowledge of the richness of the property. They get all these resonances and call-backs, etc., and ASSUME a new reader would be lost without them. But you know what they say about the word "ASSUME". The resonances and call-backs are gravy. (And if you don't know they exist you won't know you're missing anything.) The meat, in my opinion, is all right there on the page.
Could humans be turned into Gargoyles by the same process that was used on the mutates? Sevarius didn't say he couldn't do it but that he had no Gargoyle DNA to play around with. Would Gargoyle DNA too complex to use in the same way as the jungle cats, eels etc?
Clearly, you have not been reading the BAD GUYS comic book. So I'll refer you to the Bad Guys trade paperback, due out in August. Enjoy!!
Got Bad Guys #2 today and really enjoyed it. I'll have to read it again before I do any kind of review, but I have a question.
Toward the end we see Shari hanging out in the Labyrinth as "Fred" wanders through. Without making suggestions that may be construed as ideas, what is the time frame for this scene? Am I correct in assuming its sometime before Halloween?
Since we're on the subject, I'd like to fill in the Bad Guys timeline:
1) What date did Hunter recruit Dingo and Matrix?
2) What date did Hunter recruit Yama?
3) What date did Sevarius spring Fang from the Labyrinth?
4) What date did the Redemption helicopter get blown out of the sky?
Any other Bad Guys-related dates you'd like to provide would be greatly appreciated.
1. Tuesday, November 5th, 1996, 7:00pm AEDT
2. Friday, November 8th, 1996, 7:07pm UTC+09
3. Friday, November 8th, 1996, 9:27pm EST
4. Monday, January 5th, 1997
Others and myself noticed that Dingo's Pack armor seems to have disappeared in Bad Guys comic issue #1. Did Matrix completely absorb Dingo's armor so that Dingo's original Pack armor doesn't exist out of Matrix?
SLG informed me today that Gargoyles: Bad Guys #1, "Redemption, Chapter 1: Strangers" will hit the stores on Thursday, November 29th, 2007.
Good news in and of itself, but what pleases me most is that it's out in November (if just under the wire). That means our goal of having some MONTHLY gargoyles product has been achieved. And since there's really NO reason why the already completed Gargoyles #7 shouldn't be out in December, that gives us a running start to STAY monthly! And don't forget the Trade Paperback, collecting the first half of "Clan-Building" which is also completed and approved and should be out in December or early January. C'mon! Tell me it's not a great time to be a Gargoyles fan! I dare ya!
Anyway, "Strangers" is by myself and Karine Charlebois with lettering by David Hedgecock and a cover featuring Matrix by Greg Guler and Stephanie Lostimolo. I hope you like it!
When does Bad Guys #1 come out?
End of November or beginning of December, 2007.
Okay, here's what I know as of right now.
First off, the reprint of Gargoyles #6 should be in stores tomorrow (11/14/07). You SHOULD be able to exchange first printing copies for the reprint if you'd like. Notice the emphasis on SHOULD. Let me quote a recent e-mail from SLG publisher Dan Vado in answer to my question as to whether local stores know about this:
"The store issue is a tough one. They have been as informed as they possibly can be, that is we paid to have notices sent to them, there will be an item on their invoice and there was a mention in the weekly newsletter from Diamond Comics as well as from me personally in my retailer newsletter and on a retailer message board. That being said, I was on a conference call with two retailers yesterday, two who buy direct form me regualrly and are among those stores I would count as hard core supporters, and they had no clue they were getting new copies this week or about the replacement issue. So, as I have been mentioning to fans, the best thing to do if the retailer looks at them like they were crazy is to not bother them or get angry with them, just tear off the cover [of their old printing copy] and send it to us [at SLG] and we will replace the book directly. This is why we have not sent copies to Amazon yet and why it has not been on our website yet."
So, not a perfect world, but I really do think it's as good as it gets given the situation.
Next up, Bad Guys #1. This SHOULD be out by the end of this month. Unfortunately, because of Thanksgiving, that's not a lock. But if it's not out the last week of November, it will be out the first week of December. (In any case, it's ALL finished -- and approved.)
After that, expect Gargoyles #7 approximately three weeks after Bad Guys #1 hits the stores -- which SHOULD still put it in December -- unless Christmas messes that up, in which case it should be out the first week in January. The book is also ALL finished, but has not yet been approved.
After that, the Gargoyles Clan-Building Volume #1 Trade Paperback. Galleys are being reviewed now, but it should be out in late December or early January. We may delay it a week or two so that it isn't coming out the EXACT same week as BG1 or G7. Then again we may not.
After that, um, I guess Bad Guys #2, which is currently being finished by Karine.
After that Gargoyles #8, which is being pencilled by David.
After that Bad Guys #3, which is being scripted now by me.
After that Gargoyles #9, which has ALREADY been scripted by me. Uh... how did that happen?
Anyway, that's all I know at this time.
I was just curious as to how you went about choosing the villains for Bad Guys. Please note that I am completely pleased with the current Redemption Squad line-up, so I'm not complaining, I'm just curious. What was it about these guys that helped them make the cut, whereas other villains in the Gargoyle universe didn't make it? Where there some other villains who nearly got included but didn't quite make the cut? If so, who are they and why'd you decide against them? Feel free to volunteer any other interesting tidbits of information about how you went about picking the Bad Guys villains.
I've answered this -- and recently. Check the archives. Or maybe I covered it in a recent interview. Ask around the comment room. I'm sure someone'll know where to direct you.
This day in Gargoyles' Universe History....
The travelers leave Avalon and arrive in Ishimura, Japan. There they meet the Ishimura Clan of Gargoyles who have lived in peace with their human neighbors for generations. At sunrise, Goliath, Angela and Bronx turn to stone alongside their new cousins. But minutes later, their human guardians are attacked by ninjas hired by Taro, a Japanese businessman who grew up in Ishimura. All the gargoyles are stolen. They awaken inside a Gargoyle Theme Park that Taro has built. Yama, second-in-command to Kai, the leader of the Ishimura Clan, tries to convince everyone to stay in the park. Goliath, Angela and Bronx attempt to leave, but are gassed and imprisoned by Taro. Beth Maza calls her father Peter and asks him to come to Arizona to investigate the local Xanatos Construction project.
1) Is it too late to reconsider the decision to have the "Bad Guys" comic in black and white? I know the economic decision behind it, but I find that certain comics and webstrips that have action in black and white are very hard to follow. I just hope the action isn't hard to follow in "Bad Guys". I believe this spin off will become a great success, and I'd love to see it at full potential which would be having it in color.
2) What is the potential price point for the "Bad Guys" comic?
3) If the first six are successful, will possible future releases remain in black and white?
4) Is the plan for "Pendragon" also black and white?
Thank you for your time.
1. Action can be hard to follow in B&W or in color. But if we do our job right, that won't be a problem. In any case, color interiors are not an option economically for the title.
2. I don't know.
3. For the forseeable future, yes.
4. Yes, with color covers.
Not really any questions...
Loving the new Gargoyles comic. #1 and #2 really layed out the Gargoyles world and backstory as good as it could be done in two issues. #3 really started the new stuff off right with a lot of favorite characters (of mine anyway) returning. I am especially glad that you are including Matt Bluestone in a large supporting role.
Even though the characters aren't being animated, I believe that Hedgecock and Evans are doing a fantastic job of giving them life. The looks on Brooklyn's face during a few instances so far are a good example of this. It's obvious that he isn't happy with his personal situation and maybe even his place in the clan.
Keep up the great work, Gargoyles ranks up there with DCAU Library as my favorite cartoons and I'm glad the Gargs are continuing in comic form. Looking forward to the Bad Guys mini as well... that lineup would give the Gargs a run for their money.
Thanks... we're excited about Gargoyles: Bad Guys too. I'm currently writing issue #2.
This day in Gargoyles' Universe History....
The Matrix, having evolved beyond Fox and Anastasia's control, threatens to spread its vision of "order" across the entire planet. Goliath and Angela reluctantly join forces with Dingo to try to rectify the situation. Ultimately, Goliath and Dingo enter the Dreamtime and convince the Matrix to abandon its pursuit of a pristine and orderly universe to seek out "Law and Order" instead. The Matrix and Dingo agree to join forces as heroes, and the Matrix merges with Dingo's armor. Elisa and the gargoyles return to Avalon, where it is morning again. The gargoyles sleep.
I just read the good news that BAD GUYS will be a 6 issue limited comic book. I can see that if the comic book doesn't do well that you'd only want 6 done, but what if it does well? Would you make more than just the 6 comic books? I know you want to jump into PENDRAGON after the 6 are done, and if you do, would you continue BAD GUYS from that point, or would you go back and tell stories that happened within the 1st and 6th comic books?
Thank you for your time and for creating the new comic book.
If Bad Guys is a success, we would eventually bring it back, either with another Gargoyles:Bad Guys limited series or if the demand was just HUGE with it's own series. But for the time being the idea of alternating the regular bi-monthly Gargoyles comic with a bi-monthly spin-off mini-series is very appealing to me. It's not an overwhelming amount of work for me to cover, and it allows us to visit all over the Gargoyles Universe.
JUST got back from WONDERCON. Made a few announcements there, that I want to repeat here...
GARGOYLES: BAD GUYS
SLG will be releasing a new spin-off of Gargoyles. GARGOYLES: BAD GUYS. This will be a six issue bi-monthly limited series in black and white. I'm writing the title, with art by Karine Charlebois and tones by Stephanie Lostimolo. Covers (as always) by Greg Guler, colored (yes, colored) by Stephanie.
Gargoyles will remain a bi-monthly book (in color). (More on this in a second.) And Bad Guys will come out bi-monthly on the main title's dark months, so for a year you'll have SOME Garg Universe product coming out every month.
Now, I'm sure you have questions... So I'm going to TRY to preempt some of them here:
1. HOW CAN YOU START A SPIN-OFF WHEN YOU'RE BEHIND SCHEDULE ON THE REGULAR BOOK?
Fair question. But I personally am NOT behind schedule on the regular book. In fact, I'm way ahead of schedule. Here's where things stand.
Issue #3 is done and has been for weeks. We're simply waiting on Disney to "approve" the issue. There's no mystery or conspiracy here. There's just, I'm guessing, a guy in an office who is swamped with things to approve and isn't making the SLG properties (Gargoyles, Tron, Wonderland, Haunted Mansion) a priority.
Issue #4 is being colored and lettered and should be done within a couple of weeks. Since it doesn't need to go out for two months, that should give Disney plenty of time to approve it.
Issue #5 is being inked.
Issues #6 and #7 have both been scripted and pencilling has started on each.
Issue #1 of Bad Guys has also been scripted.
I will start on issue #8 of Gargoyles next, then #2 of Bad Guys, #9 of Gargoyles and etc.
I'll stay ahead, and hopefully so will everyone else and what that means generally is that barring something totally unforseen, we should be on schedule from here on out.
And, yes, David Hedgecock had delivery issues Gargoyles #2. But this was due to him having to split his time between a day job to pay the bills and his gig on the book. David has now taken the EXTRAORDINARY step of quitting his day job to dedicate his time to Gargoyles. Since we also have fill-in artists on issues #4-6, David is getting right to work on issue #7 and he will no longer be the cause of any delays.
On top of this, Dan Vado has stated that he has every intention of picking up the Gargoyles' license when it comes up for renewal.
I don't want to get complacent, but really this is all good news. It looks like we should be around for a while.
And I actually think that Bad Guys will help us out. We will in essence become a monthly title (at least sort of), which will get readers in the habit of picking up something Gargesque every month. That HABIT should help. At least that's the theory.
2. WHY BAD GUYS? I WANTED TIMEDANCER*! (*Feel free to substitute NEW OLYMPIANS, DARK AGES, PENDRAGON, 2198.)
The main answer is chronology. I have this timeline. And the Bad Guys story I'll be telling in this six issue mini-series is happening in late '96, early '97. This is the story that NEEDS to be told now. I hope you like it. AND I hope you'll support it. Because if this limited series does well, then GARGOYLES: PENDRAGON is next in line. And after that GARGOYLES: TIMEDANCER. (That's as far out as I've allowed myself to think up to this point.) If the limited series doesn't do well, then it'll be the last one... and I'll eventually incorporate events from Pendragon, etc. into the main Gargoyles book. But I'm hopeful that that won't be necessary. And I hope that those of you who've seen the Gargoyles reel at a Gathering can tell those who have never attended one of our great (www.gatheringofthegargoyles.com) conventions just how cool Bad Guys really is.
3. WHEN WILL GARGOYLES: BAD GUYS PREMIERE?
Karine is inking Gargoyles #5 now -- which shows what a trooper she is, since she JUST gave birth a few days ago! As soon as she's done with G#5, she'll start on BG#1. Our hope is that Bad Guys #1 can come out in the dark month between either Gargoyles #6 & #7 or -- at the latest -- between #7 and #8. We certainly plan to tease and pimp Bad Guys at the 2007 Gathering in Pigeon Forge!
So, if all goes well...
Gargoyles #3 - March
Gargoyles #4 - May
Gargoyles #5 - July
Gargoyles #6 - September
Bad Guys #1 - October
Gargoyles #7 - November
Bad Guys #2 - December
Gargoyles #8 - January, 2008
Bad Guys #3 - February, 2008
Gargoyles #9 - March, 2008
Bad Guys #4 - April, 2008
Gargoyles #10 - May, 2008
Bad Guys #5 - June, 2008
Gargoyles #11 - July, 2008
Bad Guys #6 - August, 2008
Gargoyles #12 - September, 2008
Pendragon #1 - October, 2008
Is there an element of wishful thinking here? Well... duh. But it's not unrealistic either. This is the plan. I mean to do everything in my power to stick to it, and everyone else involved feels the same way. Can't make ABSOLUTE guarantees of course. But I can promise you that I'm passionate about this project, about making it the best it can be both creatively and financially.
4. WHY BLACK AND WHITE?
This is largely an economic decision. Printing in multi-color costs WAY more than printing in B&W, and that reduces greatly SLG's profit margin and ability to put out the titles without over-extending their resources.
Creatively, however, I was completely behind the decision. Though I feel strongly that the main GARGOYLES title should be in color, I think the subject matter of Bad Guys can work terrifically in b&w. Again, if you've seen the Bad Guys reel at the Gathering, you'll have some idea of what this book can be -- even without full color. Plus we will have color covers, so you will get a sense of what our characters look like in color.
5. UH... I CAN'T THINK OF A #5 AT THE MOMENT.
BUT I'M SURE YOU GUYS WILL. The good news is that I'm getting through the ASK GREG back log at a pretty steady pace. I'm hoping to have the site open for questions shortly. And we'll definitely open it up (at least briefly) when issue #3 hits the stores.
THE AMAZING SPIDER-MAN
The following press release came out late last week...
KIDS' WB! ON THE CW NETS NEW SPIDER-MAN
ANIMATED SERIES FOR EARLY 2008 PREMIERE
Culver Entertainment Widens Renowned Marvel Hero's Web from Blockbuster Films
to No. 1 Rated Saturday Morning Broadcast Kids Network
BURBANK, CA (MARCH 1, 2007) - Spider-Man swings back into television action in early 2008 as an animated series from Culver Entertainment to air on Kids' WB! on The CW, it was announced today by Kids' WB! Senior Vice President and General Manager Betsy McGowen and Sony Pictures Television Co-President Zack Van Amburg.
Tentatively titled "The Amazing Spider-Man," the new series is being produced by Culver Entertainment. Greg Weisman ("Gargoyles", "The Batman") is supervising producer, Victor Cook ("Hellboy: Blood and Iron" and "Buzz Lightyear of Star Command") is producer/supervising director. The series will premiere on Kids' WB! on The CW, the No.1 rated Saturday morning kids broadcast slate.
"The addition of 'Spider-Man' bolsters a lineup that has proved to be the Saturday morning destination for kids seeking action and adventure in the most amped-up ways," McGowen said. "We're ecstatic to welcome 'Spider-Man' to our popular cavalcade of super heroes."
"Spider-Man is such an important brand for Sony Pictures and we're thrilled to keep the momentum going by taking it back to television with an animated series on Kids' WB!," Van Amburg said. "It's also an excellent way to launch Culver Entertainment, our newest television company."
Riding the crest of Sony's anticipated summer blockbuster "Spider-Man 3," the new animated series picks up the original web-slinger's mythology at the beginning of his hero's journey - as a not-so-typical 16-year-old entering his junior year of high school. Having spent the summer engaging common criminals with his new-found powers, Peter Parker must conceal his secret identity while engaging a new level of terror - the multi-leveled pressures of teenage life at home and school while combating bigger, badder super-villains in the real world.
"Our goal is to reinterpret these great characters and concepts for our millennium," Weisman said. "We'll have plenty of resonant material for the Spider-Man fan, while engaging the Spider-Man novice with the same thrills we experienced when we were first exposed to the character. Our stories will appeal on multiple levels with plenty of eye-candy, action, humor and colorful characters for the youngest demographic balanced with extensive character development for 'tweens, teens and adults."
Culver Entertainment is a Sony Pictures Television company. Sony Pictures Television is one of the television industry's leading content providers. It produces and distributes programming in every genre, including series, telefilms, theatrical releases and family entertainment for network and cable television, as well as first-run and off-network series for syndication. With more than 25 programs on the air, SPT boasts a program slate that includes the top-rated daytime dramas and game shows, landmark off-network series, original animated series and critically acclaimed primetime dramas, comedies and telefilms. SPT (www.sonypicturestelevision.com) is a Sony Pictures Entertainment company.
A leader in children's programming, Kids' WB! continues to be a unique destination for kids. Kids' WB!, now airing on The CW Network, has been the broadcast home for such cornerstone hits as the blockbusters "Pokémon" and "Yu-Gi-Oh!," Emmy® Award-winners "Xiaolin Showdown" and "The Batman," culturally diverse series "Jackie Chan Adventures" and "¡Mucha Lucha! Gigante," and breakout hits "Shaggy & Scooby-Doo Get A Clue!" and "Legion of Super Heroes," among other favorites. Kids and their parents can find more information about Kids' WB! programming online at www.KidsWB.com.
We're still in very early days on Spidey, but I'm tremendously excited about the project. I hope you're looking forward to it, as much as I am.
That's it for now,
Questions regarding "Walkabout"
1. Why did Dingo meant by helping Fox and Anastasia? Carry crates? Clearing the test sites?
2. How did the Matrix shrank after being so insanely large? Compression? Did it kill a handfull of nanobots?
3. What was Dingo's job before going to America?
1. Generally, I think he was in charge of security. EXTERNAL security. Although, clearly he was off duty when the episode begins.
2. Deactivated and dissolved most of them, yes.
Hi Greg! I'm posting for the first time and it feels wierd, since I tried to send questions 4 or 5 years ago and they got deleted. Anyway...
First of all, I'd like to thank you for having been (and still being) such an important part of the Gargoyles franchise. You (and others of course) provided me with easily THE single best animated show ever. A well written series great voice acting, continuous plots, characters that are believable, and a complex universe that manages both to include lots of existing legends and myths while still retaining a distinct identity. I truly think that in terms of all-around quality for a dramatic show, Gargoyles was easily Disney's best effort by far. Reboot is the only other animated show that I've seen that seems to exhibit the same qualities, meaning well-written, clever and quite enjoyable for both kids and adults.
Also, I'm happy to learn that Gathering 2004 will take place in Montreal, meaning I might actually be able to attend! I don't know if you're the one who chose the location, but if you are, thanks on behalf of us Canadians!
Finally, I'd just like to thank you for actually answering the flood of questions we fans send your way. And especially your god-like patience towards people who obviously never took the time to read the FAQ OR archive. I can understand asking about a minor detail that could have been missed, but among the questions being submitted, I know there are some LAZY people I wouldn't mind slapping once or twice in the face...
Anyway, I have a number of questions on different subject, so expect a few one-question posts from me.
This one would fit in a "Writing" category if there is such a thing.
1. Regarding your current master plan (i.e. your ideas for the various spin-offs), it's obvious you've given lots of thoughts to the initial setting of each. The main characters and their immediate goals for example, as well as ideas for early stories as well as a few ideas for on-going plots. A lot of course would be dictated by the characters (and your muse I'm sure) as the shows would go along.
a) Now here's my question: Do you have an idea about the possible endings of some of your spin-offs? I don't want you to tell me anything, just if you have some "Ultimate goals" in mind for all your spin-offs.
Gargoyles itself has always been very open-ended. There never was a single overlying theme to the series, it just kept going on on its own, the plots and characters growing in complexity in a very organic and sometimes unpredictable way. It could potentially keep going on for years and years.
But some of your spin-offs have very specific premises. There ARE stories that are better told if planned from beginning to end as a whole. Others however are better if left to evolve on their own. An aimless story could potentially "find its voice" after a while, leading to an ultimate ending of sorts. Or, the initial premise could be transformed over time, leading the story in a quite different direction.
For example, Star Trek: Deep Space Nine. Initially, the show is about our heroes trying to restore a people (Bajorans) to a stable society following years of occupation by an enemy race (Cardassians). Yet, after two years, the show introduced a much bigger menace, a race who sought to conquer and control all others (the Dominion). From then on, the show eventually lead to a huge war with the ending signaling the end of the hostility.
a) How do you feel about long stories? About those that are open-ended and those that have some finality set for them? (I hope I'm not being to vague here. I'm really interested in how you feel about this)
And about some specifics spin-offs:
b) Bad Guys: The basic idea is about our main characters seeking redemption. Do you know if they ever find it? And would that be the goal of the show?
c) TimeDancer: Ultimately, the very final ending is, in a way, already known. Brooklyn makes it home a lot older with a family. But do you already have some sketchy idea about how he finally makes it there, like some final adventure dealing with the Phoenix Gate itself, or were you planing on dealing with it once you were forced to, like a series' finale?
c) Gargoyles 2198: This one seems to be mostly about the war against the Space-Spawn but as you often say, "Things aren't that simple". Would the liberation of Earth signal the end of the series, or would you keep the series going with the existing setting once the war is over? After all, there might still be other threats like Coyote-X, the Illuminati, etc.
d) Dark Ages: Since this one could theoretically run up to the beginning of "Awakening", I won't ask if you have an ending in mind.
e) Pendragon: It's obvious now that Merlin, Mr. Duval and Holy Grail would be important part of the story. Do you have an ending in mind for this one, or where you again planing on seeing where the story ultimately took you?
f) New Olympians: This one feels pretty generic, and feels like it could run forever like Gargoyles. The ultimate goal I suppose would be the acceptance of New Olympus by humanity, but judging by the response toward gargoyles, wouldn't likely fit within an entire series, no matter how long it might be. Still, got an ending in mind, even if it's pretty open-ended, like "Hunter's Moon pt.3"?
Thanks a lot for answering.
Well, time delay means that I believe we met in Montreal (and, no, I didn't choose the location -- I don't make those decisions). You played Lex in the radio play, right?
1a. Some yes, some no. I know where Dark Ages ends -- with "Awakening, Part One". I know where "TimeDancer" ends... right where it began. I have a VERY good idea of how the Space-Spawn thing is resolved, but I don't think that necessarily marks the end of 2198. And likewise, I don't have a firm ending for Pendragon, Bad Guys or the New Olympians... but I have a good idea where I want to go with the first major arcs. As for Gargoyles itself -- that would end in 2198.
1a) [You had two (a)s.] Some stories -- whether long or short -- need closure. They're one-shots... no matter how long they last. Others can be open-ended. I lean toward the latter personally... because life is ongoing -- even after individuals die. But I respect the other form as well.
b) I'm not going to reveal whether or not they find redemption, but yes that's the goal. The thing is... even if I were to redeem all the original cast, the concept can survive them. And new characters may be introduced that give us a reason to continue. I will say, that I wouldn't be shy to bring a series to an end if I had no more stories to tell. That just has never happened to me within the Garg Universe. Not yet anyway.
c) See above for confirmation of your basic thesis. But I have a fairly clear general idea of how the whole dance, including the finale choreographs. But I won't pretend I have all forty years worth of adventures planned out to the last detail. I don't.
c) [You had two (c)s, as well.] See above. The war doesn't end the series.
d) See above.
e) I have endings in mind for some of the arcs that I plan to set in motion. But even the ultimate death of Arthur himself (which I was not planning anytime soon) might not end this series. I have at least one significant idea to go beyond Arthur...
f) Same deal. I have specific arcs in mind, and I have a solid idea of how they end. But I doubt that they wouldn't lead to more stories. If in fact they didn't and I was out of juice there, I'd shut it down.