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I asked this before
Lady Leto writes...
Dear Greg.....
This is a respond to one of your ramblings. You asked:
'Is there anyone out there for whom City of Stone was your first Gargoyle experience? If so, I'd love to hear from you. Did you have a clue as to what was going on?'
Well I was getting my Dad to watch it with me for the first time. And throughout the whole thing he was asking me many question, most of them pointless like do all Gargoyles have tails? And kept on me about names. (Hudson right, nothing is real to humans till they have names.) So yes even with the flashbacks, "Previously" segment, and a hard core garg fan, he was very confused. I think next time I try to get him into Gargoyles I'll start at the beginning.
Also wanted say that it is really cool how you answer all these question. (I have been to the Archives.) It must take alot of time! And you even put up with the not so great questions! I just wanted to say thanks!
Greg responds...
You're welcome. Too bad about your dad. I was afraid of that. Did it at least intrigue him enough to make him want to see more? Or did the confusion just alienate him from the series?
I finally got my dad into the series! I picked an episode by random, it was Revelations. And he liked it! He doesn't like cartoons at all. We watch an episode each week. His favorite character is Hudson, and episode is 'The Mirror' (he thought Puck was really funny!). Well anyway, maybe I can talk him into going with me to the Gathering in 2003 (since we live in Tampa).
I'd love to see you both there.
For those of you who don't know, the site for G2003 has been chosen: NEW YORK CITY, site of the first two Gatherings ('97 & '98) and, obviously, the setting for the series.
But, hey, Lady Leto, how about grabbing your dad and heading for Gathering 2002 in Williamsburg, VA. It's a lot closer to you both physically and temporally.
Happy Rosh Hashanah Greg. Though it may be closeto Channukah when you read this.
It's past Purim. Pushing Passover. (Pretty pathetic, huh?)
But thanks!
I'm glad to see your OK greg. I don't know if you still live in New York(since all of your stories are based there), so I feared for your saftey when I heard about the attack. I'm quite relived now. My sympaties to you and all the american people.
Aside from the occasional trip, I haven't lived in NYC since 1987. I'm an Angelino, born and raised and now returned.
I don't pretend to know what it felt like to live in Manhattan on 9/11, but it was pretty awful being a whole continent away, so I can just imagine.
Thanks for your concern though.
Being a Canadian I am horrified of the thousands of our American cousins murdered in New York today, I hope that the terrorists are caught soon and be made to pay for their hidious crime. I just want to let all Americans who read this that Canada mourns with America and has always considered America as a very close friend and wishes America well.(including you too Greg)
Thanks. It's gonna be a little weird dealing with questions and comments about 9/11 here and now on Valentine's Day.
I may have very little to say.
Hey Greg,
I'd figure since I just got a call back from Jeff Bennett that I'd better check on you. If you are ok could you tell me how Bill(Broadway) and Thom(Lexington) are doing? I'm really conserned about how ya'll are doing and now more than ever. I know that sometimes the actors go to New York to work and Jeff got a hold of my answering machine, so he didn't elaberate(hope I spelled that right). Well, how have you been let's say between November of 1999 to present day? Since I met you, Jeff, Bill and Thom in November of '99 through Make A Wish.
Well I got homework write ya later, Bye.
Hi Cat,
I've been fine, basically. It's sweet of you to be concerned. How are you?
Thom is fine. Playing a lot of tennis. Doing a ton of radio commercials, at minimum.
I haven't talked to Bill or Jeff since (either) the 2001 L.A. Gathering or when I used each of them on the now defunct Team Atlantis show -- all this past summer. But I'm sure they're doing well, or I'd have heard.
Keep in touch. (Any chance we'll see you at G2002 in Virginia this summer?)
Greg
Greg, I'm glad to hear that you're okay. I hope your family is, too.
Well, I just dropped by to let you know of something. Curiosity got the best of me yesterday so I searched in the episode Future Tense for the World Trade Center that was destroyed yesterday, and I couldn't find it. You could usually see it from the Statue of Liberty, right? Well, they weren't there. Scary, huh?
...
I read through about the reasons why Gargoyles was booted out. And I certainly understand them 100%. No company is going to keep making something that isn't giving them a good profit, it's bad for buisness. I've seen a lot of Disney animated shows. At least one episode from everyone since the Disney Afternoon. Disney Afternoon I thought was great. Ducktales, Talespin, Rescue Rangers, even Marsupilami (spelling might be wrong, but can ya blame me?). Gargoyles is by far my favorite show. Now I am not a big fan of anime. I do like some, for instance, Princess Mononoke is just about my favorite movie. The animation was the best I've seen since Gargoyles and the story was excellent. Also well cast for the American dubbed version. Mononoke was the number one movie of all time in Japan, till Titanic knocked it down a spot. Never did I hear of such a thing. An animated movie is number one in a country and knocked all the classics down. Though I think it deserved that spot...even more so then Titanic. Which got me thinking about the difference between the two cultures. Americans seem to think animation is intended for kids. There certainly have been break throughs, but majority of those breakthroughs, were made in Japan. The Japanese seemed to tap into something in animation that Americans have failed to. It's not the form of the movie it is the story. I also think Japanese have more pride in the animated movies, seeing them more as artwork then as kiddie shows which is why they can work so hard at it AND the PUBLIC appreciates it. You and the rest of the Gargoyle crew worked so hard and made the best animated tv show in my mind. I just guess the American public wasn't ready for it. They aren't to that mature point to say animation isn't just kiddie flicks and cute fuzzy animals. They can have deep feelings and emotions as much as any actor. You have at least 2 people behind each character. The animator and the voice. I know there are many other animators of the characters, but I think you know what I mean. I am sorry that the majority ruled this time and they didn't appreciate it or bother to give it a chance or whatever. I still have that hope it will be back in one form or another. Maybe one day it will be it's time to be the next Batman or Superman. They started out slowly too and look at them now. One never knows.
After all that, was wondering, "Do you know how well Gargoyles did in Japan?"
I'm not sure Gargoyles EVER aired in Japan. Does anyone know different?
Siren, thanks for the kind words. I'd quibble with some of it. You make it sound like the public never embraced Gargoyles, and that's not quite true. We were still a solid hit. We simply were not a home run.
Also, I don't believe that either Superman or Batman 'started out slowly'. They were both homeruns nearly from the moment they hit the stands. Revelations.
matt writes...
is the Labyrinth that the clones and mutates live in really a labyrinth? it didn't seem too much like a maze whenever we would see it in the series, and lots of characters went down there and didn't get lost or anything.
Greg responds...
It's mostly just a name. But there are tons of corridors, tunnels, etc. Some of them hidden, like the one where Fang found the old Cyberbiotics weapons cache. So you could get lost and you could call it a maze.
And honestly, matt, doesn't this question seem a bit nit-picky?
recorded on 09-11-01
___________________________________
ok, i'll admit that sometimes i DO nitpick at things, but generally my questions do have a point. since you asked i'll tell you that i asked this cuz i really did want to know if it was an actual labyrinth or just a name. and now knowing that its just a name mostly doesn't bother me or anything. i just like to know the little details alot of times. its not nit-picking, its just being complete and precise, i guess.
Ehh, you may have caught me in a bad mood. There was a point where everyone seemed to be submitting questions with the intent of making me look foolish in some way. My apologies.
As for the Labyrinth, we largely stuck to two or three main areas. But the implication was that between the old subway tunnels and the cyberbiotics build-outs, that the place was fairly maze-like. You looked at my answer and concluded it was just a name. But --and now I'm being nit-picky -- that wasn't my answer. It was mostly just a name. But it was accurate as well.
Matt asked re: "Leader of the Pack":
2. what does "snakes to a nest" mean anyway? from what i know of snakes, they all abandon their eggs completly or stay with their eggs until they hatch.
Greg responded:
2. Ask the writer. I was just the producer.
Shan contributes:
When I hear this phrase, "like snakes to a nest," it makes me think of snakes rushing to the nests of *other animals* to eat their eggs. There are some types of snakes that prefer only the eggs of other animals -- at least according to my Microsoft Encarta (R).
This sounds like a Southern (United States) phrase, but I'm not sure. My mother's from south-eastern Alabama, and I know they have do have some unusual turns of phrase in that part of the country.
The problem with this interpretation is that it gets muddled by the context, since Lex is theorizing that the Pack will return to familiar haunts. Which leads to the way Matt read Lex's comment (i.e. about snakes' own nests), which might have been the opposite of the writer's intentions. Since the Pack members can definitely be equated with "snakes" I can see how one would get Matt's reading.
Steve Perry's the writer, Michael Reaves Story Edited this episode. I confess I don't know too much on the non-professional background of either person, so I've got no clue where either person would have picked up that phrase.
Just thought I'd share my thoughts. Doesn't change the story any, but possibly of interest...
Yeah. I took it the way Matt did, being ignorant of the behavior of snakes. Maybe snakes behaved differently in medieval Scotland?
Yeah, that's the ticket.
HEY, I'm back...and I came back with some milk to wash that cookie down. Santa came early to my house, but I wrestled the cookies away from him to give to you, he's getting big anyway. Mrs. Clause agrees with me. But afterwards Santa and I made up and had a cookie snack together. He told me that you've been a good little boy, Greg, and he's going to give you a big present in December for such great work you've been doing on this web site. He thinks that since you take time out of your valuable schedule to talk to complete strangers is a very noble idea. He's told me to tell you that. He sends his best and can't wait until December rolls around. HO HO HO.
Which Santa?
wuzzzzzzzzzzzzzzzzzzzzzzzzzzzzz up, Greg! Just writting to tell ya that this site is da bomb! You have your hands full with a lot of questions here, some quite philosophical, if I'm reading them right. You're DA MAN!!!!! Keep of the great work and maybe sometime I'll give you a cookie for such great work. SEE Ya!!
Uh... bye. Thanks.
Someone brought up the distinctive coloration of Thailog again, and I thought I'd throw in my two cents. You both agree, basically, that the idea to give Thailog a unique 'color scheme' was a good one, because it nulled the possibility of Thailog and Goliath being mistaken for each other, a very bad cliche. If you'd kept Thailog looking identical and just NOT done that cliche, we the viewers would simply be waiting for it, so the coloration difference was the best way to actively put it to rest.
You ask what the rest of us think about the general direction you and the other writers took Thailog. I'd just like to say that IMHO you guys played him BRILLIANTLY. And I mean it. So many shows bring in clones seemingly just to screw with the hero's identity. But in GARGOYLES Thailog plays such a more profound role. He is Goliath, but with a different soul. And that is what makes him disturbing. Also, in most shows, the clone remains the instrument of his creator, until perhaps he eventually dies, either slain or martyred. But in GARGOYLES Thailog breaks free of his creators in his very first appearence. Right off the bat, Thailog makes it clear that he is his own character, and that although his origin is as a clone, that isn't the extent of his profile. He is something never seen before in science fiction: a clone who so well establishes himself that the description "clone of Goliath" just sounds ignorant and pitiful.
Wow. Thanks. I'm very glad it (all of it) worked for you.
I was just watching Light House on the Sea of Time, and it sparked a memory. I couldn't read/write until I was fifteen years old; I was completely illiterate. My parents had taken me out of public school and home schooled me for a long time because of this, they had tried several different programs and nothing seemed to work. That was the year I saw Light House on the Sea of Time for the first time, and it really inspired me to want to read. I started a new read program that year, and I finally learned how to read. Now I can't imagine my life with out being able to read, I write short stories for fun, I joined the school newspaper, I LOVE reading. So. Thanks for helping me with that first step.
Wow!
That may be the coolest thing I've ever heard with regards to the series. It's a cliche, but we always said that if we could help one person to learn to read...
Thanks for telling me that.
Like you, I'm not a biologist, but this thing about a garg's wings bug me. You said that there are bones inside the wings, though you were not sure. But if there are some, then they can't be like the ones inside the arms or legs. Just watch one episode and you should notice what I mean. To fold them over the shoulders with only two large bones, they must be made of rubber, but that seems pretty unlikely. I would say that either instead of two large bones there are many vertebras, or instead of bones something else like cartilage.
I hope you understand what I mean.
What do your thoughts about it?
I have bones in my arm and it still bends at the elbow.
I already said this in the comment room, but you may not have read it. I just wanted to say sorry about how I put a bit too much attitude into some of my past questions (though at the time it felt more like righteous outrage to the way you answered questions). You were quite right in how you aren't obliged to answer for anything for us. This is your domain and your time you are putting out, and sometimes I and other people take that for granted. So in the future I will try to be more respectful.
That having been said, the reason I talked like that was I didn't see why making a small mistake in the question, was any reason not to answer. I didn't (and still don't) understand what you want when you avoid a question. You could want to not answer it at that moment, or it could just be a secret you don't want to get out (which I am quite willing to respect). So:
1) How can I tell which smart-ass response means what? As in When does it mean that you don't want to answer ever, you don't feel like answering now or you just don't want to answer because my spelling is getting aggravating.
2) Would you please be so kind as to grant me the knowledge of why Goliath, Angela and Gabriel weren't burned horribly when they fell into that water mixed with hot magma? By now I do have my own theory about this, but I would like to hear your answer.
And as for my spelling, since both you and Todd Jenson have told me how hard it is for you and him to read what I have to say, I have been making quite a fair effort to keep it clean (and the response as been fairly good in the CR). It seems people can change someone for the better, thanks for the incentive.
BTW, I was just slightly amused when I looked up "Pendantic" (which was what you called on of my questions) in the dictionary and couldn't find it. It was only when I asked my mom, that I found out it is spelled "Pedantic". But still, It's a cool word and thanks for teaching it to me.
Many thanks.
The Lord of the Sloths.
1. Honestly, you probably can't in a vacuum. If you hang here long enough, you may get a better sense of my rhythms, I suppose. But I still maintain that I don't have to explain myself. I just have to keep it fun for (a) me and (b) enough of you guys to make doing this worthwhile. I think the smart-ass stuff is part of the fun. Certainly for (a). And hopefully for a large enough percentage of (b).
2. I'd have to review the scene in question. It's been awhile.
Your spelling is much improved and it is much appreciated. I don't myself claim to be a brilliant speller, and, hey, typos happen. I know how to spell pedantic, so that one was a typo. All I asked is that you make a bit more of an effort. You have. I'm grateful.
Greg said:
In fact, Goliath's initial reaction to Thailog is not to form a bond. It's to call him an abomination. (You blithely skipped over that, Shan.) Part of what follows is a bit of guilt mixed in with him taking responsibility for Thailog as a parent.
As to Angela, you've again missed his initial reaction to her on Avalon. It is clearly one of paternal pride, just as he is proud of Gabriel and all of his children.
Shan responds:
You're right on both counts. I do remember having fallen asleep and just woken up in time to see the "Double Jeapordy" episode. Probably thought I remembered more than I really did, both about what I had just seen and Angela's situation. Lousy excuse though. I really should have researched better before asking a question of such an involved level (re: attempting to compare Thailog and Angela).
No biggie. Glad you're interested.
In the episode, "Future Tense," didn't it ever--disturb you looking back how Demona and Brooklyn were a couple? I mean, I see Goliath as a father to Brooklyn(even though G's only 10 garg years older). It wouldn't be right for a son to date his father's former wife/girlfriend. It would be downright disgusting. Yick! If my mother was single, I could never, EVER go out with a guy that has dated my her--even if he was around my age. Would you? And to make the B/D relationship concept/idea worse, Demona had been with THAILOG before she'd been with Brooklyn. Talk about hand-me-downs. Wow, that would be quite a marketing idea. I could just see it now: "Come on down and get the all-new 'Hand-Me-Down Demona' action figure! As a bonus you get to choose between Goliath, Thailog, or Brooklyn as her perspective "partner!" Heh heh! Demona would have a different outfit for which ever pairing you choose. Heh! Anyway, I'm just glad the whole thing was a dream-sequence scheme created by Puck and not something that would actually happen in "your" Gargoyle Universe.
Well, first off it was intentionally done for shock value to freak Goliath (and our audience) out.
But to be fair, I don't see Goliath as a father figure to Brooklyn. I see him as an older brother.
hey greig,
I wouldn't know were this would go but I think it's more of a one on one question i guess. I've been alot of gargoyle myths and legends lately and rumors about gargoyles actually living on earth. I was wondering if you actually believed the legends, myths, and rumors? That there might have been gargoyles here thousands of years ago?
Where have you heard these rumors?
Hey,
I've asked a few questions now (kinda had to warm myself up) so I thought I might give a little background, especially considering that the ability to post is back.
My first introduction to Gargoyles was from a number of ads in Marvel comic books back in '94. Seeing as I live in Australia, it took us a while to get the series, but when we did, I managed to watch it every Saturday morning (which is quite a feat for me, considering I'm not a morning person, and never have been).
At the end of the first season, I never saw Gargoyles on Saturday morning television again. Not sure if it was because whatever channel it was on stopped broadcasting it, or because I stopped getting up early to watch cartoons. In any case, all I had was a vague memory of the show, and that I liked it at the time.
Flash forward to about a year or so ago, and Gargoyles is on the Disney Channel on cable, seven nights a week. I'd managed to learn a bit about it from the internet, and I gave it another shot. I was addicted. High production values, strong characters and imaginative story-lines. What really sucked me in was "City of Stone". I found it amazing that "Macbeth" had been used not only as source material, but that the character himself was a recurring one in what was otherwise a kid's cartoon.
So I'd really like to thank you for creating such an inspirational and imaginitive show, and say how cool it is that you afford the fans this oppurtunity to pick your brains, as it were.
I might have lost out on the show when I was a kid, but I've gotten it back in spades as...well...legally I qualify as an "adult", but the term is debatable ; )
In any case, thank you.
~A fan
You're welcome. And thank you.
Monday:
It's all over! NOOOOOOOOO! I have to say, the past four days were probably
the highlight of my entire summer. Never have I had so much fun with people I
barely knew. I made some great friends in Greg X, Revel, Mara, Aaron, Dreamie,
and Winterwolf, and met a whole bunch of people, and even (according to Jannie)
picked up a fan club.
I have only ONE complaint about the ENTIRE gathering! Yes, just one. And its
something that can easily be fixed and would cost NOTHING to fix! The name
tags! Most of us meet over the internet, and few have any idea what the other
people look like. The name tags should have our Internet handle/callsign/nickname
in LARGE letters at the TOP of the badge, with the real name in smaller letters
underneath, with the picture/artwork taking up the bottom. In other words, reverse the ratio of name space to art space on
the badge. I should be able to see someone's nickname on their badge from more than 2 feet away. It was a little awkward
feeling like I was staring at everyone's chest to see their name. "I'm reading your badge, really!"
Gathering staff? What do you guys think about that?
I got to gathering late today, as I really didn't care much about the lectures that were happening. I picked up the artwork I
bid on and watched the closing ceremonies, which was basically a brief thank-you by Greg Weisman.
After that six of us (me, aaron, mara, dreamie, winter, and warpy) piled into Wolf's rented convertible and went for lunch
at a chinese restaurant my family likes. Everyone was happy, which is good because i'd have been really embarassed if
they relied on me to be their guide and disappointed them. After lunch we drove back to the con hotel and dropped off
Warpy so he could catch a shuttle. Then we left again to find a movie theater...the first one wasn't playing the movie we
wanted to see, so we headed to my house and hung out for a while until about 7, when Evolution was playing at a nearby
theater.
During the interim at my house, Aaron and crew (esp. aaron) became very buddy-buddy with my little bro. The six of us
(including my little bro) were talking up a storm in the kitchen. How we managed to keep it at his level is amazing to me,
considering the collection of gutterminds present. He'll start posting in here soon, as soon as I set up his new machine.
He's very excited. Now, keep in mind, he's 13, so try to stay PG-13 with him 8-). When he asks what yaoi is, don't tell
him 8-).
Seeing as I was a total 5th wheel (literally, as I was with 2 couples), I selected a theater with massive love-seat style
stadium seating for my friends. The armrests move back, big comfy chairs, you get the idea. After the movie, I insisted
that they drop me off and head back to the con hotel before I got violently ill. Being a confirmed bachelor for life definitely
has its advantages, but there's always that yucky feeling I get when I see sappiness among couples.
So that pretty much concluded my gathering experience. It was a blast, and as of today I'm actually considering GOING to
Virgina, if I can pull it off (doubtful, but who knows!?).
To Revel, Mara, Aaron, Dreamie, Winterwolf, Jannie, and GXB: You guys made my gathering infinitely valuable, and its
an experience I'll treasure forever. If any of you are in my neck of the woods (although I'd not call either of the concrete
jungles I inhabit "the woods"), look me up: you've got a place to stay. ::fake sobs:: I love you guys ;-). Oh, and I'd really
like at least one of you guys to post your view of events today, as I'd like to see it from the tourists point of view. 8-)
Sadly, the people I went to the movie with know where I live and they've seen where I sleep (good luck finding your way
back, though. Buwahahaha!). Now I'll have to kill them. ;-)
The pictures, greg, are posted at www.kicktothenuts.com/gathering
Thanks, Greg.
Geez, nice name for your website, man.
Seriously, though, I'm glad you had a good time. That's the point, eh?
Sunday:
So much went on today. There was a big Q&A with some of the voice talent,
including Goliath, Brooklyn/Owen/Magus, Lex, Obsidiana, and Hyena (i'm using
character names instead of real names b/c quite frankly I don't care and most
people won't recognize the names). There was an auction of garg stuff, one cell
went for $420, and some artists bible went for $300. I was part of a pool on a
Carl Johnson Garg Music CD that went for $200.
Anyone interested in borrowing money: talk to Aaron. I swear, that guy has more
money than god. I watched him outbid people just for fun.
A bunch of original artwork was displayed, I took pictures and they will be
available for download as soon as I get them off my camera and onto the internet.
Saved $53 by walking down the road to Subway instead of staying for the Banquet. I'm told all I missed was Crispin (sp?)
kissing Thom Adcox.
The costume contest was...interesting. My personal favorite was Aaron and Shinigami, who dressed up as Fox and David,
RESPECTIVELY. They won the Gorebash cross-dressing award. Best couple award went to Thom and Crispin. Dreamie
and Winterwolf did this cute commando thing where they hijacked Thom and demanded his boxers, leading Thom to drop
his pants in the middle of the dance floor. Thom dropped trou again while dancing later. Greg Weissman made numerous
comments about "any excuse to take your pants off, huh Thom!?"
I didn't get anything signed because, quite frankly, the only stuff that goes up in value when signed is sports memorabilia. I
mean, who outside the fandom knows who Greg Weissman is?!
I got some great pictures of CR members and other stuff, also to be posted soon.
If people are getting stuff signed to increase the object's MONETARY value than I'd have to agree they're nuts.
But I've had a few things signed in my day by people I admire. And it certainly increased the objects value TO ME.
Saturday:
Another great day at the Gathering.
Lets see, what'd I do today. Well I went to a bunch of different seminars about
writing, storyboarding, etc. Saw the radio play, which was SOOOO funny. Greg
revealed that the second episode after "The Journey" was to be a 22-minute porn
scene between Goliath and Elisa. Spent some time watching "Best of Gargoyles",
and a bunch of time in the art room hanging out with other TGS CR members.
A special apology to Jannie and Denis, who I left out of my list of people I met
yesterday (aka the list of people I strongly suspect exist).
Oh, and I've confirmed the existence of Todd Jensen. Although he doesn't APPEAR to be a cat, his conversational skills
make me wonder if he's a cat in a human costume.
Spent a large chunk of the day in just blabbing with Warpy, Aaron, Mara, Lynati, Dreamie, and Winterwolf (who, in case
you haven't figured out, is Dreamie's other half - I think), Revel, and GXB. Its a lot of fun hanging out with CR people, as
we all know a bit about each other's history and personalities, its not at all like meeting completely new people.
I'm finding out that I've pissed off a lot of people unintentionally. I mean, it probably seemed provoking, but since I don't
remember doing it, I obviously wasn't being malicious. I remember that kind of stuff. So that said, an apology to Jennifer
Anderson (sp?). Its quite interesting being introduced to someone and having them say "can I kick your ass now?"
Don't worry too much. Jen says that to a lot of people.
::DUCKS QUICKLY::
:D
I see you were looking for gathering essays. Since Aaron posted his, I thought I'd follow suit. These were posted in the TGS CR.
Friday:
Greg X and Revel say: NEENEER NEENEER NEEEEEENER! WE'RE AT
GATHERING AND YOU'RE NOT!!!
Everyone else says: Does anyone have a computer?
Gathering rocks. Loving every minute of it. The following people are now on my
list of those I STRONGLY suspect exist: Winterwolf, Dreamie, Dreamie's
Boyfriend (much to everyone's chagrin, though I discovered today that I could
care less), Revel, Greg X, Lynati, Warpmind, Christine, Tim, Becca, Lexy, Greg
Weisman, Thom Adcox, Coyote, Ravyn, Daniel Johnson, Aaron, Mara,
Guandalug, Patrick Toman, Kathy, CrzyDemona
Cute chicks: Okay, I'm an california boy, so you can imagine my standards are pretty high/picky. So you can imagine I
don't think there are any "Perfect 10's" at the Gathering. As it is, there are a few cuties. They are: Sorow, Dreamie, Ylla
(sp?). Just so you guys who aren't there know that I'm looking. Pictures to be posted soon.
The following people MAY exist: SJ, Robby, Gside, DPH. I suspect that they aren't at Gathering because they really are
someone else who's already there (robby-aaron, sj-me, etc).
Its really cool meeting all these people in real life, some of them are even cool in real life. But I have to say, I've been from
one end of California to the other. I've been to Santa Monica, West LA, and Berkeley. I've seen a lot of weird stuff. But
I've never seen a freak show quite like the Gathering crew, and I'm a weekly attendee of the rocky horror picture show.
That says a lot.
Greg Weisman showed us a sketch for his "bad guys" series, which was pretty funny, and he also showed us preliminary
story arcs for New Olympians and Dark Ages. Too bad he never got to make any of this stuff. If I were king...
I went to a panel group that included Christine and Mara, and learned a few tips for improving my fic...it may see the
black of the fic archive yet.
Then we MiSTed the gargoyles eps "The Gathering", where I demonstrated to the 20 people in attendance that I do, in
fact, have quite the guttermind ("The Puck has played many roles, but never that of straight man" "Yes, puck, we know
you've never been a straight man!"). But MiSTing gargoyles episodes it more fun than I can shake a really big stick at.
Even though they are the bane of our fandom, I really would enjoy MiSTing the TGC episodes.
Better late than never...
Thanks!
Aren't Shan's well written questions just a delight to read?
They're okay.
The following is in response to a question you answered for me.
Greg wrote:
Claw was mute. Renard was confined to a wheelchair. I'm not tooting my own horn here, I just think that maybe you're overlooking characters because they fit so naturally into the series that you forgot they were disabled.
Shan responds:
I'm beyond exhausted at the moment, so other than Garrett from the show I worked on I can't think of anyone else who has have appeared in every other show (except Brutto if ROUGHNECKS continued). I think you may be right about characters at the supporting level -- the Robbins and Renards of the animated universe -- but most do seem to be one shots, sometimes even in storylines where their disability is "repaired" by the end of the episode (such as an injury-created blindness that surgery or something else corrects), which usually seems a cop-out. IMNSHO.
And while I do like Renard, particularly as Fox's father, he is older than most of the characters we're talking about and from what Puck shows with his images in "Gathering Part Two," wasn't always in a chair, was he? (Again, beyond exhaustion, I might be wrong) It's a combination of age and illness, or at least that's the impression I've had. But then again, Robbins was blinded in Viet Nam and he's even younger. Showing ability with disability at all ages and stages of life -- and that it isn't always congenital -- is a good thing.
I have no clue why this is such a personal springboard for me, but I'm not embarrassed about it. I can tell you it predates my seizure disorder (circa 1992). On that note, I know that seizures are usually used to comic effect in film and TV and living it isn't funny to me. I close my eyes and let it be though. I'm not going to tell people what they can and can't do. I just don't have to like it.
(Now jumping off soapbox...)
Greg also wrote:
I also would love to do a hearing impaired animated character with Marlee Matlin doing the voice. She used to come into Rockets and I once had such a big crush on her that I swore that if she came in one more time, I'd ask her to marry me. (She must have sensed that cause she never came back.)
Shan replies:
:) If you did the character as a lip-reader, it would probably work in limited animation. Sign language is a whole different ball of wax, though I do know I saw it done once as a kid (I want to say on DEFENDERS OF THE EARTH, but I am so tired right now). Christy Marx and I talked about this waaaay back when I first met her, though it's become public knowledge on the TRULY OUTRAGEOUS! JEM Mailing List over the years. Hasbro had Christy developing a JEM feature that never really went past treatment since the TRANSFORMERS and GI JOE movies did so poorly. They were going to have a deaf girl in that movie, which was integral to the plot. Later on, Christy had dinner with a woman who taught her there are many variants of sign language; ASA (American Sign Language) is just one of several so it might not be understood well in some markets that aren't familiar with ASA and thereby not translate internationally. Also the complexity of the hand gestures just might not come out right in limited animation. So she told me at that time she wasn't sure if it ultimately would have worked out it.
Just FYI...
Solving those problems would be tremendously complex -- but worthwhile for a worthwhile character.
Ian>Um... thank you, I think, for complementing my questions. (I was passing through to see what other questions had been posted as long as I was online and saw your comment).
Greg>I hope my questions better exemplify your preferences, but you and I both know I can be error prone on occasion. I can think of instances both where I was your student and not proofing myself well enough as an interviewer (the latter being the greater embarrassment) where that was the case.
(And I just had to go look up embarrassment. I always have to stop and think about the "r"s and "s"s...)
The fact that you are looking things up is good in and of itself.
By the way, it was nice to see you and Jen and Alan and Zach and Ana and Ambrosia at Keith David's performance. I hope you all had a great time. (And I'm sorry I didn't warn you about the expense. I didn't know and was caught off guard by the cost myself.)
One thing that I thought that I'd mention here today, now that the question queue has gotten started up again, is on Goliath's smashing the Praying Gargoyle and foiling Operation Clean Slate in "Hunter's Moon".
I think that it's obvious to us all that Goliath was taking a big risk there, since if Demona had smashed the vial after that, all the gargoyles would have died alongside all the humans. But I wonder how many of us have noticed something else, that foiling Demona's genocide scheme entirely (as indeed happened here) could be almost as fatal to the gargoyle race. After all, at this point, the existence of gargoyles has been revealed to the world, and the public wasn't too thrilled with that. At the time that Goliath was confronting Demona, St. Damien's Cathedral was surrounded by an angry crowd practically howling for the gargoyles' blood, which was even prepared to charge in vigilante-style if the police didn't do anything. And even afterwards, as we saw in "The Journey", the public attitude towards gargoyles remained hostile; people were eagerly joining the Quarrymen when Castaway set it up, Margot Yale was openly calling for the capture and incarceration of the entire species on television, etc. We know, of course, from your "Gargoyles 2198" announcement that eventually humans do learn to recognize gargoyles' right to exist, and that by 2198, the days of near-universal attempts on humanity's part to hunt down and kill gargoyles are over - but Goliath, obviously, couldn't have known that.
I don't know whether Goliath had time to realize when he smashed the Praying Gargoyle (he took action extremely quickly, after all) that he was thus potentially endangering his species twice over, and that by saving humanity he was potentially dooming his race to brutal massacres (and I'm sure that even if he did know it, he'd have felt that there are just certain things that you have to do that are more important than mere survival and that wiping out one race so that another can survive is wrong - not to mention that he also knew that not all humans were crazed anti-gargoyle zealots), but I still think that that action of his was probably one of the most courageous and altruistic deeds that he performed in the entire series. I just thought that I'd give my thoughts on that here.
I think his action was considerably less thought out... for me it's as Elisa say: "That's what he does. That's who he is." It was as purely a "Goliath" response to a crisis as any we've seen. Goliath isn't perfect, far from it. But the angel of his better nature is a pure and powerful thing.
Are you going to be able to make any kind of art gallery in the near future? I love your work and would be interested to be able to purchase picutres from the gargoyle and Max Steel series. My 3 year old son loves the show too, btw.
That's great. But I'm not an artist. Can't draw worth a darn. (I said darn because your son is only three.)
Mr. Weisman,
I'm sorry I did not acknowledge your response before now. I only realized that you had addressed my post on sentience a moment ago.
I did not really think that you condoned the obliteration of a family of polar bears (anthropomorphic or otherwise). I was raising the issue because I think I am observing a trend wherein people are only assigning value to a life based upon an inference of anthropomorphism. That is to say, some people are investing their ethical concern in something based upon how much it resembles a human being; and this is hardly an objective premise to begin with. Semblance to human beings, mental or otherwise, can not constitute a requirement for being worthy of consideration or protection. However I do believe that it is reasonable to assign values based upon certain criteria from within our own perspectives (it's the only thing we can assign values from) as long as we make a concerted effort to avoid an obviously centrist sentiment like using ourselves as a template for what is worth consideration.
If someone were to ask me what criteria I thought were appropriate, I would probably return to what has already been implied. Intelligence. Emotional intuition. Volition. And a whole host of perceptual characteristics. Those things from which emerge a picture of mental life. Perhaps an ability to suffer and to anticipate conditions which cause or alleviate suffering, and to desire to distance ones self from a cause of it. However, if we are going to determine the presence of those capacities with nothing but purely verifiable data, then we fall in league with the evolutionary psychologists foundation of mental within the biological. And the biological machinery necessary to mediate these abilities is certainly not the exclusive domain of Homo Sapiens. (I _do_ subscribe to the evolutionary psychologist foundation by the way. I like to have data I can verify beyond "it is true because it is so.")
For a lot of people though, these emergent mental properties are always considered as something transcendent of biology, immeasurable, even inviolate, because I have observed others react with hostility to the reduction of mental qualities to biology. On numerous occasions. Thinking that way leads to all kinds of misunderstandings, however. Another contributor to this board, Entity, had taken the position that humans and gorillas were intelligent but dogs were not. I found this extremely interesting because even outside the realm of biological architectures in the brain I could use as a foundation for taking the evolutionary psychologist position, it needs to be acknowledged that even within social psychology dogs are attributed a measurable intelligence. It's not extraordinary. My dog has an IQ of 12 or so for instance. And of course these kinds of figures are disputable, because it really requires the participation of the test subject past his simple presence to get accurate results. I would submit that the whole concept of IQ as it is accepted within the social sciences borders on being fraudulent anyway. The point is that the ascription of non-intelligence that was made about the dog was arbitrary. It was not informed by the physical _or_ social sciences. It was just an assumption. And that kind of casual valuization can be dangerous when it functions as the basis for how much respect we offer another. This is not a slight against this Entity. I'm just using this as an example to outline the stated purpose of my original post. If people are going to hold these positions they maintain, then they need to ask themselves why they have that particular belief. If they have this mental dialogue with themselves and they cannot answer that first question, then it is time to evaluate how much their beliefs represent reality.
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I'm probably as guilty as anyone of overusing, or rather overbilling the issue of "sentience". I think the concept has its uses. But it's probably used as a crutch too often.
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I would agree. I think of it as a crutch of language. Some people subscribe to an ideology that is a holdover from religious impulses. It maintains that the mantle of "human" is sacred and unapproachable. They need to define what the quality of "human" is that makes it thus, without any background knowledge of cognitive science so that it fits their sensibilities. They can adopt the hazily defined expression, "sentience", imported from popular culture, via star trek, to articulate their position. For some others, the mental capacities of non human animals may be very well understood. They may acknowledge capacities for reflection and emotion, but they still need a convenient means of distinguishing various abilities. So an imprecise language becomes common.
Agreed. And I'll also admit that your thinking on this subject is much more sophisiticated than mine has been.
I think a lot of how we are defining sentience does come down to the "Potential for Direct Communication", which is of course a fairly preposterous criteria.
On the other hand, if it is truly another hand, I don't think these ideas are mutually exclusive with notions of religion. Dog heaven, man. You know?
And don't worry about not getting back to me sooner. As I'm sure you've noticed, there's something of a delay going on in this whole system. I have trouble keeping up with the posts here. So as long as you remind me of what we were talking about, we should be fine.
I just reviewed what I have written here. It's so formal it's almost offensive. I'm sorry. I don't think one can talk about issues like this without sounding (obtuse? Stuffy? Something like that.) And not a word about Gargoyles.
Let me leave the realm of animal intelligence's for a minute and consider the intelligence of some of the more fantastical characters in your story. The fae. When I think about this kind of (ethereal?) character, these are the kinds of associations that I make.
-The thought of angels moves faster than human thought. (I don't recall where that comes from)
-A four dimensional object or being will cast a three dimensional shadow. (That's an observation Buckminster Fuller made.)
-A being that cannot die will have no concept of death, and certainly will not attach values, positive or negative, to the ending of a life. (This is a condensed and bastardized summary of some of the speculation of extraterrestrial intelligence's that participants of the SETI program publicized.)
I hope some of the above makes sense. My thinking is this. That the content of fae thought/mentality may be fundamentally different from homo sapiens thinking. Not just an accelerated or enhanced analogue of human thought, but structurally different. Our mental world is the emergent condition of innumerable biological systems interacting with one another. I have no reason to conclude that the fae's intelligence emerges from anything reductionist in nature. It is a condition that exists without origin in biology (potentially). Everything that we think of as intelligence rests on an evolutionary foundation of connections to allow us to successfully distinguish between things we can eat and things that will eat us. It would be absurd to think that the fae (who I don't think were subject to natural selection through predation) would have an intelligence structured upon the same principles. Simple alternative concepts like "either or" may not have the same meaning to them. This could go far towards explaining why they are so damned irritating.
My second thought on the matter, in reference to the three dimensional shadow concept, is that the visual representation we get of the fae in the story may be a poor representation of the reality. I use the concept of a hypothetical four dimensional being to illustrate. A two dimensional being could be aware of my presence if I allowed it to, although it would be a simple matter to remove myself from it's perception with a minor movement. However it's awareness could not give it a complete representation of what I am. It could only understand me as a fragment that can be translated into something comprehensible within the context of it's world. I can easily attribute an extra dimensional quality to beings like Oberon and Puck who seem o appear and disappear at will. We might not be able to understand completely, what they are. Only that the portion of them that is represented in three dimensions resembles a group of tall, angular, oddly complexioned people in period costume.
My third observation of the fae, and in particular of Oberon who has demonstrated a dispassionate distance to killing his rivals in certain instances, is that he may have no concept of murder because he may have no concept of death. (Yes I know that he reacted to the iron bell in such a way that would indicate it was harmful to him. Even lethal.) However, even if he were to express a concept of death we would not be able to be certain that his concept was anything like our concept. Does death mean an end for him? If it does not, then the gravity we attach to it may be lost on him and the other fae.
I think my point is that while it would certainly not be appropriate to think of a creature like this in human terms, i'm not even certain you can extrapolate "human" from him. There could be creatures, so far removed from human experience that it would be impossible. Of course, the associations that I make with the fae are not going to be the same ones that you make. Your concept of them may fall within human experience. You have other creatures though. Your space spawn. They would certainly have been subject to mental dispositions grounded in a different biology. We're conditioned with the genetic remainders of our hunter gatherer ancestors. They would be conditioned with something else. I dont know what. Something spawny probably.
Spawny. I like that.
Play with these ideas:
1. I believe that Oberon's Children evolved from the Will-O-the-Wisp.
2. I believe that they can die, as completely or not as any human. But they can't die of old age, unless they stubbornly insist on maintaining a mortal form until it kills them. They are therefore, acutally, technically mortal themselves, but don't truly comprehend mortality (if that makes sense). So they like to pretend they are fully immortal, fully untouchable. (Well, that's a generalization, really. Individuals may vary.)
3. I don't necessarily believe that we have seen the true form of any of Oberon's Children. We have seen 'preferred forms', but not anything that isn't just as much of a guise as any other shape they've taken on.
4. When they transform into a mortal of whatever species -- as opposed to just taking on the glamour of a mortal -- they are bound by all the rules of that species, save ONE. They can transform back.
5. I don't find them as irritating as you seem to.
Anyway, play with those five notions and get back to me.
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It brings me to another distinction: the one between sentience and artificial intelligence. Coyote, for instance, can throw a zinger, but is he self-aware? I don't think he is. Xanatos hasn't achieved (or would wish to achieve) that much, has he?
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I don't know anything about computer technology past it's relationship to cognitive studies into artificial intelligence. There is a lot of dispute about the possibility of an actual computer intelligence. I'm not competent to say if the possibility is real but I would not discount it. I can see numerous avenues for foundations for intelligence besides the neurochemical variety. Incidentally, I once took a Turing test...and failed. I was delighted.
I don't know what a "Turing test" is. Sorry.
I believe that in the Gargoyles Universe that artificial intelligence is truly possible. I just don't think any Coyote robot we've seen has truly achieved it yet.
Matrix may be closer.
Many mythological scholars believe that in the early days of the myths, humanity was matriarchal, worshipping some sort of "Great Goddess"-figure, but as time went on, it underwent a shift to a more patriarchal culture, producing male gods such as Zeus who toppled the "Great Goddess" and replaced her. Did such theories (assuming that you're aware of them) influence your vision of Oberon overthrowing his mother Mab and replacing her?
Yes.
Greg:
I have a million questions, but I would prefer to leave them unaswered. However, I would like to thank you (and all those others involved) for creating such a magical series. Gargoyles is truly a work that raises that bar when it comes to storytelling in an animated series.
So, regardless of whatever happens in the future with Goliath and the gang, thank you for producing some of best storytelling this fan has seen in any medium.
Thank you for taking the time to tell me. And I SO RESPECT your desire not to have your questions answered. Good for you. (Although if that sentiment spreads I could be outta business. Sigh. Fat chance. KIDDING!!)
Ok, you know what I have yet to do? Praise you on GARGOYLES 2198. I mean, there is so much worthy of praise. Here are some things I found most impressive:
1) Nicholas Natsilane Maza and the Order of the Guardian that he is a part of. It gives both Natsilane and good old Tom a legacy.
2) The idea of the Space-Spawn being born "amidst the fury of an exploding star." It's such an original idea, and in science-fiction, originality is sometimes very hard to come by. Speaking of which, maybe there's a question in here: do you know what element the Spawn Spawn are based off of? (e.g. carbon-based)
3) To have the Space-Spawn take over the world right off the bat, and in such a swift, painless manner. As you state, there is "very little loss of life, unless freedom matters to you." This puts drama before bloodshed, pure Gargoyles.
4) The Illuminati's dark pact with the Space-Spawn. This actually brings up another question (and I hope this one hasn't already been asked, if so I apologize): is Alexander Fox Xanatos IV a member of the Illuminati at the time of his abduction?
2. I have some ideas, but I've done no research, and given how I'm taken to task on every LITTLE thing I say, I'd prefer not to embarrass myself at this time.
4. No way I'm telling you.
Lord Sloth wrote some words he/she? had learned from the show. you couldnt decifer one of them. Im not sure how to spell it, but it sounds like ESH-ih-lon (he's one of our lower ranking members, etc. at least I think thats where i remember it from)
someone may have said this already. i havent read the questions being submitted archive.
Echelon. Now just to be safe, I looked it up in the dictionary. Why am I the only one who did?
Not really a question, but you have my sympathy on Team Atlantis. Working in a corporation, I understand that nothing quite feels the same as having a project you've invested a hefty chunk of time into suddenly get displaced. Well, maybe being kicked in the guts by a mule or something comes close. :(
I wish people would make up their minds about projects before men and women started investing large amounts of time into making the project a reality. It is even worse in a creative process.
In systems design, it feels so insulting to get along the Systems Development Lifecycle to the point where you're working to fulfill agreed-upon specifications and suddenly the client does a 180 and tanks the entire project. I imagine it is even more frustrating in an artistic / creative setting where it is only natural to put large portions of yourself into a production.
So, to you and all those with whom you worked, my sympathies. I appreciate your efforts and I'm disappointed that we'll miss out on Team Atlantis.
Bona Fortuna
- Kai
Thanks.
Greg, I am so sorry to hear about Team Atlantis getting dropped before it even hit the air. This Demona and Fiona Cammore story did sound pretty interesting.
Hope you get another voice directing jod or somthing else soon.
Thanks. Me too.
Count me as another person who's sorry to hear that "Team Atlantis" won't be coming out after all. From what I had heard about it (especially at the Gathering), it had sounded good (and not just because Demona was going to guest star in it). Such a pity.
Yep. Put a lot of people out of work too.
This is more a comment than a question! I've been a Fan of Gargoyles for a long time, since it first aired on the Disney Afternoon! and after it stopped airing, I started looking in the internet, to see if the show would keep going, I mostly saw some fanfics, but it never was quite the same.
Although I was amazed on how many fans the show had, and more so that most the of the fans were adults.
now, when I rediscovered gargoyles on toon disney, and finding this site again, and actually asking questions, and joining the comment room.
I find myself so intrigued not only on how great the show is, but how many other people enjoy it and find so much entreteiment in it, and how wonderfull gargoyle fans are, they are very loyel and really care about Gargoyles.
So my question is, how does it make you feel, As one of the creators, that after the show has been cancelled for 5 years, so many people love and keep it alive in their hearts, through the internet and reunions such as the gathering?
GREAT!!!
I mean, duh. GREAT!!!!
It's very gratifying. The Gatherings themselves are tremendously wonderful for me. Feeds my ego enough to last me a whole year.
Mostly, I'm just glad that the show reached people and that they largely responded to it as we all hoped.
Where can *I* buy a copy of Cree Summer's CD?
Everyone eat Round Table pizza!
Oh! And sign up for G2002!
And write to Disney asking for Gargoyles DVD's! (Greg, you can tell Mr. Fukuto that I'll by Gargs on DVD, and I don't have a DVD player.)
I love Cree's CD. Have you tried a record store?
During the course of the series, New York was struck by a number of events of a decidedly "unusual" variety, and ones which obviously weren't completely covered up (even if the true cause of them wasn't known to its citizens). Gargoyle sightings were the obvious part, but also so were the "missing nights" in "City of Stone" and Oberon putting everyone to sleep in "The Gathering", for example. By the time that the gargoyles were revealed to the public in "Hunter's Moon", therefore, New York had experienced two years' worth of Fortean activity.
While the obvious main reason for the public panic over the gargoyles in "Hunter's Moon" and "The Journey" was simple fear over them, do you suppose that the cumulative aftereffects of the two years' worth of weirdness (especially from "City of Stone" and "The Gathering") could have been a factor as well? After all, in real life, unexplained ongoing problems can often lead to people looking for scapegoats, and persecuting minority groups thereby (as in the case of persecutions of the Jews getting more severe in 14th century Europe during the Black Death). Do you think that some of that could have been at work here?
YES!!!!!!
Weirdness can in fact have a cumulative -- not simply a momentary -- effect.
You idiot, do you actually think he'll answer everyone of those questions. If he actually gives straight forward and clear responses for half of these then I'm a monkey's uncle.
Wow. Anonymous. Looks like you've got a new moniker.
Ladies and gentlemen, "A Monkey's Uncle".
I love being unpredictable.
Hi Greg!!!
Gargoyles is such a great TV show. It's my favorite TV show. And it shows cartoons are not just for little kids. Anyways, I remember reading about your plans about Brooklyn's mate. I was just wondering, did you, or any or any other creators plan on what she was going to look like? Does she kind of have a "beak" like Brooklyn? It's ok if you don't want to answer, but I just wanted to know. But I am glad that Brooklyn would get a mate. I felt very sorry for him after Maggie rejected him when he was trying to help her and Anglea chose Broadway. I was just wondering if you guys planned what Katana was going to look like. Thanks for reading this. ^_^
Sincerely,
Audra
Not yet, no. I have a few vague ideas, but that's it.
Hi Greg! First time poster here. I want to thank you on writing such a great show!! I only started to watch it a little over a year ago. I've only seen about 70% of the episodes, because of it's late airtime and the fact that I have older siblings who what dibs on the tv. What I really want to ask you is how did you come up with this whole series? It's really incredible how it all ties in, considering its complicated plot. My teachers have always told me that I have a gift for story telling, but most of its all been fan fiction. I love to write, but the only reason I do fan fiction is because I can't seem to make up my own characters. So how did you come up with all these complex characters? Did you have to sit down for hours to think of characters, or did they just suddenly come to you one day? Anything you're willing to tell me will be greatly appreciated. I don't care if writers don't really make it on their first story, I know that (I'm only 17, after all). I just want to write share with some people something that I can truly call my own. Thank you! (Next time around, I actually will ask questions regarding the show)
=^..^= <---Meow!
Well, let's start by acknowledging that I wasn't working in a vaccuum. From day one I had a staff of people working with and for me on the show.
Special credit needs to go to Michael Reaves, Brynne Chandler, Gary Sperling, Cary Bates and Lydia Marano who were all huge participants in the process.
Lots of time was spent talking, batting ideas around. But honestly some things just came so easy and naturally that I still believe that the Gargoyles Universe is out there broadcasting history to me.
a couple weeks ago someone asked what gargoyles protected before the other races showed up and you said each other. but since we have the Mayan clan protecting a forest, the Loch Ness clan protecting prehistoric monsters, the London Clan protecting a shop in SOHO, and i'm sure there were other examples, what gargoyles protect has always been extremely varied and never limited to sentient beings.
1. it seems from clan to clan there is a wide range of what to protect. why is that?
2. every species, like the gargoyles, protect their own kind and eggs, etc., but why did gargoyles begin to extend that protection to more than themselves?
1. Reread your own preamble. Good. Now. Why do you think?
2. Because they care.
Since you and Entity recently (as of July 20th) had a brief exchange about Xanatos's characterization, I thought that I'd give a thought of my own about him.
One thing that has occurred to me is that there was an intriguing paradox about Xanatos in his "feud" with the gargoyles. One advantage that Xanatos had over the conventional "cartoon super-villain" was that he was a level-headed, practical man who wasn't interested in revenge or pointless vendettas. And this, on one level, made him potentially a more challenging adversary for the gargoyles. Because as a result, he wasn't likely to get so distracted in carrying out his personal score with the clan that he'd make foolish mistakes which they could take advantage of and thereby win, the way that more conventional "master-villains" in animated series do (and which, elsewhere in "Gargoyles", the Archmage himself fell prey to, when he kept on making strategic and tactical errors in "Avalon" - such as not waiting until dawn to attack or in magically tormenting Goliath when he could just as easily have simply zapped him into a pile of dust). It removed the leading source of "mistakes that antagonists make" which can save the day for the protagonists.
But, ironically enough, this very trait of Xanatos's also may have helped the gargoyles in a way. For, since Xanatos wasn't a revenge-crazed man, he wouldn't be likely to be constantly pursuing the gargoyles obssessively in "conventional cartoon super-villain" style, and indeed, he didn't. He went after them because he had specific plans about what to do with them (using them as his agents for such operations as stealing the disks from Cyberbiotics). But that motive didn't take too long to be discarded, as it became increasingly aware to Xanatos that he couldn't make use of the gargoyles in that way ever again; in fact, I recently noticed, upon examining his actions closer, that in Season Two, despite his continued clashes with the clan, he had stopped attempting to actually capture and dominate them (the one exception being his capture of Hudson in "The Price", and then there was a different reason for that - the need to use Hudson as a guinea pig for the Cauldron of Life). So he no longer had a serious reason for capturing them, and consequently, didn't see the need to make those efforts. The only possible reason left for going after the gargoyles was that of revenge, and that obviously didn't interest him. So he had no reason to pursue them (and indeed, seems to have even been aware, as the ending of "City of Stone" makes clear, that leaving them more or less at liberty could be much more advantageous to him anyway). He could afford to leave them alone.
So I find it an amusing paradox that the very factor which could have made Xanatos a serious threat to the gargoyles actually helped to make him less of a threat than he might have been. He wasn't obssessively pursuing them on the basis of a pointless grudge. He went after them only when he saw a genuine need to, and there was increasingly less reason for him to capture or destroy the whole clan as the series went on (and good reason, on the other hand, to let them be).
Sound analysis. I've said it before, I think as villains go, David and Demona are too fairly original characters. I'm proud of all my babies, so to speak, but I'm particularly proud of these two and how different they are from each other and yet how they both constantly presented us not merely with 'evil plot of the week' material but with challenging character work. They wrote themselves.
Well, I'm not Todd, but in response to the history of Excalibur, Geoffrey of Monmouth's "Caliburn" is thought by some to be derived from the Welsh "Caledfwlch" (Breton "Kaledvoulc'h"), or from the Irish "Caladbolg" or "Caladcholg." Caledfwlch appears in several Welsh Arthurian stories, especially "Culhwch ac Olwen." Caladbolg, "hard dinter," was the lightning sword of Fergus Mac Roth. Caladcholg was a similar sword owned by Fergus Mac Leti. Various people have argued at one time or another that the modern idea of Excalibur was taken from one of these sources.
Interesting.
Hi Greg,
Don't let the death of Team Atlantis get you down, true brilliance is never recognized in its own time.
Anyway, I was wondering about your personal opinion on something: pop Arthurian Legend. First there was the "Merlin" miniseries, now there's another one on TNT called "The Mists of Avalon." Both take the traditional story of King Arthur and try to present its elements of magic to contemporary TV audiences in the guise of religion. Instead of accepting magic as a part of the legend, which I guess TV execs think is too "silly" or maybe even "controversial," they turn the Arthur legend into a morality tale about the old verse the new, Paganism verse Christianity, imagination verse logic, etc... take your pick.
What's your take? Do you think this is a constructive and innovative approach to telling the story, or a distracting and childish one?
Well, I haven't seen Mists and have only seen pieces of Merlin. So I can't judge either series.
I think you tip your hand on your opinion, however.
In and of itself, the approach has some potential. It's about execution. And the ideas aren't mutually exclusive. Look at EXCALIBUR (the movie). It has elements of both approaches, and I think it's wonderful. (Just saw it again recently. It really holds up.)
A couple weeks ago, you posted a ramble in an interesting exchange of ideas with Punchinello, about the subject of "sentience" and how it's used in science fiction and fantasy, about whether it's a wall or not, etc, etc...
I thought to chime in, contributing with the concepts that Orson Scott Card introduces in "Speaker for the Dead" (an excellent book btw - I encourage everyone to read it). There he uses different words to differentiate between different kinds of 'alienness'... Let me quote:
"The Nordic language recognizes four orders of foreigness. The first is the otherlander, or 'utlanning', the stranger that we recognize as being a human of our world, but of another city or country. The second is the 'framling' [...]. This is the stranger that we recognize as human, but of another world. The third is the 'raman', the stranger that we recognize as human, but of another species. The fourth is the true alien, the 'varelse', which includes all the animals, for with them no conversation is possible. They live, but we cannot guess what purposes or causes make them act. They might be intelligent, they might be self-aware, but we cannot know it."
Obviously here the most important concepts are that of the 'raman' and of the 'varelse'. These can be useful, over and beyond the concept of 'sentience', because they refer to how much of an understanding can exist between different species - unlike 'non-sentient' for a species to be 'varelse' doesn't necessarily make it "inferior"... Only non-understandable.
On the other hand I find these concepts also intriguing because they *do* carry a moral judgment within them, even if it's a more subtle one. To recognize an alien as "raman" is to recognize him as basically human, to recognize that his fundamental motivations are the same as yours. It's the beginning of understanding and tolerance...
Now in the gargoyles universe, it's clear that both gargoyles and fae (and Nokkar's people also) are all "ramen": Other species which despite all their difference with our own, we can recognize as fundamentally 'human'. I'd also go on to say that this is what people like Jon Castaway refuse to see. By declaring that all gargoyles are monsters he doesn't necessarily refuse them their 'sentience' - he does refuse though to see that they are 'ramen'... and as such he can say things such as 'they are all evil', 'they must be destroyed', etc, etc...
And with that let me conclude with another quote from the book:
"Since we are not yet fully comfortable with the idea that people from the next village are as human as ourselves, it is presumptuous in the extreme to suppose we could ever look at sociable, tool-making creatures who arose from other evolutionary paths and see not beasts but brothers, not rivals but fellow pilgrim journeying to the shrine of intelligence.
Yet that is what I see or yearn to see. The difference between raman and varelse is not in the creature judged, but in the creature judging. When we declare an alien species to be raman, it does not mean that they have passed a threshold of moral maturity. It means that *we* have."
Sorry for the length of this ramble... :-)
Don't apologize. This subject is fascinating to me. Thank you.
Hi Greg!
In response to the Tootsie Pop commercial: I've seen it within the past year on TV, so.. it's still making its rounds on TV. And yes, I know the commercial, but.. I'm an early 80s baby (born in the early 80s). And that response fit with the question, very much so.
I'm running out of things to say.. whee.. ahem...
Oh! I found a quote or a poem or something about the "Hobgoblin of Little Minds," but I've forgotten where I put the paper that has it.. hmmm Maybe (hopefully) when I find it, I'll remember to type it up for you.. and see if that's what you're talking about.
Ok, general question that isn't really on Gargoyles or any of your other projects, but you might know.
What's the plural form of series? Is it series or seria? Or none of these? If it's not one of these, then what is it?
Thanks.
P.S. I can't wait for the next Contest to begin ;) Though I respect if you take a break, I just want to see how well I think I can do in them.. hehe... Umm.. yeah. Boy this covered alot of ground...
The quotation I'm thinking of is by Ralph Waldo Emerson.
As far as I know, it's one series. Many series.
Yeah, I'll start the next contest soon. Heck. Maybe tonight.
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