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Have you heard about the upcoming Darkwing Duck comic book miniseries? What do you think about (BTW, info can be found at http://www.comicbookresources.com/?page=article&id=25219
I've heard about it and think it's great that they're doing it.
Hi, Greg. I wanted to know if there's a website or magazine or SOMETHING that has ratings/updates for Spiderman in it? I'm sure you get a lot of questions asking for the status of the series, and I wanted to know if we can be proactive and check a source or something.
Well, by now, you probably know that the decision has been made not to renew Spectacular. In any case, no, I know of no website.
Hi
Sorry this isn't about the ASM comic you wrote, although I will read it soon. This is a question I was surprised no one has asked and I'm wondering if you thought about it. My question is concerned with the Spectacular Spider-man show. What's unique about your series is that well, its serialized. We're seeing Peter grow up month by month and were watching the seasons of the year change. I'm assuming you aren't going to do a time jump or anything so finally here are my questions: did you vic, or cheeks ever question how you were going to show pete age visually? Considering this is not like other tv shows where there is no strict chronological time line, did you talk about having peter's design change every year, every mid season etc. to reflect that he is getting older? What about other characters?
I hope I remember to come back and find this question in your blog many months (or years!) ahead because I am intrigued by how you will answer this.
We talked about it a bit. But our entire first two seasons took place over seven months. And you wouldn't necessarily expect to see much of a change in such a short time. Not that it couldn't happen. Teens certainly shoot up, but as we saw it, Peter would not. As for what might have been... we'll never know.
Hi Greg, I hope everything is well with you. My question is: Is it possible to contact the 1994 cast members to come on board to assist us (Gargoyles fans) in convincing Disney to release the remaining 26 episodes? Do you think we have a chance?
Unfortunately, I have become very obsessed with this project. I think your ability
to create this type of animation is outstanding - it is sooooooo real.
I'm sure any cast member asked would be happy to see the DVD come out, if for no other reason, then they'd get a royalty check out of it. But I don't see how they'd help us vis-a-vis changing DIsney's mind.
I've watched season 3 of Gargoyles and I thought it was pretty bad. The quality of the season went down with each episode. I was wondering what are your thoughts on season 3 and why didn't you continue working on the show?
I've answered this many times before. Please check the Ask Greg Archives under "Goliath Chronicles".
One more thing: I don't know if you've seen this yet but here's a video review of Gargoyles. It's actually pretty funny and I thought you might get a kick out of it:
http://thatguywiththeglasses.com/videolinks/thatguywiththeglasses/nostalgia-critic/8726-gargoyles
Thanks!
I've seen it. Thanks.
After Gargoyles #7 came out, someone asked on here if you could post the descriptions you gave to the artists of some of the new characters, and you were able to provide some.
With a lot more issues out, would you be willing to post more of these descriptions for more of the new characters? I'd love to compare your words to the artists's final products for anyone, but especially Katana, Fu-Dog, Nashville, Sacrifice, Falstaff and his crew, the top tier Illuminati, etc.
Maybe this'll hold you over for now:
NEW CHARACTERS â" (in order of appearance)
⢠FALSTAFF a.k.a. JOHN OLDCASTLE â" (Age 60.) Falstaff is a huge man, very tall and seemingly very fat (though itâs mostly muscle like a sumo wrestler). Heâs Caucasian with a full head of snow-white hair and a big white beard and mustache. Heâs almost always smiling, and thereâs something jolly, even Santa-esque about him. But heâs actually quite dangerous. He affects a medieval style of dress. John also appears at age 31 in flashback. Back then, John had bristly jet black hair, beard and mustache. He was broad-shouldered and beefy back then, but not at all fat. He wore normal clothes for the time (1968). He had a kind expression on his face. In a montage sequence, he ages from 31 to 48, gaining weight and grey hair along the way. (See page 22 for the details.)
⢠DOLL â" (Age 20.) A pretty, tall, slim Asian girl wearing a lot of make-up â" almost a cross between kabuki and goth. Sheâs got very long limbs, and sheâs a contortionist. Her clothes are strategically placed tatters. Sheâs barefoot. Think of an Asian Daryl Hannah in Blade Runner.
⢠BARDOLPH â" (Age 44.) African male, bald with many burn scars all over his face, hands, etc. One eye is almost closed over with scarring. Like most of Falstaffâs crew, he wears Renaissance Fair garb. He breathes fire.
⢠QUICKLY â" (Age 29.) Caucasian woman with long loose blonde hair. She wears a loose fitting Renaissance-style sundress, but sheâs actually wearing it over a sports bra and long thigh length running shorts. She wears what appear to be boots, but thereâs no heel. There really camouflaged track shoes. She has super-speed.
⢠POINTS â" (Age 25.) Hispanic male with long dark hair and a Fu Manchu mustache. In Renaissance garb. He is a master of all bladed, sharp things. He has multiple swords, knives, daggers, etc., including short throwing blades, a samurai sword, a broadsword, a rapier, etc.
⢠PISTOL â" (Age 52.) Caucasian male with a grey crewcut in Renaissance garb. He is a master of firearms, and has multiple holsters, containing pistols, guns, a sawed-off shotgun, a sniperâs rifle, a grenade-launcher, etc. He NEVER smiles. In a montage sequence, we see him at age 40, looking much the same, but with darker hair. (See page 22 for details.)
MARIAH MONMOUTH â" (Age 26 in 1968.) Dingo/Harryâs mother. A pretty young thing â" or we would have thought so if we had seen her under different circumstances. She was something of a free spirit and flower-child, with long hair and hippy clothes.
Love Spectacular Spider-Man, great show. Personally, I like it because it reminds me of Lee/Ditko and Lee/Romita, rather than the increasingly complex and twisting story lines of the present.
1) Will Gwen die? I have to know. You've said that you wanted to "stay true to the themes" from the comics, but I always thought Gwen's death was sort of unnecessary.
2) On imdb, I read that you wanted Venom and Spider-Man to settle their differences and become allies. That seem so completely implausible that I had to ask about it.
All this is pretty moot now, but...
1. Everyone dies eventually.
2. I never said that. Gotta love the internet.
I read through Clan Builder Vol 1 & 2 and was delighted by them. I could imagine in my head the voices of the characters, the background music for the scenes, and the sound effects that existed in the show!
I noticed in these that they had a bit more mature nature to them, in the obvious form of blood, cussing, etc. I also noticed they were more mature in more subtle ways, such as Cold Steel's question about if human necks still sounded the same when they snapped after 1,000 years.
Assuming that Gargoyles got another kick off (hopefully in less that 10 years like we had to wait this time), would you struggle to keep this more mature nature of it even if it were put back into the cartoon medium on children's television?
I honestly don't know.
Hey Greg!
I had a question. I'm currently a theatre student in college. However, I've always had my hand in multiple areas in the arts. It was only my love for writing and acting that had me not decide to go to a strict art college (I had wanted to be a comic book artist for a long time).
I plan to move to California eventually and try to make it in the show-biz, either through acting, my art ability (I'm currently doing a lot with prosthetics/mask making) or writing. My question was how exactly you got into your current field of work? It's something that interests me, what with my love for comics both in writing and art. So basically, I was just wondering how you got started.
Any advice would be greatly appreciated!
Thanks,
--Chris
Chris,
For a fuller answer, check the archives here at ASK GREG under topics like "Weisman, Greg", "Animation", "Biz, The", etc. As I know I've answered this before.
But the short answer is that I started as a comic book writer for DC Comics, while I was still in college. I then became an editor there for a couple years after college. Then I went to graduate school to hone my skills as a writer, while interviewing at various studios. I was hired as a junior executive at Disney Television Animation, got promoted a couple times, developed Gargoyles and became a writer-producer.
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