A Station Eight Fan Web Site
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I just wanted to say that, that was the best version of Bane I've ever seen in animation, and that it's hard to explain how happy I was to see Santa Prisca as one of the locations the team visited.
I mean being a hispanic guy who wants to go into acting (not voice acting) it always made me sad that there aren't many Superheroes, or Villains that I would ever be in the running for.
I dont know if it's confirmed or still a rumor that they're using Bane in the third Batman movie, but his rumored actor isn't hispanic, and that made me a bit upset lol.
Yeah so I just wanted to say thanks, for giving Bane not just a good tan, but making him really hispanic.
You're welcome. But it's totally selfish. Diversity and authenticity makes for better entertainment.
There's no denying your timeline is really impressively dense, but I was wondering how far into the future(or past) does it go?
And how does that process work? Do you just keep moving forwards or do you feel a need to add in events in this area and a related or unrelated one in a completely different point in time?
I'm not sure WHICH timeline you're referring to here, but the process for me is the same for all of them. I add entries as I discover them, getting more and more specific as I learn more. Some entries are based on ideas. Some on execution.
As to the past and future, the Gargoyles timeline goes VERY far back and as far forward as 2199.
who is your favorite character on Gargoyles mine is a tie between Goliath and Hudson and i didn't know you was working on Young Justice no wonder why it's already awesome and it only has 4 episodes so far
Thanks.
I don't have a single favorite Gargoyles character, though of course Goliath is the prism through which we view all the others, making him the most essential.
There have been many forums who have been comparing Young Justice to Chris Yost's Avengers series that's coming on Disney XD. Personally, I think they're both great shows that comic book fans and the general audience can enjoy at the same time. I mean this is the first time in animation where there's a cartoon featuring the Earth's Mightiest Heroes and another one with the Justice League. Anyway, what do you think of this debate from maybe both a perspective of a comic book reader and a professional writer? Also, what do you think of Mr. Yost's Avengers series?
I haven't seen Avengers, but there are a bunch of great people working on it, so I'd hardly be surprised if it was kick-ass.
I don't see much to be gained even by comparing the shows, let alone putting them in some kind of hypothetical competition. They're not even on opposite each other. And in this DVR age, what difference would it make to most people even if they were?
Anyway, if you like one of the two series but not both, watch the one you like. If you like both, watch both and enjoy each for its merits - which may have a few things in common, but are likely very different.
Hi Mr. Weisman
I like your new show Young Justice and I have a few questions
1. Are The Light the Big Bad for the first season or the whole series? If the latter, then will we find out who's who by the end of this season or the one after?
No comment.
Again -- gang -- I'm NOT going to spoil my own show. I'm just not. So asking these kind of questions is just wasting everyone's time.
Brian writes...
If I could pet a gargoyle's wings, what's the closest thing they would feel like?
Greg responds...
Depends on whose wings.
Say...Demona's?
Leather, I guess.
Or suede maybe. Blue suede. ;)
Hi Greg,
Short question: Are there any episodes planned which mostly take place in one of the "big" hometowns (Gotham, Star city, Metropolis, Central City)?
Thank you for taking time to answer.
No comment.
A while back one of the concept artists on the show posted some concept art of catherine Cobert (from the old Justice League Europe series, I believe), and mentioned that at some point she was meant to have been in the pilot episode as some sort of tour guide or liason at the Hall of Justice.
So do you know if she made it into the script only to be cut out due to budget stuff, or was the character dropped at an earlier point in the production cycle?
Either way, hope you and the rest of your team keep up the good work.
She was in the script I wrote and we recorded her (with Stephanie Lemalin playing Catherine) but her part/scene was cut for time at the storyboard stage. Catherine survives in the show in a way, as she is still the voice of the League's computer. In my mind, she's still the League's public affairs officer, but we just haven't had the opportunity to show her yet. (It's a dense, crowded show.)
Greg,
I couldn't help but notice the choice of villians in this week's episode. Considering the name of the episode that Artemis appears, might this have been a hint to her identity? It's something i've considered for a while after you explained in interviews who she isn't...
Also, apologies about being so vague. But I figured it was the best way to put it in case I cracked the clues and you didn't want to spoil anything directly.
You're so vague, I don't even know what you're asking.
I have a question on the western animation process in general (with special regard to YJ), if this is too complex to explain here or not the appropriate place for the question please ignore.
1. I think you mentioned that the inbetweens are done in South Korea. So is it fair to assume the key frames are done in house?
2. Using episode 2 "Fireworks" as an example how does an episode get made?
Does it start with you writing and onto the storyboard and to the animation team? (Sorry this part of the question was a bit vague)
3. At what point of the process does the Director of the episode come into play and what are his contributions?
4. What are the producers contribution to the process and how much weight does their word carry as opposed to the directors if a disagreement should arise?
Thanks. Also I did catch Scooby-Doo after hearing Victor Cook had a hand in it and it was a nice nostalgia trip, a bit weird like how real nostalgia is but nice nonetheless. Ermm thanks again I guess.
1. No. Key frames are done in Korea too. Boarding is done here in the states for the most part.
2. Writing, recording, boards and design, color, shipping, animation, post-production.
3. At all points. And his or her contributions are omniverous.
4. Producers trump directors, and Brandon and I are very involved at every stage.
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