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Why didn't Thailog and Demona clone Angela?
Demona didn't want a clone of Angela, she wanted Angela. So she never released a mosquito when Angela was guarding her cell. That meant that Thailog and Sevarius didn't have the option.
You might have answered this before, but I couldn't find it.
1) Did Goliath and Demona have any children in the 978 (Bronx's) rookery?
2) Did Othelle and Desdemona have any children in the 978 (Bronx's) rookery?
3) Did Hyppolytahave any children in the 978 (Bronx's) rookery?
1. No. They were too young.
2. No. They were too young.
3. No. She was two young.
Who is older Demona or Nokkar?
Nokkar, by a considerable amount.
What does 2198 Demona think of Nokkar?
Well... she likes him marginally better than the Space-Spawn.
1.How many clans do the Illuminati know of in 1996? All ten? If not which ones do they not know about? Do they know more clans than Demona? How did they find out?
Are there any gargoyle members of the Illuminati?
2.How many of the ten gargoyle clans does Demona know of? Which ones does she not know?
I'm not answering any of the above at this time.
1. Were Demona and Goliath mates before or after "Vows"?
2. What year did Goliath get his name?
1. Before or after which part of "Vows"? The modern day stuff or the flashback stuff?
2. You know I haven't worked that out precisely yet.
when Demona returned to Wyvern in City of Stone and saw the humans taking the eggs from the rookery and putting them in that wagon to take away, why didn't she try to stop them? grief stricten or not, until i saw "City of Stone" i would've thought Demona must've run off and never returned cuz she would've saved the eggs! but then we see her just almost ignore the fact that the humans are running off with her children! she doesn't know why the remaining gargs are stone and she probably can't help them in any way, but don't you think she could've "saved" the eggs? why didn't she? and whats really weird is in "The Reckoning" she says to Angela, "typical humans... they steal our children" but what did SHE do to stop them? i guess shes pushing blame on the humans again...
I think you've answered your own question. And at any rate, I'm currently not inclined to interpret for you. I will simply say that we put on the screen what we intended, fully aware of the ramifications.
I'll leave it to you to interpret. (Particularly since I've covered this before.) Try raising it as a topic in the comment room.
*Macbeth/Demona/Hunter/2198*
1) Do the Canmore siblings (The Hunters) know about Macbeth (What, with his still being alive and all)?
2) Have they ever tried to hunt him?
3) Does Macbeth have any descendants living by 1996?
4) Do the Canmores (at least the ones descended from Jon) still hunt Demona in 2198?
1. Not saying.
2. Not saying.
3. Not saying.
4. There are no more Canmores, at least not of that line. But the Castaways still hunt her. Her and all gargoyles through the Quarrymen.
when Puck transforms the human population to gargs why is it that Elisa and the three teen girl gargs in the subway not have brow ridges or horns of any kind? every other gargoyle we've seen except for the English gargs had either horns or brow ridges or both, but these transformed humans had neither. in fact, besides the pointed ears and color difference (which Elisa didn't even have) their bodies from the neck up looked very human, not gargoyle. was it cuz you wanted these characters to be physically attractive to human viewers even as gargs? cuz i think physically Desdemona is more attractive than Demona or Angela and Des has big old horns, so why make these characters as gargs so human looking?
would you have objected to the animators giving Elisa a beak or a frill or any of the other non human features of gargs?
Yes, I would have objected to Elisa getting a beak, because she wouldn't have looked viserally like Elisa. Other changes that were less significant would not have bothered me.
However, I loved the design they came up with and didn't question it.
As for the girls in the subway. MINOR, minor characters. There wasn't as much time to do all this stuff as you seem to think. We just had to get it done.
Don't read too much into it though. We all think that Desdemona is attractive. Frank in particular likes drawing attractive females. I think Demona and Angela and Elisa are pretty hot too. Among other characters.
what does Demona's forehead look like behind that tiara thing she wears? are her brow ridges the same shape as the jewelry or like Angela's brow? Goliath has two small horns over each of his brows and Angela has one, so i'd assume that Demona also has one, am i wrong?
Take a look at "Sanctuary" and then ask me again, if you need to.
Hey, Greg
This is my first post here, and it's quite lengthy. I've been looking through the archives, and I'm pretty sure this question has never been asked before. But if it has, I honestly don't know what category it would be filed under. It's mainly about who knows what throughout the course of the Gargoyles story.
Nobody in the audience knew anything about Demona and Macbeth's relationship and former lives prior to "City of Stone," but who in the Gargoyles universe, if anyone, knew anything? I've been watching my taped episodes recently and this really stood out at me this time. It's always been the one thing about the show that bothers me.
It really sticks out in "The Price," when Hudson says, "Believe it lads, Macbeth's dead." Later in the episode, Lexington seems genuinely convinced that Macbeth actually is dead, which leads me to believe that he doesn't know about Macbeth's background by that point. However, later in the same episode, Hudson explains to Xanatos, "Demona and Macbeth are immortal. Has it brought them happiness?" Was Hudson simply feeding a line to Lexington? Was Lex not supposed to know about the whole Demona/Macbeth thing? It's wierd, because Elisa also knows about it by the time of "Sanctuary."
That leads me to another question: how does Hudson know? And Goliath for that matter? Who was it that told them about Demona's history? It couldn't have been Xanatos, because he didn't know either until "City of Stone," or he wouldn't have been fooled by Demona's excuse for living so long. I'm actually not too sure Xanatos ever finds out.
I could only think of one way that it could work. Here goes:
In "Temptation," Demona says to Brooklyn, "It's a long story, centuries long." I was thinking that Demona may have told her story to Brooklyn at that point, and that he later told Goliath, who told Hudson and Elisa. In that case, was this privelidged information that Goliath only trusted Elisa, Hudson, and Brooklyn with? This would explain Hudson's behavior in "The Edge," and give Brooklyn a shoe-in for Second in command, but it would not explain Brooklyn's puzzlement about Macbeth's identity in "Enter Macbeth," unless Goliath had told him not to tell Lex and Broadway. However, Goliath clearly has no clue who Macbeth is at that point. Could Brooklyn have told him later? Lex clearly knows about Demona's immortality by the time "Hunter's Moon" rolls around, so I was thinking that Brooklyn may have decided that it was necessary to tell Broadway and Lex everything when he was leader.
I don't think Macbeth would have told Broadway his story in "A Lighthouse in the Sea of Time," when Broadway was tied up in his jet or at his mansion; the timing seemed all wrong.
So I guess what my question boils down to is this:
When did the clan first learn about Demona's past, and her relationship with Macbeth, and am I on the right track with the whole Brooklyn idea?
By the way, Gargoyles is my favorite show. It still amazes me how you were able to weave such an intricate story about such real characters, and teach real life lessons about vengeance, tolerance, family, reconciliation, and so much more, all within the confines of a childrens' cartoon. This was truly a story that made full use of its own medium, and made strong points about life. I believe that Gargoyles is probably the most beneficial and educational childrens' programming I have ever seen, in terms of teaching life lessons, and I too am completely disgusted that Toon Disney won't air "Deadly Force." Thank you for reading this long ramble of mine, and also for providing the best television program to date.
Thank you.
I definitely have gone through this before. So it's somewhere in the archives. Like in the Macbeth archive or Demona most likely. I'm afraid you're on the wrong track, mostly because you are taking the word "Immortality" too literally. It's used in different ways in different places.
1. In "The Price", Hudson does know that Macbeth and Demona have been alive a LONG time. That makes them Immortal on at least one level. When he says immortal in this one, he's only referring to their obviously long life spans. But at this time, he doesn't know about their link, their inability to die unless one kills the other. The fact that they've lived that long might only mean that they've never been killed and have some kind of eternal youth spell or something. So Hudson can believe that Macbeth has FINALLY died when the first robot bites the dust.
2. After the Weird Sisters are captured in "Avalon, Part Three", they are (off-screen) forced to reveal the link between Demona and Macbeth, i.e the terms of their immortality. So at that point, a bunch of people know the truth, particularly Goliath, Elisa and Angela.
3. So by "Sanctuary", Elisa knows. And clearly, Demona has also told Thailog.
4. When Goliath, Elisa, Bronx and Angela return to NYC in "The Gathering, Part One" and after they have time to sit down and relate their adventures (between "The Gathering, Part Two" and "Vendettas"), they relate the Demona/Macbeth story to Hudson and the Trio. So now most of the cast is up to speed.
Mystery solved?
I now have a list of questions to for you about love. ahhh
1. Does Hyena love Jackel?
2. Does Jackel love Hyena?
3. How serius are Hyena's feelings to Cyotie? Is she madley im love with him, or just mildly attracted? Either way, it's kinda gross
4. How does Cyotie feel toward Hyena? He seemed up for they idea of "making sparks fly".
5. Does Fox love Anistasia(before and after the Gathering)?
6. Does Halcyen still carry a torch for Anistasia? And does he now know that she is Titania?
7. Does Titania love fox?
8. Does Puck love Alex?
9. Does Oberon love anyone besides Titania?
10. Does Dracon dream about Elisa and him being together?
11. Was Brooklyn attracted to Demona before "Temptation". He seems to go after the most females.
12. Does Iago feel in love with Desdemona, or is it a strong sexual attraction, or is it just to hurt Othello?
13. Was there a time when Desdemona had feelings toward Iago?
14. Does Vinnie have a special someone (besides himself), or does everyone think he is too wierd?
15. Has Thailog ever felt love, even in the slightest way?
16. Was Malcolm and Elaina's wedding more out of love, or convenience?
17. Do Banquo and Florence have a thing for each other?
18. Does Cagney have a special kitty friend, or just Elisa?
19. Has the Magus been yerning for Kathern all of his life, and never told her how he felt? If yes., thats pretty sad.
20. And, somewhere deep deep down, both Goliath and Demona both yern to again be one, now and forever. Right? I better be. And this would have been shown in latter episodes besides dark ages right?
I'm sure you can see from my questions that I am QUITE the softy. And I love how Gargoyles uses this topic so often. Great job!!!
Twenty Questions! YAY! :P
1. Sure, to the extent she knows how.
2. Ditto.
3. Something between madly in love and mildly attracted.
4. He's indifferent in the incarnations you've seen.
5. Yes.
6. Yes and Yes.
7. Of course.
8. Sure.
9. Yes. His children and his Children and the island of his birth and all the funny little mortals. He's a benificent one, that Oberon.
10. Probably.
11. I think Brooklyn respected Goliath too much to think that way, to allow himself to think that way.
12. The first two. The third is just a side benefit.
13. No.
14. He is currently available? You interested?
15. He's not admitting to it, unless he's lying.
16. Politics. And a hope of love.
17. They're exes.
18. That avenue has not yet been explored.
19. Not all his life. After all, he's ten years older than she is. But yes, it is sad.
20. I think somewhere deep, deep down Goliath wants to be with Elisa. And somewhere deep deep down, Demona wants to be with someone who is right for her.
Since you and Entity recently (as of July 20th) had a brief exchange about Xanatos's characterization, I thought that I'd give a thought of my own about him.
One thing that has occurred to me is that there was an intriguing paradox about Xanatos in his "feud" with the gargoyles. One advantage that Xanatos had over the conventional "cartoon super-villain" was that he was a level-headed, practical man who wasn't interested in revenge or pointless vendettas. And this, on one level, made him potentially a more challenging adversary for the gargoyles. Because as a result, he wasn't likely to get so distracted in carrying out his personal score with the clan that he'd make foolish mistakes which they could take advantage of and thereby win, the way that more conventional "master-villains" in animated series do (and which, elsewhere in "Gargoyles", the Archmage himself fell prey to, when he kept on making strategic and tactical errors in "Avalon" - such as not waiting until dawn to attack or in magically tormenting Goliath when he could just as easily have simply zapped him into a pile of dust). It removed the leading source of "mistakes that antagonists make" which can save the day for the protagonists.
But, ironically enough, this very trait of Xanatos's also may have helped the gargoyles in a way. For, since Xanatos wasn't a revenge-crazed man, he wouldn't be likely to be constantly pursuing the gargoyles obssessively in "conventional cartoon super-villain" style, and indeed, he didn't. He went after them because he had specific plans about what to do with them (using them as his agents for such operations as stealing the disks from Cyberbiotics). But that motive didn't take too long to be discarded, as it became increasingly aware to Xanatos that he couldn't make use of the gargoyles in that way ever again; in fact, I recently noticed, upon examining his actions closer, that in Season Two, despite his continued clashes with the clan, he had stopped attempting to actually capture and dominate them (the one exception being his capture of Hudson in "The Price", and then there was a different reason for that - the need to use Hudson as a guinea pig for the Cauldron of Life). So he no longer had a serious reason for capturing them, and consequently, didn't see the need to make those efforts. The only possible reason left for going after the gargoyles was that of revenge, and that obviously didn't interest him. So he had no reason to pursue them (and indeed, seems to have even been aware, as the ending of "City of Stone" makes clear, that leaving them more or less at liberty could be much more advantageous to him anyway). He could afford to leave them alone.
So I find it an amusing paradox that the very factor which could have made Xanatos a serious threat to the gargoyles actually helped to make him less of a threat than he might have been. He wasn't obssessively pursuing them on the basis of a pointless grudge. He went after them only when he saw a genuine need to, and there was increasingly less reason for him to capture or destroy the whole clan as the series went on (and good reason, on the other hand, to let them be).
Sound analysis. I've said it before, I think as villains go, David and Demona are too fairly original characters. I'm proud of all my babies, so to speak, but I'm particularly proud of these two and how different they are from each other and yet how they both constantly presented us not merely with 'evil plot of the week' material but with challenging character work. They wrote themselves.
I am very sorry that Team Atlantis will not continue. It would have been great to have a continuation of gargoyles, if even in a small way. And on top of that, the Canadian Family channle just told me that they are going to stop aring Gargoyles. It a bad day today, I havn't gotten all the episodes on tape yet. Me and some others are sending E-mails, but I don't know what it will do. Anyway, I had a question here somewhere...
1. If Team Atlantis had come out, would the animation and character designs have been the same with the movie? I'm asking cause, Atlantis had some unrealistic porportions compared to the realistic ones in Gargoyles. So if they did a cross over, how would Demona and Fiona have been portraied?
2. Is it possible that Disney might go for team Atlantis again? Or when they scrap something, do they just want to take out the garbage and forget about it?
1. Greg Guler did the character designs for both Team Atlantis and Gargoyles. His design of Demona was styled to fit Team Atlantis, but looked so much like Demona, most of you wouldn't have even noticed the difference.
2. It seems highly unlikely. We are making a direct to video, and I suppose if that does REALLY, REALLY well....
you've said that Samson was raised in a communal rookery with many eggs in the rookery, so how does he know that he is descended from Demona? did Demona tell him or does he just know cuz he resembles Goliath THAT much and that means he is almost definetly descended from him and Demona?
Who said that HE knew he was descended from Demona?
Did I? Are you sure?
Does Demona find attacking other Gargoyels fun, or more of duity? I didn't think it was fun, but when the Trio attack her in Hunter's moon 1, she fires at them with a maniacle grin. The same in Long way till Morning.
She's a bit twisted.
In the episode "Temptation", Goliath is placed under the a spell that makes him a slave to whom
Ever holds the Grimorum. OK. (A few point then my question and hopefully an answer.)
Point 1.The confines of the spell were that he would obey whoever held the book.
Point 2. In order to free Goliath from the zombie like state Elisa told him to act as is he was not placed under the magic spell.
Point 3. Demona took the actual counter spell.
I just don't feel that her having him act normal would cancel the effects of the magic as for him running around like a zombie yes but not the magic control its self but… I will leave that to you.
My question is if Demona was to take the book again could she take control over Goliath once more or are the effects of the spell no more?
Thank you for your Time
William Cain
Here are my points:
1. Whoever held the spell. Not the book. At the end, Elisa was holding the spell.
2. Demona did not have the counterspell. She took other spells, like the one to summon Puck.
3. After Elisa issued her command, I'm betting they destroyed the spell. But who knows? (Well, I do. But I'm not telling.)
oh, heres one. someone asked about how much Demona could bench. you gave a smartass response. without giving specific numbers, i had always assumed gargs could basically bench twice the poundage as a human of similar mass. again that goes back to the "gargs are made out of different stuff than humans are" theory. please comment? *expecting smartass response*
I'm not good with numbers. It's more of an intuitive thing, deciding what she (or any of them) can or cannot do.
1) Do the Canmore siblings (The Hunters) know about Macbeth (What, with his still being alive and all)?
2) Have they, or any other Canmores, ever tried to hunt him?
3) Does Macbeth have any descendants living by 1996?
4) Do the Canmores (at least the ones descended from Jon) still hunt Demona in 2198?
1. Not saying.
2. Not saying.
3. No.
4. Yes.
Hi Greg, I have a few more questions about 2198, and Demona's role in it. Surprise, surprise ;)
How does she get along with the following characters?
1. Delilah?
2. Nicholas Natsilane Maza
3. Nokkar?
I would imagine that her relationship with the first two would be quite tense given their bloodline.
Initially, she doesn't get along well with anyone. ANYONE.
in "the mirror" or what ever it's call puck says that demona is still "carrying the torch" for goliath.so why does she always try to kill him? why does she not try to make him love her again?
She has a problem with "owning up" to things.
What is the signifigance of the clones names? The only name I recognise is Hollywood. Why did Demona choose them?
Hollywood, Brentwood, Malibu and Burbank are all part of the Greater Los Angeles Area. Demona chose those names to spoof what she views as the idiotic name choices that the trio and Hudson chose for themselves.
::Follows in Lexy's footsteps::
No my question is not about Lex's mate. But I'm as big a Demona fan as she is a Lex fan ;)
Are you in the mood to talk about one or both of Demona's next two great loves??
What, now?
When Dominique was pretending to love Macbeth, was there any instant that she got hurt in his presence (stubed her toe or something)? Also, is it JUST pain that Demona and Macbeth both feel? Or can one feel the other touching his\her skin? How bout plessure? If Ms. Destine was to go as far as to bed with Macbeth (though I doubt that would happen), would that be VERY INTERESTING for Macbeth? I tend to think like this a lot.
Thanks
Simple touching doesn't pass from one to the other. Intense feelings of pain and pleasure would.
And no, obviously Dominique was careful not to be in range when she was transforming. And she didn't slip up either.
I must confess that one thing that surprises me a little about Demona is how long it took her to realize the truth about Thailog. After all, we're dealing here with a gargoyle who prides herself on not trusting anyone, who's utterly and thoroughly suspicious about everyone. And Thailog strikes me as being about as thoroughly untrustworthy as they come. But the interesting thing is that Demona doesn't seem to suspect that Thailog is an unreliable ally until he finally comes out and says it in "The Reckoning" with his "I've decided to: a) kill your daughter, and b) dump you in favor of a clone that I made of you, who, by the way, is also a part-clone of Elisa." Of course, the guy is thoroughly cunning (I particularly noted how, in "Sanctuary", he cleverly drew attention away from himself after Macbeth blasts his way to freedom with the laser gun that Thailog slipped him by shouting at Demona "Didn't you search him?"), and as Macbeth himself admitted when Angela raised the same question at the end of "Sanctuary", love can be blind. But I do find it intriguing that Demona was so thoroughly duped by Thailog for so long (though it has a certain appropriateness to it).
I find it appropriate to. Indicative of her desire to be with someone who she could believe shared her worldview. (It has little to do with Thailog personally, I think -- and more to do with his resemblence to Goliath and yet the obvious contrast in his personality.)
But my question to you is what would you think could have possibly given Thailog away to Demona, before he was ready to drop his facade?
In "Long way till Morning", Goliath says that they can't keep Demona imprisoned, and he won't consider the alternative. By the enf of hunters moon part 3, would Goliath consider the alternative, now that he knows what Demona was capable of? To what extent would he consider it, taking Angela into consideration?
I honestly don't believe that when push comes to shove that Goliath could ever kill Demona. Ever. Unless you want to get WAY hypothetical on me. (Which you all know I don't particularly enjoy.)
Did Demona and Iago get along in the Dark Ages?
Sometimes. It was a long age.
I'm not sure if this was ever asked but did Angela tell her Rookery siblings that Demona was her mother, If so where they in shock about it?
Well, they didn't really know Demona, except as that garg who attacked them while under a spell. So it held less significance from an "oh my god, Demona!" standpoint.
Also, I'm sure they all have mixed feelings about the whole biological parenting thing. I'm not sure that Angela did tell them that Goliath was her biological father. That would seem too much like unseemly bragging. (So maybe for that reason alone, she didn't mention Demona either.) At any rate, they all would have thought of Goliath and Demona as Clan Parents.
Gargoyles mate for life. Does that mean that once two gargoyles show interest in each other, and become intimate, that they've mated, and are officially forevermore monogamous?
If so, what happens if, over the years, the two gargoyles come to drift apart, or realize they have nothing in common? Do they stay together simply because of tradition? I take it there's no gargoyle equivalent of divorce. (Or at least there wasn't until Goliath and Demona kinda set precident).
And in that vein; should a gargoyle have an affair, then what happens if that affair is discovered? Does the unfaithful gargoyle and the one he/she had the affair with get banished from the clan?
Hope this hasn't been asked before.
Gargoyles mate in both sexual and ritualistic fashion. After that they GENERALLY (and that's the key word) remain monogamous.
They imprint upon each other biologically, and there are strong ties of custom to discourage a split. Affairs, I believe, are quite rare.
But as you noted, sometimes things don't work according to plan. Iago has clearly imprinted on Desdemona, though she is imprinted on Othello and he has imprinted on her.
Goliath and Demona imprinted upon each other, but maybe as a result of a thousand years, that imprinting didn't last. Goliath has clearly imprinted anew on Elisa. (BTW, I'm not sure I'm using the word imprinting correctly. I know it's generally used for babies to imprint on their mothers. But it's the closest thing I can think of.)
So there are issues of both biology and custom that discourage anything like divorce or cheating. But that doesn't mean it NEVER happens.
1) what year was demona hatched?
2) was demona biologicaly younger in 994 ad or 1040 ad after the deal with macbeth and the weird sisters?
1. 938.
2. 994. In 994, she was biologically 28. In 1040, after the bargain, she was 35 (Macbeth's chronological age). She still looks great though, doesn't she?
Hi Greg,
I've read your awnsers on my last two questions today, but unfortunately, you havn't understood them both. So, now I will explain them again:
Let's take the question with the actors first. Well, if there will ever be a movie, and if you will be able to work on it, I know, that you will do almost everything to get the voice actors in it. But, what if the pruducers or directors will tell you, that the movie needs some stars, who will get people in it, who are new to the show. I know, that all this will probably never happen, but use your imagination...
And for my second question, I meant an ep, in wich you will show, what would have happened, if the gargs would have allied with demona, or what would have happened, if ..., well, think about it
hope you'll understand
CU, John
John,
1. I get it. I'm just not interested. It's a hypothetical based on a hypothetical based on a hypothetical. That stuff doesn't grab me.
2. Another "What if..." story. I get it. I understand. I just don't care.
HI,
I was just wondering, had the show continued, what was to become of (my personal favorite gargoyle)Demona? In "Future Tense" she had obviously reformed, but that could have just been Puck's trickery.
The last time she is seen (Generations) a tear falls as she watches the clan fly off. I assumed she is remorsefull about the way she hurt her relationship with Angela, or perhaps it was the first real time she had realized what she lost by betraying her clan. I would like to know if Demona would have remainded vengeful, or if she would have eventually come around.
Thanks for reading.
Generations isn't canon in my book.
Check out the G2198 contest results in the archive at this site to see where she stands as of the year 2198. If you want to know what happens to her beyond that, you'll just have to wait until I'm in a more revelatory mood.
) Will there be any romantic feelings between Brooklyn and Demona in GARGOYLES 2198, like the Puck's "Future Tense".
3) Will Macbeth play apart in GARGOYLES 2198? If so, in what way? Now that the revamping is over.
4) How do Demona and Macbeth feel about each other by 2198? Now that the revamping is over.
5) Does Samson know that he is a descend of Demona? If so, does he consider Demona as his great-great (or how ever many greats they are) grand mother?
6) Does Demona know that Samson is a descend of her?
). There'll be feelings. Not saying what kind.
3). You keep repeating "now that the revamping is over". What does that mean to you? Does it have significance? Do you mean now that the contest is over? Anyway, I've answered this. Macbeth will show up eventually but not right away.
4). Now that the revamping is over, I'm not telling.
5) He knows. And to some degree, yes.
6) Yes.
A little query that recently occurred to me about the "feeling each other's pain" part of Demona and Macbeth's link. Where does Macbeth feel the pain when Demona receives an injury to her wings or her tail?
Back or butt.
Hello Mr Weisman!
First of all, congeratulations on such a great show, it's the best cartoon I've ever seen, I've loved it since I was a kid!
Just a quick question. I asume that Demona eventualy finds out about Goliath and Elisa's relationship. How does she feel? I always thought that she retained feelings for him - despite her best efforts - and there's the fact that she probably hates Elisa more than anyone else alive.
When you outlined the space spawn/Samson/2198 or something storyline, there was no mention of Goliath and Elisa ever having children, grandchildren etc. I know that biologicaly speaking, there was very little chance that it would ever happen (unfortunantly), but I always thought that they would find someway of adopting. You don't have to say if you don't want to, but Goliath and Elisa without kids is heartbreaking. They would make such wonderful parents! I know that they would help raise the clans children, but its not quite the same is it? I mean Goliath has taken up the role as sole parent to angela, and Elisa is human anyway. Please give me hope!
Anyway, sorry. I didn't mean to rant on for so long. I need my gargoyles fix.
Good luck for the future.
XXX
Thanks, Stacey.
You'll worry less if you stop thinking like a human. There will be plenty of children. And Goliath and Elisa will be parents to them. I've discussed them having their own children before. Hinted at it. Check the archives if you want.
As for Demona, I don't think this will come as news to her. And she already doesn't like it.
At some point at the Gathering, I overheard you telling some lucky fan or fans when Brooklyn learned to read. I was dashing off somewhere, probably trying to chase down Kanthara again (whom I finally caught on Monday-- Hi Kanth!), and I didn't get to eavesdrop on the whole thing. It sounded fascinating, and like part of a larger question about which gargs learned to read when. I sure wish I knew the answer, and I'd bet money that your other faithful readers want to know too. So...
We know when Hudson and Braodway learned to read-- they started right after "Lighthouse on the Sea of Time." When did the other members of the Manhattan clan learn to read?
Thatnk you for your time and I hope everybody pre-registers for the Gathering 2002-- I did!
Thank you, Mary. I believe Brooklyn learned to read shortly after awakening in the twentieth century. I believe Goliath learned from Demona in the tenth century. I believe Demona learned from the Archmage. I believe Lex learned in the tenth century too. Angela was taught by the Magus.
(Lots of fun tidbits always get revealed at the Gathering.)
Another thing I REALLY wish I had seen at the Gathering is Keith David wielding a sword and quoting from Othello.
I heard that Michael Reaves has a brilliant (because it's simple) solution for how Goliath, Hudson and the Trio could speak modern English upon waking at the castle. Demona used a spell from the Grimorum on them the night before they woke up. Perfect. They'd never even have to know that there was a change in the language. I love it. (Wish I had thought of it.)
~Macbeth~
Oh my god, I'm not asking a Oberon and Titania question! Its a miracle! :)
I know this has been answered before and I have read your response to the question, but I am a little bit confused still.
You said that any fatal injury Macbeth & Demona sustain, the magical spell that keeps them alive would immediately heal them, and rapidly depending on how serious the fatal injury is.
So, if either were beheaded, would their head fall off and reattach itself or would the spell immediately begin to heal the severed area before it had a chance to fall off?
The same with a severed limb?
Look at what you wrote: "...if either were beheaded, would their head fall off and reattach itself or would the spell immediately begin to heal the severed area before it had a chance to fall off?"
It's a hypothetical. What's the point? Neither one has had their head chopped off. Despite nearly 1000 years of adventuring times the two of them, I will personally guarantee that neither has been beheaded. This isn't Highlander. There's no rule about this. What there is is the statement of the Weird Sisters, who said that neither would die until one kills the other -- when both would die. Whether you choose to believe them or not is up to you.
Wierd sisters>"the cause is worth every sacrifice untill her own life is threatend, still, its good that you saved her" "we were not talking about this terrerist" I take it they were talking about Demona, but I don't see how their first statement applys to her. When did Goliath save her life, and when did she put her life above the "cause"?
Goliath has saved her life many times. And her his, but that doesn't seem particularly relevant.
As to the second question, in that very episode, she flees Wyvern and hides on the beach below instead of warning Desdemona and Othello. Demona is many things -- but not suicidal.
Hi Greg,
1. Nightstone Unlimited still around in 2198?
2. If it is, does Demona still run it?
1. Not saying.
2. See above.
what would happen at dawn if Demona put on a Mayan sun amulet? would she turn to a human or remain a gargoyle?
I think she'd turn human. But I don't think she'd be able to nap.
Does the spell of immortality completely heal Demona and MacBeths injuries. Do bullet or stab wounds heal without a trace or do the leave battle scars. It had occured to me that the spell might not have to heal them to be good as new, just enough to keep them alive. If being "alive" is the minmal requirement. Then the two of the could theoretically go into comas for the rest of eternity and still be considered "alive" for the purposes of the spell. I know, now way you were actually going to do this. Just exorcising a "creativity demon."
Hey, exorcise away.
I'd have to say that my favorite "off camera" moment for the series would have been Demona 1st encounter with Thailog. I know it wasn't necessary to show it, but such moments exist shearly for the look of shock and surprise you see on peoples faces. Had you actually imagined how it transpired? For, example, die Demona mistake Thailog for Goliath? Did Thailog get the drop on Demona first? Would have been a classic moment. Possibly the perfect counter point to "The Kiss".
It'll make a good flashback some day.
Who are Demona's two greatest loves? Can we figure them out now from the 2198 contest?
Two greatest? You mean out of the four or five she'll have total?
Hey, Greg, at the end of "the mirror" (or whatever it's called, haven't seen the series in a few years, so i may not remember every little detail), Demona was shown reacting to the situation as if she had no idea that she had somehow transformed. In fact, she didn't figure out she turned human until later in that scene. Now, if I was her, I wouldn't be enjoying the thought of not being stone during the day so much as I would be freaking out over the pain I just felt throughout my whole body. Sorry, but if all of a sudden I felt like every bone, sinew, muscle, etc. in my body was being twisted and tied into knots, I wouldn't exactly spring up and bask in the sunshine as if nothing happened. So what happened here? Is this simply simply another one of those errors made throughout the series? BTW, just in case you're wondering, i discovered this site just a night or two ago, so it's not like it took all these years for this question to occur to me. Thanks for your time, bud.
You're welcome.
There was no pain during that first transformation. Puck wanted to spring it on her as a surprise, so the pain was surpressed that once.
I might be mistaken on this, but as I recall in "Reawakening" didn't Demona say she something to the effect of she had tried everything (sorcery and science) to bring him (Coldstone) back to life? So, does that mean that she was carrying around what was left of Coldstone's body (and Desdemona and Iago's bodies also) around with her all over the world for the thousand years before "The Awakening"?
You're mistaken. So, no.
1. at the end of "City of Stone" in the flashback Demona glides off to "search for her kin". did she find any gargoyles after that point?
2. at that point, were there still some clans around that are not around today? what i mean is, when was the last entire clan wiped out leaving only the clans we know survive left to today?
1. Not in Scotland, at least.
2. Not revealing that now.
Ever notice that when Demona's in her human form, her hair seems much fluffier than it does when she's gargoyle? It retains its spiky quality, but it appears slightly softer to me. Is it because the texture of gargoyle hair is different than human hair?
---Ytt
I haven't noticed the difference.
Did you have plans for the monoliths we saw in Shadows of the Past in Dark Ages? Does Demona know about the monoliths there?
Plans, oh, baby, did I have plans.
Demona knows something of them.
Does Demona know that Puck is serving Xanatos, since she said "You served the human, now you serve me".
just wondering
Demona knows that Puck is Owen.
Dear Greg you said something about Demona having two more loves in the future by any chance will any of them be human? Oh by the way I'm sorry I've asked to many questions on homosexuality on past questions, I'm also sorry I made you growl like a gargoyle for asking these silly questions.
I don't mind questions about homosexuality. I just didn't feel like going through every character one by one ad infinitum.
As to your Demona question... NO INFO AT THIS TIME.
i was wondering some things about Demona's second from "City of Stone" the rust-colored garg with the breastplate:
1. you've said before that the almost identical garg on Avalon is his son, so he was part of the Wyvern clan until it split, right? were all the new gargs in "City of Stone" from that clan?
2. was he from Goliath and Demona's generation or an older one? was he Demona's rookery brother?
3. you hadn't thought of a behind the screen name for him have you? if so, do tell...
4. did he ever have a romantic interest in Demona?
5. did he survive Canmore's massacre of Demona's clan?
6. would we ever see him developed more in one of the spin-offs? Dark Ages maybe?
1. No.
2. Probably not.
3. He had no name.
4. Maybe briefly. But I don't think that lasted.
5. No.
6. Yes.
1) Why did the Weird Sisters spend so much time and effort making Demona and MacBeth their pawns, and keeping them alive for nine-hundred and something years?
2) Why did the Archmage want those two in particular?
They seam pretty powerfull but there have got to be people of equal power in the 20th century (even people who would be willing o go the Avalon)
3) If they had over 900 years, why didn't the Weird Sisters get afew more pawns (would have been a good idea, considering ththier attack on Avalon failed)
1. Partially, because the Archmage asked them to. And for other reasons, I'm not yet revealing.
2. I don't think the Archmage fully knew the answer (or thought to care). Demona, he thought he was punishing for an earlier ("Vows") betrayal. But even that argument is specious. And he didn't know Macbeth from Adam.
3. The Archmage didn't ask for any others. That restricted them, vis-a-vis Oberon's Law.
You know that gargoyles don't age as fast as humans and Demona and MacBeth feel the same things is that whay MacBeth lived for a long time or is it because MacBeth is a king?
neither
They've been cursed, remember?
You said by day Demona is completely human, right?
But at the end of the episode when Demona and Macbeth finally have the three items (sorry, but I only know the German name of it) and they began to quarrel her eyes were glowing red. Have you an explanation for it?
Well, artistic license. Either by us, or Puck, or both.
Why did the Malcom Canmore's descendents start hunting Demona? I mean Demona didn't do anything to them?
How do you know?
does demona have any other childern besides angela?
nope
Hi Greg,
You refer to Demona and Macbeth as "foot-soldiers" in the context that the Weird Sisters used them for (or sought to use them for). Isn't that a bit of an under-title for them? Why go through all the trouble of obtaining Demona and Macbeth if only to use them as "grunts"? First off, isn't the entire purpose of foot-soldiers/grunts to have a lot of them? Merely two suggest specialization, and indeed, they seem to have been chosen because they were special. What was the Archmage's motivation behind obtaining these two in particular, and any two in general? Did he just not want to have to get his hands dirty with "menial" tasks? Did he want the ego boost of having underlings? Were Demona and Macbeth candidates because they were "the best" and therefore more of an go boost?
Terms like "foot soldier" and "cannon fodder" were clearly used by the Archmage to make him feel more important. In fact, he was cherry-picking very talented warriors.
Or one might argue, he had nothing to do with the selections. How did he even know about Macbeth? Sure his older self told him, but how did he know? Sure HIS older self told him, but how did he know? And so on, and so on, and so on...
This just ocurred to me. The night Puck put the spell on Demona, the "turn to human during the day" spell, wouldn't she had noticed that she was in PAIN when the sun rose? Instead she was just happily standing in front of a window, stretching and enjoying the heat.
1. Did Puck give her a little freebie in not letting her feel pain the first day?
2. Is it a script error?
3. If all of the above are negative, then what IS the deal?
Thanks for reading! :)
1. Yes. He wanted shock value that first morning.
2. No.
In the Wierd Sisters incantation on Macbrth and demona they say "forever and eternal bound" so my quetion is
1) Can the Wierd Sister undo their spell
2) Can anyone else (with the exception of D and M killing each other)
1. Nope.
2. Doubt it.
I've noticed that aside from her laser cannon or bazooka, Demona's weapon of choice is a mace. Given your comments on a mace being the natural enemy of the gargoyles, was making Demona's weapon a mace (rather than a sword, crossbow or Morning Star) a conscious decision on your part in regard to this?
It was a conscious choice in "City of Stone" when she was smashing human "statues". When else does she use a mace?
Can Demona get pregnant by a human at anytime? That is, is she fertile as a human at the same times as she is fertile as a gargoyle, or is she fertile like a regular human? What's Demona's fertility cycle as human and garg? (Garg's are only fertile every ten garg years, right?)
Garg's are only fertile every TWENTY years.
Human females, or so I understand it, are generally VERY fertile one week a month. Potentially fertile the week to either side. And even possibly fertile at all times. At any rate, it's sure as hell safer to think that way.
Demona is a human when she's human. A garg when she's a garg. But she's extremely unlikely to get pregnant at any time. Cuz she's Demona.
ok, now a few questions about "The Reckoning"...
1. did Demona keep a "mosquito" in her belt buckle for each gargoyle or just Lexington?
2. did she and Thailog plan to get Elisa's DNA together or was everything about Delilah a secreat from Demona? what i mean is, did Demona plan on getting Elisa's DNA or not?
3. TGC episode "Genesis Undone" is not canon, and you've said that Thailog had not died in the fire, is that right? if so, would he have suffered any major lasting injuries from the fire? if he did survive, why did he let Demona go on running Nightstone Unlimited even though some of it belonged to him?
4. i'm guessing Fang went back to his cell, correct?
5. if Sevarius could so easily combine human and gargoyle DNA to make Delilah, why not mix and match different gargoyle DNA for a bit of diversity? or did he? i've noticed that the four main clones seem to have combinations of different gargs. for instance, Hudson's clone looks mostly like Hudson, but has Lex's coloring, and Brooklyn's clone looks mostly like Brooklyn, but has Broadway's coloring and fanned ears. was there mixing going on?
1. More than one for each.
2. Not.
3. He was laying low.
4. For a bit.
5. No. The coloring changes were a result of the forced aging. The same thing that caused Thailog's coloring to be different from Goliath's.
Here's a tricky one. If Demona got pregnant (Baring in mind Puck's 'gift', would the baby be born in an egg or not? Would it be human or gargoyle? How would she deal with the pregnancy? I know it may also depend on whether the father was human or gargoyle and whether she was in season or not, but can you see where i'm coming from? I'm just puzzled and curious! So what do you think?
I just answered this.
And I don't like hypotheticals. Too many variables.
Does Demona sleep? How can she manage to be human during the day and still have energy to spare in being a gargoyle at night? Despite the fact she and MacBeth are magically linked, Demona is not immortal, so how does she acquire the energy to stay conscience 24 hours a day?
I think Dominique must sleep some. And I think Puck's magic compensates some.
Here's a question about Demona in "Reawakening". She says to Goliath, "We have each created our own clans Goliath, you have yours and I have mine." and she says this indicating Coldstone, Xanatos in his armor and the Steel Clan robot.
While I can understand Coldstone and perhaps even the Steel Clan robot. Why does she acknowledge Xanatos in this? Especially considering that he's human.
She's trying to convince herself, more than G. So she needs the numbers to make it seem clan-like. It's not rational.
in "Reawakening" we suddenly see Coldstone in Times Square. did Xanatos and Demona send him there to get Goliath's attention? or did Coldstone end up there himself? or what?
They sent him out.
Hi, Greg. I know you've been asked at least twice on the changes to Demona's reproduction cycles after the Puck spell, but I could use a little more clarification on the subject.
1a) I remember somebody asking how her daily transformations affected her reproductive cycle and you responded thusly...
"No. But as I said, I think the magic would compensate for a pregnancy... ON THE HUGE ASSUMPTION that she ever gets pregnant."
That's what I would like a little more info on. What if Demona had relations with another gargoyle and she happened to be in her 20-year fertility cycle and she DID become become pregnant?
1b) What would happen to the potential child inside of her created from that fertile union considering the fact that she is full gargoyle at night and full human during the day?
1c) Would it be born or hatched?
1d) Considering the father is full gargoyle, would Demona's human transformations cause it to be a hybrid? Or would it be born/hatched full gargoyle and turn to stone like any other gargoyle?
2) How do her changes affect when she is fertile? As you've explained, female gargoyles only come into season once every 20 years. But humans are fertile almost all of the time. At least, from what I know.
3) This is not likely to happen knowing Demona, but what if she had relations with a human, while she was in her human form, naturally, and she actually became pregnant? Would it be born human or what?
4) I hope this isn't too off topic, but let's say that Puck cast the same spell of daily human transformation on a male gargoyle. How would it effect him reproductively? Would it change him at all?
Thank you, Greg. I hope my questions haven't burdened you in any way.
1a. What's the ACTUAL question here? What if she did become pregnant? Then she'd be pregnant.
1b. I'm not an obstetrician. What kind of details are you looking for?
1c. Ahh, well, that would depend on timing to some extent. Most likely, Demona would lay an egg, before "Dominique" had the chance to come to full term.
1d. Again, timing is a factor.
(BUT LET ME REITERATE, that all this is based on the HUGE ASSUMPTION that she ever gets pregnant.)
2. Again, what's the question? I.e. what's the question that you haven't already answered within your question.
3. Again, it would depend on timing. And on the assumption that she knows nothing about birth control.
4. Does it change HER at all? Maybe I'm dense, but I don't really understand.
In Hunter's Moon, Demona is going to blanket the world with her virus, killing all the humans, i was thinking that, if Macbeth is human and Demona is responsible for the virus, would'nt die, and wouldn't she?
I'm sorry if this has already been covered, but i haven't seen that epiodes.
Anyway, just wondering.
It's SO been covered. Did you even look in either the Demona or Macbeth archive?
Short answer: It would depend on Demona's true intent.
Are the were-panthers and Natsilane also suppose to be weapons of war like Demona and MacBeth?
Demona and Macbeth (lowercase b, by the way) were not weapons of war. They were foot-soldiers.
There is purpose afoot, but I hesitate to make such a one-to-one comparison.
Why did the Weird Sisters have Demona and MacBeth steal Coldstone? I mean MacBeth and Demona stole it to make sure that the Gargoyles didn't find out about the theft of the three talismans, but what did the sisters have to gain from it? They could have teleported the duo beyond the grasp of the gargoyles.
Demona and Macbeth were not in control.
The point was to steal the three items without alerting Goliath's suspicions. Stealing Coldstone accomplished that. Goliath never even realized the three items were missing. Teleporting has nothing to do with anything.
in "Sanctuary" when Macbeth and Demona are fighting, Demona gets a hold of a gun and so does Elisa, Macbeth pulls back his jacket to let Demona shoot him and in the last second starts saying "NO!". is this because he realizes he doesn't want Demona to kill him and or is it because he sees that Elisa is about to shoot Demona and thus he won't die?
He sees Elisa and realizes that her intervention will spoil his suicide attempt.
at the end of "The Mirror" Demona is looking out the window at the sun and she says, "I can't believe it, he actually did it. And the sun is so warm." i'm wondering, did she say she can't believe it because she thought Puck was playing games with her when he cast the spell or because she was astonished that the spell actually worked?
The former. Which includes the latter.
1) Have you given any thought to how MacBeth and Demona will die--if they ever do?
2a) Can you think of any specific way in which the magical bond between them can be dispelled (other than through death)? b) Can the bond be altered in any way, or are the conditions fixed?
3) Demona and MacBeth asked for the Sisters' help, and thus they were justified in magically linking the two together and "interfering in mortal lives". But once that act is ended, how can they put the two under a geis and force them to steal the magical artifacts and fight for the Archmage (I doubt they were given permission)? Does Oberon's law permit them to continue interfering with any mortal whose life they've already once affected?
1. Yes.
2a. Not telling.
2b. Not telling.
3. Emotionally exhausted, Demona and Macbeth relinquished their personal sovereignty. Watch the scene again.
Hey:
1) Does Burbank have a bad eye like Hudson?
2) Does Burbank,(after adjusting to making his own choices) like the same activities as Hudson?
3) Whose idea was it to make the clones? I don't mean YOU I mean Demona or Thailog. I mean I am sure that making clones is a very expensive and time consuming endevour and it seems odd to think Demona would be happy to have clones of the clan she hates. Of course Demona doesn't exactly think things out very well....
1. No.
2. Not necessarily.
3. Thailog's initially. But Demona didn't resist the idea.
Any big plans for Demona?
Sure.
RAMBLE ON "OUTFOXED"
i'll agree with you that although the animation, sound and flashbacks were really annoying, the story really carries this episode.
i remember first seeing this episode very well and i remember wondering what had ever happened to Cyberbiotics and was glad to see that it wasn't just going to be a throwaway company in the series, its like you always say, what about the reprucussions to the raid on Cyberbiotics?
Vogel really confused me, i said to myself, isn't he alot like Owen? i knew it wasn't a coincidence, but had no idea what it was...
oh, and i'm glad Goliath made a new friend, its sad that he makes more enemies than friends, but i guess thats drama for you...
Fox is pregnant!!! wow!! what a shock! i prayed for the next nine months to fly bye, but looking back, i'm glad it didn't. what suspense... geeez.
finally, the moral of the episode: integrity and responsibility. i whole-heartely agree with both you and Renard. its not easy, its "a daily struggle" and even the noble and strong like Goliath have problems with it.
i sometimes wonder what would've happened if Renaud had seen Demona flying around and captured her... i doubt his speech would've done as much for her! he probably would've turned her over to the "proper authorities" i think, that would have been fun!!! hahaha!!!
I think Demona can fake integrity with the best of them. She's a survivor. And not just because of the Weird Sister's spell.
I have been reading Macbeth and Demona responses and the above mentioned for "High Noon" where questions were asked why Macbeth didn't feel the pain when Elisa and Demona where in combat. And I think people are putting too much emphasis on the fact that Macbeth could prepare for the blows. Couldn't it be that, and if you watch the fight scene; Elisa didn't really "hurt" Demona enough to evoke the spell? Granted Demona ran head-first into a statue but that might not of hurt too much.
A combination of all of the above -- including that we screwed up a bit.
High Noon
<<Anyway, Demona's in atypical dress and species. Who knew it was her?>>
(raises hand) Aw c'mon Greg, not even human form and frumpy clothing can hide the radiant beauty that is Demona. ;) But seriously, who else has hair like that?
Random observation: When human-form Demona leaves her hair alone, instead of putting it up in that dreadful restrained thing she wears as Domonique Destine, she looks like a red-haired Puma sister. (Dominion Tank Police, in case you didn't get the ref)
I still don't get the ref.
Just a quick comment. Actually, Demona's"sexpot posing at the clock tower when she confronts Elisa did seem in character to me. I always imagined her smugly suggesting, See, even as a human I'm better looking than you. Her subconscious jealousy of Elisa and Goliath's "connection"
and her "I'm better than you are attitude, contirbute to her flagrantly exhibiting herself." Or in the words of the immortal and unknown, "When you've got it flaunt it." Got to love the Japanese animators on this one.
Works for me too.
does Demona have to sleep? i figure that when she is human her garg side sleeps and when she is gargoyle her human side sleeps. if this is true where does she get the solar energy from to support her gargoyle form?
Magic compensates to some degree, but she does sleep as a human periodically.
My "High Noon" ramble.
It's hard to be certain what my original thoughts were when seeing this one for the first time (given that that was back in 1995), but I feel pretty certain that I didn't recognize Demona in her human form until the dialogue actually named her. (And given that, as you'd pointed out, up till then, I'd only seen her as a human briefly at the end of "The Mirror", it was easy enough not to recognize her).
I don't recall now what I'd thought of the Demona/Macbeth team-up or where the Weird Sisters were all this time when I first saw the episode, though. Maybe I was just accepting the story as it went along without asking that many questions.
I very much liked Hudson's question about the "hit the sack" idiom, and the bit where Hudson and Broadway were reading the newspaper as the link back to "Lighthouse in the Sea of Time". Both struck me as very enjoyable touches.
I sometimes wonder if Officer Morgan will ever realize just how helpful he was to Elisa in helping her gain the strength to face Demona at Belvedere Castle. This may very well count as his biggest moment in the series to date.
The revelation at the end that the Sisters were behind it all, and - more importantly - that the real targets were the Grimorum, the Eye of Odin, and the Phoenix Gate definitely surprised me. One thing that I do remember from my first time seeing the episode was this: for some odd reason, I was under the impression that "the coming battle" that the Sisters mentioned was something slated for the end of the season (Episode 65 or close to it), a grand finale conflict of some sort. Well, it was a big battle, but it took place in "Gargoyles" a lot sooner than I was expecting.
(One little thing that I must admit: a good thing for Demona that she was using the Grimorum to shield herself from prying eyes during the day. I don't think that she would have been too appreciative of the way that male humans might have been looking at her in that outfit as a human if they could have seen her :)
Except I don't think she was shielding THAT. She hailed a cab in that outfit, after all. (Which amuses me to no end. Hey, it's NYC!)
In the episode high noon Elisa was waiting for her gargoyles to return because it is nearly dawn and she was worried for their safety but instead the only gargoyle that came around was Demona, Demona transformed into a human when the sun came up but when downstairs and hailed a cab. My question is was Demona carrying any money with her when she got into the cab or did she just got out when the ride was over and not pay at all?
She was probably carrying money. Or she made Macbeth pay.
Hi, Greg,
I was wondering, how will Demona react when she discover that the Clan - and specially Angela - are back to the castle and living with Xanatos? That they sold themselves?
Sold themselves? Huh?
1) What are your personal feelings regarding Demona? Do you see her as a tragic victim of humanity's fear, the weird sister's machinations, etc? Just a mad gargoyle who can't let go of the past and refuses to accept responsibility for her own actions? What's your take on her?
2) In your opinion, which character of the series is most like you? Why?
3) If you had to go through everything Demona went through... how do you think that would have changed you? What would you be like?
1. She is complex. She contains multitudes. I'm fond of her in a strange way. But that fondness doesn't mitigate her actions as far as I'm concerned. On the other hand, I've always been fascinated with the idea of redemption. So who knows?
2. None really. Or all of them put together. Or Vinnie, because I'm often hapless. Without hap.
3. A puddle.
HI! Hope that you're not bored with me yet! Now on to the questions...
~ Since the clone Delilah is actually a cross between Demona and Elisa, is it possible that she could give birth or, like, break out of the stone-by-day spell?
Anything's possible, if you're going to put it that way. But largely, Delilah's genetic structure was taken from Demona. Only cosmetic elements were borrowed from Elisa. Of course Delilah does have some human DNA. But she's about 90% gargoyle.
Delilah is certainly capable of having a baby. So's Demona and Elisa. Doesn't mean any of them will.
And Delilah does turn to stone during the day.
Did Demona and Thailog "mate" as in reproduce? That was what I meant by mate.
No. Timing wasn't right.
how long had Demona and Thailog been a couple when Goliath arrived in Paris? how long had Demona and Macbeth been in Paris?
The following dates are tentative, based on my current reworking of the timeline -- still a rework in progress.
Demona and Macbeth arrived in Paris on 1-1-96.
Demona first encountered Thailog on 1-2-96.
Goliath, Elisa, Angela and Bronx arrived in Paris on 1-21-96.
Was the name Demona derived more from it's relationship to the word demon or or from the name Desdemona in Shakespeare's Othello (or was it a mix). Basically, which came first to the idea board. (I think I'm open for a smart-ass response as well as a real one.)
I don't have a smart ass response to this. Demona came from Demon. Desdemona (and the obvious aural connection to Demona) was a pleasant "surprise" that came later when we were working on Coldstone. Now if you're asking whether or not, somewhere in the back of my head, the Desdemona name was floating around and had an influence... well, I can't be sure.
If Demona had never "turned on" Thailog as she did in THE RECKONING, what would he have done with Delilah?
Frankly, he'd have kept her around. On the sly.
What is Demona's view on homosexuality?
Why do I sense I'm about to get a whole set of questions in this mode, one per character?
I don't think it's a big issue for her.
I am still a bit confused on how is it that Demona and MacBeth have to die, if they do? I know that no one else but either one of them can kill them both, but what I'm confused about is...
Possiblities
1. Do they both (AND) have to kill each other at the exact same time?
2. Or does at least MacBeth OR Demona have to kill the other in order for them both to die? (Keeping in mind, OR in math means one, the other, or both.)
I wanted you to be impressed with my cool Mr. Spock logic I was pondering today because I was bored and needed to use my discrete mathematics knowledge formally. So, I'd thought I'd apply math to Gargoyles somehow. Hope you understand.
Let "m" stand for MacBeth, and "d" for Demona. TRUE being if one is killed. FALSE if not. Here's my truth table for possibility #1.
m | d | m and d
T | T | T
T | F | F
F | T | F
F | F | F
Therefore, if they both kill each other, that would be the only TRUE outcome, whereas all others are False because if one lives, then they both do, correct?
And here's my logic for possibility #2.
m | d | m or d
T | T | T
T | F | T
F | T | T
F | F | F
Therefore, only one is FALSE because according to #2's theory, either Macbeth or Demona kills the other, then they both die, or if they both kill each other.
I hope my logic is not flawed somewhere...Mr. Spock would not be impressed.
See Gargoyles does help out with math!
Math is good.
But really you don't need it here. If you listen to the Weird Sisters it's pretty clear.
One has to kill the other (OR both kill each other at the same time). They don't both have to do it. Just the terms of the bond.
1) Why didn't Demona choose to have any children other than with Goliath? (You mentioned in an earlier reply that Demona's only child is Angela) From 994 AD to about 157 AD she had her own clan of gargoyles (containing many males), she had the opportunity... and since her race was going extinct it makes logical sense that she would have tried to copulate as much as possible. Was she sterile? Did she find the males unworthy?
2) After MacBeth and Demona were initially killed by Canmore (spelling?) did Demona ever meet any other Gargoyle clans? Were these clans the ancestors of those Goliath met on the World Tour?
3) In the Mirror, Hudson said the fae were as real as the Gargoyles and that the clan knew they were called "the Children of Oberon", and they acted as if it was common knowledge. Wouldn't this mean that Demona believes that Oberon exists but has not obtained definitive proof? Or have the centuries jaded her?
1. 1057 bot 157. And I think the main answer is GUILT. (Certainly not infertility.) Goliath wasn't dead, though he might as well have been. She mated with him for life. She didn't (deep down) believe that she deserved another mate or that she could stand to betray Goliath in yet one MORE way. So she never opened herself up to any of the males.
2. I'm not saying.
3. She believes.
Following fast on the heels of City of Stone, here's my ramble on High Noon...
The recap is interesting here. It's all Coldstone oriented. Demona, Macbeth and the Weird Sisters aren't mentioned. Nothing from City of Stone, despite this being a direct sequel to those events. The reason is that the recaps got early criticism on a Disney Afternoon mailing list for giving too much away. We'd show a villain who didn't appear until the end of Act One, thus cueing our audience to expect that villain all along. A valid criticism. So we tried to adjust here. Coldstone's participation wasn't a secret. The episode opens in his "internal cyber-world" and he's shown dormant in the Clock Tower in the very next scene. But when Demona and Macbeth first walk past Elisa and Morgan, we're not supposed to know who they are. So I intentionally kept them out of the recap to preserve that reveal.
The heather Othello gathers has no scent. Why not? Everything in that world, except for the souls of the three gargs was simply a mental construct. Sight, sound, touch. So why not smell? No chemical senses, you might argue. But why no chemical senses? Why touch and not taste? I think that the lack of smell was an unconscious or subconscious boundary that Desdemona did not want to cross. Something to remind her that this world is not real. For all we know, Othello and Iago could smell whatever they imagined they could smell.
I like seeing Hudson and Broadway learning to read. We cheated a bit. I'm not sure they could have progressed as fast as they did in the short time since "Lighthouse". But we took that liberty to show that they had been working assiduously at it.
I have mixed feelings about Hudson's "Why would she want to 'hit a sack'?" line. On the one hand, I'm not sure we ever did enough of this. Playing with the contrasts in language and expression between their world and ours. On the other hand, it just seemed a bit late in the game for Hudson not to have heard this one already. (And for that matter, I have no idea when that particular phrase originated. For all I know they've been hitting the sack since the Middle Ages.)
Elisa makes a point of saying that she's "no hero". Just a gal doing a job. But of course, we know that's not true. It's simply how she'd prefer to view herself -- particularly when she's so tired. I tried to use this episode to emphasize that Elisa works the night shift. That she gets off work just before sunrise. Starts work just after sunset. (I actually imagine that she works a four day ten hour shift, plus mucho overtime.) Sometimes it seemed like the fans had forgotten that. I got a lot of questions back then like: "She works during the day and hangs with the gargoyles at night. When does she sleep?"
Morgan has a real nice role in this one. Keith is great as Morgan. So distinctive from Goliath in a part that was a mere throwaway in Awakening, Part One. Morgan and Elisa's easy rapor in this episode and Avalon One is what gave me the idea that he might someday ask her out (on that 2nd Halloween episode I've mentioned a few times). And the notion of a Keith-Salli-Keith triangle tickled me a bit.
Enter Macbeth as a perp with a human Demona dressed as a cop. (Always nice to show our characters in different costumes on occasion.) I'm curious how many people IMMEDIATELY recognized Demona as herself? After all, you'd only gotten a BRIEF glimpse of her human form in "The Mirror". And we hadn't shown it at all in "Vows" or "City of Stone". In fact, City of Stone began what we then called our Third Tier of stories. (Tier One was the first season. Tier Two was the first eight episodes of the second season: Leader, Legion, Metamorphosis, Lighthouse, Silver Falcon, Mirror, Eye of the Beholder, Vows.) And of course, City of Stone was transitional, so one could argue that Tier Three was beginning here with High Noon. Anyway, Demona's in atypical dress and species. Who knew it was her?
And once you did know, what were you thinking? The gargoyles have the same questions, I'd imagine. Last they (and you) saw, Mac and Demona hated each other, and had been taken away by the seemingly benevolent Weird Sisters. What was going through your heads about all this? Did you wonder at the seeming inconsistencies, like their knowledge of the Clock Tower? Their ability to get Coldstone out of the tower in daylight, unseen?
When my son Ben saw Demona, he thought it was one of the "triplets", which is what he calls the Weird Sisters. (They've fast become his favorite characters.) When I pointed out that she had red hair and not white, yellow or black, he was resistent to giving up on the idea that they weren't going to appear. (I was glad they eventually did. And now I wonder what he's going to think about the next seven episodes in which they do NOT appear.)
Throughout this, we cheat a bit on Elisa's exhaustion. We knock her out, but keep her tired. The subtle differences between various means of being unconscious and their effects on how tired one is confuse me.
I love Mac and D's exchange...
Mac: "You're still thinking like a gargoyle."
D: "I am a gargoyle." And don't you forget it.
Again, back in those days I just thought the audience would get revved up merely because we were teaming up THREE of our major villains. Macbeth, Demona and the villainous side of Coldstone. In Batman or Superman that would be a BIG EVENT. A huge threat to the hero. Did it have that effect on you guys? I feel vaguely that in a strange way, it did not. That our villains were so complex, that for once they backfired on us. That it wasn't viewed as, "Wow, our heroes have barely survived an encounter with one of those guys, how will they handle three?" Rather, the conflict was less interesting than the machinations and personalities. Am I being clear? Your thoughts?
This episode had some truly gorgeous animation in it. And the transformation scenes are both very cool. The Pain Link plays well here, though occasionally seems more geared to comedy than drama for some reason. The theme of gifts coming with a price... particularly the gifts of tricksters is emphasized in this scene.
Meanwhile Othello is desperately trying to remain an ostrich with his head in the sand. A position that on at least one level, Elisa 'believes' she'd like to take as well. With Othello, I think it's a real possibility that he will never act. With Elisa, I don't think we believe it for a moment. That's part of the reason they're both in there. To make sure that the theme of "Standing Up" is emphasized. Which brings us to the title, "HIGH NOON". That was one of mine, I believe. And I stole it right from the Gary Cooper movie. Sure we'd have a battle at High Noon. Because this was Elisa's story, not the gargoyles. Because the gargoyles would be asleep and vulnerable. But also because it was that kind of archetypal the-hero-stands-alone western battle.
You may notice that Xander Berkeley (the voice of Iago) does not appear in this episode. Because Iago has no lines when he's not in control of the Coldstone body. Again, I'm always so impressed with what a great job Michael Dorn does contrasting the Othello and Iago personalities without actually changing his voice.
I like Elisa's line when Brooklyn asks her if she recognized the woman with Macbeth. "She seemed familiar." Think about this for a second. If this was real life and not a cartoon, do you think you'd recognize Demona in Dominique? And yet I completely buy that Elisa recognized something in there. There's a strange nega-intimacy between Elisa and Demona. (Which is one of the sick reasons why I created Delilah, later.)
Goliath and Elisa engage in a little dueling patronizing here. Elisa has to go back on shift, so can't accompany the 'goyles to Mac's place. Goliath is pretty smug when he says the six of them can handle it. (The smugness, I hope, is undercut when he follows it up by saying, "You have a whole city to protect." Which is how he views it.) Then Elisa talks to them like they're little kids. She wants a full report when they get back. (Who says these two weren't made for each other?)
Lex, who has been and will continue to be very adept at breaking alarm systems, etc., for once admits that it's all too easy.
I like the moment when Goliath taps the camera with his wing. A nice little touch. And very well animated.
Lex is always the voice of warning in regards to Coldstone. This is important. Goliath listens to Lex this time. And Lex is fooled when Coldstone reveals Demona's involvement, seemingly before they know Demona is involved. I thought that was very clever on the villains' part.
Bronx smells Demona behind the closet, just as he did behind the tapestry.
I like how the marble bust flies and crashes. Another nice touch in the boarding and animation. Nice weight to the whole Brooklyn-Demona-Bronx fight scene.
I liked staging the Macbeth, Husdon, Broadway fight in a library. Felt like a thematic rematch from "Lighthouse".
The pain link here is a BIT of a cheat. Usually with them in different rooms on different floors, it wouldn't be quite this intense. Maybe the library is directly above whatever room Demona was in.
Lex is sure Coldstone's wrong about Demona. Brooklyn's "Uh, guess again." line is fun.
The entire battle at Macbeth's place is part of a technique I enjoy using on occasion called "Suspended Structure". This is really an Elisa and Othello Story. But we let the gargs carry the action for a period of time, while the true protagonists can't or won't take action. This keeps the story moving, without compromising the inaction of our "leads".
Demona confronts Elisa at the clock tower. The animators get a little carried away here with some of Demona's body language. God knows, it's fun to watch. But would she really do all those sexpot poses? Is that in character?
It is fun to see her hail a taxi though.
Morgan's back. Elisa now looks VERY tired. Again, great work from the animators. It's all in the eyes. Morgan helps Elisa though he thinks she's just talking about normal copwork. It only proves there's really no such thing as a "Normal Life". Morgan certainly doesn't think he has one.
Meanwhile Desdemona's gettin antsy. It's the "in" that the Weird Sisters need. They take over. Unfortunately, here, the animators screwed up. The three Desdemona's were supposed to have silver, gold and raven hair. Instead, in most shots, they just look like three Dessies. Then when they finally do get the hair right, it's just before they merge back into one Desdemona. At which point, the hair color should have been Des'. Instead, I think it's Luna's -- briefly. Oh, well. Anyway, I could have just done this with Desdemona herself. But I wanted to give the audience a hint that the Weird Sisters were still involved. Ben was thrown by the hair. He almost didn't believe these were the triplets.
I like the line: "Even shadows must be true to their shade."
High Noon at Belvedere Castle. Coldstone wonders that he can see the sun. Again, that's me making sure people are clear that Coldstone is RE-ANIMATED STONE, not flesh. I don't think it's visually clear. (Part of the problem being that Othello's coloring is too similar.)
Then Elisa arrives -- counting on Macbeth's honor to keep Demona from shooting her. For that reason, she intentionally doesn't bring her service revolver to the party. Quite the gambit. Elisa also counts on Demona's temper -- and on the fact that Demona is unaccustomed to fighting with reduced human strength. She goads Demona: "I'm here to save him." and "You fight like a rookie." I love, positively LOVE, the former of those two lines. Elisa is a hero in her own right. Though Goliath has rescued her on occasion, I felt we did a pretty good job of always evening the score. She's no damsel in distress.
Mac & Coldstone: "This is diverting." "You have no idea." (Quotations approximate.) I like that. A tip of the hat to my being a guy, if you will.
We cheat a bit here on the pain link too. One could argue that Mac IS feeling the pain. But he's ready for it and covering. He does seem to be grimacing a bit when he says, "You have no idea." But still, I think we cheated.
I love the animation on the Othello, Desdemona, Iago fight.
Battle over, Coldstone leaves. Sends himself into exile. This is the gargoyle way.
And hey, our jogger is back. Again wondering where all these statues are coming from. That's just fun continuity for me. And Elisa: "Don't ask me. I'm just taking a nap."
And then the whole final scene between Mac and D and the sisters is so much fun. I love the sense of the fog lifting from their eyes. "What Primary Objective?" "Why are we working together?"
And I'm also proud of the trick. A very Xanatosian tag here. Steal Coldstone to distract the gargs from noticing the thefts of the gate, book and eye.
And how about that reference to "The coming battle..." that the Sisters end the episode on? What did you all think of that at the time?
I'll try to post the High Noon writer's memo tomorrow. (Meant to do it yesterday, but I forgot.) Anyway, Done rambling. You're turn. (Again, I'm interested in both your original and current responses to the episode.)
Why did Xanatos find he Grimorum Arcanorum?
Did Dmona help him finding the book?
Why? Do you mean how?
And, no, Demona wasn't involved in finding the book, just in interpreting it once it was acquired.
I was reading your "beat sheet" for the pilot you drew up, and it seemed that at first you didn't intend for Demona to be Goliath's mate. What made you change it, if you hadn't planned it since the beginning?
I'm not sure how you could have possibly gotten that impression. It may not have been spelled out on that document, but we always intended that Demona and Goliath were mates.
Time to ramble...
Picking up right where Part Three leaves off, Demona is forced to back off on killing Elisa right away because of Bronx. I really like that scene, mostly for how it illustrates Bronx's level of sophistication. It's not like he understands English, beyond a few simple names and commands. But he understands tone of voice. Something that Demona uses. She talks him down by saying nasty things in a nice tone of voice. He's still suspicious. But as long as her actions and tone don't get hostile, he's content to back off. At one point though, she can't restrain her venom, and he starts to growl again. And she has to regain her composure.
FLASHBACK
Great Choral music during the battle. Carl Johnson and music editor Marc Perlman (both of whom will be attending the Gathering this June in Los Angeles) did a magnificent job with this.
And there's some great fog as well.
It's also nice to see a legitimately joyful Demona, hoisting Macbeth into the air. He laughs, but his mind's on other things, wondering why Bodhe wanted to talk to him without Demona present. Perhaps he's feeling guilty. Perhaps she picks up on that, which is why she eavesdrops.
A tragedy of bad timing: My sense is that Macbeth is about to read Bodhe the riot act, when Luach interrupts. Mac essentially agrees with Luach, but not with his manner. He takes JUST the wrong moment to teach him a lesson about being a good king. Luach reacts badly and storms out. And it is Luach's behavior that Macbeth is considering when Demona leaves. Two seconds later, I'm quite sure the conversation went like this:
Bodhe: "Well, sire?"
Macbeth: "Well, what?"
Bodhe: "The Gargoyles, sire. You must disavow them!"
Macbeth: "Don't be a fool." etc.
The siege is pretty cool too. (Though you'd think boulders dropped from the battlements would be a touch more effective.)
Mac rescues Gruoch. Even at this age, I still think they're a sexy couple.
I like the scene where Canmore removes his Hunter's Mask. Like Gille before him with Demona, he's truly annoyed when Mac doesn't immediately recognize him.
"Never would I have done so! We have been allies for thirty-seven years!!" Demona ain't a great judge of character.
Luach and Bodhe show up. I like this scene too. (O.K., I'm partial. What can I tell you?) Bodhe has an interesting moment. One of two things happens here. Either he's pleased to finally have one of his own blood (i.e. his grandson) installed as King or the death of Macbeth has finally awakened the hero inside him. Or both. For once, I tend to give Bodhe the benefit of the doubt. I think, at this late date, he's finally come into his own. I like to think he died a good warrior's death at Luach's side.
Demona wakes up. She claims not to believe Gruoch's admonishment, but NOTE, she does not kill Gruoch. Underneath it all, she knows that Gruoch is right and feels chastened.
Macbeth wakes up. Here we have our final scene on Lunfanan Hill. It parallels the previous break-up of Mac and Gru. That time Mac sent her away, but he loved her still. This time she sends him away. She loves him too. But this parting is permanent. Very moving to me. "I will always love you." And because of that, he must leave her. But we know he hasn't forgotten her even into the present. Her loss informs what follows.
Back to the present. Over episodes two and three, things in the present have been progressing very slowly. Now the present takes center stage.
Demona echoes what I'm sure by this time we were all thinking: "Take off that mask. You aren't fooling anyone... Macbeth." And he explains that he wears it as a symbol of her betrayal. (And for a psychological edge, no doubt.)
Meanwhile, we have that semi-feeble exchange between Goliath and Xanatos in the air. Feeble (a) because in one little scenelet, the mouth on Xanatos' armor is moving like it had lips; and (b) because the whole tapestry thing was a fairly forced way to get X and Goliath back to the castle.
I like Demona's line: "Let's not start that again. You blame me. I blame you..." etc. It's a very rational Xanatosian moment for her. But that rationality is born from the knowledge that she can't kill Macbeth without killing herself. Her usual vengeful attitude is useless. What she doesn't know is how suicidal he is. "Revenge is a dish best served cold. And I have waited 900 years for mine." Hey, leave a dish out for 900 years and it will get pretty cold.
There's always a bit of comedy in the pain-sharing battles of D&M.
When the floor starts to give way, it reminds me of a scene that was WAY better animated in the DuckTales pilot. Where the bricks of gold fall away in a simlilar vein. It's nice here, but it was awesome there.
I also like when Demona has Mac's E-M gun, tosses it and catches it to fire at X and G. Nice little touch.
And Xanatos' truly frightened yet underplayed: "This is bad." when he sees the computer screen.
I like the multiple falls that get us down to the Atrium -- a wonderful setting for the final confrontations.
And Goliath's speech: "...Death never does."
Again we get multiple images of the Sisters throughout this scene. And again, I had to fight for that.
Each Sister gets to take a mental punch to weaken first Macbeth and then Demona. Are they being hypocrites here? One aspect of their persona is, certainly. But there's more going on, some of which I still haven't revealed.
But the key thing in terms of this scene (and the events of AVALON) is that both Mac and Demona need to be mentally weakened for the spells of control that the Sisters are going to use on them in HIGH NOON and AVALON. And M&D need to borderline volunteer to relinquish control over themselves. Macbeth, who has been suicidal, is tired and willing. Demona's tougher. But even she doesn't put up much of a fight. "You tricked me." she says. And certainly they have, but she can't break the grip of three children, and though of course they are not ordinary children, one must wonder if she really wanted to.
Goliath: You have learned nothing.
The sisters (as children) say their cool (and ironic) line: "We have written their stories. They are our responsibility. They are our children." My three year old son Ben says: "I love the triplets."
But theirs is a story for another day.
Xanatos really has to sweat in this one. Unusual for him. I love his line to Bronx: "What are you looking at?"
But once the skies burn, he's back to his old self: "Magnificent." Believe it or not, it took some effort to really get the skies burning. The animation came back with only a few contrails of gas burning. We used video tricks to get that whole sky-burning effect that was SO important to the story.
When the gargs rush back inside they were supposed to lift Elisa up into the air in their joy at seeing her unstoned again. Thus you have contrast to explain Xanatos' line to Owen, "You'll forgive me, if I just shake your hand." (But you also have to wonder how he'd respond to Fox when next he saw her.)
And Xanatos gives a line I'd been waiting to use for a year. "I always wondered why I allowed you gargoyles to live. You come in handy now and then." I had always worried that an audience raised on certain villain cliches would just assume that the reason Xanatos never killed the gargs on one of the myriad occasions when he had the chance, was because we were bad writers. This X/G exchange was here to demonstrate that X wasn't that kind of villain. That he was never wasteful. Maybe at this point in the series, it wasn't necessary to spell it out. But it was still nice to get the sentiment across.
Of course, this ends the Xanatos/Demona partnership. Uneasy though it had been. It's why VOWS had to come first.
And that's my ramble...
Where's yours?
Time to ramble...
So the sun rises on the next day. Elisa IMMEDIATELY starts talking, even though she's facing the wrong way, putting to the lie all those nice fans who tried to make excuses for why she was animated facing that direction.
It's also kind of cool to watch Goliath and Brooklyn turn to stone and then see Owen turn from stone to flesh. He's got that URGENT-Owen tone going there for a sec, then quickly regains his usual Owen composure. It's fun.
There's a line in here about mixing magics, which was supposed to be a vague, vague cover for later revelations that Owen is Puck. Owen suggests getting the Grimorum from Goliath. X responds it wouldn't do any of them any good since none of them are sorcerors and MIXING MAGICS is supposed to be dangerous. That last phrase is REALLY a reference to a notion in X's head, that Puck might be able to help. X than rejects the notion himself. He's right about mixing magics, but that isn't the main reason that Puck won't help. Puck won't help because that's not the deal that Owen made with Xanatos.
I like Xanatos' casual confidence though: "We'll just have to set the sky ablaze."
Travis scene is fun for me too. Gives me one of those oblique opportunities to semi-break the fourth wall. A woman comes up, tells Travis the truth. He discounts her story, nominally because she doesn't watch television. Anyone who doesn't watch television must be a kook. Now a report on Mass Hypnosis... (That last bit is in there to explain in passing what the world response to the City of Stone events is likely to be.)
FLASHBACK TIME: Duncan has a beard. "Some cousins are not that close." I love how Neil Dickson read that line. And I love Duncan's genuine surprise when Mac saves his life.
Mac saves Demona again. Proving what a good, loyal guy he is.
And then we bring in the Weird Sisters, in the most SHAKESPEAREAN scene in City of Stone.
But first let's talk about the title. I LOVE that title. "CITY OF STONE". I think it was one of mine. But I have to admit it's flawed. Though it's spooky and evocative it really only covers the present day story. The present day story is certainly important, but I think we'd all agree that the real juice in this four-parter is in the tenth and eleventh centuries. And the title doesn't really cover that stuff at all. I didn't notice it at the time, because the importance of the flashbacks snuck up on me. At first I thought they would simply inform the action in the present. But it wound up being more of the reverse. Still I like the title. It sounds like a Movie title to me. What do you guys think?
Anyway, we bubble, bubble, toil and trouble it a bit. I love the nasty expressions that Canmore and Luach shoot each other. [I also love J.D. Daniels work as Canmore. He's such a little nasty. Great contrast to his work as the goody-good kid Tom.]
I'm fairly certain that we screwed up on Luach's name. The name should have been Lulach. But a typo got us stuck on Luach. At first I thought maybe either name would be accurate, like Malcolm and Maol Chalvim. But now I think we just blew it.
I love Luna's line: "You would lecture US on fate."
Erin, my six year old daughter, began to get very annoyed with Duncan here. "Why doesn't he give Macbeth one chance? He just saved his life! Duncan is a fraidy-cat. And stupid." I love a good judge of character. When Bodhe ("Be reasonable, Macbeth") tells Mac that Duncan's after him, and Mac can't believe it, Erin felt quite vindicated, "See, [Mac] just asked the same question that I did."
I like Mac's sad line to Gruoch: "The Journey will be brief."
And I like D and Mac's exchange:
Mac: "You are the answer."
D: "I'm uninterested in the question."
Ben, my three year old son, was having a little trouble with how fast everyone was aging. He didn't always get that the flashbacks weren't taking place right after each other. He got the difference between past and present. But not that we kept leaping forward from say 1032 to 1044 etc. "That's a different Demona," he would say, before I explained that she was just getting older. It then occured to me that I'm not even sure if he knows that white hair specifically signifies old age in a cartoon. After all, Brooklyn's hair is white. So's Luna's, in all her forms. (It's supposed to be silver, but it looks white most of the time.)
Mac is surprised, and not a little freaked out, to hear that there's still a Hunter out there. With Gill dead, he has no clue who it could be.
He offers an alliance, and Demona -- clearly thinking of the Captain of the Guard -- says, "You sing an old song." That, for me, helped tie in our Wyvern flashbacks to the whole Mac/Demona story. I was always afraid they weren't really related enough.
The whole thing with the Sisters looking different depending on the point of view, was another idea of mine that most people thought I was nuts about. (Like having characters unaware of the change in themselves in "The Mirror".) It worked just fine, and in many ways is clearer than any alternative I can think of. But man, I had to WORK to convince people.
The sisters are pretty tricky here, they use the barest excuse of an offered trade to more or less enforce their will on Mac and D. Bending Oberon's law without breaking it. That's not too important here, but will obviously be important in later episodes.
The clues of course are planted in the spell. "Forever and eternal bound and each the other's pain resound." How many people got the implication here as opposed to figuring it all out when the sisters explained it near the end of part four?
Seline handing Mac that magic ball was another instance of us cheating a bit. We were sick of using the fall to the death shtick. But we couldn't just have Duncan skewered. So this was an S&P compromise. The good news was it looked pretty cool. Brief but scary. It even seems to scare Mac.
When Gruouch says that she's afraid Mac's made "a bad bargain," she was supposed to touch his hair to give a visual reminder that he had given up his youth to protect his clan -- and that it scared and saddened her more than a little. I gave that note over and over, but somehow it never got in there. It still works, but I really wish she had run her fingers through his hair there.
D likes Mac and Gruoch here. Look at her face. Maybe she sees a bit of herself and Goliath in them. (With Gruoch as Goliath, of course.)
I like the battle too. It's very economical staged, yet it feels kinda epic to me. Very smartly story-boarded. I really like Demona's clean sweep of Duncan's cavalry off their horses.
Mac says: "You fight like a demon." Laying the groundwork for Demona to get named. This was a bit of an argument with S&P. "Demon" was supposed to be an off-limit word for us. I convinced Adrienne Bello it was important to justify Demona's name. And my bosses backed me up. (That never happens anymore, by the way.)
There's a character in here that we never name except in the credits. He's Duncan's right hand man and Demona appears to brain him by flying him head first into a big rock. He's called MacDuff in the credits. Obviously, another name from Shakespeare. I think maybe he didn't die, but became an ally of Canmore's in part four. But I'm not sure. I know that in part Three, Charlie "Travis Marshall" Hallahan did his voice. In part Four, the character I'm thinking of (both of whom have red hair at least) is voiced by Jeff Bennett.
M&D find the mask with Duncan, and Mac says, "so the battle is truly over for us both." Which is majorly ironic, since we know the battle will continue for at least 900 years.
Bodhe comes out from the background only after "THE NIGHT IS WON!"
Bodhe, though contemptuous, is a very fun character to write. I love his little aside about Canmore: "He'll be trouble; slay him now." We like Mac better that he won't kill a child. But you'll notice that Demona won't kill the kid either.
The coronation is fun. That whole naming sequence is fun.
M: "They will learn to respect you."
D: "I'd rather they feared me."
M: "They'll do that too... 'Demona'"
A nice bow tied on that "Know her?!! I named her!!" line from way back in "Enter Macbeth".
Now as we prepare to segue back to the present, Erin recognizes the three sisters as serving wenches "Because of their hair". To which Ben says, "Me too". But when we get to the present, neither realize that the sisters are also posing as cops. Mostly, because they're police hats largely cover their hair.
Now finally, back to Elisa. Confused as hell, but beginning to catch on at the mention of PackMedia Studios. She heads for the Eyrie. X's response: "Ah, the charming Detective Maza." Love that guy.
Owen and Elisa do their little dance and we get to play a gargoyle recurring bit with them as they freeze into stone mid-argument. At this point my kids catch on to the basic rules. (All of which might have been clearer if we hadn't had such a big gap between watching part two and part three). Erin: "So the humans are the opposite of the Gargoyles. When they turn to stone, the others wake up."
Xanatos starts explaining the plan, and my son turns to me and says, "Daddy, I have to tell you something." [Which is how he starts most conversations these days.] "I had a lot of dreams about fire in the sky." I'm not sure if I believe him, but it was a nice conversation piece.
I like the way Goliath looks at Elisa when he says, "This has to work." Feelings showing.
Then everyone leaves to go pass gas. :) [I know. I'm really mature.]
Bronx goes after the tapestry. We wanted to keep that subtle so that we weren't tipping our hand. Did anyone wonder about that or did it just slide by? Did anyone remember at the cliffhanger that Bronx had been left behind to save Elisa?
Anyway, there's my ramble. Where's yours?
Did Demona mate with Thailog?
What do you mean by "mate"?
Hi Greg,
Your always asking for some feed-back, and well here's mine, well it's more of my thoughts of a certain character--Demona. In the show she always seemed to filled with so much hatred, hatred for every one it seemed. Seeing the person she was before and after the raid of the castle really made me think. Having my own bad days, like every one else, I know what it feels like to "hate" the world, and during those days I realise it takes more strength to stay mad at the world than it does to "like" it. So thinking of Demona always being so full hate all the time is really sad, of course in a way she put herself in it...it was her own hatred for humans that did her brothers and sisters "in". Of course she'll never understand this, I guess her pride gets in her way some times, like every one does. In closeing I would like to say that I think Demona was a good character to throw in, it made the viewers see what a long time of hatred does to the heart.
Thanks. We tried to get that across in a non-simplistic way. I'm gratified that it worked so well for so many people.
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