Anonymous writes...

Why would Arthur go to Stonehenge to look for Merlin?

Anonymous writes...

I know that you hate most of the time traveling in Star Trek so what did you think of that episode where Kirk goes back to WW2?

Angel writes...

Just curious, but have you ever read the the stories in the Gargoyles Saga?

Jim R. writes...

Doh! Wrong word in my last question: "conscience" is supposed to be "conscious" as in aware of one's surroundings. Sorry about that.

Blaise writes...

HIGH NOON

Came back to the rambles a bit later than I expected. Anyway....

First off, I felt the animation in this episode was some of the best in the series--fluid, characters had "solidness," and just overall very well done. My only real complaint is that sometimes the positions and movements of the characters seemed a bit too...BIG. Over-dramatic perhaps. The most obvious example is the very one you mentioned, Demona's "sex-pot poses." Those always throw me, because they just didn't really seem to fit the scene for me there. I suppose the idea put forward by several other fans--she was showing off against Elisa--is probable, but still.... On the other hand, I must admit that, yes, it is certainly...appealing to watch...the poses.
ANYWAY, still some pretty good animation. But while we're on the subject, Desdemona's skin-color seemed a bit lighter to me in this episode.

Yes, Michael Dorn does a great job contrasting the two personalities in his voice, doesn't he? Just the difference in between hearing him as Othello talking to Desdemona in cyberspace, and then as Coldstone/Iago calling Demona "Sister" is chilling. His voice work is one of the highlights of the episode IMHO.

I did not balk at the progress Hudson and Broadway made in their reading. For an animated television show, I thought this was a very nice show of development among the characters. Pity that even after reading it correctly when it really counted in THE SILVER FALCON, Broadway still has trouble reading the word "right." And perhaps, after a year of watching television, Hudson should have picked up the "hit the sack" phrase--he seemed to pick up "sitting ducks" a lot quicker than Broadway--but still, it was a fun touch.
I do kind of like the modesty Elisa displays in describing herself as no hero. I don't know why, but I do.

I didn't recognize Demona and Macbeth IMMEDIATELY. As soon as they were in the station and I managed to notice the beard on the "felon" I figured it was Macbeth. I didn't recognize Demona until she started talking (who couldn't recognize Marina Sirtis' voice as Demona?). What remained foremost on my mind was why these two were working together. I actually didn't wonder too much about the rest of the stuff--maybe it just didn't occur to me, or perhaps I figured all would be revealed in good time and just suspended my disbelief. I didn't think the two were capable of escaping the Weird Sisters, though. That is, unless the Sisters wanted them to.

As for Elisa...she REALLY should have gone to the doctor if she was out for that long. I admit, in light of this "enforced nap" I always had a problem swallowing Elisa's statement that she had only slept "a few hours in the last 40" (despite the fact that she certainly LOOKED like that statement was true).

I buy that Elisa found Demona familiar (you're right, there's that sort of connection between them).

The transformation sequence of Demona from human to gargoyle (and later from gargoyle to human) were EXCELLENT. I had been waiting to see her change since THE MIRROR and was a bit frustrated that it didn't occur anytime durning the five eps with her between then and now (y'see, I didn't know about the "tiers and tentpoles" back then). Thus, I was quite happy to see her working in human form here. Also, somehow I just KNEW the transformation was going to involve pain. I don't know why...maybe it's what I would have done with the spell if I had cast it on Demona. I can be cruel sometimes.

I'm afraid that the fact that we had three villains teaming up against the heroes didn't hit me as strongly as you would have liked. It's not just that the villains had such complexity, but also the fact that Macbeth and Demona usually are fighting each other. That kind of undercut some of the "WOW, THREE VILLAINS" factor. Also, the good guys still outnumbered the villains (even though the villains managed to outthink and incapacitate them)

I do love the interaction between Goliath and Elisa when the gargoyles head off to Macbeth's. I didn't find Goliath too smug, and I thought Elisa's "full report" remark was kind of fun and endearing.

The sequence at Macbeth's house was pretty cool as well. I also love it when Goliath taps the camera with his wing--I always was interested in seeing what other uses there were for that extra pair of appendages in addition to gliding.

"Just remember, one of them hates your guts." Lex has such a wonderfully blunt method of stating the situation. ;)
Of course Goliath responds with the equally fun "Then I'll just have to be very careful" after he's punched out the console.

Broadway: "Look at all these books!"
ZAP!
Macbeth: "And I know how to read them."
Nice exchange that succeeds in taking us back to LIGHTHOUSE. Also, it managed to impress my brother as being an excellent insult.

Bronx sniffs Demona behind the false wall, Brooklyn takes no notice. A repeat of the events that took place at the castle in CITY OF STONE. "Fool me once, shame on you. Fool me twice, shame on me." I get the feeling Brooklyn's going to pay a bit more attention to Bronx's hunches after this.
BTW, I just love it when Bronx scratches at the door...and gouges the wood.

I figured Macbeth in the library was probably directly over Demona in the...whatever room it was, for the pain link to work.

Yeah, the villains pulled a smart one with Coldstone/Iago volunteering the added information. I didn't doubt that they would.

Elisa and Demona have their encounter, and then Elisa runs into Morgan. I was surprised to find that Keith David was Morgan's voice--it sounded so different from Goliath. But Morgan is a fun character with some nice insight.
I don't know why, but I like Elisa's mention that if she went to sleep and woke up there would be "no more monsters, good or bad."

Elisa goes to the castle, unarmed, and Macbeth goads Demona into facing Elisa the same way. This is one instance where it makes sense that the villain gives up the advantage of a weapon--just the honorable Macbeth playing on Demona's contempt for Elisa to ensure an honorable fight. And I like that Elisa holds her own well. I'm glad that she didn't just turn out as another "damsel in distress" but worked as a heroine in her own right.

Meanwhile, through all of this, Othello has been hiding away, against Desdemona's pleas. Personally, Desdemona strikes me as the more mature of the two of them, the wiser and more patient (she continues to stick by this guy no matter what--this is one heck of a woman...gargoyle, whatever).
Even though the hair-color was always off, I recognized the three Desdemonas as the Weird Sisters (c'mon, triplets talking nearly as one, in a situation concerning Demona and Macbeth; who else could it be?).

Othello makes the decision and the fight for control begins. You have to admire the sacrifice Othello and Des make for the sake of keeping Iago in cyberspace. I couldn't help feeling sorry that it had to be this way.

After the fight's over, and the chains are blasted, Coldstone takes his leave for the safety of others. A couple things I really like here--Coldstone refers to Elisa as "my lady" and bows, and when Coldstone shakes his head to defer staying until Goliath wakes, he only is able to close the biological eye. His robotic eye can't close. Pity that only shows up here.
And then the jogger comes in for some nice comic relief.

The final tag struck me--kind of like the first Xanatos tag I saw. Coldstone was a feint just to get the talismans--the three the Archmage said would grant "ultimate magical power!" There they were! Macbeth and Demona start to question the situation, and in come the Sisters. I knew they had been involved, but I didn't quite know what they wanted the talismans for. "The coming battle" eh? Well, that was one I couldn't wait to see.

Of course I had to wait a while for AVALON. :)

Ricky Stewart writes...

Ricky here again,
Max Steel is an **AWESOME** character! I'm almost finished my Max Steel story. Do I have your permission to post it on the internet, or would you like to read it first since you are the creator? Pointers? rickystewart2001@yahoo.ca

Ricky Stewart writes...

Hi Ricky here,
This is not a request for employment, but a plea for a chance to break into the business. I'm a writer and I'd like to write a novel. Can you help me?
P.S. How did you come up with Max Steel. Awesome character. Sorry you're no longer involved.

Duncan Devlin writes...

I just watched "The Journey" for the first time--amazing, huh.

Some questions about the Stonecutters.

1) Since the show was in a completely different time slot, was John Canmore and the Pie Guy supposed to be inside jokes?

2) Why were the Hunter slashed reduced to being part of the larger symbol instead of beingm like the old 3-slice masks. (As I write this, I think its ABC's fault)?

Anonymous writes...

This one's not really smart assed, but still amusing:
Question-
We definitely know that the Illuminati, and particularly Percival/Duval, would have been major antagonists for "Pendragon". Now that the "Arthurian survivors" contest is over, could you tell us now what other recurring antagonists you had planned for Arthur and Griff?

Greg responds...

Ask me later, but with more style.

Siren writes...

The Fox/Titania controversy...
In the script for The Gathering, were the words that they spoke written out or was it just "psst psst..."?

Greg "Xanatos" Bishansky writes...

Don't have time for a large ramble on "Outfoxed", so I'll just comment on a few key points.

Cyberbiotics> I was wondering what became of Cyberbiotics after "Awakening", so it was nice to see them again. And personalizing them in Renard, so we know who it was that got hurt by Goliath and everyone's actions.

I didn't think much of Vogel's resemblence to Owen. I thought they were cousins or something, or perhaps that one was a clone. He also made an interesting character, and I thought his change of heart was believable at the end.

Halcyon Renard. First of all, that is a great name. I like the sound of it. Yes, I did figure that he was Fox's father. I may have flunked out of French class that year, but I knew what Renard meant. He was a great character to, and Robert Culp did a great job doing his voice. Also he made a nice opposite to Xanatos.

Goliath was well-used in this episode. Also nice to show that he's far from perfect in his waiving off his responsibility in the destrcution of Fortress I.

Fox was great in this episode also. She became one of my favorites here. I was surprised by her pregnancy, but it seemed to be a natural step in where she and David were going. Seeing her beat David in their karate match was fun, but I'd like to see him win one some day, he lost to Owen to. Fox's attitude at the end with Renard was priceless, and nice to learn her birth-name. Janine was very appropriate.

Also, with Demona, Elisa, Angela, Fox etc, "Gargoyles" has a lot of great woman characters. That's one thing I really like about this show.

The theme/moral of integrity was a good one, and well handled. I understand how Renard feels when he says it's a daily struggle. I for one have been guilty of taking the easy way out and waiving off integrity. But I try to practice it as often as I can.

This was a very good episode. Not one of my favorites, but very good.

Also, don't ask me how, but I knew that David and Fox were going to have a son. I also knew that IF Goliath and Demona had an egg it was a daughter. Don't ask me how, I just knew.

Hopefully I'll have a longer Ramble/Review for "Revelations". I enjoy doing those.

Pyro X writes...

Greg;

There are several types of Characters on the show.

Hudson is like a grandfather if you know what i mean.
Goliath is the typical parent.
The trio are the teens.

My question: there is no gargoyle around the early to mid twenties range (something like Beth Maza.) Was there ever a problem not having this type of influence?

Did you give some of the qualities that a character of this age group my have to other people?

Lady Dominique Macbeth writes...

What is the number on Elisa's NYPD badge?

Lady Dominique Macbeth writes...

Greg,
At the end of Metemorphosis, after Elisa learns her brother has been mutated, she sits in a corner of the clocktower crying. I completely understood this--a perfectly natural reaction-- but what I didnt understand is why no one tried to comfort her. I mean, she is close to the whole clan and ou said by this time Goliath already had definate feelings for her, so why didnt someone try to help her through something that could quite possibly be the hardest time of her life?

Thanks so much!!!!

matt writes...

oh, and if i remember correctly, you said that March 21 was not only the Spring Equinox, and the possible hatch date for gargoyles, but its also your son's birthday, so, Happy Birthday Ben even though its belated by now... talk to you later!

Siren writes...

In the Gargoyles Universe, are there gargoyles without wings at all? Earthbound ones.

Sapphire writes...

Oh Greg the episode Metamorphisis was pretty cool the mutagen thing and all. Do you know in reality how they do gene transference between different organisms like the gene tranference between Derek and a panther, electric eel and bat. Viruses they insert genes into viruses and inject them into a creature where the viruses insert the foreign genes into the creatures DNA and it usually takes 5 months for the creature's DNA to accept the foreign genes as opposed to the 2 days in the episode Metamorphisis. Also there is also a high risk that the immune system would gobble up the mutagen plus the body also gets rid of cells that are mutated so in reality if a mad scientist ever injected you with a mutagen containing the DNA of animals your immune system would destroy the mutagen or the cells that has been mutated

Anonymous writes...

Is there a reason that MacBeth owns the real Mona Lisa while the Renaissance hunters used Leonardo's weapons? Is it a coincedence?

Dark Nyusu writes...

Is it possible for a child of Oberon like Puck to have a relationship with a gargoyle?

Duncan Devlin writes...

I noticed a contuning theme with the drawing of Xanatos. When there are other characters around, he seems to dominate everyone in size, with the notable exception of Goliath.

This was strongly evident in Future Tense, when Demona kicked him. She was about 1/3 his size.

Any comments? Did this happen on purpose? Was it your idea or animation's?

matt writes...

another thing about Lex flying a helicopter... he'd only been in the modern world with modern technology for a couple months and even with the video game, he's flying a complex aircraft after one night! thats what i call a stretch... i've lived among modern technology most of my life and i've played plenty of flight simulator games and if you put me into an even simple plane or helicopter i wouldn't be able to fly it! and even if i was allowed to fiddle around with the controls for a couple days, i'd be lucky if i could fly it, my point is, was Lex's sudden skill with the helicopter another result of Kenner wanting to make a toy helicopter?

Duncan Devlin writes...

Someone asked about sources on clothing from 1000 AD so I found these two books and figured that I would post them.

The Book of Costume
-Millia Davenport

What People Wore
-Douglas Gorsline

matt writes...

i was wondering, how particular are gargoyles about their roosting spots? Goliath always has the same spot at the top tower of Wyvern, which i assume Hudson (Mentor) had before him, Demona (Goliath's second) had the roost directly in front of and beneath Goliath's, and when Goliath put the frozen clan on their roost he left Demona's empty. so do gargoyles have certain roosting spots? if so, why was some other gargoyle roosting in Demona's spot the night of the massacre? do only the ranking and prominent gargoyles have the same daily roost? are these roosts determined by elevation or what?

matt writes...

i have a couple comments on "Her Brother's Keeper" which i just watched...

first of all, i love the trio in the helicopter scene, one of the most fun moments in the series!

my real comment/question is about Hyena in this episode. why are she and Jackal suddenly outlaws, hunting a creature that doesn't legally exist is one thing, but all of a sudden they're stealing (or attempting to steal) the "most valuable stone on Earth", whats that about? oh, it was orders from Fox? i see, didn't Hyena just say, "I don't take orders, brother, not even from you!" then she dutifully follows Fox's orders several times in the episode. i don't get it... these two, particulary Hyena really confuse me and seem to be acting out of character at this point. later on, they escape from prison and so they're already outlaws, so why not rob a bank, but here they are good citizens, even popular citizens, why mess that up on Fox's orders, are they that loyal to her?

Basilisk writes...

1. In the GARGOYLES universe, is the classical Greek legend of the Minotaur (as being born from the union of Pasiphae, Queen of Crete and wife of Minos, and the white bull sent by Poseidon) true?

2. If you consider the Minotaur "a New Olympian before the term existed" or something like that, and if the answer to the above question is yes, do you see the white bull as fae? Assuming you consider

3. What about Chiron? Do you see him as the son of Cronus and the nymph Philyra?