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In late January of 1992 we were still searching for our series. Ultimately, we'd return to a more dramatic version of our old comedy development. But here was an earlier version where our proto-Goliath is still an immortal magical construct.
(Weisman / 1-24-92)
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Schaefer, Stones
(Third Pass - Version 1/Backstory...?)
[Please note that the dialogue is just here to show the flow of the pitch. It's not intended to be even a first pass at the correct words.]
1. Typical stone gargoyles. (Perhaps stone versions of our squire characters.)
"We all think we know what GARGOYLES are. Ugly, stone statues squatting on the rooves of old buildings..."
2. OPTIONAL - "Medieval Woodcut" showing gargoyles repelling barbaric invaders from the castle walls.
"But there was a time when gargoyles were real, living creatures. The kings defenders...[or something]..."
3. Modern day, beauty shot of our Gargoyle on top of a skyscraper with the full moon behind him.
"That time has come again."
4. Castle being lowered onto skyscraper by giant airships. Laputaesque. It's sunset.
"Manhattan, 1994. And an ancient scottish castle is the newest addition to the New York skyline."
5. Our FEMALE POLICE DETECTIVE hot on the trail of a major badguy.
"But JANE DOE, New York Police Detective, doesn't have time to worry about that now. She's hot on the trail of a major badguy."
6. She follows him onto a rooftop. But it's an ambush by multiple baddies. (By now it's nighttime.)
7. She's doing o.k. in the fight. Holding her own. But someone's about to nail her from behind. And from another rooftop, someTHING is watching in the shadows.
8. Reveal THE GARGOYLE, as he dives into fray from above.
9. Gargoyle lifts a badguy with either hand. While a third shoots at him, the bullets glancing off his stone-like hide. (Basic demonstration of his strength and invulnerability.)
10. OPTIONAL - Then he's gone, as quickly as he came. Leaving her to wonder.
11. OPTIONAL - But she's a born detective, innately curious. Tracks him down. They meet. Quiet moment. He'll tell her his story.
12. 1000 years ago, EVIL WIZARD creates our very menacing GARGOYLE. (Does Gargoyle have a name?) Wizard is perverting a gargoyle's true protective function, wants Gargoyle to destroy the near-by castle of the good princess.
13. PRINCESS (does she look like our detective?) convinces Gargoyle to fight for good and not evil. Touches his heart.
14. Gargoyle prepared to fight for Princess...just as the sun begins to rise. (Castle folk open gates to let Gargoyle out?)
15. Gargoyle turns to stone at rise of sun. (As the wizard's army attacks thru open gates?)
16. Sunset. The castle has been sacked. The princess is gone. Our Gargoyle is heartbroken. (More TRAGIC than pathetic.) He's failed.
17. The years pass. He haunts the ruined castle. Howling in front of the full moon?? Years spent in solitude.
18. Occasional forays into humanity? (Stealing books from library?) (World War II? Ripping the wings off a German plane?)
19. Back in present, he tells Detective how all he has left is isolation and futility. Nothing for him in this world. Nothing for 1000 years.
20. But now there's her. She offers him hope, a sense of purpose. And real human friendship. If he sees humanity as an unchanging blight on the planet, she sees humanity as an unending source of potential. She is not naive. She's a cop. She's seen good men corrupted as often as she's seen Bad men redeemed. Working to make things better is the only way they'll get better.
21. From atop the skyscraper, she shows him Manhattan. (Beauty shot of the city in the moonlight.) If Gargoyles are supposed to protect from Barbarians at the gate, then he's found the right town. Manhattan is full of "Barbarians".
22. Gargoyle fighting crime. A mugging? A car full of bank robbers?
23. Escalate. Major villain card. XAVIER perhaps.
24. Escalate. Major villain. One of the Crazies.
25. Escalate. Even tougher villain card. One of the Big Guys. (Gargoyle and Big guy fighting?)
26. Escalate. The toughest villain card. The Wizard in his new incarnation. (Any relation between Xavier and the wizard?)
27. Discussion of mood and tone. Gargoyle in city atmosphere. Emphasize gothic melodrama in very modern setting.
28. Supporting characters. (Other gargoyles, perhaps, or our lead girl's kid? Other cops? The old librarian?)
29. Where does he live? Still in Xavier's tower? With Xavier? The library maybe?
30. Other types of stories?
31. End Card.
Some possible names for our Gargoyle:
January of '92 was a busy month for Gargoyles Developers. Tad was working on other projects. Maybe Darkwing Duck (if "LP" below stands for "Launchpad"). But he was still helping us out with advice on our show. As I noted earlier, some of Fred Schaefer's villains were problematic. Too dark even for our series. I tended to agree with Tad about Catscan (the proto-Talon). But we did wind up incorporating a bit of the attitude that Tad was concerned about into Fang. (Which makes Catscan the proto-Talon, proto-Sevarius and proto-Fang all rolled into one.)
 From: Tad Stones 1/17/92 8:25AM (712 bytes: 11 ln)
To: Greg Weisman
------------------------------- Message Contents -------------------------------
Read the villain stuff on Cat Scan. Considering I'm getting notes from Michael Webster about cutting scenes that show LP littering, and GK is worried about doing gags about coffee and showing a gorilla wearing a dress ... do you really want to portray a character who's pumped up by violence, who says he's never felt more alive than when he was fighting?
Even though he's a villain, he's attractive because he's smart and powerful. I think this guy is over the line, however fuzzy that line is.
It's been awhile, but I watched "The Silver Falcon" with my kids the other night, so here's my ramblings on the episode:
This was Cary Bate's first GARGOYLES script as writer and story editor. And it feels very Cary to me. The love of old movies. The twisty-turny detective story, etc. But the main thing I remember is that Cary consciously wanted to start out slow. Not to have to be immediately fluent in each and every member of our large cast. So we focused this on Elisa and Broadway.
Broadway likes b&w genre flicks. First SHOWDOWN. Now this detective film.
Elisa keeps her gun in a lockbox now.
Broadway hates Dracon, but can't immediately place Glasses.
Broadway is extremely protective of Elisa.
Broadway has trouble reading, but he's clearly been studying.
Dracon now has a white streak in his hair. This was primarily done because I thought Tony's model looked too bland. But it made for some cool continuity, given how frightened he was in "Deadly Force". I actually had a brief weird notion to also give Glasses that white streak, but fortunately decided against that weird coincidence.
"Ears like these don't miss much."
"This is for my apartment, jerk!"
Picking up on Michael Reaves' suggestion that Matt is a conspiratorialist, we lay the groundwork for the Illuminati's eventual surfacing -- while simultaneously leave it open here to still think that Matt is way off base. Still Martin Hacker is intro'd here. He helps Matt out this time, because he knows the DD angle is a dead end Illuminati-wise. Mace is also mentioned and we see a photo of him. I already knew we'd be bringing back Hacker and meeting Mace soon enough. I knew they were both Illuminati.
Matt's FBI background is also revealed here for the first time. I always like filling in the blanks on characters we think we know.
We into Pal Joey here. Primarily, because Glasses made too BIG of an impression in Deadly Force. We needed someone that the audience (and Elisa and Broadway) wouldn't immediately recognize as a Dracon flunkee. Glasses (his name, his design and Rocky Carroll's performance in what was designed to be a throw-away role) made a strong impression on all of us. Maybe, it's the Owen syndrome. But I always wanted to do more with Glasses.
When Elisa heads for Matt's apartment, we weren't supposed to know it was Broadway hiding on Matt's balcony. The idea was to have multiple levels of suspence. A man in a ski-mask (Joey) ransacking Matt's place. Another man in a trenchcoat watching him from the balcony. Elisa about to enter. Who's on who's side? But instead, it's obvious from moment one that it's Broadway in the coat and on the balcony. Undercutting the suspense instead of expoiting it.
Where did Broadway get that trenchcoat on such short notice? Obviously, it was his Halloween costume. And obviously, since this coat wound up getting destroyed, he had to rush out and get a new one for Halloween.
The trenchcoat and hat is a tribute of sorts to Ben Grimm, alias Thing of the Fantastic Four. The oversized guy in the trenchcoat and hat was a Kirby trademark. Also that moment at the end, where Broadway knocks Tony out by simply flicking him with his finger a couple times. That was very Thing.
Elisa nearly shoots Broadway by accident, while he's pursuing Joey in the hallway at Matt's apartment building. It's a nice moment. And loaded with potential irony.
Originally, Benton and DD were two different people. Development Associate (now Story Editor/Writer) Eddie Guzelian suggested making them one and the same to add a last complication to the story. You can see that at the end. Matt deals with Pal Joey -- in a kismet kind of retaliation for the destruction of Matt's apartment. Broadway deals with Dracon, paralleling the old movie we saw at the beginning. And the story seems to be over. (Which originally it was.) Broadway even says: "Case closed." But then Elisa still has a villain to face. Dominic Dracon. Brought back to tie up loose ends, and add one more twist. Now my question is, how many people guessed that DD and Benton were one and the same? Cuz originally they weren't.
I'd have liked a little more visual clarity on the "Falcons" where the jewels were hidden. I'd have liked it better if they had been BLACK with grime and city soot. Then I'd have liked to have seen them shine like silver when Elisa does her quick polish act at the end. It basically works, but the clarity isn't quite their. Because the falcons are neither very black when dirty nor very silver when clean.
Finally, we made clear in this episode that the Gargoyles transformation to and from stone was really driven by an internal clock, not the sun itself, as Broadway turns to stone while underground. This was done, at least in part, to try and make it clearer that the gargs were not magical creatures but a mortal, biological species.
Having gotten very far afield, we began to re-incorporate our old comedy development into our new drama. Demona, Ralph (proto-Hudson) and "Lassie, Belushi, Goslyn" (proto-Trio) are back in the show. The Master-Gargoyle (proto-Goliath) is no longer a magical creation but the leader of a different species. We've still got him living through the thousand years -- something we'd eventually give over to Demona -- but we're getting closer to where we want to be.
The following document is notes written up after a development meeting. I'm guessing the write-up is by Fred Schaefer, but I'm not sure.
JAN 20 1992
GREG WEISMAN'S OFFICE
GARGOYLE: Notes from meeting 1/16/92
GK, GW, KF
The Gargoyle pitch needs to show the Master gargoyle as sympathetic and exciting. Need to emphasize empathy, emotion, heart and humor in series. Open in the city and flashback to brief backstory? (No mention of princess or wizard. Optional Messerschmitt card.)
Long ago there were lots of gargoyles - not millions, but thousands, all over the world. They were killed in vast numbers by humans because they were ugly, powerful, and too hard to control, although they did protect the humans by night. By day, the gargoyles sleep. A protective crust covers them, and this is shed when they wake up as the last rays of the sun disappear. Gargoyles are instinctually protective and territorial. They are not impervious to bullets, it hurts when they get shot, but bullets bounce off their thick skins. Lasers and bombs do not.
Master Gar has lived 1000 years. He tried to save as many gargoyles as he could from extinction. Put them to sleep? Has been waiting until for a time that is safe to awaken them. Detective convinces him now is the time, they're needed?
Master Gargoyle lives in the locked attic rotunda of a large downtown municipal building. Lots of arches, arched windows and outside entrances. Gar had to leave his old haunt, now owned by evil Xavier. Female police detective has key to rotunda. (Some stories with janitor accidentally coming in. Lots of boxes, some of the boxes are a door?)
Master Gargoyle (1) - Educated, sad, world-weary.
Girl detective (1) has seen a lot, but not totally cynical. Still believes there's some good in humans.
Gargoyle Warriors (1 - Demona) - adult, vicious brutes
Gargoyle Elders (1 - Ralph) old gargoyle warrior, caretaker of the apprentices.
Apprentice/squire gargoyles (3 - Lassie, Belushi, Goslyn) - young (teen), playful, uneducated, emulate the Master.
Villains - (3 - Xavier, Cat Scan, 1 other (a gargoyle warrior?)
Need to stay away from a fatherly relationship between our Master Gargoyle and the little gargoyles.
These forty-one blanks remain unanswered:
42, 44, 74, 76, 125, 129, 133, 134, 233, 235, 236, 238, 241, 244, 254, 290, 292, 293, 306, 307, 314, 322, 327, 328, 333, 335, 408, 409, 420, 433, 444, 446, 450, 455, 490, 507, 508, 510, 517, 518, 519.
That's more than I thought, but still not that many left, considering.
I don't know who came up with this guy. There's no name on it. The character as described here was too horrific for the tone of our show, but touches of him survived. In Coldstone particularly. But also in Jackal and Hyena. Particularly in that fantasy sequence where Jackal "redesigns" Goliath in THE GREEN.
[Read by GDW on 1/15/91]
THE SCULPTOR: Was a well-known eccentric artist until shark attack. Now he sculpts his victims as he was sculpted by shark. "You'd be surprised how many body parts you can do without." [Next to these first few sentences, I wrote: "Yikes".] Lives in a dim, open, downtown loft. Carefully chooses his victims, stalks them, kidnaps them and takes them to the loft for "redesigning." He's missing a right foot, a left hand, a left ear, a lower right arm, a chunk from his left thigh, and his nose. He's replaced his missing parts with cybernetics, giving him super-human (machine) strength and endurance in those parts (maybe he can run super fast or for long distances, super hearing, one strong hand for crushing, etc.). The nose just looks nasty.
Hi. I'm back from my sojourn in Louisiana (hi Green Baron). And it's time to continue our reprinting of old development documents from the show...
This one features two villains, Catscan & Shard, that were created by Fred Schaefer, who coincidentally traveled with me in New Orleans this past week. Catscan would eventually split into Sevarius and Talon. Shard would fade away -- too violent and without enough imagination or flare to make the cut.
[Read: GDW 1/15]
THE GARGOYLE -- VILLAINS
DISTRIBUTION: Cranston, Fair, Felix, Guler, Kline, Krisel, Ryan, Stones, Weisman
CAT SCAN -- Part man; part panther. Has a muscular, taut, and sleek body. Walks upright most of the time, but can hit some whopping speeds on all fours. His powerful hind legs allow him to leap from one rooftop to another. He also has x-ray night vision, which is capable of duplicating objects (living or non-living) in 3-D. He uses these convincing (if short-lived) holograms as decoys to fool his enemies. He's highly dangerous (razor-sharp claws and teeth), and can kill very quickly. [Greg wrote: "Fitting the name/ May not fit origin" beside this paragraph.]
FIRST EPISODE INTRODUCING CAT SCAN
Dr. Grun is a shamelessly ambitious scientist doing top secret research on vision -- human vs. animal -- for Xavier's corporation. Xavier is involved in developing a highly-advanced "night vision" for jets and a new revolutionary decoy device using holograms. Unfortunately, Dr. Grun's experiments requires an enormous amount of animal research. Mostly on wild cats.
One day, an animal rights group infiltrated his lab. [I underlined this sentence and wrote "Makes them villians".] A violent clash ensues; Dr. Grun accidentally receives a massive dose of his own newly developed x-ray, a controversial device that melds CAT Scan technology with genetics. [I circled "CAT" and wrote "abbreviation has nothing to do w/Cats."] He's hospitalized in Xavier's in-house medical center.
Dr. Grun's body begins to undergo some drastic and extremely painful mutations. Slowly, he turns into a panther/human. He becomes angry, bitter, self-denigrating -- his career as a scientist is over! [I wrote: "Why"] Xavier becomes angry (and sickened by Grun's pathetic self-loathing; remember, powerlessness is Xavier's biggest fear); he reprimands Dr. Grun, telling him that he has acquired skills that no other human possesses. He is powerful and dangerous. Xavier wants to recruit him in his villain team.
At first, Dr. Grun is mortified. The life of a criminal is no substitute for the intellectual life of a scientist! Indignant, Dr. Grun storms out of Xavier's headquarters. That night, while wandering through dark back alleys, Dr. Grun is hounded by a beggar. In a fit of fierce anger (coupled with his feelings of frustration and self-revulsion) he lashes out and attacks the man. The Gargoyle comes to the man's rescue. He and Dr. Grun battle. Dr. Grun escapes.
Safe from the Gargoyle, Dr. Grun reflects on the violence. Surprisingly, he admits that he's never felt more vigorous in his entire life. Pumped up. visceral. ALIVE!!!! (He returns to Xavier as the self-proclaimed CAT Scan, and joins his team.)
THE SECOND EPISODE FEATURING CAT SCAN
[I crossed this out and added an arrow to the paragraph below to move it up with the previous.]
CAT Scan confronts the Gargoyle while trying to pull off one of Xavier's crimes. CAT Scan has been waiting for this moment ... a chance to face his very first opponent again. Only this time, he's more powerful and more skillful at using his CAT Scan vision. It's a tough, grueling fight.
CAT Scan loses, but not by much. He vows to get even. The score is not settled.
THE THIRD EPISODE FEATURING CAT SCAN
CAT Scan discovers that the raid on his lab a long time ago was a hoax perpetrated by Xavier himself. It was no accident that Dr. Grun was dosed by the replicating device. Xavier's rationale was: who better to understand and deal with the psychological stress of becoming a panther than a man who's studied wild cats all his life. A man who understands the physical effects of genetic mutations and the capabilities of the advanced CAT Scan x-rays. Dr. Grun was simply a tool ... and now he's a freak. An enslaved freak. He decides to kill Xavier.
The Gargoyle now finds himself in the odd position of protecting Xavier from CAT Scan. In the end, though, CAT Scan is defeated again.
HERE'S ANOTHER ONE ...
SHARD -- Randall Craig is a New York window cleaner. He's a large man, and yet has an amazing sense of balance; his bulk belies his agility. He's comfortable scaling skyscrapers and definitely not afraid of heights. Some of his coworkers think he's a little too casual on the job.
Although bulky, he's really a shy, somewhat innocent-looking man. A man who's hiding a deep secret: he has an uncontrollable violent streak in him that's triggered when he's being mocked, condescended to, or is ridiculed. Unfortunately, his co-workers make fun of him all the time, but he resists smashing their skulls in because he doesn't want to get fired. [By this section, I wrote: "We all feel this way".] He internalizes his rage and late at night releases it on innocent victims on the streets of New York. [By this I wrote: "can't be to [sic] uncontrollable".]
One day on the job, he cracks up. He crashes through the window of an office tower and beats the [expletive delted] out of an executive who he thought was mocking him as he worked. The broken glass severely scars his face. He's fired.
Plastic surgery can correct the damage, but he decides that he ' likes his new look -- the scars, covering most of his face, resemble a shattered mirror or window. [By these last two paragraphs, I wrote: "Won't be able to do this".]
After the incident he becomes a recluse. He always was an outsider, a loner, but now he disappears for a long period of time. When he resurfaces, it's as a maniacal, senseless murderer. Now he has an "occupation" that people will respect ... even fear. It's hard to be condescending the moment before you're murdered!
Shard spends his nights scaling skyscrapers. When-he sees his next victim, he swoops down on a rope and snatches them from the sidewalk. As he climbs up the building (to the rooftop where his crimes are committed), his victims quickly stop struggling. They are so high up, so quickly, that they don't want him to let them go. Unfortunately, they don't know what awaits them on the roof.
At the scene of Shard's crimes (always on the top of skyscrapers, leaving the police puzzled about how the killer and the victim got up there without anyone noticing them), he leaves a shard of glass -- perfectly clean, like a diamond; no fingerprints, no smudges. And as sharp as a knife. His repeated murders make the headlines of the New York Times.
Xavier relishes the mystery and the ferocity of the killer's crimes, so he sends his men out to track him down before the police do: Xavier wants him on his team! [I circled the word "team" and put a question mark beside it.]
One night, Shard swipes one of Xavier's men and begins scaling a skyscraper to the man's final resting place -- on the roof! The Gargoyle tries to save the man (unknowingly saving one of Xavier's henchmen); a high wire fight ensues; Xavier shows up in a helicopter, joins in the battle against the Gargoyle, but all of the villains are defeated... just barely.
Later, Shard is confronted by Xavier who is eager to recruit him. Shard, however, is furious and almost drops Xavier off the side of a building: he doesn't need him; the world doesn't need him; the world has Shard! Xavier, however, is amused with Shard's look on life. He can't help but laugh. Here is a man who understands ego and power! (Of course, Xavier concludes, he's not bright enough to properly use it; that's why he needs Xavier.) Shard thinks Xavier is laughing at him, so he drops him from the building top. Halfway to the ground, Xavier's saved by his helicopter. Undaunted, apparently not even angry that Shard almost killed him, Xavier laughs out loud and vows to recruit Shard one day... one day.
THE SECOND EPISODE FEATURING SHARD
Well, that day comes soon enough. Cut to the action: Shard is trapped; he's going to be captured by the Gargoyle. Only Xavier can save him, but he'll do so only if Shard vows to work for him. Reluctantly, he agrees, and is saved by Xavier, who laughs demonically at his catch. Shard is having second thoughts...
[I wrote: "Xavier doesn't have to be in everything".]
I'm heading down to Louisiana tomorrow to do some research and to attend the wedding of former Gargoyles Casting & Voice Director Jamie Thomason to former Gargoyles Talent Coordinator (and now a talented voice director in her own right) Julie Morgavi.
So I won't be on-line for about a week.
Take good care of each other.
Well, we're still answering more apace. Don't know if anyone's keeping track, but by my records here's what still remains unanswered:
17, 42, 44, 67, 68, 74, 75, 76, 108, 124, 125, 127, 129, 133, 134, 148, 214, 225, 226, 227, 233, 235, 236, 238, 241, 244, 253, 254, 256, 290, 292, 293, 306, 307, 313, 314, 321, 322, 326, 327, 328, 333, 335, 336, 356, 395, 404, 408, 409, 410, 420, 421, 433, 444, 446, 447, 450, 455, 472, 490, 502, 506, 507, 508, 510, 517, 518, 519.
Only sixty-eight blanks left out of five hundred twenty-five.
Another e-mail exchange here. This one is from Fred Schaefer who was creating our proto-Talon character. He wanted some background on DC's Catman character. So I gave it to him.
 From: Greg Weisman 1/13/92 10:47AM (5292 bytes: 87 ln)
To: Fred Schaefer
bcc: Greg Weisman
Subject: GARGOYLE VILLAIN
------------------------------- Message Contents ------------------------------
Greg, I've created a villain (yes, he's big and powerful) called CAT SCAN. Later, I realized that you said avoid silly villains, using Cat Man as an example. What do you know about Cat Man, so I don't duplicate the character? I doubt that I have, though.
Catman is a batman villain. At his worst, he was just a guy who liked to steal cat related items. The Egyptian Cat god statue or a gold cat with ruby eyes. He was a former big game hunter who took on the identity of Catman when he got bored, I think. He'd use cat-related items to commit crimes, like a cat-o-nine-tails or a Cat-amaran or a catalogue. (I'm not kidding. At this level, he was simply stealing all the sillier aspects of the Catwoman's schtick.)
At his best, he had a couple of other twists that made him a bit more interesting. He had this cape, that he claimed gave him 9 lives. It was left intentionally vague whether he was just lucky to escape all these dangerous situations, or whether because he believed in the cape he had the confidence to survive, or whether the cape actually worked. One time when Batman ripped off part of the cape while Catman was trying to escape, Catman survived jumping thru a "wall" of high temperature steam. The next time he resurfaced, part of his face was scarred (sound familiar) and burnt by the steam. He blamed Batman, and the fact that a piece of the cape was torn. Even after that, it was still intentionally unclear whether he was just lucky to have survived at all, or whether the cape was in some way responsible. Since then writers have often forgotten that story, and Catman has been fairly inconsistent. Plus since he's now been around for many years, he's used up his nine lives (assuming he ever had them), and writers try to beat around that bush as well.
Another interesting element to the character was the rivalry between Catman and Catwoman, with Batman in the middle. Catwoman & Batman have this love-hate thang going. Plus she occasionally tries to go straight for his sake. (In one old story, that is no longer part of the "cannon" of the DC Universe, Batman and Catwoman got married and had a daughter who grew up to become a heroine named "The Huntress".) Catman and Catwoman used to fight over who had the right to the name, etc.
The key thing however is motivation, look and goal. Catman is a good example of a silly villain, because he has no real motivation beyond liking catstuff. No good reason to even like catstuff. His goal of stealing is just the kind of thing cops should handle. He's not dangerous enough. In later stories, his goal became more murderous. He wanted revenge on Batman and/or Catwoman, but that was because they had defeated him while he was just a glorified catburglar. Finally, his look is silly. He wears a mask with little cat ears, and he wears traditional superhero tights and a cape with a "CM" on his chest. I can bring in a shot of him tomorrow if you want.
There you go, more than you ever needed to know about him.
Except this: when I set out to write my Black Canary mini-series, which never got published, I thought that cats would be natural enemies to a canary, so I teamed up Catman with a Wonder Woman villainess called the Cheetah. I gave them a romance, because Cheetah was mentally scarred (i.e. crazy) and Catman's face was scarred by the steam. They loved each other because no one else would. This was done to off-set the fact that Black Canary's love-life (with another superhero named Green Arrow) was stagnant and hollow. "Even the badguys can have a committed relationship." It was the first issue of the four parter which would act as a catalyst for the two heroes to marry. The series was killed, because DC was approached by a very popular artist/writer who wanted to do Green Arrow. But wanted to keep the character single.
There. Now that's really more than you ever needed to know.