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LSZ writes...

Do all gargoyles have the same mono-pantheistic religion?

Greg responds...

ALL of them? Probably not.

Response recorded on August 22, 2000

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Demona Taina writes...

Here's a question that got lost in the crash. I posted it a LONG time ago, and I just realized that it got lost. o_O I think I posted it in May. [looks at the date] Yep. It's been a long time. :P

Okay, as I said in my previous post, my native language is Spanish, English is my second, and stuff like that. Well, first, I became a fan with the Spanish episodes first. I mean, sure, I loved the English episodes, but didn't have cable long enough to actually start taping them. [grumbles] At least the translations came along. Well, everything is different in Spanish. Goliath's voice is much less like Keith David's. I think it's done by Felipe Preciado, but I wouldn't bet on that. [laughs] Much less dramatic, let me tell you. It simply can't compare with Keith David's. His is SO dramatic, so powerful, and yet, so beautiful. [giggles]

I fell in LOVE with a cartoon character.. I mean, Goliath is SO perfect! Except for that temper, but I love him anyway! You probably found out about my love for him when you read my ramble on Goliath.. [giggles] And every word I said is true... ;)

Oops, I forgot about the question. o_O Anyway, here it goes before I forget and start talking about something else. :P

Okay, I taped the episodes in both Spanish and English, but I taped them in Spanish first. City of Stone 1 was the first I'm sure, because Demona started crying, and I totally got hooked with that scene.. it was so powerful.

Okay, so, I have the episode "Vows" in Spanish. In Spanish, it has Goliath and Demona in the Clock Tower, and they HUG. Awww... well, then my grandma got Cable again. The English episodes. USA Network. I was disappointed when I noticed that they cut out the best scenes, but at least the voices were new. I mean, they totally cut out the Keith David's narration!! I've never been able to actually see that narration in English.. [grumbles]

ANYWAY.. they aired the episodes Vows in English. Okay. so, everything seemed normal, except for the cuts, until they aired the ending. o_O It was different!! Instead of the couple being at the Clock Tower, they were in a castle! With a very bright light behind them! Well, I was beaming with joy because there was something new.

And then, Demona is left with her mouth open. I go O.O. Goliath SMILES, capes his wings around her, and brings her close. I'm like "DO IT! DO IT!" And they're about to kiss, but then they disappear into a star. [whimpers] WHY!? They were THIS close! WHY? WHY? WHY!? That was so cruel. [laughs] I wanted to see them kiss at least once. :P

Now let me put all that in a sentence. [laughs] Why are there two endings of the episode Vows? No other episode has two endings, to my knowledge anyway. [blinks, then pokes you] Are there anymore alternate endings?

You guys have done a GREAT job with the show. And you're a great guy, too. [grins] And you're cute. [snickers] Couldn't RESIST. [laughing]

That's all for now. :P

Greg responds...

Kissing is a human custom. Gargoyles stroke hair and or brow ridges.

There are two endings because one was a mistake that we couldn't get corrected in time for its first airing. That scene was supposed to be a flashback to them embracing at the castle. Instead it mistakenly has them embracing at the clock tower, which they've never done.

Response recorded on August 22, 2000

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Karen writes...

Do the gargoyles, as a race, have any sort of myths/legends dealing with their own kind? We know that they have no language of their own (at least I *think* we know that) and learned writing and reading from humans, but human traditions with no written language still have oral stories/traditions passed down from generation to generation, stories told around the campfire to children of heroes. Do the gargs have any stories like this? Any legendary heroes, ie King Arthur calibre, of their own?

Greg responds...

Yes.

Response recorded on August 18, 2000

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steven s (repost by Aris) writes...

Just watched "the edge" .In the scene when the gargs are fighting the steel clan, goliath says to brooklyn "No doubt for us to lead them back to our new sanctuary" meaning xanatos wants to find out where the Gargoyles live.

But at the end of the episode, when the gargs turn to stone they are outside on top of the clock tower. Don't u think that would be a easy place for xanatos to find the gargs? seeing as they would be visible from say a chopper?
I think it would be a lot safer if the gargs turned to stone indoors.
thanks in advance.Keep up the episode reviews, i enjoy reading your opinions on them.

Greg responds...

We felt the Gargs being on the ledge was a classic example of them hiding in plain sight. (Compare Poe's "The Purloined Letter".) I don't think Xanatos was checking every building in town. I don't think, frankly, it occured to him that they'd be quite that easy to find.

Still, largely the gargs were still operating out of a custom that wasn't designed to safeguard them even back in the tenth century. It might not have been wise, but it was their WAY.

Response recorded on August 01, 2000

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Demona (repost by Aris) writes...

How come in the show you never showed Goliath and Demona kissing? You showed Coldstone and Desdemona kissing, and other characters, but never Demona and Goliath. I mean, you never even showed it in any flashbacks. Thanks, Greg!!

Greg responds...

Kissing is a human trait. Goliath and Demona didn't kiss in flashbacks because it was a custom they did not share. The gargoyle equivalent is to stroke the hair and/or horns/ridges of one's mate.

Angela & Broadway kissed because each had "endured" a lot of human influence. Broadway through pop culture (movies, tv, etc.) and Angela because she had been raised by the human couple Katharine and Tom (who did kiss).

Goliath stroked Elisa's hair more than once. But he never kissed her. She kissed him.

I don't recall Coldstone and Desdemona kissing. If that really happened then the truth is it's a mistake. Or one could say that they were experimenting, copying some humans that they saw kissing in the castle.

Response recorded on August 01, 2000

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Charles writes...

Okay, I have a question regarding being rookery siblings and lifemates. Gargoyles consider all the other gargoyles that hatch with them to be siblings. From what I understand, from among this group a gargoyle will also be expected to take a lifemate. Now, you can proably see where i'm heading. This kind of relationship sometimes strikes me as almost incestual, b/c a gargoyle will, for all intents and purposes, develop romantic and sexual feelings for what used to be his/her sister/brother. The problem is obviouslly avoided in cases such as Broadway and Angela, who didn't have much contact with each other, or between different geneartions of rookery litters, which I guess also applies to Broadway and Angela. What got me to thinking about this is when you denied Angela and Gabriel having feelings for each other b/c they were bros. and sisters and in the same sentence said Gabriel was mated wtih Ophelia, who I understood as also being a Rookery sibling. I guess you could say that i'm thinking too much like a human, which, I confess, is a big problem of mine.
8-)
Anyway, if you would give your interpretation and response to these thoughts of mine, I'd greatly appreciate it. Thanks so much to you and your fellow workers for creating such a wonderful show.

Greg responds...

Mostly, as you said, you're thinking too much like a human. None of a generations rookery siblings are biologically sister and brother. So the kind of incest taboo that you refer to wouldn't exist between them.

Look, think of it this way. Say you grew up in an orphanage with thirty plus other kids. All the same age. Both sexes. None related to each other. You were all raised together. When you're young and basically immature enough for sex to be a non-factor, all these kids would be like siblings to you. You'd get along better with some than others, but they'd be your de facto brothers and sisters. But as the years pass in this orphanage, as you all start to hit puberty, some of you would start to look at others in a different light. Not everyone. Some of you would maintain a close fraternal relationship. Others you were close to might grow distant. Some you didn't like might evolve into friends. Not brothers and sisters, but friends. And still others would become objects of attraction. But no matter what, you'd still be the thirty plus kids who grew up together in that orphanage. Whatever else happens, you'd always have that with all of them.

Gabriel and Angela don't still treat each other as brother and sister because it was some kind of mandatory result of them being rookery siblings. It's simply how their relationship developed, whereas Gabriel and Ophelia obviously had the hots for each other. Even though at a young age, they were raised in that "orphanage" on Avalon together.

Does that help, human?

Response recorded on July 30, 2000

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TK writes...

Do GArgoyles date or something or are they just draw to someone and then fall in love. Thanks

Greg responds...

I wouldn't call it dating. But there is a courting process. Mating rituals if you will.

Response recorded on July 26, 2000

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Punchinello writes...

Hello Mr. Weisman.

Punchinello, here again, with a new sort of ramble. I intend to pose this to you in the hopes that it will elicit comment from you, even though it is not a proper question.

I was thinking, recently, about darwinian evolution and the phenomenon of infanticide. A few popular authors like Richard Dawkins and Steven Pinker have made the idea that infanticide functions towards a selective advantage in the evolution of many species somewhat popular in the last couple of years. It can be observed among lions, killing the offspring of male rivals. In this way, nature can ensure that the lion is not investing his energy in protection of young that will not advance his genetic lineage. At the same time, I had been thinking of some of the more unusual features of your gargoyles. In particular, the extrordinarily robust array of physical forms. Polymorphisms within their species are more exaggerated than any species possesses in real life, to the point where we can observe within the same species, the variety of forms represented by the trio, as well as Zafiro, Una, etc. I had been considering the idea that their diversity may be due to the possibility that they are not subject to the rules imposed by natural selection through predation. (At least among their own species. I imagine that they can still be preyed upon by other animals. I think you even demonstrated this, although the animals capable of doing them harm are almost certainly few.)

It would seem that this idea finds conjunction with other aspects of the nature of the gargoyles. They raise their young collectively, and do not even distinguish between their own offspring and the offspring of other gargoyles. This would seem to run in direct contradiction to the way natural selection, selects lineages for propagation. The strong gargoyles invest as much energy in raising the young of the weaker gargoyles as they do in raising their own young. This is interesting on several levels. First, it implicates the gargoyles as a species that are subject to their own branch of nature; something which exists, at least in part, outside of natural selection as we know it. It could also account for that remarkable polymorphism of theirs. It occurs to me that all other species look essentially like one another because certain genes have been selected to be passed down to succeeding generations. The parents that successfully raise their offspring. Among the gargoyles, you observe a different side of nature, wherein, the strong and the weak intermix, and have been passing down all of their selective adaptations and physical attributes since the origin of the species. There is not any competitive pressure within the species to selectively eliminate those features and regulate their form. As a result, you get this wild assortment of horns, tails, beaks, muzzles, etc.

It finds even further relevence, in the "protective" nature of the gargoyles. It would make sense that a species with an inclination to protect the weak would be subject to the alternate "rules of evolution" I am considering here. Contrary to conventional evolution, they are completely non-discriminatory. The gargoyles and gargate beasts seem to be integrated into a single community, and they both integrate themselves into the various communites of humans, forming a cooperative (hopefully) relationship. I wonder if other clans, such as the Guatemalan's, do not form cooperative relationships with other species due to their integration into the wilderness and proximity to wildlife.

Greg responds...

Wow, very cool ideas there. I agree whole-heartedly with your assessments.

And even the Guatemalan Gargs once lived in peace with their human Mayan "brothers". So they fit too if you look at the LONG haul.

Evolution has always fascinated me a bit. Look at the whale. The whale didn't evolve directly from a fish. Fish became amphibians which eventually became reptiles which eventually became mammals which eventually looked like lemurs or something, which eventually evolved into something that returned to the water and eventually evolved into a big old WHALE that resembles a fish more than it resembles us, though of course we're much closer genetically to a whale than either the whale or we are to a fish. Their are a lot of routes to any end.

Response recorded on July 26, 2000

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Faieq writes...

I just read your ramble on the Wind Ceremony. I think it sounds beautiful, how they glide over the ashes so that the dead stays with them. Any way I have a question about the ceremony. Does the place where the the cremation or pulverising takes place have to be a natural place such as a hill or could it take place on a skyscraper such as the Eyrie building?

Greg responds...

It could theoretically be anywhere.

Response recorded on July 26, 2000

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Blaise writes...

I like your ramble on the Wind Ceremony. It sounds quite beautiful. It also feels extremely relevant to me because as of this writing it's been nearly 3 weeks since the death of my aunt. Her own ashes were scattered from a tackle-box into a river--she always loved fishing.

Probably a silly question, but would you have shown the Wind Ceremony in the series?

Greg responds...

Yes. Eventually. But I wasn't in a hurry to kill anyone off.

Condolences on your loss. A cousin of mine died last Friday. He was 43 years old and had a massive heart attack while swimming in a pool with his seven year old son. His own mother dived into the pool to pull him out, but he was already gone. I'm going to the funeral tomorrow. I'm not expecting a Wind Ceremony though.

(I'm not sure why I wrote that.)

Response recorded on July 26, 2000

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Todd Jensen writes...

Thanks for the Wind Ceremony ramble, Greg. It struck me as another fine example of one of the best qualities of "Gargoyles" (in my opinion): the care that went into creating the gargoyles as an actual race with their own customs and way of life.

Greg responds...

Thanks. I've had the Wind Ceremony in my head for awhile. Finally it yelled at me that it was time to come out. Glad you liked it.

Response recorded on July 26, 2000

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Nyrtleka writes...

It seems that naming is not a gargoyle custom. Yet the other clans in the World Tour (London, Ishimura, Guatemala) have names. My question is how did Griff and Una and Leo get their name?

Greg responds...

The more gargs live with and interact with humans, the more likely they are to have names. Thanks to their Soho store, the London clan has been interacting with humans for centuries.

Response recorded on July 24, 2000

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Basillisk writes...

Are Goliath and Coldstone biological brothers or just rookery brothers?

Greg responds...

Rookery brothers.

There are never any biological brothers of the same generation. Cousins, sure. Brothers and sisters, never.

Response recorded on July 11, 2000

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Todd Jensen writes...

One final "Re-Awakening"-related post. One thing that bothered me a bit about the episode is Coldstone's "Dawn came, and then oblivion" line. The reason why I find it troubling is that the "oblivion" part almost suggests that gargoyles don't have an afterlife, which I find disquieting. Admittedly, Coldstone's situation is a near-unique one, but still, the implications.... What are your thoughts on this one?

Greg responds...

What happened, and what he remembers may be two different things. But I also had the Wind Ceremony in mind. See my notes on that.

Response recorded on July 10, 2000

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butterfly writes...

i really like the trio and i was just wondering are they brothers or just rookery brothers. and do they know who their parents were?

Greg responds...

Rookery brothers. And the whole clan (of generations OLDER than Goliath's) were their Rookery parents.

Response recorded on July 10, 2000

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Anonymous writes...

In Gargoyles Goliath and co live in the highest buildings like angels while the clones and mutates live in the deepest parts of the city like demons and devils.Did you do this on purpose? If so why?

Greg responds...

Not in the way you're suggesting.

Though I suppose one could say that the mutates bought into their outcast status. The gargoyles ignored it. (Or largely.)

Response recorded on July 10, 2000

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Todd Jensen writes...

In your opinion, did Elisa's close friendship with the gargoyles have anything to do with her strong belief in her police duty of protecting her city? As in, sharing the clan's belief of the importance of protection, a sort of "kindred spirits" matter?

Greg responds...

Absolutely. It's all mixed in there. Protect & Serve, right? There's a chicken and the egg element to what brought the Gargoyles (and Goliath specifically) together with Detective Maza. Kindred Spirits. Physical attraction. Emotional connections. And I'm literally willing to throw in the concepts of FATE and DESTINY as well.

Response recorded on July 10, 2000

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Todd Jensen writes...

The thing that most intrigues me about "Gargoyles 2158" is the element of what gargoyle/human relations would be like in that period. In the present day, of course, the big problem for gargoyle/human relations will be that the bulk of humanity believe gargoyles to be simply wild beasts or demons rather than sentient beings, and so hunt them down. But you've indicated that by 2158, gargoyles are now realized to be sentient, have become tolerated (though not altogether accepted), and now have a "Protected Minority" status. With that in mind, I'd like to ask a few questions about life for gargoyles in 2158 (if the answers vary for individual clans, please pick the one that matches life for the Manhattan clan in 2158):

1. In 2158, are gargoyle clans subject to human laws, or are they still self-governing?

2. Do they hold human citizenship, with the rights and duties that come with it (i.e., voting rights, paying taxes, jury duty, etc.)?

3. What sort of relationship in general do the gargoyles have with the police in terms of their patrolling their protectorate? As in, how do the authorities look upon the gargoyles' protection work against criminals, on the whole?

4. Are gargoyle hatchlings still taught by the adult members of the clan, or do they have to go to human schools?

Greg responds...

1. Both.
2. Some of the above, not all.
3. It is sometimes a source of conflict. Though not everywhere.
4. Human schools aren't practical, as most human children go to school during the day.

Response recorded on July 10, 2000

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Kayless writes...

Hey Greg, I have some religious questions for you.

1. Since you are seemingly very well versed in religious doctrine, I'm curious as to how you feel about the Judeo/Christian scriptures that prohibit wizardry. Deuteronomy 18:9-18:12 (Let no one be found among you who sacrifices his son or daughter in the fire, who practices divination or sorcery, interprets omens, engages in witchcraft, or casts spells, or who is a medium or spiritist or who consults the dead. Anyone who does these things is detestable to the Lord) makes it quite clear that God brooks no wizards in his fold. Is there a conflict for you since so much of the myth Gargoyles is based on revolves around magic?

2. What about the uncanny resemblance between gargoyles and demons? Why do the two look so much alike? Did dybbuks manifest themselves in the form of gargoyles in order to sow discord with humanity, hence the current demonic stereotype and poor human/garg relations?

3. How do the Fae feel about the whole God business? They seem a rather worldly lot, though some might be old enough to remember biblical events.

4. Why is Percy still using the grail? The Holy Grail is a sacred artifact, not your run-of-the-mill magical maguffin. Why would it continue to grant its power to Duval, who has since proved unworthy? I know you said it was costing him a high physical price but I find it odd that it should be giving him any kind of benefits at all (Anybody see what happened to the bad guy in Indiana Jones and the Last Crusade?).

5. Last one. Is the Judeo/Christian God the supreme ruler of the Gargoyle universe? Given the plethora of Gods and Goddess on the show, I'm just wondering what your views on this are (I prefer to think that He's the one in charge, but I had to ask).

Thanks for your time, as always. Now I must return to the Vole Wars…

Greg responds...

1. I'm clearly less "versed" than you seem to think. I won't comment on your citation in a vacuum. And I don't have a bible here in the office to check the context.

When you ask if I'm conflicted, I'm not clear on your question. Are you looking for my opinion on the bible? Personally, I think the bible is an astounding piece of literature with much to teach us. But I see the hands of man all over that book. And although it might lose me some fans, I cannot believe that God authored it. Inspired it maybe, but authored it, no. At any rate, I think many things in the bible are subject to interpretation. Often multiple interpretations.

2. Where do you get the idea that there is ANY resemblance between gargoyles and demons? From Medieval painters? Look, we haven't seen any demons in the series. We haven't seen any demons in the gargoyles universe. No angels either. I'm not saying whether they exist or not. But you're question assumes facts not in evidence.

3. The whole God with a capital G business? Like humans, every Child of Oberon is different. I try not to make monolithic generalizations.

4. Assumes facts not in evidence. A. Who says he's still using the grail? I said he still had it. B. And in any case, your question asked "Why". Why wouldn't he if he could? C. Who said the grail can "grant" power? D. If it can, who said it is? E. Who said Duval has proven unworthy?

And I certainly refuse to use "Last Crusade" as an authority.

I will say that the Grail is part of the reason that Percival and Blanchefleur are still alive. And that a price for that has been paid. But don't oversimplify.

5. As you may know, I'm Jewish. Most of my fellow Jews would not consider me to be religious, though that's something I might argue with. Personally, I believe in God with a captial G. Whether that means he's the Judeo/Christian God seems like a parochial question to me. Almost an elitist question. I also believe that God is REAL BIG on free will. His miracles are many but subtle, and all come with a free scientific explanation -- because if he simply manifested like George Burns on trial, then where's the free will? So why should things be any easier in the Gargoyles Universe. The Gargs believe in a God that is the sum total of all things. They are monotheists and animists all at once. I don't think that's inconsistent with Judeo/Christian beliefs, but I also don't think you're going to see any purely objective evidence on the show, ever. Take to the Gargoyles Universe what you will. And it should, if I'm doing this right, give you something back -- whatever you do, or don't, believe in.

Look, I know it seems like I'm blowing off your questions. I'm not. But try reading them with a fresh eye. They're almost impossible TO answer in a straightforward manner, because they are extremely complex, and yet they take for granted so many things as fact that have not been established either in the cannon or here at ASK GREG. These are all interesting topics and I encourage you to pursue them. But break your questions down. It'll help you avoid making assumptions.

By the way, what's a Vole?

Response recorded on June 29, 2000

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Chris writes...

1)Do Goliath and Demona have any other children besides Angela? And if so, do you mind if I ask who?

2)Since there's no chance of Goliath and Demona ever getting back together, will they ever be friends again, or at least not at each other's throats?

Thanks for your time.

Greg responds...

1. Biological children? No. Rookery children? Yes. The entire Avalon clan, including Gabriel and Ophelia.

2. They will, on occasion, be allies again.

Response recorded on June 23, 2000

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Faieq Ali writes...

This question has been eating away at me for two years. I can't find an answer to it. So I decided to come and ask the man who helped produce the gargoyles themselves.

What happens to the pieces of stone skin that the gargoyles shed at sunset?. Something has to happen to it or else it would pile up on the battlements of the castle or fall on the streets below. In one episode , I can't remember it's name, the stone skin falls on top of a man who was walking under the clocktower. In 'The Price', Hudson escapes with the aid of his stone skin. So what does happen to the stone casing of a gargoyle, do they store it in the basement for some strange use? Do they eat it? Does it get absorbed by the ground? What's the answer, I need to know!!!

Greg responds...

They sweep it up and toss it in the dust bin.

Response recorded on June 14, 2000

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FNA writes...

You said in Dark Ages Demona and Desdemona would be sisters. Do you mean rookery or biological?(It's probably the first but it's worth a try to ask.

Greg responds...

Rookery, of course.

Response recorded on June 14, 2000

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Scientific Addendum to Wind Ceremony

Even in peaceful times, Gargoyles -- even very old gargoyles -- all but never died in their sleep. Sleep for gargoyles is borderline suspended animation. If an old, weary Gargoyle actually made it to daylight and stone, that bit of sleep would tend to freeze the aging process, the deterioration if you will. Rejuvenate the gargoyle even just a little bit. They'd be much more likely to die after the sun went down, after transforming back into flesh. Even before the iron age, when Gargoyles had little to fear from most any species, when turning to stone was an excellent daytime defense and not a liability, most ancient Gargoyles died just before sunrise, after an exhausting night, rather than after the sun had risen.

So again, the disturbing notion of surviving gargoyle mourners having to pulverize a perfectly preserved stone corpse is a veritable non-issue. The practice of reducing stone remains to dust was a result of gargoyles having to come to terms with stone-sleep having become a vulnerability. If you're loved one is already rubble, there isn't much reason to keep the rubble intact. That doesn't mean the process isn't emotionally painful. But not much more painful, I would think, then cremating a corpse of flesh. (Though of course it's more immediate. You are doing the damage, not the Fire.) At any rate, that was the custom that evolved.


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The Wind Ceremony

When a gargoyle dies, the disposition of his or her body depends only slightly on whether the gargoyle died during the day or at night.

If at night, the corpse is cremated.

If during the day, the rubble is pulverized.

(The notion of pulverizing the undamaged stone corpse of a gargoyle who has died peacefully in his sleep is disturbing. But in fact, gargoyles so rarely die peacefully in their sleep as to make this a non-issue.)

In either case, the cremated or pulverized remains are taken by the gargoyle mourners to the highest point on the local map. A memorial is held. Everyone who wishes to speak of the departed, may. No one, not even the departed's enemies, may be denied a voice. In the end, the mourners spread the remains upon the wind, saying, "Ashes to ashes OR dust to dust. All is one with the wind." (Over time, humans began to use a variation of the same at their funerals.)

The gargoyles then spread their wings, soaring amid the ashes or dust in the hope that part of the departed will stay with them forever.

[Note: There was no one to perform the wind ceremony for Coldstone, Coldfire or Coldsteel. That, and the location's ambient magicks coupled with the trio's own passions, may explain their accessability to Demona's ressurection spell.]


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Chapter XIII: "Reawakening" (The new ramble...)

As promised, I'll now attempt to recreate the lost ramble on this episode, which I recently watched again with my family.

For those of you who haven't seen it, I refer you to my recently posted "Memo" on this episode dated back in April of 1994. One thing you might have noticed was that the title of the episode was "The Awakening". In the memo, I suggested what I thought was the more appropriate title "Reawakening". Michael liked that idea but had a suggestion that did it one better. He suggested renaming our pilot five-parter "Awakening". I jumped at the idea. At the time, the five-parter was simply titled "Gargoyles, Part One", "Gargoyles, Part Two", etc. I've never liked that sort of cop out where the pilot's title is simply the series' title. Among other things, it lacks imagination. And it's dishonest. By that standard, "The Journey"'s real title should have been "Gargoyles, Part Sixty-Six". So giving our pilot its own title seemed like a very good idea to me.

But there was another reason why I liked Michael's plan. We were working on our last episode of the first season. It was April of 1994, nearly a year before that episode would air. And a good six months before our premiere. There was no way of knowing whether or not there would ever be a SECOND season. And so to protect myself (emotionally) I had to operate on the assumption that their might not be. Obviously, I wasn't going to do anything apocalyptic. I wanted there to be a second season, so I wanted to leave the doorway open for it. So Michael, Frank, Brynne and I discussed the idea of open-ended closure. If there never was a second season, we'd go out with a bang. We'd give some small amount of closure to our characters. Let them reach a turning point. If this was to be it, we'd have created a little 13 episode novel that brought the Gargoyles from the past to the present and renewed (reawakened) their sense of purpose.

Nice. We'd done the open-ended closure thing (to a lesser degree) at the end of what would eventually be called "Awakening, Part Five" and we'd eventually do it again at the end of "Hunter's Moon, Part Three". And I'd do it for myself in my script for "The Journey".

But there are tricks to achieving a sense of closure. And one of the tricks is to create parallels with the episodes that launched your story.

So by retro-titling our pilot "Awakening" and naming our last ep "RE-Awakening" you can see how we gave ourselves a headstart.

But there were other parallels. The flashback to the past, (which we intentionally built so that it could theoretically be edited into the pilot if necessary) included the Magus at his most pre-Avalon obnoxious. Obviously, that flashback also intro'd pre-Coldstone, but it served the purpose of calling those first couple of flashback episodes clearly into the viewers' minds. (The only problem with that scene, is that Hudson has his sword in a couple of the shots. This is a mistake, as any good Garg fan knows that Hudson first acquired his sword in the battle with the Vikings that took place the following night.)

We also did the big event VILLAIN TEAM-UP thing, bringing Xanatos and Demona back together for the first time since "Awakening, Part Five". (I love the exquisite tension that plays between them. They are both SO using each other. When Demona tells Coldstone that X is her servant, you know that she's partly doing that to circumvent Coldstone's questions, but that she also partly believes that it's true.)

We also used Morgan in Times Square in a very similar way to how he was used in "Awakening, Part One" (reiterated in "Awakening, Part Two").

And then there's that moment near the end where Elisa asks Goliath if there's anything he needs. He answers "A Detective" verbally echoing a key moment from their first meeting in "Awakening, Part Three". That still tickles me.

HOMAGE

Obviously, Frank and I both worked overtime to pay homage to the classic Universal "FRANKENSTEIN" movie. I can say "pay homage" with a straight face (as opposed to rip off) because we so clearly acknowledged the source. Frank's art direction of the lab. X's line: "It's alive! Alive!" (Wonderfully undercut by Jonathan Frakes' reading of the follow-up "I've always wanted to say that.") And the whole idea behind Coldstone. (More on this when I eventually ramble on "Legion".)

Coldstone would be our Frankenstein's monster. Pieced together. Gargoyle & Machine. Reanimated (reawakened). I even love the Coldstone name. And wasn't Michael Dorn's sepulchral tones just perfect for the role?

And Goliath's reaction is so multi-faceted, so Dr. Frankenstein... [You know Goliath's response to his brother here, would be echoed later in his response to his "son" Thailog in "Double Jeopardy". Initially, Goliath's simply repulsed by what he sees, calling Coldstone "an abomination". But given a bit of time, Goliath quickly sees past appearances and attempts whole-heartedly to save his brother. He'll go through the same changes with Thailog. Well... at least we (and Goliath) were consistent.]

CONTINUITY

Snow. It started snowing in "Her Brother's Keeper" and now the city is blanketed in the stuff. (And doesn't Elisa look cute in her scarf and gloves.)

Brooklyn's still pissed off at Demona, specifically and sarcastically asking if she has anymore "spells to save you now". In fact, we wanted to make clear that the spell used to resurrect (reawaken) Coldstone was one of the spells she tore out of the Grimorum in "Temptation". Instead, we cheated a bit. By having her tell Xanatos that the "Cantrips have already been spoken" it saved us the trouble of getting another spell translated into Latin. We were either lazy or short on time or -- most likely -- both.

Following out of "The Edge", and until the helmet comes off at the bridge, the gargs assume that Xanatos in his armor is simply another Steel Clan Robot. The next upgrade. The red model. They have no idea it's actually Xanatos himself in armor.

Small observation: Mirrors don't fare too well in the Gargoyles Universe.

Emotionally, I think the story is very successful at taking the audience through Goliath's spiritual reawakening. I love how he starts out pensive and brooding, listening to that great exchange between the trio and Hudson, realizing that all of them have lost track of their true purpose. Hudson recites the Gargoyle credo merely as an excuse not to go out in the cold. (And I love Thom's reading on Lex's "We don't even live in a castle anymore" response.) The trio are clearly missing the point, but methodical thinker Goliath isn't sure he remembers what the point is either.

And that dovetails SO nicely with Elisa revealing the Police motto "Protect and Serve". The police motto/gargoyle credo connection is so perfect, it struck me even at the time as further proof that we were tapping into something very true in our little fictions. (And don't cops -- for better and sometimes for worse -- act just like a clan?)

From there, Goliath moves past the notion of simply being a reactive character, struggling only to SURVIVE one crisis after another. Now he will strive to be proactive. To rededicate (reawaken) the clan toward their original life purpose. Extending the term "castle" to Manhattan island was always our plan. Even that was intentionally primitive in our view. Goliath doesn't protect New York City. Not all five burroughs anyway. That's beyond his medieval scope at this still-early stage. He can get his head around protecting an island surrounded by water. Not the whole world. But eventually, the plan would include expanding the clan's definition until Castle Earth was the only thing that made sense. Of course, that might not have been fully realized until 2158. But we'd have gotten there. And the World Tour was part of that process too.

PROBLEMS
(Besides Hudson's sword...)

--One line in the ep. that for some reason still makes me cringe is Elisa's "My car's big." It just seems awkward to me. Not sure why.

X & D watch Coldstone's progress from the castle. Almost instantaneously they're at Times Square. We always knew we were just skating by on that.

Goliath & Coldstone go into the water at the bridge TWICE within the span of a couple of minutes or so. The first time, Goliath nearly drowns. The second time he's completely uneffected (physically) by the experience. We get away with it because the second time he's diving in on purpose. But just the fact that we had to dunk them both twice is an awkward construction (and my fault). At least, Goliath looks good with wet hair.

Some really graceful animation here. Goliath has some great moves, and I love that moment when Matt and especially Elisa are diving into the snow, out of the way of the car that Coldstone has just thrown... And speaking of that scene...

TIMES SQUARE SEQUENCE

There's some very interesting, fun stuff here besides what I've already mentioned about it above. A sampling:

Explosions in Bambi. :)

Demona's Clan: Herself, Coldstone, a Steel Clan Robot and Xanatos in Gargoyle Battle Armor. It's so twisted. I love it.

Goliath's very smart here. He doesn't want the fight to take place in public and basically convinces Xanatos to take his side on the issue by flattering him. Goliath refers to Manhattan as "your city" (i.e. Xanatos' city), this despite the obvious fact that Goliath does NOT regard Manhattan as Xanatos' personal property. And Xanatos, usually immune to such stuff, falls for it -- maybe BECAUSE it comes from the ultra-sincere Goliath.

I also am very fond of the Mr. Jaffe book-ends. I think they're a lot of fun. And I love how Matt talks about Mr. Jaffe. It gives us insight into Matt's character, his background, his youth. His empathy for Jaffe really helps humanize him. Matt was always eminently human.

Signing off now...

"Because six monsters just told me to..."



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