Nelio writes...

I was wondering if the Gargoyles Comics were eventually going to reprinted as a graphic novel once enough issues are put out? I'm not sure if you would know about this or not, but I've always liked the material that graphic novels are printed on more than the paper back comics, and I feel that Gargoyles is worthy of that type of medium.

UKHoneyB writes...

Hey, I'm not sure, but do you still take Max Steel questions? I've got a couple I've been sitting on:

1) For all intents and purposes, the Max Steel series is canceled in the USA (there's a large fan base in Latin America, with three movies produced so far). As such, do you feel able to discuss your plans and ideas for the show, or not? If so, would you be willing to share?

2) You've references a Max Steel "Bible" in a few earlier questions: do you still have it and would you be able to share any information in it if you still do?

Thanks for reading, even if you don't reply!

Todd Jensen writes...

Not a question, but a comment. I'd like to thank you for your periodic contributions to GargWiki. They've been a big help to it. Thanks, Greg!

Antiyonder writes...

You mentioned not hearing about Daredevil The Director's Cut, so I'll explain it as much as I can. Daredevil as was originally planned was R Rated. Characters like Foggy Nelson and The Kingpin (who's sense of menace is built upon more) got more screen time. It includes a murder subplot missing from the theatrical cut, which had Coolio playing accused murderer Dante Jackson (Though his name was left in the credits in the theater). Overall the murder case plays a part of how Wilson Fisk was revealed as the Kingpin.

As the commentary would describe it, the Director's Cut puts more emphasis on Matt representing the underdog, less on the love story. You'd probably like it (better than the theatrical cut).

Antiyonder writes...

Got #3 today, as well as a copy for my brother. While it still is a bit different, the art does look a bit more like the show than #1-2.

Like everyone else stated, Castaway is more interesting than he was portrayed in TGC. If I'm correct, I believe this is the first time since Hunter's Moon Part Three that Morgan has appeared.

After seeing Brooklyn's luck (Or therefore lack of), Timedancer can't come soon enough. No pressure minded you.

Keep up the great work. Sorry if my review wasn't as good.

Eric Starr writes...

What is the significance of the numbers in the Illuminati greeting, "Thirty-Six" / "Thirty-Two"?

BatFu writes...

Do you think that Demona is justified in pursuing her agenda against humanity?

BatFu writes...

After reading through issue #3 of gargoyles, I have a few questions:

1 - In your mind, who did you cast as the voice actors for the new cops on the Gargoyles Task Force? On a related question are they newly created characters for the comic or did you have rough ideas for them even back during the 90s?

2 - Does the scene at the Cathedral with the crystal mean that Atlantis: Lost Empire is part of your vision of gargoyles?

Duskrider Q writes...

Nobody Asked for My Two Cents (Clan Building, Issue #3)

But, I always give to a worthy cause, however little!

I hadn't realized that the letter under the Masque Invitation on the first page was officially from the government. It looks a bit like themed stationary. Still, MY how Xanatos is moving up in the world. He has amazing status, power, and connections unrelated to his finances.

While we're on the topic of Xanatos, I always like seeing he and Fox being loving parent. This adds to their believability to make them first and foremost people before they are EVIL people. For instance, Fox appearing from the shadows as she invites the gargoyles to try on costumes is suspicious at best, and later Xanatos is dangerously playing the gargoyles as pawns in a game he doesn't have full control over. Yet earlier when she and he are not being malicious and treacherous they're swinging their son around and smiling in the picture-perfect family portrait!

Also, thought Morgan plucking up the courage to ask Elisa out was so cute and sweet and-- dare I say-- she may actually want to go or more than the reason that he's human! I think it's tragic that Jason makes a perfect date now that he's reformed, but crippled as well.

Next, I'm so excited to see the Illuminati in action again. The networking is intriguing. I like that Hacker is unimposing but charismatic. Then he can be threatening enough that you don't try him, like with the shoulder squeeze and an insistence of "Don't be coy." Furthermore, he has every player thinking the Illuminati is backing his respective plans. On that note, I understand why Castaway wants the Gargoyles dead and why Matt wants them protected, but why does Xanatos want them exposed? What good does this do him, and if he's still trying to pay back his debt to Goliath and the clan? I don't think the clan would appreciate the gesture?

Also who is this perfect hypocrite to deny the gargoyle's true identities? Elisa, as a gargoyle-lover? Thailog as a clone but not the real deal? Demona? I'm on the edge of my seat.

Speaking of Demona I find it equally interesting as I find it odd that there is an intact shiny crystal in the middle of the cathedral rubble. I don't think I'm even sitting on my seat anymore.

Anyway, I wanted to like Hedgecock's art (I got the correct artist this time) I really did. But some places I didn't feel he captured the scene or the emotion. Issue #2 was good, great if you like his style. For instance, the chase scenes have a real since of moving fast paced, and the angles are dynamic. But here in issue 3, for example, where Elisa and Goliath are having their gulp break up I don't see the face always reflecting what he says. The resentment, sadness, or hurt looks very nonchalant in some frames. (But maybe the numbness is the point?) I prefer the frame where there's a huge space between them and Goliath is bracing himself against the stone because the emotion is subtle and the space is metaphorical. I suppose I most dislike the lack of details in the background. Characters do not seem to have a lot of distinctive features either. I would give him anoher chance but I can't deny my excitement to see the other artists after this.

And for my last comments…

Lexington and Fox are still great with the wry sense of humor.

Goliath is a BLOCKER! Brooklyn needs lovin' too.

And the safety of the Labyrinth ain't all that safe. Like… most of the time!

Again, I am teeming with anticipations. Can't wait for the party when everyone bumps heads.

Alex Garg writes...

Without traffic, it's a 30 minute drive to my comic book store. With traffic, it's one and one-half hours. The latter is what I fought in order to get my copy of Gargoyles #3, but I say it was worth the trek.

Of course, there's the required sigh of relief: After 11 years of waiting, new canon! In this true follow-up to "The Journey," we still have some character introductions and blunt exposition, but we might as well get them in one story rather than drag it out; that way we can get to the real meaty canon waiting for us in months down the line.

The non-spoiler version:

The art shows plenty of improvement, and plenty of places where improvement can be had. I think the coloring in this issue matches Hedgecock's style better, but it's still not going to get any rave reviews. I'm somewhat lukewarm to the new characters, but then... they're new. There's a long way to go with them.

But with the SPOILERS (and LOTS of them):

First, let's jump into the art. This is a comic after all, so there's no point in ignoring it. Hedgecock asked for three issues before we cast judgment, and this is issue number three, so: No, I'm not wild about the penciling, but I don't think it's been worth a lot of the fuss that's been made over it. Obviously the fandom has had its share of stellar artists, most of whom I *would* prefer to see taking on a project like this, but I don't see the art here as being too out of synch with a lot of new comics.

Frankly, I found more fault with the coloring of the first two issues than the pencil work, and I think Dustin Evans' work is a better fit for Hedgecock's style. And there's plenty of evidence in this issue that Hedgecock is getting a hang of the character models, so on the whole I feel positively towards the artwork of this issue.

Now, on to the meat:

I liked the reference to the upcoming visit to the White House in the opening page - subtle, but there - although to whomever was in charge of that page: You, er, missed the comma between Washington and D.C.; and even more technically, for an address you would use the postal abbreviation DC and not the D.C. form. I'm just pointing it out as a local, not a critic.

The use of the background radio chatter was a nice way to set the stage in the opening panels, and it segued nicely into the Task Force's meeting, where we meet two new detectives, and three cheers for the reappearance of Martin Hacker! I've been a quiet fan of his for a long time - I just like the idea of a guy who on the outside seems like a pretty mid-level management/agent kind of person, ultimately forgettable, but who in another realm is someone of real consequence. Matt clearly is still a bit upset about having been lead around the bushes by Hacker for so long, and I think that comes out very nicely in their brief "on scene" exchange.

After the meeting, I'm glad it was Officer Morgan who approached Elisa, as there's no way I would see Elisa approaching Officer Morgan - pre-talk with Goliath, anyway. Clearly Elisa was dealing with the many issues which presented themselves in recent nights, and I doubt she was of the mindset to approach a colleague and proposition him for a date.

I was also particularly fond of the exchange with Jason. He's letting her go before anything else needs to be said, and I think it shows that he still has a pretty strong character to be able to fess up to that. And who brought Jason the flowers sitting on the table at the foot of his bed?

Next scene with the gargoyles awake, I like Brooklyn's silent reactions to watching Broadway and Angela make nice as a couple. First it's angst, but by the last panel of page nine, he looks really annoyed at how obvious the two are making it, or perhaps just repulsed by how clingy they seem (they definitely have the new-couple clingy thing going on). It's no surprise he wanted to bail to the Labyrinth (with an appropriate choice of words: primp. Good word. Apt word. Primp).

I did end up feeling particularly bad for Goliath his conversation with Elisa. "I realize your options are limited-" "Limited?!" The laundry list of things she wanted that he couldn't offer, she might as well have pulled out a picture of Norman Rockwell's work and said, "You see this? This is what I want. Can you cook a turkey?"

And that was a very clever way to bring back Demona.

Jumping ahead a little bit to put together all of Hacker's conversations with Bluestone, Xanatos, and Castaway, it's clear he's lying to *somebody,* but I'm hesitant to say that he's lying to *everybody.* Clearly the Illuminati either wants something to do with the gargoyles or nothing to do with the gargoyles. If it's the former, then clearly Castaway's being lied to, and if it's the latter, it seems like the Illuminati are going to excessive lengths to get rid of the gargoyles. Giving Xanatos an order to walk out onto the parapets with a sledgehammer at dawn would be sufficient for that cause.

Of course, I'm not writing the thing, so I can only make guesses at this point.

Getting past the exposition of the Labyrinth, more angst for Brooklyn! It's bad enough he's in proximity to one of the females who outright rejected him, but then he has to suffer a block from Goliath. I mean, wow, the guy has worse luck than I do.

As for the new character introduced in the Labyrinth, I have to say that I gave her a lukewarm reception. She strikes me as awfully third wheel: an apparent acquaintance of an associate to a minor villain doesn't strike me off the bat as someone worth raising much of an eyebrow for. But, then, there are many issues down the road to find out things about her.

I like the approach to Castaway. He wants the gargoyles destroyed, not his reputation and budding standing within the city. With this kind of character, there are plenty of places Castaway can go, and I'll look forward to following him.

And three cheers for the dramatic return of Thailog! Guns at the ready and everything, it's a great jump off to issue #4.

On the whole, it's a fine way to return to canon stories. Plenty of story arcs are open for business, and I'm looking forward to May to get back into them. Well done, Greg, and kudos to your team!

Anonymous writes...

I've got a few oppinions/questions about Oberon. Many fans seem to veiw him as a 'bad guy'. I really don't see him as such. Yeah, he's immature,(the kind of person you don't know wether to laugh at or stranggle at times) but he's a KING. In his mind, he's supposed to get what he wants. For the most part, I often dissagree with his judgement, but I try to look at it from his point of veiw too.
For example, his punishments for the Banshee and Puck (expecialy for Puck) made many fans unhappy with him. I agree, they were harsh.... very harsh. However, I have to remember his feelings of superiority as a lord and the way HE sees it.
I interpreted his POV when punishing the Banshee and Puck to think himself pretty fair. Girl yells a lot, make her shut up. Servant doesn't want to come back to Avalon, fine, banish him. Servant wants to play mortal, fine, take away his powers. Heck, maybe he was event thinking ahead. If he ever desides to change his mind, a harsh punishment might have been better. He could always chalk it it up to being merciful or to have been 'teaching them a lesson'. Or, the subject is so releaved about having the punishment lifted they don't take the time to wonder WHY Oberon changed his mind. Don't look a gift horse in the mouth, if you will. That way, Oberon saves face. I supose I should get to the questions now.

1. During the series, will Oberon be given the chance to mature?
2. How does the poor guy keep order in his kingdom? When almost all you subjects are magical, that must be tough. Makes you wonder how he finds time to sleep...
3. You've said Oberon loves his children, does that include Merlin?

Anonymous writes...

Hi Greg,
I searched through through the archives and didn't see the answer to this so thought I would go ahead and ask.
You've said previously that Petros Xanatos was a Greek immigrant.
1. Assuming you gave it any thought yet, what part of Greece is he from?
2. How old was he when he came to the US?
3. Was David's mother from Greece as well?

That's all for now, but I also wanted to say thanks for continuing the story in comic book form, I'm really enjoying it so far. :)

Jonny Modlin writes...

I wanted to know what is Buena Vista Home Entertainment's Phone Number that I have to get Buena Vista Home Entertainment's attention all over again about (i.e. increasing sales of Season 1 and Season 2, Volume 1) releasing the rest of Gargoyles Season 2, Volume 2 on DVD (second half of Season 2). I have been very good about waiting very patiently for Gargoyles Season 2, Volume 2 to get released on DVD to complete the entire series? Are there any DVD news for future Gargoyles DVD's about the release of Season 2, Volume 2 in Gargoyles #3 issue by Slave Labor? Thank you and have a nice day.

Vid the Kid writes...

A few comments on Issue #3...

My opinion is mixed on the artwork. I mean, it's a different medium from the animated series, so it's not going to look exactly the same. Without motion, more detail is needed to convey the same feeling that was done through gestures in the cartoons. Just like a radio play needs narration. (Which, by the way, you are AWESOME at...) On the other hand, I'm not entirely sure that this particular character drawing style is necessitated by the medium. (Somehow, Agent Hacker looks a lot more organic than everyone else; why can't the other characters have a little bit more of that organic feel in their designs?) And there is a bit of inconsistency. Bluestone struck me as looking a lot like David Hyde Pierce in his second panel. Although the artwork may be less than perfect, it is still at least acceptable, and certainly does not distract from the story.

And the story is great! Already an order of magnitude better than The Goliath Chronicles. I especially like the layered reveal of what organization Hacker really represents. I have a tendency to forget details, so I didn't get it until the second shot. Anyway, great job! I really look forward to future issues!

Elana writes...

Dear Greg,

Here is a question I've been meaning to ask you for a long time.

Demona and Macbeth's link implies that they will basically live eternally until one kills the other. However, I wonder - does that not mean that they can still be maimed, crippled, or permanently physically disabled? Mentally damaged? They seem to have survived things that should have been fatal, and because of the enchantment it is acceptable that they survive. But why not even sustain serious injury? On top of surviving, will their bodies always be restored to a state of full health?

Additionally, gotta say that I'm loving the comic book! I'm not going to say a lot about it here, because I'm sending a letter through the snail mail, but just gotta let you know that it's good to be back in the Gargoyles' universe!

Charisma82 writes...

These questions have to do with your spin-off ideas for Gargoyles:

1a. I know that you are doing the BAD GUYS spin-off in comic book form and that you said you did that particular spin-off because it was next in your timeline. If Disney aloud you to bring back one of your spin-offs as a TV show, would you do the same? I mean, would you keep it in order and do BAD GUYS, or, since you could only do one of them, would you choose another spin-off?
1b. If you decided not to keep them in order according to your time line and didn't do BAD GUYS for the TV show, which spin-off would you do?

2. I know that you have posted up 6 different spin-off show ideas. Do you have any other spin-off ideas in mind that you have not posted up yet? I mean, do you have any other story lines in mind that could become spin-offs all on their own, but have not mentioned anything about them (for whatever reason)?

Thank you for your time.

-Charisma82

Jarrod writes...

Hello Again Greg! I hope you are well. And now onto the Question:

Are Goliath and Elisa the Only Cross-Species couple out of favorite 8 Gargoyles, the Manhattan Clan?

We know that Booklyn ends up with Katana, Bronx with Boudicca, and Broadway with Angela, Hudson has already had and lost a mate. I guess it is pretty apparent as to why I ask this question, for you are no fool at all. I will gladly join the ranks of the fans who have an intense interest in Lex's mate whoever he is. When I was younger and watched the show I always felt Lexington was the cutest one, and now that I am an adult, I still feel the same. I also seem to (coincidentally) be attracted to men with a build similar to Lex's, and I would love to know what kind of guy, gargoyle, Fae (or alien???) our little green friend would go for.

I hope you find it in your heart to answer! Thanks to you and yours!!

Lata dayz

Jarrod

Shannon "Shan" Muir writes...

Greg,

I've read and very much enjoyed issue 3. As someone familiar with the series there is much to appreciate.

But when trying to see the comics from the view of someone who knows nothing else about the universe, based solely om the three issues, what cues are there that anyone be rooting for the Gargoyles per se? Perhaps, like the way you often describe Xanatos as a complex villian even in the TV series, you are meaning to potray everyone a little less clear cut? The writer in me is curious to hear your thoughts about that.

Chip Coffin writes...

Okay, it's me again. After re-reading issue #3 again and mulling it over in my mind another question did spring to mind. The teenage girl that Al was talking to...who is she? Besides being a device to explain to new readers (and refresh old readers)? We never learned her name (because Talon was interrupted) and it just kind of struck me as odd. Is she significant in some way or am I just reading to mush into things?

Can't wait till May
Rock On-Chip

Shannon "Shan" MUir writes...

As you know, you and I were both recently at WonderCon in San Francisco. After the panel we did together, I stayed for yoyr spotlight panel which I enjoyed very much.

However, as I was leaving, I wound up behind two young women. I didn't catch all of their conversation but one line was along the lines of: "Thailog... Coldstone... I had no idea what he was talking about."

Now, granted this may only be a minority reaction. The bigger question is, how challenging do you find it in your convention appearances when speaking to people with a varied range of knowledge about GARGOYLES?

Todd Jensen writes...

I was wondering if you could give us some advice on how to spread the word about "Gargoyles". The one potential problem with doing so on the Internet that I can think of is that I want to do so without making it look as if I'm just spamming whatever forum I'm visiting (something that would be more likely to turn people off "Gargoyles", which I obviously don't want). Do you have any suggestions on how we can spread the word without appearing like, say, pesky telemarketers?

Ylm writes...

Aside from your gargoyles related comics work such as the new Gargoyles sequel and the upcoming Bad Guys mini, will we be seeing any more comics written by you?

Ylm writes...

In your opinion, which one of the newly introduced characters from the Avalon World Tour did you find the most fascinating and interesting? Which ones did you want to further develop and to write more about?