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Hi Greg,
First of all let me just say, i have been a huge fan of gargoyles since it came out in the UK. I waited all week for it to come on on saturday mornings and collected all the gargoyles toys i could with my pocket money :D Unfortunatley it was taken off air some years ago after "City of Stone part 4". I have now got toon disney and have managed to watch the series as much as possible.But there is a REALLY annoying problem, and im not sure you will be able to answer my question, but if so...here goes!
WHY ON EARTH do they stop gargoyles after the avalon episodes and go right on to the goliath chronicles?! Its maddening!! I have looked all over the web and seen all the episodes i have missed out on :(((
I have also watched clips from some of the episodes and they look soooo cool!!!
I have no idea. Had no idea that they were doing that. It of course makes no sense and annoys the heck out of me. Sorry, I can't be of any help.
Why don't you throw a brick through Eisner's window, then when he looks at the brick, he sees it's not a brick, but a small statue of Goliath. Then he'll have no choice but to bring back the show.
You must have taken Logic in school.
And I'd love to leave it at that, but I'd like to once again make the point that Eisner is not the bad guy keeping Gargoyles off the air. The decision making is no longer done at his level but at three or four levels down at least.
Punchinello and yourself discussed "sententiousness" in quite lenghty detail. If I remember right the main buckling of the topic of one's being sentient was ultimately his ability to communicate ideas. I don't seem to remember any talk about awareness of thought and decision.
If a Russian speaker was adopted into your household, and could not understand nor speak a single word of English, you cannot communicate with him on any level of aphroristic expression (if you infact cannot speak Russian). In fact the communication would very much be like that between man and an animal. When he wants a drink and says (whatever in Russian means 'I want to drink your water'); you will overtime perhaps reckognize what he wants through mere repitition. Never though be able to ask him if he liked the water, describe the compositional qualities that make up the glass, or how the purification system(s) in your water plant makes that water safe for you and your family to drink. You can say it he won't know it.
Yet he can still make the moral judgement on his own princibles that he understands in his own language as to if he will leave the toilet seat up or not. His sentience is still very much intact as is yours, but in communication most of what we consider humanesque intelligible relay of thought is lost.
He can learn but he may not learn English just as you can but may not learn Russian. Words are words, but diction, structural differences, and phonetic discrepencies between the two languages make changing your thinking process from thinking as an Englishmen(English speaking man not man born on England) to thinking as a Russian quite likely impossible. Even if you learn Russian as to be able to go to Moscow and fool everyone into thinking that you are indeed a native Russian. Your nueral networking will still under most serious probability process thought in English just, as it does; it will translate that process to Russian in a fashion quite like my thoughts now are magically appearing in this post box thingy by mere change of production from thought to text by fingur relay in the procession from mind to hand to finger to keyboard to computer to eventually cyber-wherever. I do not think like a keyboard or a computer yet I can communicate using one but only in the language I am prepared to use it with.
Gargoyles as well can type on keyboards and relay thought. Lexington with very little experience in terms of years and could only practice at night, was able to punch a keyboard judging by the "clicking" sound of the keyboard at nearly 129 words per minute, without looking and locate Coldstone in MacBeth's mansion. Quite impressive really. Yet his thoughts were in English. (note if you were in Madrid when you first seen Gargoyles and they spoke in Spanish and of course you did too you might argue they thought in Spanish and you would most likely be right mi amigo). But not as an English Man but and English Gargoyle again not as a nationality but as a tongue. Still Lex's moral judgements can be made too stand on thier own and can communicate with anything Man or Gargoyle or Oberon's Child that also speaks English, whether they think "English" or not.
Language is not merely a tool for communication it is a way of thinking Eskimos have something like seven words that really just mean "snow". Yet an Eskimo thinks like an Eskimo and can judge the minor differences in the type of snow they see and to them one kind of snow is not "a" snow but a "d" snow and ect..
Luckily for us I suppose that as humans we all relatively think alike even with our differing way of thinking. The means of production are different but the product is still the same. This allows for learning multiple languages each human no matter his language that language has the ability to "learn" or adapt to the use of another language and that is quite a remarkable thing. Almost too remarkable to be chance.
I don't have the full answer, just what I feel like that (and as arrogantly as I can feel it) that I know what perhaps I know or don't know and go with that by fusing it with things that I learn or that are revealed to me by you and others who post and participate. I very much enjoy this site and the people who participate it is so cool, this is the greates fandom in the world.
You say you don't have the full answer. I'm just not clear what the question was.
I don't disagree with anything you said, except for the notion that Punchinello and I were defining sentience as simply the ability to communicate. I don't think either of us ever did that.
And I agree: Greatest Fandom in the World.
Hi Greg:
I was just watching "City of Stone". It is a beutiful piece of work. I am very fond of it.
I espicially like the one scene where that woman runs up to Travis Marshall to relate what had happened and he just totally blows her off as "crazy". That got me thinking we ALL do that (as humans) completely discount the minority view as absurd and stupid. Classic example "The Flat Earth Society", oh, we just love to make fun of them. I have decided to be more open minded to even the most seemingly crazy ideas or beliefs. I have watched "CoS" many times but that scene never really hit me like it did just today. Was that intentional on your part? To show the err in human ways. You've said all things are true and what she said was true, just because no one believed her doesn't make it no less right. It reminded me of a Greek Philosopher I think his name was Isocrates I am not sure and his quote went
"If all mankind, minus one; were of a common opinion except the one of a differing opinion. All of mankind would be no more justified in silencing that one, than he, if he had the power; would be justified in silencing all of mankind..."
More things I loved about this episode.
King Duncan's death, in my mind one of the top 10 animated deaths ever.
Demona, saves Gruoch and Macbeth when she could have had her vengence, she chose the nobler of the two courses, made me feel all happy inside. I must admit though killing Gilcoumgain then would have saved her a lot of trouble and heart break later on.
Her plan was very sinister, and her killing of the statued humans was a very dark contrast to her more kind-hearted younger self we had just seen earlier in eps like "Vows". I also liked this too, she's not soft and weak as she is commited to her cause and for that I commend her. I agree with her goals, her means are brutal and me being human will make me possibly feel the urge to resist being smited, but I hope she sees her dream out and accomplishes it, power to her.
One thing very much dissapointed me, relating to Demona when she gave the access code to Goliath and Xanatos the code was "ALONE", not one you'd imagine she'd pick, totally took me by suprise when I first saw it; but Goliath was apparently unaffected by her choice of a password and the huge water works under her eyes. Does he have a heart of stone? She's not even real (I think), and I feel a lump in my throat, every time I see that; yet he knows she's real and didn't even care, creep.
MacBeth, what can I say I think he is great. I think his story is one of the more tragic on the show. Considering all that happens, he always loved and still loves Gruoch. The one time that we see him actually take interest in life and love again he is set up by Dominique and Thailog. His plight is very dramatic. Living but having to as Gruoch said "Remain dead", dead to his country, his home, and his family.
Gruoch: Even though she gets very little air time on the series I think she is great. My second favorite female character. She is strong, smart, wise, intuitive, loving, radiant, and very honest in commiting to her duty. I espicially like how she stood up to Demona at the end, what courage. She even scorned the Hunter as "Oh mighty" with her sarcasm, 'your not mighty your a coward'. I cannot see how you could not love her.
"COS" has its share of humorous wit to it as well. I absoulutely love this:
Elisa: "..the signal came from Pak-Media studios you own it so as usual this is your fault!"
Owen: "Mr. Xanatos is trying to fix things. What are you doing to help?"
I love Elisa's expression, that's good stuff.
-Since I do not want to go into great lenghty deatail about every detail of the show..-
King Duncan- Very paranoid.
Hudson+Trio- not much to say
Boudie(SP)- Probably has his heart in the right place but man what a --well cowardly guy--
Demona's Betrayl of MacBeth- this shocked me, leave him to die at the castle but she actually contacted Kenmore?
Wierd Sisters- I HATE them. I think they are corrupt, vile, and wicked, they should burn in a fiery lake in the seventh circle of Hell somewhere. For a very, very long time. (I make this judgement with my Knowledge of the "Avalon" eps)
Vengence begats nothing more than a vicious cycle of further vengence- true perhaps, but highly over exaggerated.
The betrayl of the Cast Wyvern- I want to know who slept at Demona's roost. When the Vikings sacked it.
Bronx and Demona's encounter- I loved it. Good job.
Demona and Macbeth- It's amazing how it goes, I like when Demona came back from the fight all happy and swirled Macbeth high off the ground. Her joyous attitude was refreshing, yet all to short in length.
That's all for this post. Thanks for listening.
Vanity~
A few responses to your comments...
1. Yes, the scene with Travis and the woman was a comedic way to make exactly that point.
2. Can't say I'm rooting for Demona to succeed. I'm rooting for Demona, but not in that way.
3. We had an entire contest to explain "Alone" and got some very interesting responses. You might check them out in the contest archive here at ASK GREG.
4. I think it's presumptuous of you to assume you know exactly what Goliath was feeling. But one thing to keep in mind is that he had just witnessed the results of her mass murder spree.
5. I've said this before, but we all got to watch Emma Samms blossom as a voice actress over the course of just these four episodes. She had never done cartoons before. She was a bit stiff in Gruoch's first appearance, but, MAN, by COS4, she was just ROCKING!!! I give her and voice director Jamie Thomason a ton of credit for really bringing Gruoch to life when we needed it most.
6. I'm not sure that Bodhe did have his heart in the right place -- until, I like to think, the very end.
7. The notion that vengeance begets nothing more than a vicious cycle of further vengeance, is not only true but is if anything UNDERSTATED. Hardly exagerated. One only has to look at a newspaper to see that the Montagues and Capulets of this world simply refuse to recognize this obvious, obvious FACT. It drives me insane. Your casual dismissal of the notion doesn't thrill me either. (Sorry.)
8. You're welcome. I like your posts.
Hey Greg!
I hope you had a wonderful christmas time and a roarin' new year! :)
All the best,
Andrea
Thanks. I did. Twice.
How's married life?
Hello all, hello Greg,
I've been absent for a while (did anyone miss me??), but now there are a few things I want to say.
First of all I never said thank you for such a great animated series - still the best I've ever seen. It can be seen that you wanted to make it very good and not just tried to create something for a quick success. Nearly no one-dimensional characters, complex stories that can't be every time easily understood, a continuing plot and not every episode the same story with the some characters and the same end, all this makes Gargoyles to one of the best series ever. What I liked very much either are the (not too) dark atmosphere, some fantasy elements and the elements of old mythologies.
Unfortunately I haven't seen any episode for a few years (any German out there who knows when the last one was aired?). Because of this I appreciate your work with answering all of our questions. I don't know if I had the motivation for this.
I'll keep my fingers crossed that some day new episodes will be aired. But what about the real life movie? Do you know anything new?
As far as I know, the live-action movie is currently on hold at Touchstone. Shelved. Sorry. I guess they were just never able to crack the script to their satisfaction.
<<You idiot! Did you not read the no ideas clause on the main askgreg page or are you just pretending to be stupid!>>
I found this to be a remarkable statement.
Hello Mr. Weisman.
I was having a conversation with a friend of mine recently about new kinds of conventions in contemporary fiction, (it was less a conversation than a herculean effort on his part to _educate me_ about some of these things which I should know more about) and the topic of literary devices imported from things that are generally considered banal or somehow inferior to literature came up. The Sunday funnies, technical manuals, etc. He brought up something that I thought you would find interesting. I wanted to find out if you had any reaction to this, as I gather that you consider introducing young people to literature very important and this is something which is (possibly) maligning the way in which they perceive it.
My friend explained the phenomenon of these "adventure card games" to me. I guess the pokemon fall into this category. (Horrifying little things) There are also all manner of these dungeons and dragons type games. Apparently a convention has developed among people who play the games of generating fiction using the cards. For instance, each player would represent a character internal to a story and the cards they play with would dictate the structure of a work of fiction they were creating and "acting out" at the same time. The interesting thing about this is that characters within this convention are frequently developed by means of a pre defined list of "character attributes." Once again, for instance, you would have a condition like
10 personality types. Pick one.
10 types of conventional behavior. Pick one.
10 types of hats. Pick one.
The idea seems to be that character development emerges from the intersection of these variables. Even though I'm certain that this kind of convention could be exploited towards an interesting end in literature, I found this sort of "amateur authors" version of writing very limiting, and the whole method of lists of typical character attributes seems to be an arbitrary convention that was being maintained for the sake of game playing. It's all very silly.
The reason I mention all of this is because my friend told me that he has observed a trend among many amateur authors and many young aspiring authors to use this same kind of convention when writing. He sees characters being treated as though the author were at a buffet, and the author were allowed one "feature" for each little spot on his tray. He sees this a lot. He teaches a creative writing class at the moment and has noticed this sentiment that people are coming into the class with, that if they string together a lot of trivia about a fictional person, a real character will emerge as if by magic. He sees them conduct this exercise a lot where they define a character with...
John lives in Wisconsin.
John works in the Madison public Library.
John likes his job okay.
He mentioned he sees this limiting perspective carry over into their observations of other peoples writing. This way of thinking seems to prevent them from really experiencing a character. It seems they can only define the character for themselves from within the context of this kind of trivia.
He asked me if I had seen this obsession over trivia instead of character anywhere else. I immediately realized that I had! It usually takes the form of...
Where did fox get her tattoo?
Who were Mab's parents?
Who were Oberon's parents?
Who were Titania's parents?
Who were anansi's parents?
Will Brooklyn have children?
How many children?
Will his children have names?
Will those names begin with a consonant or a vowel?
This is why some people so appreciate your continued participation with this board. I'm really just writing this because I would like to read any general reaction you have to it. However, I think I would not be alone in wanting to hear you comment on the kind of questions outlined above (of which you field many). I think I kind of resent the implication in some of these questions that, as the author, you should know the names and mailing addresses of all of Elisa's cousin's three times removed, along with their favorite foods and weight at birth. Is there something you think is essentially being missed with questions like these? Maybe if you were to share with your fans, the kind of dialogue you think is worthwhile and exciting, you would see the trivia questions replaced with more real dialogue about "Gargoyles."
Well, let's start with the "buffet"/game-playing writing style.
I think it's awful.
Having said that, I have this friend, a garg fan who's now a pretty darn successful writer. When I read her first book, I felt that the first half of it was written in that way. As if rolls of the dice determined who each character was, what he or she could do and what happenned to them.
The second half of the book was MUCH better. She took a few of the characters from the first half and delved much deeper into their lives and their stories.
When I asked her about it, she confessed (if that's the word) that I was dead on. The first half of the book was her almost literally setting to prose a game of D&D that she had played.
I don't recommend doing that, but look at the result. The second half of the novel, inspired as it was by the first half, was wonderful. And she's moved forward with these characters into other books as well.
My point is that people get inspiration from all sorts of places. I get it from Shakespeare, for example, and Shakespeare got his from all sorts of other sources. A good writer can take something that begins as an exercise... maybe a worthwhile exercise or maybe a dubious one... and turns it into something real and meaningful.
The question -- your first question, I think -- is whether these writers ever grow out of the exercise or whether they become trapped in them. Well, the answer is obviously both. Some will transcend, as some writers always have.
But your second question is more serious. Does this process in fact impair the reader/audience. Forget that some of these guys will never be great writers, will this make them bad readers?
I don't know. But my guess is that it's the same (or similar) percentage of people who would have been bad readers in the first place. The good ones will transcend. The others won't. That's my hypothesis.
Now, bringing it more specifically to ASK GREG and the "trivia questions" I often get, well, I have mixed feelings.
In some ways, trivia is exactly what this forum is for. After all, just a minute ago I fielded a question from a guy who wanted me to lay out ALL the story arcs for Bad Guys. That's not going to happen, as I told him. This isn't a forum for storytelling. It's a forum for people to get a peak inside the box, (the box being my head).
And in fact, I know no zip codes, but I am a font of unrevealed trivia about the show. I do know more about these characters then 66 episodes has revealed. Some of it I like to keep to myself, some of it I like to tease. Some of it I don't mind revealing and have done so.
So a lot comes down to the intent of the questioner, and you can usually tell, if not in a single post then in the range of posts that that person submits. If I get 16 posts in a row asking something like, "Who is Maggie's father?" followed by "Who is Claw's father?" followed by "Who is Fang's father?" or if I get requests for laundry lists of things, "Name all the ancient heroes who have encountered Oberon," then you can bet that the questioner was looking for a question to ask, as opposed to trying to deepen his or her understanding of the show or character.
But sometimes a so-called trivial question can lead to just that. Look at your list above. Some of it seems stupid, but some of the answers to some of those questions would certainly lead to a better understanding. "Who were Oberon's parents?" Once upon a time, I hadn't revealed the answer to that. Eventually, I revealed that Oberon's mother was Mab. And that revelation, and the info I gave about Oberon's overthrowing of his mother, certainly lends something to one's understanding of his character. I haven't yet revealed who his father is. Not in the mood. But I would hope that learning that would also effect one's understanding of the character.
And again, I think you can often (though not always) tell by the question itself if that's what the questioner is seeking. A deeper understanding about some aspect of the show.
So sometimes, it does get annoying. But mostly I enjoy doing this. (I do think that doing a little a day has been a much better system than trying to do big batches of questions all at once. I get less annoyed when not burdened with the cumulative effects of annoyance.)
Do I wish this could be more of a forum for ideas and discussion? Well, yeah, duh. I've invited that in the past, and, P., I always enjoy reading and responding to your posts.
(Although what you quoted at the head of your post:
<<You idiot! Did you not read the no ideas clause on the main askgreg page or are you just pretending to be stupid!>>
I found this to be a remarkable statement.
is a bit lost on me out of context. I can't believe I wrote the first quote.)
Admittedly, we do have a problem with making this a forum right now. The FLOOD. The flood of submissions during a period when I all but ceased to answer questions (all around the time of 9/11 and following) created a backlog so immense that creating a forum is nearly impossible. Now it truly is impossible, as we have temporarily shut down the submission function. You can't respond to this response.
I'd love to try and solve this problem, and I've made suggestions. But ultimately this isn't my site, it's Gorebash's. Until he's ready, willing and able to initate a new system, we're stuck with me slowly catching up.
I hope that 18 months later you're still checking ASK GREG and reading this. I hope that you'll compose your response and hold on to it, submitting it when we finally get things back up and running. But even if you're not, even if you're long gone, thanks for raising some interesting issues.
Hey,
You ever get tired of answering all these questions? Like this one, "How come blah blah blah and blah dont blah blah blah, and blah blah blah blah blah blah blah." After reading a page or two of questions they all started to fade together into one simple demand. "TELL ME EVERYTHING YOU WILL KNOW, HAVE KNOWN AND PRESENTLY KNOW ABOUT GARGOYLES!!!" You've either got the patience of a saint or.... well I dont know what.
Thankyou for helping to create such a fantastic and fulfilling story/world. You can tell if something is great fantasy if it makes the everyday world seem all the more pale and ordinary.
And now on to the questions.......
Sometimes individual questions do annoy me, I'll confess. But I generally enjoy doing this, or frankly... I wouldn't.
Aris- Yes I know western centric doesn't fit I was looking for something like ethnocentric.
"Anyway, the Greeks, Norse, whatever had their deities be finite creatures which began their lives within the universe. There's a difference between that and a supposedly infinite God which *created* the universe. I can imagine the monotheists being upset if they discovered their god was a fay - if The Infinite proved finite, only one of many. But the Norse and the ancient Greeks already believed that there existed many gods. Why be too upset at discovering a couple more they hadn't heard about?"
Thats not my point, my point is that making the God of the gargoyles universe the God of Jews/Christians/Muslims makes it seem that they're superior to all these other cultures since they worship the true god while the other cultures worhip energy beings.
I'll just sit back and let you guys talk.
Well, maybe I won't.
Anyway, I got your point, G. But it's based on facts not in evidence, as I said before.
Galvatron> I think you are confusing Greg's words and intent... His take is after all something like "Everything is true for a given value of 'true'"...
He never said that Muslims, Jews and Christians are *correct* in everything they believed. That might indeed be offensive - but it would also be impossible to pull off, since after all, they believe in some contradictory things as well.
From what I understand, Greg said that these guys worship what they perceive as Infinite and as Creator. That's factually correct in our real world. And then he went on to say that such an Infinite and a Creator exists. Some of the more specific beliefs may well be wrong.
Pagans believed in Zeus or Odin or Osiris or many others gods. And Greg says that, yes, Zeus and Odin and Osiris also exist. But some of the more specific beliefs about them may also be wrong.
So your claim seems to me to be nothing more than "Odin isn't portrayed as Infinite!". To which my response is: "He was never supposed to be, not even by the Norse themselves."
Now if Greg went on to portray the afterlife exactly as Christianity portrays it, *that* might be a bit exclusive... But it seems to me that he's going for a diversity of afterlives, a bit similar to what Terry Pratchett did...
(Weirdly enough however I *was* annoyed by the intrusion of monotheism and dualism in shows like Hercules & Xena which previously featured polytheistic pantheons. But that was more because it seemed to me to subvert the very theme of the heroism of "Man vs gods" and turn it into "The Real God[tm] vs the many false gods"... Greg portrays a universe where all these beliefs can pretty much coexist. The producers of Xena, on the other hand decided to portray a universe where they must fight to the death - the introduction of The One God immediately made the lesser gods something evil which needed to be destroyed. Bleh! )
Sorry for the rant, Greg! :-)
No prob.
But I do think both of you have sort of missed the point. Personally, I believe in both God and evolution. I'm also a bit of a pantheistic pagan, and I don't find any of these notions mutually exclusive. But that's me.
What I believe I've always said about the show is that whatever you believe created OUR universe also created the garg universe. If that's one or more of the above (plus or minus) something else, fine.
Possibly starting a debate...
Galvatron> Umm... "western"-centric because Greg made western deities such as those of the Greeks or the Norse be children of Oberon? Do you think that Athens is somehow located to the *east* of Jerusalem, Bethlehem and Mecca?
I assure you, it's not. :-)
Anyway, the Greeks, Norse, whatever had their deities be finite creatures which began their lives within the universe. There's a difference between that and a supposedly infinite God which *created* the universe. I can imagine the monotheists being upset if they discovered their god was a fay - if The Infinite proved finite, only one of many. But the Norse and the ancient Greeks already believed that there existed many gods. Why be too upset at discovering a couple more they hadn't heard about?
THANK YOU!!!!
Don't you feel it's alittle bit western centric making the god of the Greeks, Norse and all the other "pagan cultures" Children of Oberon who are no better than the non-corporeal beings of scifi while the God of Judaism, Islam, Christianity is actually the creator of the universe? I mean it's like saying that they're stupid for getting suckered in by the Children while we're smart for actually worshipping the true God.
Well, first off ALL THE GODS you mentioned are "Western Culture" gods. All of them. So it's hardly Western centric -- beyond the fact that we got more western culture into the show period.
Second, I have never confirmed or denied the existance of the Judeo-Christian-Islamic GOD in the series. I have left that to every individual character and viewer's view of the universe. So I've hardly given the Abrahamist religions priority over the old "pagan cultures".
Finally, not to split hairs, wow, you got me. I've made fictional characters out of the gods of myth. Shocking.
This is The Cat,
Thank you for answering my questions. You answered the more important ones today or yesterday. Anyothers I have are a bit depressing and don't really need to be answered, so if you don't want to answer them that is okay.
Uh... okay.
I'd just like to thank you for creating such an dramatic and educational show which got me interested in Shakespeare and all those legends that appeared in the Avalon World Tour including Cuchullain, Raven and the Kichinas. Finally I'd like to thank you for answering my hundred or so question which I imagine was a very tedious task.
You're welcome.
Oh. and while I'm here...
Do you think when Aaron finally tracks down Marina Sirtis and asks her to sign the Demona tatoo on his chest that she'll do it gracefully, or will she have someone distract him and then run away really fast?
Even odds.
(Although I can't imagine she hasn't encountered far weirder/scarier Trek fans than our Aaron -- who still reminds me of a young Tom McMinn.)
Greg writes: "There's the amazing NEW GUY. He's terrifying."
Does NEW GUY come from the planet Mertz? If so, that really would be terrifying.
I don't even remember what I was talking about.
And Planet Mertz sounds familiar, but I can't place it right now.
Artemis writes: "They can't flip people off either!"
Sure they can! Not having a ring or pinkie talon (consensus differs as to which gargs don't have) doesn't mean you don't have a middle talon, and thus, still have the ability to flip people the bird. (Yes Greg, we have sat around and debated this)
No argument.
Shavri wrote: "...Anyway, I'm just glad the whole thing was a dream_sequence scheme created by Puck and not something that would actually happen in "your" Gargoyle Universe."
By contrast, I *loved* the idea of a Brooklyn/Demona romance. It's one of the many reasons Future Tense is my favorite episode. But then, I've seen too much anime and believe the bickering couple will always end up together by the end of the series. ;) (It's also one of the funniest touches of FT, IMHO, that only in a world where everything else has gone to Hell can Brooklyn have a happy relationship)
http://www.avalonhigh.com
I enjoyed it too.
But I'm still holding out for Katana.
Greg writes:
"If Disney 'goes under' (a fairly ridiculous notion) than the property becomes one of their assets."
I dunno, Disney was $19 BILLION in the hole, last time I looked. Buying Fox Family alone set them back a little over five billion, which is I'm sure a great deal more then Fox paid (Was it Pat Robertson who used to own it, back when it was just TFC?) for it. Attendance at the parks, at least stateside, is at an all time low, and that was before the horrible events of September 11th which, aside from the devastating loss of life, depressed an American economy already sliding toward recession. (And certainly didn't make anybody feel like running out and going to Disneyland) All the Disney Stores in the US are closing as soon as their leases are up. Of course you're right, the idea that they'd sell off anything is still absurd. They'll just make cut-backs, (Like canceling Team Atlantis) and lay people off until the ship rights itself again. More's the pity.
If it's any consolation, in contrast to Entity's view, I think you've gotten sillier since G2K1. "On second thought, let's not go to Ask Greg, 'tis a silly place." ;)
http://www.exploitationnow.com
I've certainly gotten sillier since G1997.
Re: The Weird Sisters.
"Their tri_part mission."
Luna's log, Stardate: Um... It's hard to tell from Avalon.
These are the adventures of the Weird Sisters, our tri-part mission, to seek out new life, and play mind games with it... To find new ways to plague Demona... To boldly never give a straight answer to anything!
I have entirely too much free time.
And, so this'll have a question in it, is Puck's magic flute connected to the opera "The Magic Flute"?
http://www.pvponline.com
Maybe. Haven't seen that opera.
Greg writes: "(That smart_ass response was a reference to an old tootsie_pop commercial. Anyone old enough to remember it has my sympathy.)"
Actually, I'm pretty sure the tootsie-pop people have reused that one sometime in the last five years. I think I even saw that commercial while watching gargs.
http://www.megatokyo.com
That's cool.
Greg writes: "In 1040, after the bargain, she (Demona) was 35 (Macbeth's chronological age). She still looks great though, doesn't she?"
I think that's worth a Hell Yeah!
http://www.sinfest.net
Hell, yeah!
Hi Greg,
I noticed that you type up notes about scripts of different episodes occasionally. ie. "The Mirror", "Eye of the Beholder" etc. Are you typing these up in any particular order? Or are they just being typed up randomly? I haven't seen notes/big ramblings on Hunter's Moon. (hint hint) Although I must admit I LOVED that scene that was never animated in the third episode between Jason and Elisa in the clocktower ruins. That was a nice touch.
I also just wanted to thank you for taking the time out of your schedule to answer our questions. I've been a fan of Gargoyles since the show aired. When I found this website I was in my glory with all the new information that was archived here. (Many thanks to Gorebash for this website as well!) So I just wanted to thank you for sharing what you have. You've made an E/G Fan VERY happy and inspired. Take care
You're welcome.
I was watching and rambling on the episodes in their correct animation airing order. I got through the first 42 (out of 66) episodes before I had to take a break due to other committments. Now I'm hesitant to start up again both because time is still scarce and also because we have some much discussed problems here at ASK GREG, i.e. a backlog of questions that has me responding to something you posted in November of 2001 here in April of 2003. We've discussed a number of solutions, but all are sort of waiting on Gorebash. His site.
So it'll be awhile before I get to Hunter's Moon.
This covers much the same ground as one of my posts in the Comment Room on the night of October 25, but I thought that I'd post it here as well, to give you all the better an opportunity of reading it.
I was quite intrigued with your remark that you'd decided long ago that Jean Valjean existed in the Gargoyles Universe. The reason for that was that, up until now, whenever "Gargoyles" made use of "pre-existing" fictional characters, it was almost always people from literature, at latest, in the early modern period (as in Shakespeare's characters). The Gargoyles Universe is certainly rich in characters from myth and legend, and early literature such as Shakespeare's plays. But so far as I could tell, nobody in literature post-dating Shakespeare's time period found their way directly into the Gargoyles Universe. Some may be alluded to (such as Sherlock Holmes in "The Hound of Ulster"), or have "Gargoyles Universe" analogies (such as the Frankenstein monster with Coldstone), but none had yet shown sides of being actual characters who were real instead of fictional in that universe. (Well, maybe Dracula, whom you had mentioned intending to include in time, but since Bram Stoker based him on the historical Vlad the Impaler, he's not entirely a product of the 19th century).
So it definitely raised my eyebrows when you mentioned that decision on your part about Jean Valjean. I don't know if you'd actually reached the point of planning to have him appear somewhere in the series (a lot of it, I imagine, would depend on whether "Les Miserables" is in the public domain or not as yet), but it certainly surprised me.
I'm just assuming that Les Miserables is in the public domain. Obviously, I'd have to check that before going forward with any plans.
I don't have a specific story in mind for ol' Jean, but I do have a pretty clear handle on how I'd interpret the character.
And it shouldn't surprise you too much. As I've stated before, given enough time and episodes, the plan has always been to include -- one way or another -- everything. (At least everything that's in the public domain.)
Something that I've occasionally wondered about the general "bring-back-Gargoyles" attitude that is so strong in the fandom. I've pondered, from time to time, the possibility that the general disappointment that nearly everybody in the fandom felt over the "Goliath Chronicles" may have been a major factor here, that one of the leading reasons why so many "Gargoyles" fans want the show to return is that they were disappointed with the episodes that followed "The Journey", and wanted to see the events following the gargoyles' revelation to the world and the formation of the Quarrymen done "correctly". Do you think indeed that this could be a major reason for this attitude?
You got me.
I guess I hope it has more to do with what we did right in the first 66 episodes than what they did wrong in the last 12. But beggers can't be choosers. Whatever keeps the fandom going is good news.
And just a reminder, the BEST thing you can do as a fan is to attend one of the yearly Garg conventions. Info on this summer's con can be found at:
(sorry, no questions this time, but)
THANK YOU THANK YOU THANK YOU (and all those other people) for all the Scottish history in the show. Because of it, I am totally facinated with the topic. It's even better that I know cuz I am from scottish decent (as well as a little english and irish), and my other side came from france (sounds like someone in the show, ne?)
Also, it has inspired me to read Macbeth, and I used to hate Shakespeare!
So thanx again to you and all the little peoples!
And while I'm on the topic of scottish history, can you PLEASE finish "Once Upon a Time there were Three Brothers"? I'd make me very happy!
You're very welcome.
As I've mentioned before, "Once Upon a Time There Were Three Brothers" is kind of finished. For starters, there are only two brothers left. And although it wasn't necessarily my original intent, the piece wound up being more of a prologue to DARK AGES. So I took Three Brothers right up to the point where Dark Ages begins. And I stopped. To keep going would in fact be to begin Dark Ages, which is a HUGE project, that I'm not prepared to take on right now.
But I'm glad you liked it. It was, I think, my first and only attempt at Fan Fiction.
Dear Greg,
I know I'm breaking the "Ask Greg" Rules here, but I figured this was the only way to get in touch with you. I Just wanted to say thank you for making me feel welcome at the gathering 2001. I've wanted to sit down and type this to you for a long time, but time is something I no longer am able use for such simple things. The whole time I was in L.A. I was nervous enough to be so far from home, but no one there seemed to notice me. The Mini-clanners tried there best to make me feel part of something, but It became clearly evident that I didn't fit in there clan eather. People I knew Online wouldn't say hi to me, the one person I thought was my true friend Denis Duplaen was off in his own world with a girl he met, and Demona May drove me freekin' nutz! I truely know how Brooklyn felt when the clan became caught up in there personal affairs and he had no one to talk to. I left L.A. being more depressed then I've ever been in my life, wishing the plane would crash or something.... But I wouldn't have changed a thing if I could, cause I now realize the valuable lesson this all taught me. That no matter how much you think you are apart of something, and feel like you belong, It doesn't mean that People care about you and how you feel. I don't blame anyone but myself for feeling this way, but I also learned that not everybody... er.. better make that hardly anybody likes heavy metal, and just cause you devote time and effort to something, it doesn't mean anyone will care. Now I know that I need to just worry more about what I need to do, rather then what others think of me. I hope to thank Jeff Bennet too. That guy was awesome and we got to talk a bit at Mug-A-Guest. I also wanted to appoligize for not seeming like the biggest gargoyles fan eather. I love the show with all my heart, but I've never had the time to watch every epsiode over and over till I've memorised every event and name and stuff. I've been working hard since I was 14 and now I'm paying bills for my parents. Its not easy to balace 2.5 jobs and school. I envy the people that have the time to watch T.V. everyday.
Well, I'm sorry I rambled on like this, I know you are a much busyer man than I. Thank you for you time and happy late Birthday to you!
Slash T.
(Dan W.)
Slash/Dan
I'm sorry your experience at G2001 was a let-down. I feel that I contributed to that, and I do apologize. I still think about it.
But I am curious. Did you have fun at G2000? I mean it couldn't have been too bad, since you came back for more, right?
Anyway, sometimes we build our expectations too high. I'm not sure even the letdown you describe merits some of the more dire conclusions (or 'lessons') that you have chosen to draw from it.
I hope you give the Gathering another chance some day (like this month). But if not, good luck.
Happy birthday greg, i know you won't read this for months, so happy hanukah to while i'm at it:D
Nearly Happy 4th of July, huh?
Thanks.
Hey Greg Weisman --
I know this may be late, but I've busy with work at the Video Connection, so --
Happy Birthday! YOU RULE!!!
Thanks!
I couldn't get online yesterday to wish you a happy birthday, Sorry!
Today at band practice, for the first time it occured to me that Gaygolyes have somewhat limited hand use, having only 4 fingers. For example, you could never get one to properly play a flute, clarinet, and even trumpets (they probably wouldn't anyway, but still), since they require 5 fingers per hand. They can't flip people off either! (that is, if they really wanted to). Oh well, just a stupid comment. But while my mind is on the topic, why did you decide for them to have only 4 fingers anyway?
Frankly, it tends to look better in animation. It also set them apart more.
Hey Greg,
Happy Birthday!
Ok, that wasn't a question, but hey I'm out of ideas at the moment. You're probably thinking, "Thank God!"
Bye.
Thank God.
No, I mean, thank you!!!
Hi Greg!
Just wanted to say Happy Birthday! Mine was yesterday, so it's easy for me to remember when yours is. Don't know how it is for you, but birthdays have taken on a little stronger meaning for me since the tragedy. I'm old enough that I start to think of birthdays a bit cynically (one year older, etc... I'm 29, BTW), but there are a lot of people won't have any more birthdays ever, so I'm very grateful to be home celebrating with my family and other people I care about. Hope you're doing the same. All the best to you and your family in the year to come!
P.S. Now, can you tell us what Titania whispered to Fox? Just kidding. ;)
My birthday was over eight months ago, and I can honestly say I don't really remember it. I think I was still in a haze.
But thanks for the good-wishes.
And P.S. No.
Happy Birthday Greg W.
Sorry it wan't a question but I have to say it before I forgot again..
Thanks, Demona May. (Course, I'm closer to my next birthday at this point, but the thought is very much appreciated.)
Personally, if GARGOYLES was still on the air, I would prefer it pay as little notice to the terrorist attack on the World Trade Center as possible. GARGOYLES was about many things, but it dealt with them in its own, contained way. It created its own situations and through them addressed real life issues. I would not want GARGOYLES to become a commentary on current events. It's a fantasy/sci-fi show, and therefore removed from our world, both by theory and in established practice. GARGOYLES is best a timeless show, don't you agree?
Generally, yes.
And, as I think I've said, I can't think of a respectful way to deal with it anyhow. And if I can't deal with the topic with respect, than I won't deal with it at all. Except perhaps to inform character.
Lastly the hard one: I took a quick look through the waiting to be answered section, (mea culpa, I don't usually check that part, only the actually answered sections), and I saw a few questions about the recent terrorist attack and the Gargoyles universe. I too am wondering what your thoughts on it are. Forgive me for being presumptuous, but my gut reaction is that you would want to deal with it. Gargoyles never stayed away from difficult issue, and this one came to it. If and (hopefully) when the show continues in some form, and assuming Disney allows you to, how would you handle it? Until now you have said you are leaning to continuing the show post Journey and going through the intervening years at a quick pace. It wouldn't necessarily be obvious what year it is in the story, but the people who are interested would be able to fit it into place and know the time frame from the internet. Now the time frame will be obvious with the most cursory glance.
Aside from the logistics of fitting it in and when, is the issue of how. Gargoyles has it easier than your run of the mill superhero. First off, it happened in the morning, so there us no question of them having been there. (And the fact that so many characters in the show are cops puts us literally and figuratively at ground zero.) Second off, they are strong and they can glide, but they have no way of magically lifting building high stacks of rubble, or zeroing in on survivors under those stacks. They cannot teleport, or put trapped survivors in stasis until they can be reached. In short, they are little more than a few extra sets of extremely strong hands. Still, for a fictional story to save one more life than we have so desperately managed to save strikes me as somewhat offensive. With the heartache and heroism we have seen in the past few days, it is so hard to find the balance between doing disservice to a difficult issue by ignoring it, and doing disservice to that same issue by trivializing it. Not that it shouldn't be tried, In between the extremes is a major service art plays to humanity.
Personally the whole incident has been as bizarre as it is horrendous. Sometime in the middle of Rosh HaShanna I found myself praying I would turn the television after the holiday to hear they found even just one more survivor. I am sure many were doing the same thing, but I was praying that for the rescue workers, so that they would have something to help them go on. At the same time I still hadn't, haven't completely registered the event. The numbers are too big to compute. And yet, I saw the second tower fall from Christopher street, the closest the subway got to work, and knew I had to continue walking south to work to get to my non-telephone based e-mail to be sure I could contact the outside world and get word out I was fine and find out about all my friends who worked even further downtown than I, (not to mention getting word to cousins in Israel who are used to the calls going the other way). I was able to hear that all my friends got out unharmed by noon and began the long walk home. All along the way people had set up radios and televisions for everyone to huddle around and sort out what exactly had happened. I have always maintained New Yorkers are far more friendly and caring than we will admit, but now, it is obvious. By the time we reached the 12th street the people lined up to give blood filled avenues by Saint Vincent hospital. They had so many people asking to volunteer that we were told
to try again in several hours. My friend had chosen a bad day not to wear sensible shoes, and we were stopping into shoe stores all the way north to find her a pair of Keds without luck.
Of course, once I got back to my apartment, and later at friends, we watched amazing amounts of news. With exception of sabbeth and the holiday, I don't think I've gone more than 5 hours without checking it in one way or another. In the days before we were allowed to go back to work we switched off between the news and silly things. I saw The Princess Diaries, my boss admitted to a slightly more
serious movie, but not much more. Thursday the wind shifted and we could smell the smoke. The wind still mainly blows away from us, but every once in a while it turns north again and it smells as if the city decided to put all its ovens on self clean mode. But for the most part the weather had been bizarrely clear and lovely.
Since then we have heard stories of heroism and humanity. Instead of panic and everyman for himself, people were orderly as they made their long way down. Strangers helped, even carried, each other down the stairs. Hundreds of firemen, police and other rescue workers ran back in and up and most probably died in the collapse. Thousands are dead, but thousands were saved by human kindness at the most basic and heroic level. I have never been more proud to be a New Yorker. [And that isn't even dealing with all the people that flocked to NY to help, nor the war I feel we must fight and pray we are mature enough to handle as we have not been in the past.] Everyone here knows at least someone who lost someone. And you can't help but look out windows that used to see the towers, or just down the street, and see a surreal open skyline still full of smoke.
I can't see how any story set in this city at this time can ignore the events, yet I am still too close to know if it is possible to do it justice. I am a (supposed) adult who has had more exposure to terrorism
than most New Yorkers and have an ability 'get used' to new status quos quicker than many. You have repeatedly said that Gargoyles would remain child friendly, even if the topics became more mature. I cannot help but think that children are in even more need than adults to make sense of these events and how it changes us.
thanks for the answers, (and the chance to vent).
Laura
Laura,
I'm tempted not to respond at all. I'm not sure what I could say that would be even half as eloquent as what you just wrote. I know months have passed since you wrote those words, but today they have effected me deeply.
To answer your question... I just don't know. The plan to continue the series where we left off and speed through the years (keeping hard-core fans posted via the internet) made a ton of sense to me before September 11th. Now, of course, everything's changed. It's easy enough to simply NOT show the twin towers. If we're careful it just means we're not pointing the camera that way. And it could be before or after 9/11. But leaving it at that is something of a cop-out.
You've really hit the nail square on the head. How would I, would anyone really, deal with this topic respectfully in a fictional universe? On one level, I'd love to include it -- if for no other reason than to work out some of my own demons about that days events. As you said, the Gargoyles wouldn't even learn about it until sunset.
Then what? I don't think I'd have any of our regulars die in those events. It would seem to cheapen the sacrifices made by real flesh and blood people. Obviously, after the fact, I don't see how I could avoid having Elisa and the Gargs lend a hand. They wouldn't save anyone. How could I allow it? But just try to help.
But even that seems less than respectful. From my vantage in California, it's hard to see a way clear. Ultimately, this probably would never be a decision that would be left in my hands. But if it was, I'd have to take on a consultant (or two or ten). Representatives of all aspects of the event. People who were involved.
That's the best I can come up with now? It's all too hypothetical and painful to figure out in more detail.
But in the simplest terms if what you're asking me is whether or not the towers came down on 9-11-01 in the Gargoyle Universe, then the answer is yes.
I asked this before
Lady Leto writes...
Dear Greg.....
This is a respond to one of your ramblings. You asked:
'Is there anyone out there for whom City of Stone was your first Gargoyle experience? If so, I'd love to hear from you. Did you have a clue as to what was going on?'
Well I was getting my Dad to watch it with me for the first time. And throughout the whole thing he was asking me many question, most of them pointless like do all Gargoyles have tails? And kept on me about names. (Hudson right, nothing is real to humans till they have names.) So yes even with the flashbacks, "Previously" segment, and a hard core garg fan, he was very confused. I think next time I try to get him into Gargoyles I'll start at the beginning.
Also wanted say that it is really cool how you answer all these question. (I have been to the Archives.) It must take alot of time! And you even put up with the not so great questions! I just wanted to say thanks!
Greg responds...
You're welcome. Too bad about your dad. I was afraid of that. Did it at least intrigue him enough to make him want to see more? Or did the confusion just alienate him from the series?
I finally got my dad into the series! I picked an episode by random, it was Revelations. And he liked it! He doesn't like cartoons at all. We watch an episode each week. His favorite character is Hudson, and episode is 'The Mirror' (he thought Puck was really funny!). Well anyway, maybe I can talk him into going with me to the Gathering in 2003 (since we live in Tampa).
I'd love to see you both there.
For those of you who don't know, the site for G2003 has been chosen: NEW YORK CITY, site of the first two Gatherings ('97 & '98) and, obviously, the setting for the series.
But, hey, Lady Leto, how about grabbing your dad and heading for Gathering 2002 in Williamsburg, VA. It's a lot closer to you both physically and temporally.
Happy Rosh Hashanah Greg. Though it may be closeto Channukah when you read this.
It's past Purim. Pushing Passover. (Pretty pathetic, huh?)
But thanks!
I'm glad to see your OK greg. I don't know if you still live in New York(since all of your stories are based there), so I feared for your saftey when I heard about the attack. I'm quite relived now. My sympaties to you and all the american people.
Aside from the occasional trip, I haven't lived in NYC since 1987. I'm an Angelino, born and raised and now returned.
I don't pretend to know what it felt like to live in Manhattan on 9/11, but it was pretty awful being a whole continent away, so I can just imagine.
Thanks for your concern though.
Being a Canadian I am horrified of the thousands of our American cousins murdered in New York today, I hope that the terrorists are caught soon and be made to pay for their hidious crime. I just want to let all Americans who read this that Canada mourns with America and has always considered America as a very close friend and wishes America well.(including you too Greg)
Thanks. It's gonna be a little weird dealing with questions and comments about 9/11 here and now on Valentine's Day.
I may have very little to say.
Hey Greg,
I'd figure since I just got a call back from Jeff Bennett that I'd better check on you. If you are ok could you tell me how Bill(Broadway) and Thom(Lexington) are doing? I'm really conserned about how ya'll are doing and now more than ever. I know that sometimes the actors go to New York to work and Jeff got a hold of my answering machine, so he didn't elaberate(hope I spelled that right). Well, how have you been let's say between November of 1999 to present day? Since I met you, Jeff, Bill and Thom in November of '99 through Make A Wish.
Well I got homework write ya later, Bye.
Hi Cat,
I've been fine, basically. It's sweet of you to be concerned. How are you?
Thom is fine. Playing a lot of tennis. Doing a ton of radio commercials, at minimum.
I haven't talked to Bill or Jeff since (either) the 2001 L.A. Gathering or when I used each of them on the now defunct Team Atlantis show -- all this past summer. But I'm sure they're doing well, or I'd have heard.
Keep in touch. (Any chance we'll see you at G2002 in Virginia this summer?)
Greg
Greg, I'm glad to hear that you're okay. I hope your family is, too.
Well, I just dropped by to let you know of something. Curiosity got the best of me yesterday so I searched in the episode Future Tense for the World Trade Center that was destroyed yesterday, and I couldn't find it. You could usually see it from the Statue of Liberty, right? Well, they weren't there. Scary, huh?
...
I read through about the reasons why Gargoyles was booted out. And I certainly understand them 100%. No company is going to keep making something that isn't giving them a good profit, it's bad for buisness. I've seen a lot of Disney animated shows. At least one episode from everyone since the Disney Afternoon. Disney Afternoon I thought was great. Ducktales, Talespin, Rescue Rangers, even Marsupilami (spelling might be wrong, but can ya blame me?). Gargoyles is by far my favorite show. Now I am not a big fan of anime. I do like some, for instance, Princess Mononoke is just about my favorite movie. The animation was the best I've seen since Gargoyles and the story was excellent. Also well cast for the American dubbed version. Mononoke was the number one movie of all time in Japan, till Titanic knocked it down a spot. Never did I hear of such a thing. An animated movie is number one in a country and knocked all the classics down. Though I think it deserved that spot...even more so then Titanic. Which got me thinking about the difference between the two cultures. Americans seem to think animation is intended for kids. There certainly have been break throughs, but majority of those breakthroughs, were made in Japan. The Japanese seemed to tap into something in animation that Americans have failed to. It's not the form of the movie it is the story. I also think Japanese have more pride in the animated movies, seeing them more as artwork then as kiddie shows which is why they can work so hard at it AND the PUBLIC appreciates it. You and the rest of the Gargoyle crew worked so hard and made the best animated tv show in my mind. I just guess the American public wasn't ready for it. They aren't to that mature point to say animation isn't just kiddie flicks and cute fuzzy animals. They can have deep feelings and emotions as much as any actor. You have at least 2 people behind each character. The animator and the voice. I know there are many other animators of the characters, but I think you know what I mean. I am sorry that the majority ruled this time and they didn't appreciate it or bother to give it a chance or whatever. I still have that hope it will be back in one form or another. Maybe one day it will be it's time to be the next Batman or Superman. They started out slowly too and look at them now. One never knows.
After all that, was wondering, "Do you know how well Gargoyles did in Japan?"
I'm not sure Gargoyles EVER aired in Japan. Does anyone know different?
Siren, thanks for the kind words. I'd quibble with some of it. You make it sound like the public never embraced Gargoyles, and that's not quite true. We were still a solid hit. We simply were not a home run.
Also, I don't believe that either Superman or Batman 'started out slowly'. They were both homeruns nearly from the moment they hit the stands. Revelations.
matt writes...
is the Labyrinth that the clones and mutates live in really a labyrinth? it didn't seem too much like a maze whenever we would see it in the series, and lots of characters went down there and didn't get lost or anything.
Greg responds...
It's mostly just a name. But there are tons of corridors, tunnels, etc. Some of them hidden, like the one where Fang found the old Cyberbiotics weapons cache. So you could get lost and you could call it a maze.
And honestly, matt, doesn't this question seem a bit nit-picky?
recorded on 09-11-01
___________________________________
ok, i'll admit that sometimes i DO nitpick at things, but generally my questions do have a point. since you asked i'll tell you that i asked this cuz i really did want to know if it was an actual labyrinth or just a name. and now knowing that its just a name mostly doesn't bother me or anything. i just like to know the little details alot of times. its not nit-picking, its just being complete and precise, i guess.
Ehh, you may have caught me in a bad mood. There was a point where everyone seemed to be submitting questions with the intent of making me look foolish in some way. My apologies.
As for the Labyrinth, we largely stuck to two or three main areas. But the implication was that between the old subway tunnels and the cyberbiotics build-outs, that the place was fairly maze-like. You looked at my answer and concluded it was just a name. But --and now I'm being nit-picky -- that wasn't my answer. It was mostly just a name. But it was accurate as well.
Matt asked re: "Leader of the Pack":
2. what does "snakes to a nest" mean anyway? from what i know of snakes, they all abandon their eggs completly or stay with their eggs until they hatch.
Greg responded:
2. Ask the writer. I was just the producer.
Shan contributes:
When I hear this phrase, "like snakes to a nest," it makes me think of snakes rushing to the nests of *other animals* to eat their eggs. There are some types of snakes that prefer only the eggs of other animals -- at least according to my Microsoft Encarta (R).
This sounds like a Southern (United States) phrase, but I'm not sure. My mother's from south-eastern Alabama, and I know they have do have some unusual turns of phrase in that part of the country.
The problem with this interpretation is that it gets muddled by the context, since Lex is theorizing that the Pack will return to familiar haunts. Which leads to the way Matt read Lex's comment (i.e. about snakes' own nests), which might have been the opposite of the writer's intentions. Since the Pack members can definitely be equated with "snakes" I can see how one would get Matt's reading.
Steve Perry's the writer, Michael Reaves Story Edited this episode. I confess I don't know too much on the non-professional background of either person, so I've got no clue where either person would have picked up that phrase.
Just thought I'd share my thoughts. Doesn't change the story any, but possibly of interest...
Yeah. I took it the way Matt did, being ignorant of the behavior of snakes. Maybe snakes behaved differently in medieval Scotland?
Yeah, that's the ticket.
HEY, I'm back...and I came back with some milk to wash that cookie down. Santa came early to my house, but I wrestled the cookies away from him to give to you, he's getting big anyway. Mrs. Clause agrees with me. But afterwards Santa and I made up and had a cookie snack together. He told me that you've been a good little boy, Greg, and he's going to give you a big present in December for such great work you've been doing on this web site. He thinks that since you take time out of your valuable schedule to talk to complete strangers is a very noble idea. He's told me to tell you that. He sends his best and can't wait until December rolls around. HO HO HO.
Which Santa?
wuzzzzzzzzzzzzzzzzzzzzzzzzzzzzz up, Greg! Just writting to tell ya that this site is da bomb! You have your hands full with a lot of questions here, some quite philosophical, if I'm reading them right. You're DA MAN!!!!! Keep of the great work and maybe sometime I'll give you a cookie for such great work. SEE Ya!!
Uh... bye. Thanks.
Someone brought up the distinctive coloration of Thailog again, and I thought I'd throw in my two cents. You both agree, basically, that the idea to give Thailog a unique 'color scheme' was a good one, because it nulled the possibility of Thailog and Goliath being mistaken for each other, a very bad cliche. If you'd kept Thailog looking identical and just NOT done that cliche, we the viewers would simply be waiting for it, so the coloration difference was the best way to actively put it to rest.
You ask what the rest of us think about the general direction you and the other writers took Thailog. I'd just like to say that IMHO you guys played him BRILLIANTLY. And I mean it. So many shows bring in clones seemingly just to screw with the hero's identity. But in GARGOYLES Thailog plays such a more profound role. He is Goliath, but with a different soul. And that is what makes him disturbing. Also, in most shows, the clone remains the instrument of his creator, until perhaps he eventually dies, either slain or martyred. But in GARGOYLES Thailog breaks free of his creators in his very first appearence. Right off the bat, Thailog makes it clear that he is his own character, and that although his origin is as a clone, that isn't the extent of his profile. He is something never seen before in science fiction: a clone who so well establishes himself that the description "clone of Goliath" just sounds ignorant and pitiful.
Wow. Thanks. I'm very glad it (all of it) worked for you.
I was just watching Light House on the Sea of Time, and it sparked a memory. I couldn't read/write until I was fifteen years old; I was completely illiterate. My parents had taken me out of public school and home schooled me for a long time because of this, they had tried several different programs and nothing seemed to work. That was the year I saw Light House on the Sea of Time for the first time, and it really inspired me to want to read. I started a new read program that year, and I finally learned how to read. Now I can't imagine my life with out being able to read, I write short stories for fun, I joined the school newspaper, I LOVE reading. So. Thanks for helping me with that first step.
Wow!
That may be the coolest thing I've ever heard with regards to the series. It's a cliche, but we always said that if we could help one person to learn to read...
Thanks for telling me that.
Like you, I'm not a biologist, but this thing about a garg's wings bug me. You said that there are bones inside the wings, though you were not sure. But if there are some, then they can't be like the ones inside the arms or legs. Just watch one episode and you should notice what I mean. To fold them over the shoulders with only two large bones, they must be made of rubber, but that seems pretty unlikely. I would say that either instead of two large bones there are many vertebras, or instead of bones something else like cartilage.
I hope you understand what I mean.
What do your thoughts about it?
I have bones in my arm and it still bends at the elbow.
I already said this in the comment room, but you may not have read it. I just wanted to say sorry about how I put a bit too much attitude into some of my past questions (though at the time it felt more like righteous outrage to the way you answered questions). You were quite right in how you aren't obliged to answer for anything for us. This is your domain and your time you are putting out, and sometimes I and other people take that for granted. So in the future I will try to be more respectful.
That having been said, the reason I talked like that was I didn't see why making a small mistake in the question, was any reason not to answer. I didn't (and still don't) understand what you want when you avoid a question. You could want to not answer it at that moment, or it could just be a secret you don't want to get out (which I am quite willing to respect). So:
1) How can I tell which smart-ass response means what? As in When does it mean that you don't want to answer ever, you don't feel like answering now or you just don't want to answer because my spelling is getting aggravating.
2) Would you please be so kind as to grant me the knowledge of why Goliath, Angela and Gabriel weren't burned horribly when they fell into that water mixed with hot magma? By now I do have my own theory about this, but I would like to hear your answer.
And as for my spelling, since both you and Todd Jenson have told me how hard it is for you and him to read what I have to say, I have been making quite a fair effort to keep it clean (and the response as been fairly good in the CR). It seems people can change someone for the better, thanks for the incentive.
BTW, I was just slightly amused when I looked up "Pendantic" (which was what you called on of my questions) in the dictionary and couldn't find it. It was only when I asked my mom, that I found out it is spelled "Pedantic". But still, It's a cool word and thanks for teaching it to me.
Many thanks.
The Lord of the Sloths.
1. Honestly, you probably can't in a vacuum. If you hang here long enough, you may get a better sense of my rhythms, I suppose. But I still maintain that I don't have to explain myself. I just have to keep it fun for (a) me and (b) enough of you guys to make doing this worthwhile. I think the smart-ass stuff is part of the fun. Certainly for (a). And hopefully for a large enough percentage of (b).
2. I'd have to review the scene in question. It's been awhile.
Your spelling is much improved and it is much appreciated. I don't myself claim to be a brilliant speller, and, hey, typos happen. I know how to spell pedantic, so that one was a typo. All I asked is that you make a bit more of an effort. You have. I'm grateful.
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