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I was wondering if I could ask some questions about the biology of the Bioship, if these questions aren't too spoiley:
1) What exactly IS the Bioship? A plant? An animal? A bacterial colony???
2) Does it have a symbiotic relationship with the Martians? How did that relationship form?
3) How do Martians get their Bioships?
4) How can Bioships do all the things it can do, such as camouflage, fly at incredible speeds, adapt to most environments(including hot ones that would incapacitate a Martian), and etc.?
5) Are Bioships sentient? Or are they more like a companion?
1. Yes.
2. Yes.
2a. No spoilers.
3. No spoilers.
4. Adaptability and a breeding program.
5. Yes.
How would Magic change in 2198 and would it be more widespread in the future?
Magic doesn't change. Whether it would be more widespread is a spoiler.
Rewatched "Revelations" on DVD.
The "creatures/beast" theme: Mace Malone describes Goliath as "a majestic beast". (The evidence, though, indicates that he recognizes Goliath as a sentient being rather than a mere "beast".)
This time around, when I saw Mace Malone's fate, I found myself thinking of the depiction of his ex-partner Dominic Dracon in the "Religion 101" radio play, searching everywhere for those diamonds in a way that indicated that he'd suffered a severe mental shock at the end of "The Silver Falcon". Though I recognize that the radio play isn't canon, I'd felt that it did seem like a probable consequence for DD, after discovering that those diamonds had never been in the Silver Falcon - and Mace Malone's own fate, frantically trying every door, convinced each time that this was the one which would get him out of the Hotel Cabal and to freedom, felt like a parallel to it.
I like that observation.
My thoughts on rewatching "Outfoxed".
Not much new to say about it, but I spotted two things. First, just after Goliath heads off in pursuit of Fortress-Two, we get a shot of it flying towards the Twin Towers. From a hindsight perspective, an unsettling moment.
I noticed, also (continuing my examination of the "monster/beast/creature" terminology used by humans towards gargoyles during this rewatch) that both Renard and Vogel call Goliath "creature". Renard, of course, soon recognizes that Goliath's a sentient being, capable of understanding him when he speaks about the importance of taking responsibility for your actions. I'm not so sure whether Vogel came to the same realization, though.
Ultimately, I think he did.
I rewatched "High Noon" over the weekend. ("Outfoxed", as well, but I'm giving it a separate entry.)
What struck me most about this episode this time around was that it was almost a "Shakespeare villain team-up" - Macbeth (and Demona, whom you could describe as a "Lady Macbeth" analogue) team up with Iago (more accurately, a gargoyle analogue for Iago, who's only called that in the voice actor credits). I doubt that Shakespeare should have objected to that, since he'd written at least one crossover himself ("A Midsummer Night's Dream", which blends Greek mythology with English fairy-lore).
I still like the touch of Hudson and Broadway learning to read from the newspaper - poor Broadway's still finding the word "right" a challenge (cf. "The Silver Falcon"). Again, I'm going to have to look through some books on the history of the English language to find out how so many words which sound like "-ite" came to end, in written form, with "-ight". It's probably one of the biggest challenges to someone learning written English.
Broadway's excited cry, as he and Hudson enter Macbeth's library, "Look at all these books!" struck me all the more, when I thought that, to someone who'd been born (well, hatched) and grown up in the 10th century, a library that size would indeed seem miraculous. What a difference the printing press has made!
"Iago"'s cry as "Othello" and "Desdemona" recover control of Coldstone, "I am besieged!", grabbed me this time around - such a dramatic way of describing the struggle within.
And this time, I also noted Coldstone's statement that, as long as "Iago"'s trying to recover control, "no *living* gargoyle" (emphasis mine) is safe from him. It brings home, I think, his awareness that he's now an "undead gargoyle".
Glad you liked it, still, after all these years.
Has Barbara Gordon retained her B-16 designation since taking on the identity of Oracle, or did she switch to a new designation as soon as she adopted this alias?
As we've seen many times over - starting when Speedy changed his name to Red Arrow - changing your alias doesn't change your designation number.
Iâve been watching Gargoyles on Disney plus, (third run through) and I saw that the Eyrie building isnât too far off from the Chrysler building. The placement seems to change depending on the scene. From what I can tell itâs by the 70s or 80s, east side, where would the real life location be?
As I recall, the Eyrie Building is on Central Park South.
Unlike the majority of fans whom I've seen talking about it, I'm assuming that the more controversial parts of "War of the Spark: Forsaken", such as erasing Chandra and Nissa's romantic relationship and putting Vraska back where she started as a character, were decision made by Wizards of the Coast and not by you. Given familiarity with your past work, it would be out of character, and fans often forget how you're beholden to the directives of the company that hires you to write the book. Any official confirmation of this would be welcome.
I've signed an NDA that prevents me from confirming much beyond what I wrote here: https://www.s8.org/gargoyles/askgreg/search.php?rid=1231. That statement was carefully worded, as it had to be vetted and approved by both Wizards of the Coast and Del Rey Books.
But I think it should go without saying that all END RESULTS had to be approved by Wizards of the Coast before being published.
How long have Dick Grayson and Barbara Gordon been together on Earth-16?
No spoilers. But it also depends what you mean. You might look at our companion comics for hints.
Hello again Mr. Weisman, here are 2 separate questions for Gargoyles I have for you if you don't mind!
1. I'm guessing Xanatos had the PACK's Show Produced before the Gargoyles Woke up, but do you know How Long Exactly Xanatos had been putting the PACK Together as Both TV Stars AND as his Mercenaries? a Year? 2 Years? Or More or Less?
2. Is there a Particular reason why there was Never a Real Christmas Episode of Gargoyles, Or was it simply because you just didn't come up with one?
1. At least a year or two. It was a separate project.
2. It wasn't a priority. We had some ideas, but they never quite raised up to being the top ideas in our arsenal at that time.
As a live action film producer/director, Iâve often thought some ideas might be created as an animated series. What guidance would you give to someone looking to branch into animation? Assume I have no existing relationships.
Your best bet is to go through your agent, who should be able to get you meetings with animation execs.
Rewatched "City of Stone" today (all four episodes). A few things that stood out to me this time.
Continuing the "gargoyles being called beasts" thread: the granary guards in Part One call Demona's clan "filthy beasts". Gillecomgain doesn't use the term "beast" for Demona, but does call her a creature and a monster.
(By contrast, the "breastplate gargoyle" comments about their old home, after Demona and her clan have to abandon it following Duncan's attack, "The hunting there was good" - probably one of the few occasions where gargoyles are talking about being the hunters rather than the hunted.)
Demona's clan uses nets twice in this multi-parter - once against the granary guards in Part One, once against Canmore's army in Part Four. The nets being in Parts One and Four gave a nice sense of "bookends".
A detail that I can't believe I missed before: Demona was bearing the Hunter's mask at her belt, as if a trophy, after the battle with Duncan. (The young Canmore grabs it from her during his attack upon her.)
Demona calls Bronx "my pet"; I looked up your remarks on gargoyle beasts in the archives and found that gargoyles don't see gargoyle beasts as pets, but as equals. Maybe another sign that Demona thinks far more like a human than she'd admit (or than it would be safe to tell her)?
I like the touch of the various new kings (like Macbeth and Lulach) being hailed as "High King of Scotland" - the "high king" part conveys all the more a sense of Scotland as a collection of recently-united chiefdoms (which it would have been at the time in actual history).
We tried to get a feeling for the actual history into the piece.
I finished reading "War of the Spark: Forsaken" today.
While "Magic: the Gathering" is still a "foreign country" to me, I rather liked this book. I got a few big surprises out of it (such as the revelation about Mistress Blaise near the end), and was also amused to note the "lettered plans" gag (evocative of "Eye of the Beholder") and another use of the "Reason not the need" line from "King Lear". Plus a battle with gargoyles in a room filled with clockwork (even if it probably wasn't a clock tower). But the part that most stood out to me was the book opening with an Epilogue and ending with a Prologue. It felt almost as if it was living backwards, like T. H. White's Merlyn.
I became particularly fond of "Rat", whom I understand was your creation instead of a pre-existing figure.
Glad you liked it. The idea was for it to work for folks who had no background in Magic: the Gathering. And I'm particularly fond of Rat, as well. Or, you know, VERY FOND of Rat.
Rewatched "Vows" today. A few new things that came to me.
I was hesitant about mentioning this, in case it comes across as an idea, but - from the way Goliath addressed Demona as "my angel of the night" at Prince Malcolm's wedding, I wondered if this was the first time he'd called her that.
When Xanatos referred to his getting the old coin that was the foundation of his fortune as "ancient history", I thought, "well, medieval history, to be precise".
I wonder how Prince Malcolm and his court must have perceived the Norman Ambassador's departure - he rides off just before the wedding, not staying to see Princess Elena, whom he'd escorted to the castle, wedded (even though he'd presumably be the closest thing to a representative of her father there). At least it doesn't appear to have caused a diplomatic incident between Scotland and Normandy.
The Archmage addresses Demona as "you stupid beast", continuing the pattern of unfriendly humans using such terms for gargoyles, that I've been paying close attention to this time around.
Brooklyn is the one most vocal about going to Goliath's rescue at the end; I wonder if Demona's involvement and his feelings about her had a lot to do about that.
I still think it's a pity that the original ending got onto the DVD; I hope that the Disney + version uses the corrected ending. (That's the main thing I miss from my old "Gargoyles" tapes.)
<sigh> That damn ending...
Where did Demona get her Tiara from? Did someone give it to her or did she steal it?
Really good question.
No spoilers.
Dear Greg,
I don't know if this site covers my question, but I have no other way to maybe get in touch with you, so ...
I just read War of the Spark: Forsaken, I don't know what to say. Many aspects pleased me, others made me think "what ?!"
I think overall I can say I liked it. Well, my question is: will you write more books from Magic: The Gathering?
The ending of this last one was very open, there is still a lot to happen and I think you should bring this ending.
Besides, you have all my support to make Liliana and Jace happen.
There were plans for me to continue on with the quartet of Kaya, Teyo, Rat and Liliana. But MtG's plans changed, so it isn't happening - which was a big bummer for me. But whatchagonnado? Ain't my property, and I knew that going in.
Rewatched my DVD of "Eye of the Beholder" today. I didn't find as much new to notice with this one, unfortunately, though I was delighted to note the moment where Xanatos placed his hand on Goliath's shoulder while pleading for his help at the castle - meaning that he had an opportunity (which he used, obviously) to plant that tracking device on him. I'm glad that the episode played fair with that.
Brooklyn's eyepatch as part of his pirate costume seems all the more appropriate after the ending of "Clan-Building".
Goliath echoes "Re-Awakening" when he speaks of Manhattan as "my castle, my city".
Lots of echoes in this one - backwards and forwards...
Hey greg â" Adam Barnhardt here. Iâm a reporter with ComicBook.com and a massive fan of Gargoyles. Iâve been covering the show for the site and thereâs certainly a platform for more content â" especially if we talk about the #KeepBingingGargoyles movement.
Any chance youâd have a chance to speak with me on the phone or via e-mail in the coming days about all things Gargoyle? Would help provide some serious media coverage for the movement.
You can reach me at abarnhardt@comicbook.com â" look forward to hearing from you.
Hey Adam,
I believe we spoke in 2020: https://comicbook.com/movies/news/gargoyles-movie-reboot-jordan-peele-greg-weisman-involvement/
Bit of a click-bait title to the article, but otherwise, I thought it came out well.
New observations from rewatching "The Silver Falcon" today.
One line of Broadway's dates the episode: he mentions that Lexington and Brooklyn "have dibs on the VCR". I wonder how many of us remember VCRS, and how many of us have forgotten them thanks to DVDs and Blu-Rays.
Elisa's line about Broadway "living out a movie fantasy" brought "Deadly Force" to my mind this time (of course, it helps that Dracon's back in this episode). Fortunately, Broadway's wish to do that has less disastrous results this time.
I also spotted, this time around, the parallels between Matt's entering the remains of the Silver Falcon night club and Broadway and Elisa's later arrival - and how both Broadway and Elisa say "I've had better nights".
And this episode continues "A Lighthouse in the Sea of Time" , showing us that Broadway's begun to learn how to read, and has progressed enough to be able to read Mace Malone's note (and correctly figure out its meaning). In "Lighthouse" he'd initially been drawn to reading because of its ability to take you to other places and times; now he finds that it can be used to convey useful information. (And the poor guy has the word "right" in that note, though he manages to figure it out. It got me wondering - and I'll have to look it up - how so many English words which rhyme with "ite" are written "-ight" - bright, fright, fight, flight, night, sight, knight, tight, etc.
Even DVDs and Blu-Rays are losing ground to streaming...
I always thought that for a new reader - which I can't quite remember being - words with the -ight formation would be tough. So would "tough".
English is not my mother tongue, so I wanted to ask you 2 questions
1. in Earth 16 Superboy is the best friend of the third robin Tim Drake and Kid Flash / Bart Allen as is the case of the new Earth and Young Justice Rebirth?
2. the fourth season in which month of 2020 will it leave?
1. I think for Earth-16, what you see on screen is what you get. Conner is friendly enough with Tim and Bart, but they were in a younger class, and he's closer to/with the folks he came up with.
2. I think you asked this already, so I'm not sure why you're asking it again. I know English is not your first language, but I'm not sure what you mean by "leave". I can't tell if you're asking me an in-universe question about when the show is set, the answer to which would be NO SPOILERS - or a question about when the series will drop in 2020, the answer to which is obviously that it didn't and was never, ever going to be ready in time for 2020. Granted, you wrote this in 2019, so if you would want me to update the question for 2021, the answer is that the show will drop when HBO MAX decides it wants it to drop. And they haven't announced that yet.
Rewatched "The Mirror" today. A few new thoughts and observations.
I saw Demona's snarl at the "Dracula's daughter" in a new light this time. Dracula was a human before he became a vampire - and, naturally, Demona's going to regard any suggestion that she's related to a human - even a human who's become another "mythical creature of the night" - as the ultimate insult.
Not on the scale of Coldstone or the "Hunter's Moon" scheme, but Puck engages in a bit of "blending science with magic" when he uses the satellite dish and the television antenna atop the Twin Towers to help him turn all the humans in Manhattan into gargoyles and back again.
Bronx gets turned into an Irish wolfhound (or close to that kind of dog) - appropriate, in light of "The Hound of Ulster".
Ah, memories...
Rewatched "A Lighthouse in the Sea of Time" - a few fresh thoughts.
I remember your mentioning that you'd intended to have Goliath list a few specific books about Merlin, with Mary Stewart's "The Crystal Cave" as one of them, but weren't able to clear the rights for that. It recently struck me as particularly unfortunate you couldn't mention "The Crystal Cave", since it was published in 1970 and "Lighthouse" first aired in 1995. Goliath could have given it a 25th anniversary tribute.
Continuing the "'beast and monster' terms used for gargoyles" thread that I've been paying particularly close attention to for "Gargoyles"' own silver anniversary viewing, I noted that Macbeth addressed Broadway as "beastie" (evocative of Robert Burns, though Broadway's definitely not "wee, sleekit, cow'rin', timorous" and there didn't seem to be any panic in his breastie) and Goliath as "monster".
I spotted a drawing of a Celtic cross at the top of one of Merlin's Scrolls, when it was unrolled and the writing was visible.
Yeah, I wanted to acknowledge some of my influences, but Disney legal said no.
I rewatched "Legion" today.
When Goliath and Lexington were reunited with Coldstone near the start, I suddenly found myself thinking of your mention of a (rejected) outline for a live-action adaptation of "Gargoyles" you'd written which had Goliath, Lex, and "Othello" as the gargoyles who'd be awakened in the modern world.
This time around, also, the Xanatos Program felt like a foreshadowing of "Future Tense".
I also wondered (just a wondering, not a question) whether the ivied balcony in Coldstone's memories (where he's standing while Iago's "pouring poison in his ear" about Desdemona and Goliath) was supposed to be an actual feature of Castle Wyvern before the massacre, or just a symbolic construct.
Yeah, one thing I'd have loved to do was to better integrate the Coldtrio into the early episodes.
I think maybe the castle might have had some kind of ivy. Maybe. Guess I'd have to research that.
I rewatched "Metamorphosis" today. A few things that struck me this time around.
When Derek and Elisa had their "Xanatos as the reincarnation of Snidely Whiplash" exchange, I thought "No, he's a lot more dangerous than that."
I noticed the pigeons clustered around Goliath just before he awakened; you'd think they'd be staying well away from the clock tower by now. (Though they do fly off in a hurry once the gargoyles wake up.)
I spotted a few animals in cages in Sevarius's lab that I don't think I'd noticed before, though I'm not certain what they were; they were too small to be jungle cats, and the wrong shape for bats.
I'd have to look at the episode again to see if I could remember what they were.
Rewatched "Leader of the Pack" on DVD today. Elements that particularly stood out to me this time:
We see all the gargoyles awakening from their stone sleep, one by one. An appropriate way, I thought, to re-introduce them in the first episode of the second season.
Hudson displays his tracking skills in examining the traces of the fight between the Pack and Lexington, Brooklyn and Bronx at Pack-Media Studios. In fact, I've noticed him using that skill a lot - all the way back to "Awakening Part One", where he notes that the Vikings' horses' prints are too light.
Yep, Hudson was our experienced tracker.
In young justice timeline when Garfield logan and Queen Perdita were dating did they attend each others birthdays ?
I mean the obvious answer is "NO SPOILERS." But beyond that, I'm not claiming or pretending that the timeline (even at 612 pages on my laptop (and, for some reason, 697 on my desktop) has everything that ever happened to every character.
So, firstly. Thanks for responding to all our comments, it probably gets a little bit annoying sometimes, but its really cool that you interact with your fans, and I hope you keep doing it! ^_^
So for my questions-
1. You've said you dislike how time travel works in DC. It does seem really confusing. I've flipped through all mentions in previous comments and have come up with a question regarding Bart.
So, you've said "Earth-16 had a history that Impulse thwarted. You can view his original history as Earth-16a, I suppose. Or you could just mark it up as GONE."
So, if such is the case, would Impulse be at risk of fading away? Does only the future itself fade, and Bart avoids it by not being there? Time travel is really complicated to write, so I just wanted clarity on that.
2. The team started with the original 6, being Superboy, Ms.Martian, Kid Flash, Robin, Artemis, Aqualad. Now there are somewhere around 19 members that are on the team or are associated with the team. Do you ever feel like it is hard to balance so many characters?
3.Does giving an individual character like Bart or Cassie development get harder as more characters are added?
Thanks for your time/responses, it means a ton to me. \(^_^)/
0. I'm still doing it. It just took me a while to get back to it.
1. I kinda have addressed this in the past, but for now I'm going to say NO SPOILERS.
2. I do. Many fans seem to think it's even more difficult for us than we think it is.
3. Of course. But I'm basically okay with that. When the story dictates that one character or another is the lead, that's great - we'll move them into the spotlight. But until then, our leads remain Dick, Kaldur, Conner, M'gann and Artemis, with whichever two to four additional characters that the season dictates gets the spotlight.
Just learned about the proposed spin-offs after all these years, and I ask:
Dude?! Seriously, why was 2198 never picked up?
That spin-off would've been awesome. I'm truly upset Disney or any other company overlooked such an amazing idea.
No other company except Disney could have picked it up. And for a couple decades after Goliath Chronicles basically bombed, no one at Disney was interested in Gargoyles.
Does Dick Grayson work and if so what does he do for a living?
No spoilers.
New thoughts on "Re-Awakening", after my rewatch.
I don't know whether this was intentional or not, but when Goliath and Elisa were having their conversation about the shopkeeper and why he doesn't leave the neighborhood, I found myself thinking of "Othello"'s suggestion, in the flashback, of abandoning the castle and letting the Vikings have it, and Hudson's response. I don't know if you intended those moments to be thematically connected, but they did feel that way to me this time.
It still strikes me that the fact that the gargoyles' resolution to protect the city and its inhabitants comes at the end of the first season says a lot about how different "Gargoyles" was from most super-hero series; the gargoyles are able to have plenty of adventures and experiences - thirteen episodes' worth of them - before making that vow. The series was rooted in their being gargoyles - ancient "mythical" beings with their own culture and world-view - re-awakened in the modern world, trying to make sense of it - and often making mistakes in the course of their attempts - rather than just crime-fighters.
That was all intentional.
Rewatched both "Her Brother's Keeper" and "Re-Awakening" today, as part of my "Gargoyles" 25th anniversary review. New thoughts on "Her Brother's Keeper" (ones that came to mind when I rewatched it).
Broadway's concerned remarks about Elisa near the beginning (including "If cops were meant to fly, they'd have wings") indicates that Elisa had shared with them how she was following Xanatos by helicopter before embarking on it.
Derek's remark to Diane that working for Xanatos "could be the start of a whole new career for me" feels all the truer in hindsight - though he obviously wasn't thinking in terms of running an underground sanctuary for Mutates and homeless people when he said it.
I spotted the clock's hands moving at one point in the episode; apparently Lexington had indeed gotten it working again.
But was it telling the correct time?
Hi Greg,
I know you are not the biggest fan of hypothetical questions, but I have a question regarding Spectacular Spider-Man that can be considered one. We all know about the untimely demise of the show, and the fact that you and the team had an outline of where you wanted the series to go. If Sony were to do animated movies in Spectacular's universe (as that seems to be the only feasible outcome at this time), would you continue with your plans as they were back when the show was running? Or do you feel that you would include some ideas from comics in the past decade while the show was off the air?
Akeem, the reason I'm not a big fan of hypothetical questions is because there's no way for me to answer a hypothetical question like this. I DON'T CONTROL THIS STUFF. Given that simple fact (that fans don't seem to want to absorb), there are too many variables for me to answer. How do I know what I would do in the EXTREMELY unlikely event that this comes to pass? It depends on what my bosses want.
hello i couldnt find this question and im not sure if you even log onto this site anymore but oh well
when making Gargoyles I've heard you had some regrets with broadways relationship with angela is that true?
No. Never. Where did you hear that?
And it took me long enough, granted, but ASK GREG back!
In the episode "The Cage" it's implied that the final scene where Sevarius is confronted by Talon and the Mutates to force a cure out of him, takes place at a Cyberbiotics lab. However, as the scene unfolds and different camera angles are shown, the electric eel tank with broken glass is shown, as well as the ceiling that the Gargoyles broke and escaped through with Maggie in "Metamorphosis". This leads me to believe that this final scene was a return to the original scene of the crime in the Gen-U-Tech building. Growing up watching this episode, I always thought of this scene taking place in the original Gen-U-Tech lab from "Metamorphosis." Are the holes in the ceiling and the eel tank just coinicidences, or was this final scene of "The Cage" intended to be at Gen-U-Tech rather than Cyberbiotics?
I'd have to watch it again, but my memory is that it all took place underground in the abandoned Cyberbiotics complex that later becomes the Labyrinth.
I rewatched "Lnng Way Till Morning" today.
I'm not sure if I noticed it (or commented on it) before, but I spotted two parallel elements in the flashbacks (beside the obvious "Goliath and Hudson pitted against someone who made a poison dart attack upon a human friend"). The scene where Demona wounds Goliath parallels the Archmage's attack on Prince Malcolm; on both occasions, Hudson tries to block the attack, but to no avail. And in both the past and present parts of the story, Demona comments on the gargoyles going underground where their wings will be no use (though in different moods).
Continuing the study of how often "beast" imagery gets applied to the gargoyles: the Archmage calls Goliath a "beast".
October 31st and you're not watching "Eye of the Beholder"?
why dose gar have a girlfriend i mean that great and but why
Why does any teenager have a significant other?
I mean I must not be understanding the question...
I rewatched "The Edge" today - appropriately, since today (October 30) is, according to some sources, Dostoyevsky's birthday, and Goliath was reading his work in the episode.
I spotted more "hunted like animals" remarks (I'm keeping close watch for those in the 25th anniversary review) from Xanatos during his conversation with Goliath at the castle. (I don't recall any of that imagery in "Deadly Force". I think that Macbeth addressed Goliath as "beastie" in "Enter Macbeth", but I'm not certain - if he did, I must have temporarily forgotten my resolve to keep track of that element.)
I also couldn't help thinking, this time around, how convenient for the series it was that Elisa only got a partner *after* the gargoyles moved out of the castle and into the clock tower.
Yeah. It was too convenient, which is why we gave her Matt.
Rewatched "Enter Macbeth" today.
I can't help womdering what must be going through Hudson's head as he watches a Donald Duck cartoon, thoughtfully stroking his beard. The spectacle of a duck grown to human size, wearing clothes and speaking (kind of) could be an even bigger argument for not believing everything you see on television than the revelation of the Pack's true nature.
U remember in your ramble on "Enter Macbeth", your daughter spotted what looked like the Mona Lisa in Macbeth's mansion. This time around, I noticed a portrait of a man apparently in 18th century attire, who reminded me of portraits I'd seen of Bonnie Prince Charlie.
The doors to Macbeth get it both coming and going; they first get broken down when Bronx escapes, and when he returns with Goliath, they demolish a second pair of doors. (Of course, it becomes academic after the whole mansion gets burned down.)
Lexington talks about getting the clock working again; I wonder if he ever succeeded before the Canmores blew the place up.
1. Donald is a mystery to us all... ;)
2. I think Macbeth owned a lot of expensive art.
3. Yeah, so much destruction.
4. He never did.
hey greg ! I was curious to see what sparked your interest in comics and what lead you to focus on comic storylines when it comes to your content? I grew up watching your work, and was around 11 when YJ premiered on CN, and it actually had a really big hand in me gaining interest in production ! so you inspired me to be where Iâm at, which makes me really curious to see what inspired you to be where youâre at !
Hm. I just always loved storytelling. And I always loved superheroes. I was always desperate to get more superhero comics, tv, movies. I began at such an early age that I honestly can't tell you what specifically sparked this interest. It's intrinsic to my personality. But if you look at the INFLUENCES section of the ASK GREG ARCHIVE, you can see lists of the things that influenced me.
Is Hawkwoman friends with Wonder Woman? Would love to see a friendship between them!
They're definitely friends.
Rewatched "Deadly Force" as part of my 25th anniversary "Gargoyles" commemmoration.
1. Broadway seems fairly familiar with Elisa's apartment, the way he glides over there just like that after the movie. (Though he acts as if he's seeing her family photograph for the first time.) I get the impression that Cagney's gotten used to him, judging from his response at the big gargoyle gliding off with his human being apparently bewilderment rather than alarm.
2. Dracon's cell phone looks big and bulky from a 2019 perspective - probably the one "dated" part of this episode.
1. He is.
2. Yeah, the cellphones are the big element that puts the show in the 90s.
Just a few questions regarding Gargoyle teeth and dental care:
1: Can they get cavities and chipped/missing teeth, or is that something the stone sleep's healing properties would take care of?
2: If they need any dental care at all, did Xanatos ever arrange a modern dentist for them, and would such care extend their lives the way it would for a Medieval human given such care?
3: Do gargoyles have baby and adult teeth as humans do, one set throughout life, or some other arrangement?
1. All of the above.
2. It hasn't happened as of 1997, anything else would be a spoiler.
2a. Good dental care is important for all.
3. Haven't thought about it, honestly.
When he was alive, what kind of relationship did Jason Todd hold with both Bruce and Dick respectively
No spoilers.
Features I'd just noticed about "Temptation", this time around.
1. When Broadway tells Goliath that Brooklyn had gone on a joyride, he makes motions with his hands suggesting someone gripping a motorcycle's handlebars.
2. Demona, when she talks about the events of "The Thrill of the Hunt", uses the phrase "hunted like animals" - which not only continues the "humans seeing the gargoyles as beasts" thread that I'd noticed all the more in "Awakening" and "The Thrill of the Hunt", but also put me in mind of the Hunters - no wonder she uses that description!
1. Yep.
2. She's got a history...
I also rewatched "The Thrill of the Hunt" and "Temptation" today. Things I noted this time in "The Thrill of the Hunt".
1. Lexington, angered about the Pack's treachery, cries that they're like animals. I thought that appropriate, given the Pack's "animal names".
2. The Pack continue the "referring to the gargoyles as beasts" practice from "Awakening" and even speak of hunting them, such as Wolf's cry "Let the hunt begin!" - the talk about hunting them also made me think of the Hunters (though they wouldn't be introduced until Season Two, of course).
3. When Brooklyn and Broadway arrive at the end to tell Goliath and Lexington how they'd seen a report on the news about Fox and Wolf's arrest, they come gliding in from outside the castle - so apparently they weren't watching television with Hudson when they found out, but somewhere else. (I won't ask where, but this detail struck me for the first time.)
4. Dingo's cry of "Stone me!" upon seeing the photographs of Goliath felt like a particularly appropriate response to a gargoyle.
1. Yep.
2. Common themes running through the series, I think.
3. Or they were watching t.v. earlier.
4. :)
To celebrate the 25th anniversary of "Gargoyles", I watched "Awakening" (all five episodes) on DVD yesterday, and thought I'd share a few things I hadn't noticed before (or hadn't noticed enough) that struck my fancy.
1. When Goliath sends the trio and Bronx to the rookery, Bronx looks ashamed of himself - in a way that reminds me of times when dogs I'd known looked guilty over something.
2. When Xanatos tells Owen "Make the offer now" at the ruins of Castle Wyvern, I suddenly wondered whom he bought Castle Wyvern from. I won't ask here - it's obviously a "No spoilers" answer - but I was struck by the fact that this was the first time I wondered that.
3. I spotted what looked like a "foliate head" (or "Green Man"-type head) carved over the archway the gargoyles are standing beneath when the Commandos showed up in the courtyard, and a couple of winged figures on one of the tapestries. (I'll have to check for other unusual and remarkable features of the castle in later episodes, as well.)
4. Many of the human characters repeatedly call the gargoyles "beasts", both in the medieval scenes and the modern (Princess Katharine's protest at allowing beasts in the dining hall, Mary calling the gargoyles beasts, Bruno asking "Where's the beast?" while pursuing Goliath and Elisa).
5. Goliath asks Elisa, when they first meet, "What were you doing in my castle?" Despite Xanatos having bought it, he clearly thinks of it as still his - as if laying pipe for the arc about the gargoyles having to leave the castle and Goliath resisting it.
1. The dogs I've had get that shamed look based on my reprimanding tone more than based on what they've done. As opposed to the cats I've had (and have), who at best stare at me as if to ask, "Are you talking to me?"
2. An interesting question.
3. Art Direction was pretty awesome on the show.
4. All very intentional.
5. We tried to keep each character's POV clear.
What is the difference in Gargoyles between a Wizard, a Sorcerer, a Shaman, a Scholomancer to even a Voodoo practitioner?
I don't know, what?
Style? Cultural differences? Self-identification?
Hi greg i have two questions.
1.If you were to bring back Gargoyles on Disney plus,how many seasons would it have?
2. Would you also attempt to do Gargoyles Dark Ages and Gargoyles 2198,and have them on Disney plus if you ever get the chance?
1. How do I answer something so incredibly hypothetical? If it were up to me, it would never end. But that kind of thing is NEVER up to me.
2. Given the chance, I'd do all of it.
Hi, with Disney+ getting ready to launch, I know the the original Gargoyles series will be streaming there... Have you ever thought about doing a pitch for a live action version for the streaming service? I got my wife hooked on the show and even she asked the question... "Why has this never been done as a live action movie/series?" It's amazing how timeless this series is... I own the graphic novels from Slave Labor too and those also feel like watching the show when reading. Thanks for your time! =)
I've been pitching Gargoyles non-stop for over two decades now. Animated. Live Action. More comics. Etc. I'm still talking to people at Disney, but as always, it's not up to me.
If fans want this kind of thing, the answer is pretty simple. BINGE WATCH GARGOYLES OVER AND OVER AND OVER AND OVER on Disney+. #KeepBingingGargoyles
What language do they speak in Bialya? Is it Arabic or some language unique to that country?
A Bialyan dialect of Arabic. Although in parts of Greater Bialyan, they speak a Quraci dialect of Arabic.
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