A Station Eight Fan Web Site
Hey. I've searched through your archives about W.I.T.C.H related questions, initially I wanted to ask you about a timeline related question that seems to be a continuity error but I've seen you don't have a timeline for W.I.T.C.H and don't remember a whole lot of it. But in searching the archives I have thought up another question. You claim credit for the "X is for Xword" format of the Episode Titles. This was sometimes worked very well, sometimes forced but always fun and a great way of remembering what happened in each episode. My question is, had a third season been made and you were involved, would you have continued this trend or replaced it with something similar, and if so, what would it be?
It's embarrassing to admit, but I don't remember. I know I had a plan for Season Three titles, but I've got no memory of what that plan was. It wouldn't have been exactly the same, i.e. I wouldn't have just started over with the letter A. But beyond that....
1)Why do you think that Irma from W.I.T.C.H. is a lesbian? Even after watching the series twice, I must admit I don't see it.
2)We know that Nerissa is bisexual, but is Cassidy a lesbian or bisexual?
1. Then you don't see it. For me it has to do with her only truly being interested in guys that are obviously out of reach. She's fighting to be straight, which I think is not uncommon in our culture. But by choosing unattainable choices, she's guaranteeing that she won't have to actually wind up with a guy. (And when she actually comes close to landing one of them, she bolts.) None of this makes it impossible for her to be straight or bisexual or whatever. But in my gut, that's what I sense is going on.
2. I think she's a lesbian.
But I should say, this is all just my opinion.
Here's my schedule for this weekend's Long Beach Comic Expo at the Long Beach Convention Center:
SATURDAY, FEBRUARY 20, 2016
11:30am - 12:30pm
DOWN TO NERD: INVADER ZIM AND GARGOYLES: CONQUEROR VS PROTECTOR
Thunderdome (Seaside Pre-Function) w/RuthAnn Thompson (moderator), Dave Crosland, Greg Weisman.
Description: Some come from another time to protect, another from a different planet to conquer- but both hold a special place in our hearts! Gargoyles VS Invader Zim. We will focus on the first 5 episodes of the TV series Gargoyles with writer/creator Greg Weisman and the first 5 issues of the Invader Zim comic books with Dave Crosland. What are the differences and similarities do these creatures out of space and time have? How will they fit in on modern day earth? Casual Fans and Hard Core Nerds alike join host RuthAnn Thompson and be "Down To Nerd"!
01:00pm - 02:00pm
THE ART OF STAR WARS & THE FANDOM BEHIND IT
Danger Room (S1) w/Ben Paddon (moderator), Terry Dodson, Craig Miller, Cat Staggs, Greg Weisman.
Description: Cat Staggs has been working for the Star Wars / LUCASFILM family since 2004, for which she has illustrated short fiction for starwars.com, produced sketch and trading cards, exclusive prints for Star Wars Celebrations III, IV, Europe, Celebration V, and Celebration VI. Terry Dodson is an American comic book artist who penciled the Dark Force Rising comic series in 1997. He has also provided art for Mark Waid's Princess Leia limited series. Moreover, Dodson has drawn the Books-A-Million variant cover to the first issue of the Shattered Empire miniseries, and the CBLDF variant to Star Wars: Vader Down, Part I. Greg Weisman is the writer for Star Wars Rebels - "The Machine in the Ghost", "Art Attack", "Droids in Distress", "Breaking Ranks", "Gathering Forces" and Star Wars: Kanan: The Last Padawan. Craig Miller was Director of Fan Relations for Lucasfilm from 1977-1980. He created and oversaw the Official Star Wars Fan Club as well as having edited and written virtually all of the first two years of Bantha Tracks. He was the producer of the Star Wars Sesame Street episodes in addition to operating R2-D2's head in the episodes, as well as being Producer for Lucasfilm on commercials such as the ones for licensee Underoos.. He was also responsible for creating the 800-number telephone hotline for The Empire Strikes Back that allowed fans to call up to receive more information about the movies and characters.
02:30pm - 03:30pm
DWAYNE MCDUFFIE AWARDS
Creator's Lab (S5)
Description: Long Beach Comic Con is proud to announce the commencement of the Second Annual Dwayne McDuffie Award. This one of a kind award will be granted on February 20, 2016 to an American comics work, published in print or digitally in 2015, deemed by the Selection Committee to promote diversity. In the spirit of Dwayne McDuffie, "promoting diversity" can be judged as either broadening the range of characters portrayed in comics, or adding to the variety of creators contributing to the medium.
04:00pm - 05:00pm
THE SPECTACULAR SPIDER-MAN PANEL
Danger Room (S1) w/Greg Weisman (moderator), Victor Cook, Kevin Hopps, Kelly Hu, Josh Keaton, Pamela Long.
Description: In 2008, a new version of everybody's favorite friendly neighborhood Web-Slinger - dedicated to recreating the feel of the original Stan Lee & Steve Ditko and Stan Lee & John Romita, Sr. comics - hit the air. Come hear the creative talents behind The Spectacular Spider-Man talk about what went in to making this classic take on a classic character. Panelists include Victor Cook (Director-Producer), Kevin Hopps (Writer), Kelly Hu (voice of Sha Shan Nguyen), Josh Keaton (voice of Peter Parker/The Spectacular Spider-Man), Pamela Long (Color Stylist) and Greg Weisman (Writer-Producer)!
06:00pm - 07:00pm
GETTING ANIMATED WITH TOP ANIMATION EXPERTS
Rumble Room (S4B) w/Ray-Anthony Height (moderator), Chris Copeland, Greg Weisman, Dean Yeagle.
Description: Top animation experts Greg Weisman (Gargoyles, Spectacular Spider-Man), Dean Yeagle (Caged Beagle Productions), and Chris Copeland (Marvel/Disney Animation) discuss how they broke into animation, their work and a Q&A with the audience!
I'll also have a table a on the show floor, specifically table AN-11 in "ANIMATION ISLAND" between Ellen Jin Over and Amy Mebberson, and near Dino Andrade, Michael Bell, Keith Coogan, Chris Copeland, Matt Doherty, Loren Lester, Tiffanie Mang, Joey McCormick, Chuck Patton, Peter Paul, Sara Richards and Aaron Sparrow. I'll be there between panels on Saturday and all Sunday morning until noon. (Not as sure about Sunday afternoon. We'll have to see.)
I'll sign and personalize anything you put in front of me, but I will also be selling copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM ($10 each), CD sets of the RAIN OF THE GHOSTS AudioPlay ($30 each) and RAIN OF THE GHOSTS prints, drawn by artist Christopher Jones ($10 each, but free with a purchase of the AudioPlay and/or both RAIN and SPIRITS). In addition, I'll be selling animation scripts from series including GARGOYLES, W.I.T.C.H., THE SPECTACULAR SPIDER-MAN, YOUNG JUSTICE, STAR WARS REBELS and others, ($20 each). Finally, I'll be selling script copies of a couple of the special one-off convention radio plays we did, i.e. THE SPECTACULAR SPIDER-MAN MEETS GARGOYLES and GARGOYLES MEETS THE SPECTACULAR SPIDER-MAN MEETS YOUNG JUSTICE ($20 each). All purchases are cash only.
I hope to see you there!
You revealed at CONvergence that Nerissa and Cassidy were lovers.
1. Did the rest of CHKYN know?
2. If not, was it a secret because the 50's and 60's weren't the slightest bit progressive about same-sex relationships?
3. Were Nerissa and Cassidy still in a relationship when Nerissa killed her?
What's said in a Blue Mug should stay in a Blue Mug, and in any case should be taken with a grain of salt. It's at best my opinion, and certainly NOT company sanctioned.
1. I think so.
Did Nerissa kill the real Mage?
Yes, I believe so. (Though it's been a long time.)
I know this question has nothing to do with the show "Gargoyles" but it is about "W.I.T.C.H", one of my favorite shows of all times. It is 2014 and W.I.T.C.H is still being viewed by newer fans and I wanted to ask about the songs from "S is for Self". "The Will to Love" and "Demon in Me" are my most favorite songs from the series and wanted to ask if there will be ANY chance at all for them to be shown in public and even if there was a chance for them to end up in iTunes. I would love to be able to buy the songs and be able to listen to them all day everyday. Thank you for your time.
I have no idea, I'm afraid. I'd love it if they were. I wrote the lyrics to "Will to Love" and my brother Jon Weisman wrote the lyrics to "Demon in Me". It'd be very cool if they were available. We're proud of 'em.
I know W.I.T.C.H must feel like forever ago for you now, but I want to say I really loved watching that show over and over again. It's really wonderful. I especially loved the whole Elyon story.
That being said, do you ever think W.I.T.C.H will see the light of day with a nice dvd release? Maybe you could nudge someone at Disney with a nice email asking about your other (less known) baby?
I don't know. It'd be great. I no longer even have a contact at Disney Home Entertainment, I'm afraid. But fans can make requests as easily as I can.
Stop #6 on the Gargoyles Twentieth Anniversary Tour is LONG BEACH COMIC CON: http://longbeachcomiccon.com/
The full schedule can be found here: http://www.comicbookresources.com/?page=article&id=55700
But here's MY schedule. I'll only be there the one day - Saturday, September 27, 2014 - but as you can see, I'm certainly keeping busy, with five panels and three signings!
LONG BEACH COMIC CON
Saturday, September 27, 2014
11:30am - 12:20pm - Room 102B/C
GARGOYLES TWENTIETH ANNIVERSARY
Moderator: Greg Weisman (Creator, Producer, Writer)
1. Thom Adcox-Hernandez (Voice of Lexington, Brentwood)
2. Vic Cook (Storyboard Artist)
3. Elisa Gabrielli (Voice of Obsidiana & Maria Chavez)
4. Frank Paur (Producer, Director)
5. Dave Schwartz (Development Art Director)
12:30pm - 01:30pm - Signing Area
I won't be attending this signing (because I have to rush off to another panel), but the rest of the Gargoyles panelists will probably be there.
12:30pm - 01:50pm - Hero Complex Theater, Room 104A
WARNER ARCHIVE COLLECTION PRESENTS YOUNG JUSTICE
Moderator: Jevon Phillips (Los Angeles Times)
1. Phil Bourassa (Emmy Winning Character Designer)
2. Cameron Bowen (Voice of Robin/Tim Drake)
3. Kris Carter (Composer)
4. Nicole Dubuc (Writer, Voice of Iris West-Allen)
5. Oded Fehr (Voice of Ra's al Ghul)
6. Kevin Grevioux (Voice of Black Beetle)
7. Kevin Hopps (Writer)
8. Bryton James (Voice of Virgil Hawkins/Static)
9. Josh Keaton (Voice of Black Spider)
10. Curtis Koller (Talent Coordinator)
11. Eric Lopez (Voice of Blue Beetle/Jaime Reyes, Scarab)
12. Michael McCuistion (Composer)
13. Jay Oliva (Director)
14. Mark Rolston (Voice of Lex Luthor, Jonathan Kent)
15. Jason Spisak (Voice of Kid Flash/Wally West)
16. James Arnold Taylor (Voice of Flash, Neutron, Topo, Burton Thompson)
17. Brandon Vietti (Producer, Writer)
18. Greg Weisman (Producer, Writer, Voice of Lucas Carr)
19. David Wilcox (Line Producer)
02:00pm - 03:00pm - Signing Area
YOUNG JUSTICE SIGNING
I plan on being here for only the first twenty minutes or so - before I have to run off to yet another panel. But for as long as I can stay, I will sign for free, anything you put in front of me. I will also be signing and selling copies of my animation teleplays for $20 cash. Among the series you'll have to choose from are Gargoyles, Men In Black, Team Atlantis, W.I.T.C.H., The Batman, The Spectacular Spider-Man, DC Showcase/Green Arrow, Batman: The Brave and the Bold, Young Justice, Beware the Batman and two radio-plays: The Spectacular Spider-Man Meets Gargoyles and Gargoyles Meets The Spectacular Spider-Man Meets Young Justice. All while supplies last, and for as long as I can stay. So show up promptly at 2pm.
02:30pm - 03:20pm - Room 102B/C
THE SPECTACULAR SPIDER-MAN
Moderator: Greg Weisman (Supervising Producer, Writer, Voice of Donald Menken)
1. Kevin Altieri (Director)
2. Kris Carter (Composer)
3. Victor Cook (Supervising Producer, Supervising Director)
4. Nicole Dubuc (Writer)
5. Elisa Gabrielli (Voice of Ashley Kafka)
6. Sean "Cheeks" Galloway (Lead Character Designer)
7. Kevin Hopps (Writer)
8. Josh Keaton (Voice of Peter Parker/The Spectacular Spider-Man)
9. Andrew Kishino (Voice of Kenny Kong, Ned Lee)
10. Phil LaMarr (Voice of Fancy Dan/Ricochet, Joe "Robbie" Robertson, Rand Robertson, Homunculus)
11. Joshua LeBar (Voice of Flash Thompson)
12. Eric Lopez (Voice of Mark Allen/Molten Man)
13. Michael McCuistion (Composer)
14. Daran Norris (Voice of J. Jonah Jameson, John Jameson/Colonel Jupiter)
15. Deborah Strang (Voice of Aunt May Parker)
16. James Arnold Taylor (Voice of Harry Osborn, Frederick Foswell/Patch, Alan O'Neil, Homunculus)
17. Wade Wisinski (Line Producer)
03:30pm - 04:20pm - Room 102B/C
DISNEY AFTERNOON: THE CONTINUING LEGACY
Moderator: Aaron Sparrow (Writer of Darkwing Duck: The Duck Knight Returns)
1. Jim Cummings (Voice of Darkwing Duck, Bonkers, etc.)
2. Jymn Magon (Creator/Producer Talespin)
3. Greg Weisman (Creator/Producer Gargoyles)
4. Mark Zaslove (Story Editor/Producer Talespin)
04:00pm - 05:00pm - Signing Area
SPECTACULAR SPIDER-MAN SIGNING
I'll have to miss this one too, as I'll be in the Disney Afternoon Panel, followed by the Disney Afternoon signing.
04:30pm - 05:20pm - Disney Afternoon Reunion Booth/Signing Area
DISNEY AFTERNOON SIGNING
I'll be at this one for the entire signing. Again, I'll sign anything you bring along for free. And I'll also be signing and selling my teleplays.
05:30pm - 06:20pm - Room 102B/C
RAIN OF THE GHOSTS
Greg Weisman (Author)
06:30pm - 7:30pm - Booth 104 on Show Floor
MYSTERIOUS GALAXY SIGNING
I'll be selling and signing copies of my two novels, RAIN OF THE GHOSTS and SPIRITS OF ASH AND FOAM.
I have another little question.
We know that the Guardians are directly selected by the Oracle for specific reasons: was there any plan to reveal the specific reasons for the C.H.Y.K.N.'s selection (in particular Nerissa)?
No specific plans, but given enough episodes...
A couple questions about "O is for obedience"...
1)Before learning the truth, did Caleb ever ask Julian abouth his mother's identity?
2A)If yes, what did Julian tell him?
2B)If no, who did he think his mother was?
3)What's the reason Julian decided not to tell Caleb of his mother's identity? Was there some kind of taboo against his love with the "Mage"?
4)Why wasn't Nerissa a part in Caleb's upbringing (or at least a stable part in his upbringing, since he still knew the "Mage")?
Thanks for your time!
2A. Not the truth.
2B. Never decided on the specifics of that.
3. It was, in theory, to protect Caleb from those who would seek to force the Mage to do their bidding.
4. I really don't understand what you're asking here.
if you had a choice what superhero show would you like to do
Honestly, I'm not too picky. But my preference would be to return to a series I did before, whether Gargoyles, W.I.T.C.H., The Spectacular Spider-Man or Young Justice.
So the #Gargoyles20 U.S. Tour continues. Stop #3 is CONvergence in Minneapolis, Minnesota. (Well, actually in Bloomington, Minnesota, but close enough.) http://www.convergence-con.org
This is a big one for us. It includes a number of events that we used to do at the old Gathering of the Gargoyles Conventions, which ran from 1997-2009. And I know a bunch of Gargoyles fans will be attending, so it'll also be a reunion of sorts.
My schedule for the long weekend is quite packed - which is just how I like it!
THURSDAY, JULY 3, 2014
2:00pm - 3:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
3:30pm - 4:30pm BUFFYVERSE TEN YEAR ANNIVERSARY
Okay, so Gargoyles ISN'T the only show celebrating an anniversary. The Buffy/Angel universe has been off the air for ten years. Let's reminisce and talk about the impact these shows have had on TV fantasy since their cancellation. Panelists: Myself, Tim Lieder, Cetius d'Raven, Madeleine Rowe, Mark Goldberg. EDINA.
7:00pm - 8:00pm OPENING CEREMONY
If it's not exactly a magical invocation, it is nonetheless our official kick-off for the convention! Join CONvergence mascot Connie as we welcome our Guests of Honor, give out some awards (including the Mark Time and Ogle winners), and get this party started. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Frank Paur, Matthew Ebel, Dawn Krosnowski, Greg Guler, Rob Callahan, Windy Bowlsby, Michael Lee. MAIN STAGE.
9:00pm - 10:00pm GREG WEISMAN'S FANCY BASTARD PIE COMPETITION
Geek Partnership Society is excited to host the Greg Weisman Fancy Bastard Pie Competition at CONvergence 2014! It is open to all CONvergence members who wish to participate. The goal is to make a pie that Greg Weisman, herein to be known as "Fancy Bastard", likes best. The winner will be told super-secret Young Justice spoilers. Find out [some of] what would have happened in Season 3! (But winner must swear to secrecy to claim prize.) See below for some helpful hints.* CABANA 110.
FRIDAY, JULY 4th, 2014
11:00am - 12:00pm GARGOYLES RADIO PLAY AUDITIONS
Ever wanted to be in a radio play? Now is your chance! We are holding auditions for a live performance at CONvergence! You don't even have to be a fan of Gargoyles to enter. You just have to know how to read! Last chance to audition! Casting: Myself and Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice). Casting decisions will be posted by 7:00pm on Friday, July 4th. ATRIUM 7.
12:30pm - 1:30pm FROM TV TO COMICS
We'll discuss the TV shows that expanded into the comicverse, such as Buffy, Smallville, Young Justice and Gargoyles. Did they succeed? Were any of the comics improvements on the shows? How did canon change during the transition? Panelists: Myself (Gargoyles, Young Justice), Shawn van Briesen, Jonathan Palmer, Greg Guler (Gargoyles), Karine Charlebois (Gargoyles, Bad Guys), Christopher Jones (Batman Strikes, Young Justice, Bad Guys). PLAZA 2.
2:00pm - 3:00pm SIGNING
Myself, Christopher Jones (Young Justice, The Batman Strikes, Parallel Man) and Greg Guler (Gargoyles, Phineas and Ferb) will be holding a signing session. Both Chris and Greg always have an array of stuff (books, prints, etc.) to sell and sign. But this time I'm pretty darn prepared as well. First off, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, The Batman, Batman: The Brave and the Bold, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. ;) CONVERGENCE CENTRAL.
3:30pm - 4:30pm CREATING GARGOYLES
This is what we used to call (at the Gathering) the Rocky Horror Gargoyles Show. The creators of Gargoyles show clips and tell stories of how the show came to be. Lots of visual aids. Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Frank Paur ( (Supervising Producer/Director), Greg Guler (Lead Character Designer). ATRIUM 6.
7:00pm - 8:00pm TIME TRAVEL THEORY
Let's assume for a moment that Time Travel is possible. This panel will explore the theories behind such technology. We'll explore quantum realities, temporal anomalies and all other challenges our theoretical time travelers will be face! [Now, I suggested this panel, but then they went and put some actual scientists on the damn thing. So I may quickly be embarrassed into silence.] ;) Panelists: Myself, Nicole Gugliucci, Jim Kakalios, G. David Nordley, Amy Berg. ATRIUM 4.
8:30pm - 9:30pm GARGOYLES Q&A
Join the cast and creators of the "Gargoyles" series and SLG companion comic books to ask and talk about the property. And, as always, Cosplayers are welcome! Panelists: Myself (Creator, Supervising Producer/Story Editor, Writer), Christopher Jones (Bad Guys guest artist), Marina Sirtis (voice of Demona and Margot Yale), Frank Paur (Supervising Producer/Director), Karine Charlebois (Gargoyles Guest Artist, Bad Guys Artist), Greg Guler (Lead Character Designer, Gargoyles Guest Artist). MAIN STAGE.
SATURDAY, JULY 5th, 2014
9:30am - 10:30am GARGOYLES SIGNING
Myself, Marina Sirtis (voice of Demona and Margot Yale) and Frank Paur (Supervising Producer/Director) will be holding a signing session. Again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., The Batman, Batman: The Brave and the Bold, Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
11:00am - 12:25pm GARGOYLES RADIO PLAY REHEARSAL
This is a closed session - for those who were cast in the Radio Play - led by Myself, Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice) & Marina Sirtis (voice of Demona, Margot Yale and Queen Bee). ATRIUM 6.
12:30pm - 1:30pm GARGOYLES RADIO PLAY PERFORMANCE
Fans and professionals - including Myself (voice of Donald Menken and Lucas "Snapper" Carr), Jennifer Anderson (Talent Coordinator on The Spectacular Spider-Man and Young Justice), and of course, Marina Sirtis (Deanna Troi from Star Trek TNG and the voice of Demona, Margot Yale and Queen Bee) - perform a LIVE, ORIGINAL Gargoyles radio play! ATRIUM 6.
2:00pm - 3:00pm GARGOYLES BIOLOGY AND CULTURE
A "what if" panel about the biology and culture of the Gargoyles universe. Creators and performers speculate about anything and everything going on outside the frames of the TV series. Panelists: Craig A. Finseth moderates Myself (Creator, Producer) and Greg Guler (Lead Character Designer). ATRIUM 7.
3:30pm - 4:30pm RAIN OF THE GHOSTS
I'll be reading from and talking about the world and characters of my novel "Rain of the Ghosts" and its sequel, "Spirits of Ash and Foam," which comes out July 8th, 2014, one week after the convention! ATRIUM 3.
7:00pm - 8:00pm ONE ON ONE WITH GREG WEISMAN
Hal Bichel will moderate a one-on-one panel with Myself. PLAZA 2.
8:30pm - 9:30pm SIGNING
Once again, I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Batman, Batman: The Brave and the Bold, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE. CONVERGENCE CENTRAL.
10:00pm - 11:00pm BLUE MUG
Ever wonder about the sexual habits of Gargoyles? Ever wonder who was sleeping with whom among the Young Justice Team or the cast of Spectacular Spider-Man? Join us for for a late night peek at your favorite animated series. This panel will get blue! (So attendees will be carded!) Panelists: Myself, Christopher Jones, Mara Cordova (Last Tengu in Paris Artist). It is also rumored that Edmund Tsabard (an unfancy bastard and Last Tengu in Paris Writer) may make an appearance. EDINA.
SUNDAY, JULY 6th, 2014
11:00am - 12:00pm PROTOFEMINISTS IN SHAKESPEARE
Shakespeare portrayed several intelligent, independent, and self-aware women--Juliet, Lady Macbeth, Katharine, Beatrice, Viola, Rosalind. We'll discuss the problematic and the remarkably (for the era) fleshed-out aspects of their representation. Panelists: Myself, Elizabeth Bear, Ashley F. Miller, Joseph Erickson, Alexandra Howes. EDINA.
12:30pm - 1:30pm GARGOYLES FAN PANEL
It's the 20th Anniversary of Gargoyles. Come share your favorite moments from the show. As always, Cosplayers are welcome! Panelists: Daniel Mohr moderates Myself, Ryan Alexander, Robert Wagner, Maggie Schultz, Jennifer Anderson, Karine Charlebois. ATRIUM 6.
2:00pm - 3:00pm SIGNING
Myself and Greg Guler (Gargoyles, Phineas and Ferb) will be holding one last signing session. Greg G. always has an array of stuff (books, prints, etc.) to sell and sign. And I'll be selling and signing copies of my first novel RAIN OF THE GHOSTS for $10 cash, which includes the book, a personalized signature and signed copies of the original development character designs by Kuni Tomita for the television version of Rain that never was. In addition - and by popular demand - I am selling and signing an array of my animation teleplays for $20 cash from such series as Gargoyles, Team Atlantis, DC Showcase (Green Arrow), Men in Black: The Series, The Spectacular Spider-Man, Roughnecks: Starship Troopers Chronicles, The Batman, Batman: The Brave and the Bold, W.I.T.C.H., Young Justice and even the 2009 Radio Play "The Spectacular Spider-Man Meets Gargoyles". I'll also sign anything else you bring and put in front of me for FREE - especially if you buy my book. CONVERGENCE CENTRAL.
3:30pm - 4:30pm YOUNG JUSTICE
Creative minds behind the Young Justice TV and comic book series will talk about this fan favorite. We're planning some special surprises as well. And, as always, Cosplayers are welcome! Panelists: Myself, Marina Sirtis (voice of Queen Bee), Christopher Jones (Artist YJ Comic). MAIN STAGE.
5:00pm - 6:00pm CLOSING CEREMONY
It's not over 'til the gynoid sings - or something like that. Join CONvergence mascot Connie and our Guests of Honor as we say farewell to another convention. Shenanigans may ensue. Panelists: Myself, Amy Berg, Emma Bull, C. Robert Cargill, Sarah Clemens, Scott Lynch, Marina Sirtis, Matthew Ebel, Frank Paur, Dawn Krosnowski, Greg Guler, Windy Bowlsby, Rob Callahan, Michael Lee. MAIN STAGE
SEE?!! I told you there was a lot. And that's only the stuff that I'm doing. CONvergence is jam-packed with all sorts of pop culture nutritional goodness. So stop by and say hello!!
*In the interest of Full Disclosure, Fancy Bastard would like all to know that he especially likes the following pies:
BERRY (pretty much any kind of berry or a mix of same)
BANANA CREAM (herein to be known as the funniest pie)
Combinations of some of the fruit pies can be great. Contestants are welcome to try other pies at their own risk.
Fancy Bastard does NOT especially like the following pies:
Anything with Chocolate or Lemon or Meringue
Raisins in Apple Pie
Almost never Cherry, though he has tasted the rare exception...
Just a quick question this time. The other time I asked you something about gargoyles and you said that you wouldn't write it for free... wich came as a bit of a shock to me as you have said before that it is your baby proyect.
It's understandable as this is your job and main source of income... But I have to wonder if you would ever have or if you have a personal proyect wich you would do for free.
You deserve every cent you get paid but.. Many (amateur/fanfic) writters write stories for fun and I wonder if this is the case with you. thank you!
I don't write for fun anymore. To be honest, it's too much like work.
I don't write for free, though I do (occasionally) write "on spec". That is, I'll write something that has the chance of paying off later, even if no one is paying me for it immediately. For example, my first novel, RAIN OF THE GHOSTS, was written on spec. (And took over a decade to pay off - minimally.) The second book in the series, SPIRITS OF ASH AND FOAM, was not written on spec. My publisher, St. Martin's Press, ordered it. The third, MASQUE OF BONES, which I've barely begun researching, will also be written on spec, unless St. Martin's Press decides to pick it up.
But the big difference with those books, over something like GARGOYLES, for example, is that I OWN the RAIN property. I don't own GARGOYLES or YOUNG JUSTICE or WITCH or THE SPECTACULAR SPIDER-MAN. It would, frankly, just be foolish for me to invest my time (which is money to me) in something that isn't mine.
GARGOYLES is without a doubt my baby. I feel that strongly. But it doesn't change the hard, cruel fact that I hold no ownership in it at all.
Hello Greg it's me still annoying you :p
I would like to share my thoughts on WITCH if you don't mind.
I read the original comics a bit and one my issues is that in the original story the villains were superbland. I think you did a great job with "Nerissa". But villains like "phobos" came to me as one dimensional evil for the sake of being evil boringness (in the comic). I know you can't acknowledge this but I think your writing made the story much better than the original.
Another thing I didn't like from the original is that they basically gave everything easily to the main characters. (Superboy and superman didn't begin to bond until the season finale for instance...) WOuld you have done things differently?
thank you for your time!
I'm not sure I understand your question, but on WITCH Season Two, I did exactly as I wanted. So, no, I wouldn't have done anything differently - other than obviously, I would have loved to have done more seasons...
Hello Greg! I have a question related now to witch tv series.
I know that you were basically hired to write a "magical girl series" that you had zero input on it's creation with this in mind...
Would you pitch a "magical girl" show idea of your own or would you rather pursue other projects?
Was it ever odd or hard to write for a girl power fantasy show? I don't know if you had experience but I think a show like "WITCH" could be hard to relate as a man when it is so obviously directed at girls as a main audience.
(I am sure many boys liked it but... I am sure most would enjoy more playing being like iron man than being a guardian)
what do you think was the main appeal of "WITCH"?
Do you think boys could relate to "magical girls" like the witch ?
1. I was NOT hired to write a "magical girl series". Quite the reverse. WITCH was originally developed to be that in Season One, but I was specifically brought in with marching orders to make it more of an action-adventure show (with humor) that appealed to boys and girls.
2. I've pitched many series with female leads (and magic), including RAIN OF THE GHOSTS, which I sold. It didn't go, so I turned it into a novel.
3. Not for me. I'll leave it to others to judge whether or not I was successful, but I like - maybe even prefer - to write for female characters.
4. Story and characters. Same as any series I've worked on.
5. Yes. Though they might not readily admit it.
My question is about W.I.T.C.H. more specifically about Will. I was wondering what inspired you to give her the specific power of Quintessence? Because in the comics I don't think that's been mentioned, its always been Energy. However I think it's such an awesome power and your work on W.I.T.C.H. was exceptional! I thank you
Quintessence (literally the "fifth essence") has traditionally been the fifth element, after earth, air, fire and water.
Diversity in pop culture has always been an issue that concerns me greatly. I've tried to do my share to increase diversity on series like Gargoyles, W.I.T.C.H., The Spectacular Spider-Man and Young Justice.
Now, that I've entered the world of publishing, my sister Robyn brought this article to my attention:
The article asks valid questions, and - yes, to toot my own horn - I'm going to provide at least a piece of the answer with my new books, Rain of the Ghosts and Spirits of Ash and Foam. Both feature protagonists of color. Rain Cacique is Native American, as is her grandfather Sebastian Bohique. Her best friends are Charlie Dauphin, who's African American and Miranda Guerrero, who is Hispanic-American. Many - if not most - of the other characters are also of color. This reflects the Caribbean setting of the novels, i.e. the fictional Ghost Keys and the actual mythology of that region.
The books are available here:
I urge you to check them out, and to suggest them at schools and libraries.
Hi greg! First off , Young justice and W.I.T.C.H are some of my favorite tv shows ever. While watching young justice i couldn't help but notice that Rocket had the same voice as taranee! my questions are:
1. Was Asami's concept at all inspired by Hay Lin?
2. Was the Tye/Asami pairing inspired by Eric/hay lin?
3. How old is Rumaan Harjavti?
4. How old is Sumaan Harjavti?
And I wanted to say thanks for having this forum where fans can ask questions, Happy holidays!
3. At the end of Team Year Zero, Rumaan Harjavti is 52.
4. At the end of Team Year Zero, Sumaan Harjavti is 50.
Now that I've posted all my episode thoughts...(in theory I still plan on doing the same on the comics, but...) I want to say thank you for the series in general. (I'd go into details, but it seems redundant after posting all those responses.) I've thoroughly enjoyed it in all its parts. Well, by the time you read this the video game will be out. [Yep!] I probably will have to sit it out. Pathetic as it is, I have to admit to some motion sickness from a lot of video games. I'm assuming I'll be able to get some pretty detailed descriptions from the good folks here. I hope that there will be other continuations as well. (Also good luck on your new Star Wars series.)
I have to admit to more than a little annoyance that another show I enjoy is canceled, but also some confusion. If I understand correctly one of the major factors, if not the major factor in the cancellation is that the merchandise didn't sell as well as they companies had hoped. Good viewership numbers are almost inconsequential. If this is true, (big if, I admit), I don't understand the business model. Why continue making cartoons targeting the older demographic at all? I know the show aimed for a broad audience, but it aimed for each part directly. A lot of cartoons aim themselves at kids directly, and place bonus references and jokes for the older viewers. I've loved many shows like that. But the complexity of characters and plots in shows like Young Justice is not a bonus for older viewers, it is integral. (IMHO) A relationship like, for example, Guardian and Bumblebee is more relateable to a college or adult viewer than a kid. (I would have gone to Babs and Dick, but that was mainly expanded upon in the comics.) A kid would gravitate to the first season romances, or the M'gan/L'gan/Conner triangle. All the relationships were interesting and important to the show, and none were simple, it's just different parts resonant (from experience or at least plot type familiarity) better to different age sets. (Or for out of YJ examples- In Green Lantern- the complexity of Razor and Ia's relationship- given his past lost love, her resemblance, his survivor guilt and rage issues and her ultimate sacrifice is not something that targets the younger viewers of the show. They'll just accept the two are a couple and enjoy the fight scenes. It was perhaps more integral to the show than any Hal based plot. In Tron the entire looks of the show was aimed older, high teens and 20s would be my guess, and not particularly conducive to action figures to my eye.)
Older fans are less likely to buy toys, (or have toys bought for them), but they also have control over their own finances to buy what is actually advertised during broadcast. Between the 24 hour cable tv cycle and dvrs, grown ups will be watching when kids can't, allowing for targeted ads of the none happy meal/stompies/pillow pet variety. (For the record, my 4.5 year old adores her stompies. ~she's 5 now~) I get that a franchise like DC or Marvel or Star Wars can expect some cross product sales, and even a show not squarely aimed at a small kid can have a cool iconic action figure that sells well. But no one expects Smallville or Arrow to survive on toy and apparel sales, they stays on air based on the number and demographics of viewers, just like Birds of Prey did not last for the same reason. Have cartoons, or at least the beautifully animated ones, become loss leaders for merchandise like comics have become loss leaders for movies? And is that a reasonable burden to place on a show that does not squarely target the audience that will buy those toys? Is a high level video game an attempt to tap into an action figure equivalent of older viewers?
I don't want to turn this into a rant about how annoyed I am that YJ was canceled....er, not renewed. I will admit to being mightily confused why DC Nation isn't aiming to expand into more than an hour of programming. I just assumed it was planned to become a 2 or 3 hour block like the old Disney Afternoon, with perhaps a rotating stable of shows. But I am interested on your more insider insight on what the none creative aims are when a new cartoon is unleashed upon the world nowadays and whether they are reasonable. Thanks,
I think one thing to keep in mind is ratings these days are NOT what they used to be.
Ducktales was a ratings smash. It made it's money by itself. Any merchandising was gravy.
Our numbers on Gargoyles, back in the day, puts the ratings of many of today's quote-unquote top-rated animated series to shame. (And Gargoyles was a hit, but never a home run, ratings-wise. Just a single or double.)
So with lower numbers overall, that means less income is coming in from advertising. Meanwhile, the costs of production have either held steady or gone up. That's pretty simple math, isn't it?
So to pay for the production of these shows, you're counting on other streams of revenue to balance the books - and for an action show that mostly means TOYS.
So if the toys don't sell - for whatever reason - how do you pay for the series?
Whether that's reasonable or not is somewhat immaterial. It's just the cold, hard truth of the situation.
So EVERY show I've ever been asked to produce has a core target that it's trying to reach, and usually that's BOYS 6-11, because the belief is (whether you agree or not) that Boys 6-11 drive toy sales for action figures. Doesn't mean the networks object to other demographics (girls or younger kids or older kids, tweens, teens and adults) ALSO watching. But you still have to hit the target.
Picture it like a bullseye. Concentric circles. You MUST hit the center. But hopefully in hitting that sweet spot, you are also reaching the other demos. Back on Gargoyles, I was farely successful at hitting that target audience AND reaching other demos too. And that has always been my goal on these shows. We didn't quite manage it on W.I.T.C.H. We did on Spectacular Spider-Man. And our success was mixed on Young Justice. Ratings were decent overall (by today's standards though not by any absolute standard at all), but our ratings in our target demo were inconsistent at best. (We could go on forever about why, but it doesn't change the FACT of the numbers.)
Throw in Mattel's decision to abandon their YJ line (again, without going into the reasons behind it), and frankly it's no surprise we weren't renewed.
Because how could Warner Bros afford to make it?
After experimenting for two seasons and 46 episodes of YJ, why wouldn't they take the chance on something new that might bring in more money? Or at least pay its own way?
Frankly, we need a new business model. But the studios haven't landed on one that works yet. So they still chase hits.
In your W.I.T.C.H. canon, was Taranee adopted, as she was revealed to be in the comics, or was she the biological child of Mr. and Mrs. Cook? (Assuming, of course, that you thought about this)
I don't recall Taranee being adopted in the comics I read way back then. Did that revelation come after we were done making the series?
In any case, I had no thought of making her adopted at the time.
If the W.I.T.C.H. TV series had continued, did you plan to eventually have Caleb break up with Cornelia and get together with Elyon, as in the comics? Or, if there wasn't a solid plan about that yet, was that a possibility you were considering?
As I've said many times before, I'm not interested in expressing my ideas absent their execution.
Everything in the comic would, of course, have been considered. I won't say what I was or wasn't planning, beyond the obvious - given our Season Two finale - return of Scylla and Riddle.
You previously said that you don't like gran finales and you don't intend to really give closure to any of your shows/stories. Not even gargoyles that as you described it is your "baby" even if you don't own it.
Does that mean that we will always get cliffhanger endings from your tv show when they get canceled?
What about your new book series, will it end in a cliffhanger too?
As much as I am a fan of your stories Greg, It feels empty not to have any closure at all.
No offense but basic story telling has beginning-conflict-resolution and as fans we never get to see a resolution of the overall plot.
I mean having an ending that gives the illusion that "the story never truly ends" is great (that's not what I am critical of).
But I think that not having an ending that acknowledges that the story has to end for real life reasons(maybe becuase you simply can't write stories forever, becuase you aren't getting more episodes, becuase you have to move on etc)... is disrespectuful to your fans that expect to have a complete story.
Take JLU unlimited ending. It even ended with wonderwoman saying "...and the adventure continues" and even left two unresolved plot points, But at the same time it ended the main plots and acted as a send off/good bye to it's fans and it didn't feel empty.
Sorry for being so critical, you are a big inspiration and even if I don't agree with you always I think you are a fantastic story teller (an inspiration for me in fct) and I am planing on buying our new book.
I NEVER leave a season with a cliffhanger.
I ALWAYS leave a season with open-ended closure.
I don't mean to sound disrespectful to you or any of my fans, but that's how my mind works. If you don't like it, I can't really help you, because you'd be asking me to change the way I tell stories.
But perhaps we're not so far apart. You cite the JLU ending, which I haven't seen. But you state that, in essence, it has open-ended closure, even noting it had unresolved plot points. That's EXACTLY what I do at the end of EVERY season. Not everything is going to be tied up into a neat knot, but every major plot point of that season will be, as happened at the end of Gargoyles, WITCH, Spectacular Spider-Man and Young Justice.
So what exactly are you looking for from me that's any different?
And thank you for buying RAIN OF THE GHOSTS. It's much appreciated! Sincerely!!
Through your career, you've shown a fondness for various "Master Planner" type villains (Xanatos, The Light, Nerrisaa etc.) You've also become notable for thinking out things to great detail (as your timelines and posts on askgreg have shown). So I wanted to know, has your own "master planning" informed these characters? For example, does Xanatos plan his schemes out with cards like you do? Do the Light's group planning sessions reflect an evil version of the Writer's room?
God, I hope not. I like to think they're all much slicker than I am.
Well, I've been out of the country and OUT OF THE LOOP, but we have some REALLY BIG news on the GARGOYLES front.
Season Two, Volume Two of Gargoyles has been released on DVD as a Disney Movie Club exclusive. I haven't seen it yet, but I'm planning on getting at least a couple copies, as I'm told by reliable fan sources who have already received their disks that these are the uncut and correct versions of the last twenty-six episodes of Season Two, including such fan favorites as "M.I.A.", Future Tense" and all three parts of "Hunter's Moon".
Wish I knew more. I've e-mailed a Disney contact for more info but haven't received a response yet. But you can probably find all the information you need by asking the fans in the comment room:
Anyway, as always, I'm not asking you to spend money you don't have. But if you can afford it, please help us prove to Disney that Gargoyles is a viable property with a strong fanbase. You can do that in two important ways. (1) Buy the DVDs, of course. And (2) SPREAD THE WORD! Use Tumbler, Twitter, Pony Express, whatever. Just help us let people know that these DVDs exist and are out there for sale.
AND MORE BIG NEWS...
I was waiting until CONvergence was over on Sunday to announce this, but it seems they've already made the announcement here:
Next summer, one of my favorite conventions, CONVERGENCE in Minneapolis, will be dedicating their annual convention to the theme of "A Midsummer Night's Dream". And a major part of that theme will be the celebration of the TWENTIETH ANNIVERSARY OF GARGOYLES!!! I'm going to be a guest of the convention, and we've already begun discussions to create a Gargoyles convention within the convention. That's right, folks, the GATHERING OF THE GARGOYLES is back!! There will be a RADIO PLAY! There will be a BLUE MUG!! There will be the ROCKY HORROR GARGOYLES SHOW-ING OF THE TRADITIONAL VIDEOS!! There will be ASK GREG LIVE!! And there will be other Gargoyles related guests to be announced!!!
If you came to any one of the thirteen Gatherings that we held between 1997 and 2009, you know how much fun this can be. You'll want to be there again! If you missed the Gatherings and always wished you had had the opportunity, now is your chance! If you've never heard of the Gathering, but like Gargoyles (or any of the other shows I've done or am doing - including W.I.T.C.H., Spectacular Spider-Man, Young Justice, Rain of the Ghosts and/or Star Wars Rebels, etc.) then this is an opportunity to talk with me and other like-minded fans about them. (We'll probably have panels on them all!)
And if you're interested in just attending a great comic book and science fiction and fantasy and genre convention, then Gargoyles aside, you just can't beat CONvergence:
The camaraderie of the Gatherings was truly something wonderful, and the closest I've ever come to that outside the Gatherings is CONvergence. I honestly can't think of a better con to merge with, even if it's just for one year. (For starters, the ENTIRE hotel is rented to the convention, and the parties go on all night. No more being told by management that we have to stop talking and/or move to some other location. We can and will continue until we drop!)
Now, let's think. Let's strategize. CONvergence is going on NOW. As I type this. And it will last through the end of this July 4th weekend. Next year's convention is exactly one year away. That's plenty of time to plan, to save up money, make travel and hotel arrangements etc. But mostly, what we've got to do in that year is SPREAD THE WORD!!! I want to see a HUGE GARGOYLE FAN TURNOUT at CONvergence 2014. Let's stun CONvergence, the world and DISNEY by showing them how immensely popular Gargoyles still is. And for sure, I don't want any Gargoyles fan saying, "Gee, I didn't hear about it."
So help me, please. I'm sure there are a lot of old fans out there that long ago stopped reading ASK GREG. Contact them. Contact EVERY Gargoyles fan you know, young and/or old. (Don't assume they must already know.) I want to see all my old friends. And a lot of new ones. So, please. Help me. SPREAD. THE. WORD!!!!!!
Hey Greg a timeline question or threerather.
1. You have detailed timelines for Young Justice and Gargoyls, do you do this for everything you do even when you havent built the universe from scratch like in your Captain Atom comics or WITCH?
2. When did you start this trait?
3. You have time and time again noted that YJ has no "canon year" and that 2010 worked for Year Zero as a math thing. So does that mean season two being in 2016 by that reckoning was a coincidence?
1. Not everything, no. I have a Captain Atom timeline from way back, but I'm sure it has no relevance to current DC continuity anymore. I don't think I ever did a WITCH timeline in the strictest sense, but I did make an effort to keep track of the backstories, etc.
2. In elementary school.
3. Heh heh heh.
I've recently been reflecting on your shows, and one thing that's really jumped out at me is that every one of them I've seen is extremely arc and continuity based, but also has, rather than a single "Big Bad", at least two core villains who contrast with and play off each other- Xanatos and Demona, Nerissa and Phobos, Tombstone and Norman Osborn, the Light and the Reach. Even the unproduced Stargate spin-off you posted about a while back had Osyros and Anubis. I was wondering if this was a conscious decision on your part to deliberately include this element in your shows, or if it's just something that flows naturally while designing a series?
Huh. You know, it's clearly not conscious, since I never noticed it before now.
Maybe it's about trying to world-build something convincing, something that logically plays out the consequences of the world created, which therefore sets up multiple responses from different antagonists to a set of circumstances. And perhaps it also comes out of my belief that nothing is truly monolithic. Even the bad guys aren't just a unified mass of evil. They have agendas of their own.
But honestly, you're guess is as good as mine at this moment.
VERY INTERESTING POST THOUGH.
Because I think I've done the same thing in RAIN OF THE GHOSTS without trying.
What are your thoughts about:
1- The Gargoyles fandom?
2- The W.I.T.C.H. fandom?
3- The Spectacular Spider-man fandom?
4- The Young Justice fandom?
I'm not sure what exactly you're looking for here. Generally speaking, I love all four fandoms (and there's a lot of overlap). My life has - without a doubt - been enriched by my associations with the fandoms of the series' I've worked on. Some of the Gargoyles' fans are some of my best friends.
In person, the fandoms are almost without exception fantastic.
Sometimes on line, less so. I think that the anonymity of the internet does at times encourage bad behavior. And I think that's gotten progressively worse with each passing year. But that has more to do with the internet than with any individual fandom. And, yet, even with that caveat, I love interacting with fans on line. At least most of the time.
Sorry if these questions mean having to think way back. I've been reviewing the W.I.T.C.H. series, and now that I'm on season 2, I had a couple questions about developments in the show.
1. When season 2 first aired, rumors went around that Will's father was originally going to be written as unpleasant and manipulative as he had been in the comics, but due to resistance from Disney, this idea was scrapped. Is there any truth to this?
2. I absolutely loved how Matt ended up becoming Shagon. Did you plan from the beginning that this would happen, or did the idea come later on? Because this was brilliant.
3. Similar to the above, the relationship between Caleb and Nerissa. You hinted early enough into season 2 that the Mage might be Caleb's mother and that Nerissa was the Mage. Caleb was already very different from his counterpart in the comics. How did you decide that Nerissa should be his mother? It was such a surprise.
4. The final question is more of an opinion question. As I watch the series, I find myself wanting to feel sympathy toward Nerissa, despite the things she does throughout the series. What is your take on her?
Thank you and all the staff for doing an awesome job with this show, and for everything else you've worked on.
Actually, I'm kinda impressed I remembered as much as I did:
1. No. He was originally written as more at odds with Susan over custody, but we never were going to write him as a bad guy like in the comics. We were just going to have two well-meaning parents at odds, and then realizing that they were only hurting Will by fighting. But Disney didn't like Susan and Tony to even argue. So instead of the issue being custody, we made the issue Tony's new wife and Will's (mistaken) belief that she was really Nerissa in disguise. In a way, this worked out even better for our overall arc.
2. Well, I planned it from the beginning of my run, but keep in mind I didn't start on the series until Season Two.
3. It all seemed to fit with Nerissa having multiple identities throughout the cast. And, heck, the whole "Luke, I am your father" thing is still too tempting not to use.
4. That she's complex, interesting and fascinating with the tragic flaw of most great villains. Plus she loved and mourned Cassidy. And in her twisted way, loved Caleb and Julian too. And that makes her at least a little sympathetic. Though, of course, the fact that she killed Cassidy and used her, Caleb AND Julian also undercuts that sympathy more than a little.
Hey Greg I just wanted to ask you if you have ever thought on finishing writing all your stories in case you never got to finish them in your life time?.
I don't want to be pessimistic. But just like Moses wasn't able to be on the promised land...
I recall Tolkien had the same issue with his unfinished tales. It would be cool if you at least considered finishing gargoyles. Many of your fans would be grateful if we got to know the full story :)
I'm not sure what you mean by "finishing"...? I mean, just for starters, what medium are you referring to? It's not like I can just magically whip up some cartoons for ya.
But (1) let's start with this notion: it can't be done. Because my mind doesn't work that way. No matter how much I wrote on Gargoyles or Young Justice or SpecSpidey or WITCH or whatever, those stories and those characters would simply inspire new stories and yet more characters. To me, the universe (any universe) doesn't come to an end, so how could I ever bring any of theses sagas to an end?
(2) I gotta earn a living, pal. I don't own Gargoyles. For me to spend unpaid time writing stories that I can never publish, is, I hate to say it, even dopier than a doing post-production on a series for free. And there are limits to even my dopiness.
First I would like to say i love Gargoyles and W.I.T.C.H.!
My question about the show is
-when did Beast Bboy find out about M'gaan's true form?
-Is Zatanna single at the moment?
Keep it up with the amazing show, Young Justice!!
1. Between seasons.
2. Why, are you interested?
Hello, I'm a big fan of your work, especially W.I.T.C.H, which never seems to get the credit it deserves. So I've just a got a few questions on that front.
1. About how old is Phobos?
2. Was there ever a plan to show more about Elyon/Phobos's biological parents, and if so, what were they like, especially to Phobos?
3. I know this is a bit vague,so no worries if there's no answer. I like to write, but I always have a hard time coming up with villains. Any advice on how to create an interesting bad guy?
1. I don't recall, I'm afraid. SO LONG AGO.
2. They were decent people. Perhaps over-indulgent. And probably in some denial.
3. Start with your hero and hold a mirror up to some aspect of him or her. Then twist.
It isn't really much of a question, but all in all, I just wanted to say "Thank you". Thank you for all the high quality shows you produced that enriched my childhood and still give me intelligent and gripping entertainment in my favorite media, animated shows, as an adult.
Most off all, I also wanted to express my admiration for your resolve. While privately I may often joke bitterly about the "Weisman curse" whenever one of your shows gets unfairly canceled way too soon despite (arguably) having the best quality in the entire program. You will always have my gratitude for continuing to produce great shows despite all the stones placed in your way.
As for questions:
1. If you had the means to, would you do a Young Justice/Gargoyles Crossover?
2. Sorry to bring up this unfairly missed opportunity gain, but if you had remained on the staff for "The Roswell Conspiracies", do you think that show would at some point crossed over with Gargoyles?
3. In the spirit of question one, do you think Demona would make a good Red Lantern?
In any case, once again, thank you. Thank you for raising the quality and complexity of the already great W.I.T.C.H. cartoon, thank you for producing the best animated Spider-Man series to date, thank you for bringing Starshiptroopers to the screen in the way it should have been in the first place, thank you for doing such a great job with Max Steel, thank you for doing a huge part in keeping animated DC material extremely high quality, especially at the moment, and of course, thank you for Gargoyles, probably my favorite franchise ever, and I am rooting for you to one day get it back and do more wonders with it.
1. I don't think so. Maybe as a radio play. But I don't see the two universes as being particularly compatible.
2. No. Two different companies.
3. See, this kinda thing doesn't interest me much. If you think so, great.
Thanks for all your kind words.
My question is regarding the W.I.T.C.H. series and it would be greatly appreciated if you would take your time and answer my question. I will try to keep my questions as short as possible.
1. First of all, I loved the W.I.T.C.H. as a youth, it teached me important and valuable things in life. I would hope future generation can have the same opportunity to watch series like this. I think the series came to an abrupt end, when instead it was set for a new season, given introductionen of the new teacher. Why did it end like this?
2. Is there any chance that the series will see a resurrection?
3. What can I do as a fan, to affect the possibility of a resurrection?
4. Can you do anything to get all of us who wish that our dreams of a season, not just remain a dream, but a reality? If not, who can?
Once again, if you would answer, it would be greatly appreciated. Thanks in advance.
1. It wasn't picked up for new episodes. I'm assuming because of low ratings, but no one ever gives me a definitive answer on this sort of thing.
2. ANY chance? Sure. But I see no indication of it currently, and I have no reason to expect it.
3. Honestly, at this stage: nothing. It's way too long after the fact. I mean, you can try to generate a groundswell by gathering a LOT of likeminded fans, but when I say a LOT, I mean a LOT!!!!
4. All I can really do is say that if they do bring it back, I'd love to produce more episodes.
4a. In theory, someone at Disney. But I have no idea who.
When I was watching W.I.T.C.H., I always wondered one thing. Does Mr.Huggles have some sort of increased intelligence when he's in his Regent form? Normally, he's just a regular dormouse. Napoleon was already magically enhanced, so does the same apply to Huggles so he understands when to regent up?
When I was young i watched Gargoyles. My reaction? Meh. Fast forward, year 2009. TvTropes recomended The Spectacular Spider-Man as best animated Spidey show. I hate Spider-Man, but hey, let's give a try. My reaction? AWESOME!!! Hm, lets check other stuff this Weisman guy did. And i rewatched Gargoyles and W.I.T.C.H. My reaction? THIS WEISMAN GUY IS AWESOME!!! He's funny, creative and his villains are amazing. Hm, he's gonna produce Young Justice. Let's check it when it comes out. My reaction? GREG WEISMAN IS OFFICIALLY DEITY IN MY EYES!!! So thank you, Mr. Weisman for giving human kind such awesome cartoons! And now some questions:
1) If you have a billion dollar budget what movie or show would you create? (Shakespeare excluded. We know you would do Kennet Branagh style, 4 hours long, Hamlet)
2) Did you ever met Alan Moore or Neil Gaiman or Grant Morrison?
3) Did you ever considered writing again comics? P.S. Loved Captain Atom both in YJ and comics
4) Whom do you preffer: DC or Marvel? As world, not as a employer
5) Ever been in Europe?
Also, I'm kinda worried for YJ. It seems TV network can't endure your awesomeness, so they ruin 3rd seasons for your shows. That, and Teen Titans are back and new Batman show is in production. Of course, i could be paranoid. No matter what, your work will be always epic! Once again, thank you Mr. Weisman for your awesome work!
P.S. Steve Blum as Green Goblin and Josh Keaton as Spider-Man? BEST. CHOICES. EVER.
1. I don't know. Too many options. Too hypothetical.
2. I met Alan Moore once VERY briefly, in 1985 in San Diego. I've never met Gaiman or Morrison.
3. I'd love to write more comics. No one's asked.
4. ASKED AND ANSWERED. I have no preference. I grew up on both, love both and initially - when I was a kid - didn't even realize there were two different companies.
Ok, my question is about the "death rules" in your shows, AKA the conditions under which you could kill a character off (for example, you said in your Gargoyles' rambles that you could show Othello and Desdemona in "City of Stone, Part 1" because A)the audience already knew they were dead and B)it already knew they'd be back as Coldstone, otherwise you couldn't have personalized the victims of the massacre; you also said that, even though you killed off the Magus in "Avalon, Part 3", you couldn't actually say outloud that he was dead).
So, the question is: under which conditions you could actually kill a character off in Gargoyles, W.I.T.C.H. and Young Justice?
(Ok, fine, I suppose it counts as three questions)
Well, you seem to have already answered your own question vis-a-vis Gargoyles. And I'm not going to reveal anything along these lines for Young Justice.
That just leaves W.I.T.C.H. And I can't remember killing off anyone in W.I.T.C.H. Though we had characters who were already dead.
The first season of "Young Justice" takes place over the course of half a year, starting on the Fourth of July and continuing to New Year's Eve in the Season One finale (with episodes set on Halloween and Thanksgiving along the way). I remember that the first season of "The Spectacular Spider-Man" similarly stretched from the start of the school year in September to Thanksgiving (with a Halloween episode along the way), and that the second season got up at least to Valentine's Day. The time progression in "Gargoyles" was more vague, but we had two Halloween stories ("Eye of the Beholder" and the Double Date story) and three wintry episodes in New York ("Her Brother's Keeper", which ends with a snowfall, "Re-Awakening", and "The Price"), as well as a clear timeline for the Stone of Destiny story.
I like this sense of the year's progress through the seasons and landmark days (like the Fourth of July and Halloween), but it doesn't seem that common in animated series outside your own work. I've seen two speculations on why that element is so rare in animated series. One is that a lot of the people who engage in such creative work aren't big on continuity and change, far less than you are. Another is that most people involved in creating animated television series live in or near Los Angeles and other parts of California, where the climate is pretty much the same year around and there's less a sense of four seasons than in other parts of the United States. I was wondering what your thoughts were on these theories.
Both these theories seem valid to me, but they probably pale from the economic explanation: if you progress through the seasons then you have to redress backgrounds and characters, and that's expensive. Me, I believe it's WORTH the expense. But that's only true if you're really going to DO something with it. If you're not, then there's not much point. (We also did it on W.I.T.C.H. by the way.)
In W.I.T.C.H., why some of the Hearts, like Lillian and Elyon, have sentient forms, while others are simply majical objects?
That's just the way it works.
Hello, Greg! I have some W.I.T.C.H. questions.
1)In the series finale, when the C.H.Y.K.N escaped from the jewel, why did Nerissa remain young, while the reverted back to their original forms?
2)Why Cassidy stayed alive, instead of becoming a ghost again?
3)Does Nerissa know that her fantasies (when she remains trapped in the jewel) are just fantasies, at least deep down, or she really believes they're real?
1. Nerissa didn't ever really escape from the Jewel. But in her imagination, she was still young.
2. Because that magic had been accomplished. It was a done deal.
3. I'll leave that to your interpretation.
I recently saw this line from an interview with Steven Bochco in the early 80's, talking about Hill Street Blues (which currently has its first two-and-a-half seasons on Hulu Plus, by the way):
"Maybe the biggest problem with Hill Street, in terms of popular success, is that it is a show that demands to be watched. And most people do not watch television. They simply are in its presence."
I love that quote. What an insightful way to encapsulate about what was essential and great about Hill Street Blues, without going into all the details of what made it so outstanding. Just leave at this: unlike nearly anything before it, in many ways it was a show that demanded to be watched. I think that characteristic also applies to Gargoyles as well, no doubt due to the major influence Hill Street Blues had on the show (as you've often mentioned).
Nowadays, that quality, of being a show that "demands to be watched," is characteristic of so many excellent shows that appear on HBO, Showtime or AMC (before hitting DVD boxsets and iTunes), places where popular success isn't the one and only yardstick. And again and again, we've seen how this kind of series can flourish in the atmosphere of creative freedom offered by these outlets.
Can viewers hope that someday soon, that kind of environment will produce an animated serial drama that has the same level of quality, complexity and acclaim as these channels' current headline series? If so, what might it take for that to happen?
Hey, Zach. Long time no see. I'd heard that quotation about Hill Street before, and couldn't agree more.
I appreciate you think Gargoyles falls in the same category. It's flattering and certainly what we strived for. I don't pretend that we were as good as Hill Street Blues, but no one can accuse us of not going for it.
As to your question, I like to think that W.I.T.C.H., Spectacular Spider-Man, Young Justice and Young Justice: Invasion also qualify. At least at Gargoyles' level. So I think it's already possible. But that's just my - apparently not so - humble opinion.
Hey greg what's up I would love to ask you a questions regarding your story telling techniques
You have said in the past that you could go be telling stories forever if you wanted and in fact sometimes not even the tv show is enough for them hence the comics.
But have you ever considered in giving your characters and stories a Grand finale?.
I think something that has made me a bit sad is that in your past shows you have been cut short due to executive decitions out of your control and we have been unable to get anything resembling an ending that actually gives closure (w.i.t.c.h,Spectacular spiderman, gargoyles etc)
However it is always nice when a tv show character directly says goodbye to te audience(like batman the brave and the bold) or when every major plot point is solved at the end.
A big trait of western media in it's majority like tv shows and specially comics is that the characters "are frozen in time".
Spiderman for instance will always be a young man that fights crime and the story won't go beyond that,same for superman and batman. When the story gets after a certain point we as fans tend to get reboots reapeaing the smae story.
I would like to ask you if given the chance will you give us a finale to your works like gargoyles.
Will we ever see the closure of them?
Do you believe in "grand finales"?
Or do you want simply to never give them a real ending o your shows and simply give the idea that the story will be around forever?
Yeah, I'm not so much into Grand Finales. Probably why I'm more of a television or comic book guy than a movie or graphic novel guy. I believe (whole-heartedly) in the on-going story. That's what LIFE feels like to me.
Gargoyles is a perfect example. Characters come; characters go and some even die, but the world goes on. I even know (but don't ask) how Goliath dies, but I don't see it as the end of that world. It's only A FINALE, because there is no THE FINALE.
I suppose if one was writing a story with a single lead, a la Spider-Man, and either (a) one killed him off or (b) one really ran out of stories to tell, then I could see staging that big Grand F before you waved goodbye forever. But that assumes there isn't a new Spider-Man waiting in the wings and/or that a guy like me would actually run out of stories. And that hasn't happened to me, at least not yet.
Dear Mr. Weisman,
Thank you for all the wonderful work you've done from Gargoyles, to Spiderman, to Young Justice. Been a fan for years.
1) From your experience, what was more enjoyable to work with? Working on a show that was completely yours to control - Gargoyles - from character development, plot, and storyline? Or Spiderman and Young Justice where the basics has already laid out?
2) Was there more pressure to succeed working on Gargoyles because it was original and the creativity was your to control? Or was there more pressure to work on an adaption on Spiderman and Young Justice because the bar has already been set?
1. They're different. Gargoyles is my baby. But in terms of the actual work, I don't think I had any more or less fun working on SpecSpidey, W.I.T.C.H. or YJ.
2. I think the pressure rises with each series, but I blame the internet more than anything inherent in the series. (I blame the internet for a lot, which is not to say I could go back to living without it.)
This is...going to be an odd post.
Six years ago, I was a lonely and bored kid surfing the Internet for pretty pictures of one of my favorite shows, WITCH. I stumbled upon my first fanfiction. I was eleven and hooked. I've managed to bond with many people because of that discovery and self-published some of my writing.
Fast forward to December 2010. I heard of this fantastic new show, Young Justice, and unfortunately missed the premiere due to my DVR not working. I decided to surf the Web and stumbled upon an anonymous writing meme for Young Justice. It's still the most interactive, fun place I've been online, and it got me out of a slump I'd fallen into with my writing. In fact, the Young Justice fandom is the most active and interactive fandom I've ever been in.
I have Asperger's Syndrome- I find it difficult to connect with people at all. So...thank you. Thank you for making such great shows that people love so much that we can all connect to. It's really made my life so much better.
You know, I really don't think I know the definition of "meme".
Otherwise, you're very welcome!!
Only two episodes of your run on WITCH, namely the first and last, have your writing credit (if my research is correct). Was there anything about WITCH's production that prevented you from contributing more scripts personally or was it a creative choice?
Honestly, I don't remember. Did I really only write two myself?
I love how badass Aqualad and all the other Atlantians are on YJ! Usually, Aquaman is considered kind of a joke by a lot of people, but you made them so cool and powerful on the show, which is great. I was wondering, was some of the water controlling powers Aqualad use inspired by Avatar: The Last Airbender?
Well, not really, because I've seen that stuff for years before I was exposed to A:TLAb. For example, W.I.T.C.H. But you know, it's all in there, I guess.
I heard that you wrote the lyrics for the will to love and even though the full song was never released, the lyrics for the full version were released. recently i have been learning the song by ear and have been making a tab for it. the one problem is that even though i can learn almost all of the song from 'S is for Self' the bridge is quite a problem for me. i would be quite happy to create my own chords and melody for it but i would much rather write it with the correct chords and melody. i was wondering if you would know any of the chords from the bridge or know anybody who might know them? just the chords will do because i will be able to create my own melody ontop. Please don't just look over this question as this project means quite alot to me as it is my first one.
I'm not sure how to help you. The entire song was recorded, even if it wasn't all used. But I don't have a copy of the sheet music.
Though I know your mind isn't the kind to play favorites, but given how you acknowledge The Mirror as your favorite/the best episode of Gargoyles, I think this might be able to fly.
Do you have any particular episodes of WITCH or The Spectacular Spider-Man that, if it wasn't your favorite necessarily, you felt was the best of those shows? And for what reasons, if so?
At the moment, I can't think of just one for either series. But it's been a while since I've watched them.
This is about pretty much all the series you've worked on. I've noticed that most of your series has a large cast of recurring characters (and that despite this characters tend to be very well delineated.) Now for Young Justice, WITCH, and Spectacular Spiderman that may be just because they were pre-existing properties and already have large casts. However, Gargoyles also had a large cast.
Was this a because of conscious choice?
Do you perfer working with a large cast of characters?
I do. I like creating worlds that feel real and populated.
I know I wrote to you about a year ago with some thoughts on âW.I.T.C.H.,â but I just went through the series for a second time, and rather than just watch it, I was able to study it, catch all the clues and pieces of foreshadowing and other things that I missed.
Last year, it took me two weeks to make it through the first season, and twenty-four hours to make it through the second season. This time, well, I wanted to let the second season breathe a little more, which is why it took twenty-seven hours to make it through this time.
What can I say, itâs addictive.
I think Iâll start with the large cast, which seems to be a feature in every series you produce. I donât feel like anybody got the short end of the stick. Will, being the lead, of course got the most time. Everyone else was well balanced also. Casts this big can be pretty hard to juggle. Five main characters, and so many supporting characters, recurring characters, villains, etc.
Irma was probably my favorite of the Guardians. She just had so much spunk. A huge sense of humor. I enjoyed how she often seemed like she would be the most fun to hang out with, but at the same time, probably the meanest when she was in a bad mood. Cornelia at her worst has nothing on a pissed off Irma. Very scary. God help you if you push her to anger. Iâve known people like that in real life, but I find that TV seldom ever does it well. So I have to commend a series that can take someone so likeable and make them nasty without losing their likeability.
The theme of the season seemed to be growing up. Hay-Lin and Taranee change and grow the most this season. Cornelia does well too, learning to be a better sister to Lillian. Will growing in her powers, as a leader, in her relationship with her parents, and their new love interests, and in her own relationship with Matt.
Ironically, Irma seems to change the least over the course of the season, but thatâs okay, because she still got a lot of characterization.
Surprising nobody, my favorite character in the series was Nerissa. She always kept me guessing. Going through the series for the second time, I could really see her master plan and all the pipe-laying for her. I probably shouldnât mention season one, but I paid much more attention to Trill this time, as well as the Mage. Nerissa just seemed to be everywhere, pulling everybodyâs strings. I liked the twist that she wasnât really out for vengeance, which is a twist that made sense. Watching it the first time, I asked myself why would she want to avenge Phobos, she wasnât there. Well, she was, but you know what I mean. The Knights were all a distraction, and the second time, that seemed much more obvious. But I enjoyed how cold and intelligent she was. She was always scheming; always Machiavellian; and two steps ahead of everyone; all the while carrying around a mountain of repressed guilt. I once described her to a friend with the following words: âimagine if Xanatos and Demona had a baby together, that child would be Nerissa.â I thought Kath Soucie did a magnificent job.
I must also say that the twist that Nerissa was Calebâs mother was brilliant. As I understand it, this was not the case I the original comic book. But I enjoyed it; I thought it worked quite well. It also made things even more chilling in that, when you think about it, she essentially raped Julian. Rape by deception is still rape, and thatâs not something you see often in a cartoon. It almost reminds me of Merlin helping Uther deceive Igraine in order to create King Arthur.
And then there was Prince Phobos. Itâs impossible to discuss what was done with him in the second season without talking about the first. I thought he was pretty one note throughout the first season, but season two did something far different with him, and you really felt how this guy could have held the entire world of Meridian under his control for so long.
I felt the same way about Lord Cedric, he got old really fast in the first season, and when he finally gets out of his cell in season two, heâs not doing much that he didnât do in the first season until what had to be the shock moment of the entire season. I wonât say anymore, but it was nice to see a character I thought so poorly of get that moment. What inspired that twist, I wonder.
The Shagon mini-arc was very well done too. It seems to be a theme in Weisman produced shows to have a character change into something else, all under the control of a villain. David Xanatos turned Derek Maza into Talon; the Green Goblin turned Mark Allan into Molten Man; and Nerissa turns Matt into Shagon. What I also enjoy is just how different each of these scenarios really are. Shagon was a nice personal antagonist towards Will. As I understand it, this is another case where the TV series deviated from the comics for the better. Turning Matt into Shagon just gives that character a lot more chemistry with our heroes than he otherwise would have had.
Would I have liked to see a third season? Sure. But aside from the mystery of who this new teacher was, I thought it was all wrapped up very well, and didnât leave me âneedingâ to see more the same way âGargoylesâ and âSpectacular Spider-Manâ did. It was great television, and Iâm sorry I didnât get to see it when it was originally airing.
Thanks. I was really proud of the work we did with WITCH. Tried to stay true to Season One and build in more material from the comic, and take it all to a new level. Would have loved to have done another season, but...